Set A Light 3D Review: Can you learn lighting in a computer?

Summary

本视频介绍了Elixir的Satellite 3D软件，这是一款灯光模拟程序，允许用户在电脑上练习灯光设置和解决问题。视频作者分享了自己购买并使用了一年半的经验，并提供了折扣代码。软件能帮助用户模拟不同的灯光效果，优化实际拍摄前的计划，并支持导出不同格式的布局图。作者通过演示和个人案例，展示了软件的多样性和实用性，强调了它在提高工作效率和创造性方面的价值。

Takeaways

• 🌟 Elixir的Satellite 3D是一款灯光模拟软件，可以在电脑上练习灯光布置和解决问题。
• 🛒 视频制作者个人购买并使用了该软件一年半，提供了基于个人经验的评测。
• 🔗 通过视频描述中的联盟链接和优惠码'John 15'，观众可以享受85折优惠。
• 📸 软件能够帮助用户模拟不同的灯光效果，优化实际拍摄前的灯光计划。
• 🎨 用户可以根据需要调整模型、灯光、背景等元素，以达到预期的拍摄效果。
• 🖼️ 软件提供了丰富的道具和背景选择，用户可以构建出高度个性化的场景。
• 📐 软件支持调整工作室大小，适应不同用户的需求。
• 🎥 视频制作者分享了如何使用软件模拟特定场景，比如老好莱坞风格工作室的灯光设置。
• 👓 视频制作者因视力问题开始佩戴眼镜，并在视频中展示了佩戴眼镜的形象。
• 📊 软件不仅可以用于个人练习，还可以作为商业拍摄的预设和规划工具。
• 📚 视频提供了详细的软件操作指南，包括如何调整模型姿势、灯光方向和强度等。
• 💡 视频制作者鼓励观众通过软件学习和实践，以提升自己在灯光方面的技能和作品质量。

Q & A

Elixir的Satellite 3D是什么类型的软件？

Elixir的Satellite 3D是一款灯光模拟程序，允许用户在电脑上练习灯光设置和解决照明问题，无需在摄影棚内进行实际操作。

视频制作者是如何购买Elixir的Satellite 3D软件的？

视频制作者在2021年末使用自己的资金购买了Elixir的Satellite 3D软件。

使用Elixir的Satellite 3D软件有哪些好处？

使用Elixir的Satellite 3D软件可以帮助用户在电脑上模拟实际的灯光效果，节省时间并提前规划拍摄场景，同时还可以用于练习灯光设置和解决照明问题。

视频制作者使用了哪种优惠方式来购买软件？

视频制作者使用了自己购买的程序，并通过附属链接和优惠码“John 15”来获得15%的折扣。

Elixir的Satellite 3D软件的基本功能包括哪些？

Elixir的Satellite 3D软件的基本功能包括模拟不同类型和强度的灯光、调整灯光位置和角度、模拟不同环境下的光照效果，以及提供多种可自定义的模型和场景。

视频制作者如何使用Elixir的Satellite 3D软件来模拟特定的拍摄场景？

视频制作者通过在软件中创建场景，添加和调整不同类型的灯光，以及设置模型的位置和姿态，来模拟特定的拍摄场景。他们还可以通过软件的预览功能来查看灯光效果，并进行必要的调整。

Elixir的Satellite 3D软件中的哪些功能可以帮助用户改进实际拍摄？

Elixir的Satellite 3D软件可以帮助用户通过模拟不同的灯光设置和场景来改进实际拍摄。用户可以试验不同的灯光组合和强度，以及模型的姿态和表情，直到找到理想的效果。此外，软件还可以导出详细的设置信息，帮助用户在现场快速重现模拟的效果。

视频制作者在视频中提到了哪些关于Elixir的Satellite 3D软件的改进建议？

视频制作者提到，虽然Elixir的Satellite 3D软件非常强大，但在某些方面仍有改进空间，例如服装的可定制性有时不如预期，以及软件中的某些服装看起来有点过时。

Elixir的Satellite 3D软件的Pro版本与基础版本有何不同？

根据视频制作者的描述，Elixir的Satellite 3D软件的Pro版本与基础版本的主要区别在于，Pro版本允许用户自定义工作室的大小，而基础版本则提供固定的三个工作室尺寸。

视频制作者如何使用Elixir的Satellite 3D软件来规划他们的工作室？

视频制作者在搬入工作室之前，使用Elixir的Satellite 3D软件模拟了整个工作室的布局，包括他们坐着的角落。这帮助他们预见进入场景或房间的感觉，并规划出最高效的空间布局，以便客户进入房间时能感到舒适。

Elixir的Satellite 3D软件提供了哪些类型的模型和道具？

Elixir的Satellite 3D软件提供了多种模型和道具，包括不同类型的人物模型（如Jessica），各种家具（如沙发、椅子、桌子），以及多种摄影道具（如背景、反射器）。此外，还有各种灯光设备和连续灯光选项，以及用于构建场景的形状和结构。

Outlines

00:00

🎥 视频简介与Elixir软件介绍

视频开始时，主持人欢迎大家回来，并表示希望观众今天过得愉快。他计划在视频中回顾Elixir的Satellite 3D软件，这是一个灯光模拟程序，可以帮助用户在电脑上练习灯光设置和解决问题，无需靠近摄影棚。主持人透露，他是在2021年底自费购买该程序的，并已使用一年半。他将分享个人使用经验，并提供了一个优惠券代码，以便观众在购买时享受折扣。

05:00

👓 主持人的视觉挑战与软件应用

主持人提到，他因为视力问题开始佩戴眼镜，并在朋友的推荐下尝试在视频中佩戴眼镜。他分享了自己如何使用Elixir软件来模拟老好莱坞风格的摄影棚灯光，并解释了软件如何帮助他在实际拍摄中达到理想的效果。他还提到了软件的不同版本，以及如何使用软件来模拟和规划自己的工作室空间。

10:02

🎨 软件中的模特和场景设置

主持人展示了如何在软件中添加和调整模特Jessica的姿势和外观，包括更换发型、衣服和配饰。他还介绍了如何导入和调整背景图片，以及如何选择和调整不同的灯光设备和修饰器。此外，他解释了如何使用软件中的道具和家具来构建场景，并分享了自己如何使用软件来模拟整个工作室的布局。

15:02

📸 灯光调整与相机设置

视频继续展示了如何在软件中调整灯光的方向和强度，以及如何设置相机的参数，如焦距、快门速度、光圈和白平衡。主持人通过调整灯光和相机的角度，解决了模特眼镜上的反光问题，并展示了如何在软件中预览和调整最终的拍摄效果。

20:04

🖼️ 导出选项与实际应用

主持人介绍了Elixir软件的导出功能，包括如何保存和分享场景设置、灯光图和幕后视图。他解释了可以根据不同项目需求选择不同的导出模板，并强调了软件在实际拍摄前的规划和与团队沟通中的重要性。

25:05

🙏 结语与优惠信息

在视频的最后，主持人感谢观众的观看，并鼓励他们通过提供的链接和优惠码尝试Elixir软件。他希望软件能帮助观众在灯光方面取得进步，并期待在未来的视频中再次与观众交流。

Keywords

💡Elixir's Satellite 3D

Elixir's Satellite 3D是一款光效模拟软件，允许用户在电脑上模拟和练习灯光效果，无需实际进入摄影棚。在视频中，讲述者分享了自己使用这款软件一年多的经验，并展示了如何利用它来解决实际拍摄中的灯光问题。

💡光效模拟

光效模拟是指使用计算机软件来模拟真实世界中的光线效果，包括灯光的方向、强度、颜色等，以便在实际拍摄前进行预览和调整。视频中，讲述者通过光效模拟软件来优化拍摄计划，提高工作效率。

💡折扣代码

折扣代码是一种促销手段，允许用户在购买产品或服务时享受一定的价格优惠。视频中，讲述者提供了一个名为'John 15'的折扣代码，用于观众在购买Elixir's Satellite 3D软件时节省15%的费用。

💡老好莱坞风格

老好莱坞风格是指20世纪30年代至50年代好莱坞电影中常见的视觉风格，以其经典的黑白色调、高对比度和精致的光影效果著称。视频中，讲述者通过模拟这种风格，探讨了如何在现代摄影中复现老好莱坞的灯光效果。

💡摄影棚

摄影棚是一个专门用于拍摄照片或视频的室内空间，通常配备有专业的灯光设备和背景布。视频中，讲述者提到即使不靠近摄影棚，也可以通过光效模拟软件在电脑上练习和解决灯光问题。

💡灯光设备

灯光设备是指用于摄影或视频拍摄中控制光线的一系列工具，包括主光源、补光灯、反光板等。视频中，讲述者分享了自己如何使用Elixir's Satellite 3D软件来模拟和选择合适的灯光设备，以及如何调整它们的位置和强度。

💡模型定制

模型定制是指在软件中根据用户需求调整和修改模型的外观和属性，如发型、服装、姿态等。视频中，讲述者展示了如何在Elixir's Satellite 3D软件中定制模特的发型、服装颜色和姿态，以更好地模拟实际拍摄场景。

💡导出选项

导出选项是指软件中允许用户将模拟的场景、设置或图像保存为文件的功能。视频中，讲述者介绍了如何使用Elixir's Satellite 3D软件的导出功能，将模拟的灯光设置和场景保存为JPEG图片或PDF文件，以便与团队成员分享或用于其他目的。

💡灯光问题解决

灯光问题解决是指在拍摄过程中遇到的关于光线效果的挑战和问题的解决方法。视频中，讲述者通过使用Elixir's Satellite 3D软件模拟不同的灯光设置，来预测和解决实际拍摄中可能遇到的灯光问题。

💡商业拍摄

商业拍摄是指为了商业目的，如广告、宣传册、网站等进行的照片或视频拍摄。视频中，讲述者提到了如何使用Elixir's Satellite 3D软件来规划商业拍摄的灯光设置，并与团队成员和客户分享这些计划。

💡客户沟通

客户沟通是指与客户进行信息交流，确保双方对项目的目标和期望有共同的理解。视频中，讲述者提到了如何使用Elixir's Satellite 3D软件创建的模拟场景和设置来与客户进行沟通，确保拍摄计划符合客户的预期。

Highlights

Elixir的Satellite 3D是一款灯光模拟程序，可以在电脑上练习灯光布置和解决问题，无需接近摄影棚。

视频制作者自费购买了该程序，并已使用一年半，将在视频中分享个人经验。

通过Elixir，视频制作者能够模拟老好莱坞风格的摄影棚灯光效果，并计划实际拍摄所需的灯光设备。

软件允许用户在模型上进行高度自定义，包括调整灯光、背景、人物造型等。

视频制作者使用Elixir模拟了在巴黎的Hardcore工作室的灯光效果，并通过实际拍摄验证了模拟结果。

Elixir的Pro版本允许用户自定义工作室大小，而不仅仅是预设的三个尺寸。

Elixir不仅可以模拟灯光，还可以模拟整个工作室布局，帮助用户在实际搬入前进行规划。

软件提供了大量的道具和模型，用户可以创建与实际拍摄相似的场景。

Elixir可以用于创建客户情绪板，帮助摄影师在商业拍摄前与客户沟通想法。

用户可以导出灯光设置和场景布局，与团队成员或客户分享。

Elixir提供了丰富的人物造型选项，包括发型、服装、肤色等，以适应不同的拍摄需求。

软件中的灯光模拟功能可以帮助用户在实际拍摄前预测和解决可能的光线问题。

Elixir支持用户保存自己的灯光设置和人物姿势，便于未来项目中复用。

软件提供了多种导出选项，包括JPEG、PDF等格式，以及不同的视图和信息显示。

视频制作者通过实际演示，展示了如何使用Elixir调整人物姿势和灯光，以优化最终的拍摄效果。

Elixir的灯光模拟软件能够帮助摄影师在实际拍摄前进行充分的准备和规划。

视频制作者提供了使用Elixir软件的优惠码，观众可以通过链接和优惠码获得折扣。

Transcripts

welcome back everyone I hope that you're

having a great day in today's video I'm

going to review elixir's satellite 3D

which is a light simulation program that

will let you practice your lighting and

work out problems right in your computer

and you don't even have to be anywhere

near a studio and it's really a great

software to help you do those sort of

things my disclosures up front are that

I bought the program with my own money

in late 2021 and so I've been using it

for about a year and a half so today I'm

going to share my experiences with you

I've worked out with Elixir so that if

you use the affiliate Link in the

description

um you will be able to also use the

coupon code John 15 and that will save

you 15 on the program and it will help

support me making these videos it also

will help you get a discount on this

software know that they did not sponsor

this video they do not in any way have

editorial editorial control over

anything thing that I'm going to say I

will point out for you the things that I

like about it some things that I think

could be improved and overall I'm just

gonna I'm just going to share with you

my experience now you probably noticed

something if you've watched this channel

several times before and that's that

there's something very different about

today and that is that I am wearing

glasses so I finally had to you know I

finally had to accept the fact that I

can't read text up close anymore without

the help of these readers and so I was

out to breakfast with my friend Deanna

Robles whose Instagram is love print

photography if you want to check it out

and she suggested as I was reading the

menu that I make one of these videos

wearing my glasses because she thought

that it looked good so I guess let me

know in the descriptions if you like

this kind of look I usually have the

text on my computers turned up so I can

see them without the need for my readers

but it's something

to think about so let's go ahead and

jump in the software here and see you

know what it does and sort of you know

what's going on uh with Elixir so this

image that you see right here it's the

one that I created the very first time

that I used the software and I'm going

to go over sort of different ways that

I've used the software very quickly I'm

going to give you a demonstration of

what it's like using the software can

give you a little more detail I was

trying to figure out after looking at

some inspiration images how this old

Hollywood style studio called hardcore

in Paris was creating their images and I

saw their BTS and what I did is I

started moving in different lights from

the software into the scene and

adjusting their power so that I could

figure out kind of where my lights

needed to be to get the same look and if

the approach that I was going to use

with the equipment that I planned on

using was going to work and sort of get

a rough plan as to which lights I needed

with which modifiers and which locations

with the power settings for those lights

the software spits all of that out and

that's what the great thing is about

this light simulation software so that's

how I used it the very first time I came

up with this particular look and you can

see where all the lights are in the

scene I'm using one in the background

two kickers a hair light a main light

and a fill light and all of those are

working together in concert to get the

final image and then I just sort of

ended up using a slightly different

setup than my plan and this was the

result and as you can see here in the

software as we move around you can get a

sense of where every light is and just

to give you a sense of what the software

does let's say that we wanted to look at

this Optical snoot back here if we

wanted to turn the brightness up it

would show us what that would look like

in the final image or we could just

press undo and go back to where we were

if you wanted to you could change this

out from an optical snoo to let's say a

seven inch reflector and then you could

come in here and say that you needed it

a lot brighter and maybe you wanted to

put a grid spot on it let's say a 10

degree grid because you only wanted that

light to show up on part of the

background and then you could move it

around

you could manipulate the light so that

it aimed in just the location that you

are going for

and that would be a much cooler and more

desirable look than where we started

with this modifier now let's look at

another way that I used it I used it on

this Chute here because when I was on

set I really couldn't get what I was

going for I was trying to sort of paint

a rainbow on the model's face and I just

sort of had to compromise for what I was

able to get and just sort of move on

from there and so what I ended up doing

was I ended up modeling the scene with

different lights and moving them at

different locations and turning the

power up and down until I got vaguely

the light that I was going for from this

shoot and then I went out in the real

world the next time that I had a shoot

and created this image which looks a lot

better well I shouldn't say a lot better

but it looks different than the original

and it was more true to what I was going

for so the software helped me out in

that way another great thing that the

software is able to do at least I

believe if you get the pro version and

as far as I know the diff difference

between the two versions is that one of

them has three set studio sizes and

that's it and the other one lets you

change the studio size to be whatever

you are looking for and that's the

software that I have so I was able to do

crazy things like even sort of model

this train if you will and have all the

lighting there uh with it so you can't

the software doesn't have a train but it

does have a lot of different props that

you can use and you can also use these

just shapes to build a sort of image

that a thing that looks sort of similar

to the shape that you're lighting if you

uh you don't can't find the actual shape

so that's something to think about as

well and I've actually used the software

to model my entire Studio including the

corner that I'm sitting in right now

recording this video and I did it in

advance of moving into the studio

knowing that I might want to change my

plan based on how it would look or I

wanted to at least have the sense of

what it would feel like if I stepped

into the scene or I stepped into the

room and I'd want to know what my

customers might feel coming into the

room and I might want to figure out what

was the most efficient way for me to

plan out the space so there's a lot of

different ways that you could use it one

of those ways is of course if you want

to practice now I'm going to go into a

corner of the studio this studio that I

modeled here that wall that's right here

behind me I'm going to show you that in

the software I'm going to take

everything out of it first so you can

get an idea of what it looks like as we

start adding elements into the scene

just know that the very first time that

I use this software it probably took me

about 30 minutes to an hour per lighting

setup to model it because I didn't know

what I was doing now that I've used the

software for a long time I'm probably

able to knock out a setting a setup in

about an hour I'm sorry in about 10

minutes and that would be a lot quicker

than if I did it in the real world

because in the real world it might take

me an hour to move the lights around

you're able to move a lot quicker in the

software and so that's another good

thing about it is that you're able to

solve those problems

um maybe even quicker than you can on

set so let me go ahead now and start

with our demo and you'll see what it

looks like with the blank studio all

right so as we look down here on the

bottom you can see that there are all

sorts of model choices let's just go

ahead and grab Jessica here and we'll

drop Jessica into our scene and we're

she's not turned around for us very well

right now but let's let's turn her

around going kind of our direction that

that feels fine you can choose any of

these models they're all customizable

you'll see that in just a second next

thing here on our tools at the bottom we

have the mono lights and all of these

modifiers to choose from from hard

lights to soft lights to strip lights

and so on and so forth we also have a

number of modifiers which is speed

lights if you're using speed light they

have and then you have all these

continuous light choices from Big re's

to let's say a Pavo tube for instance or

well it says Titan II but let's say it's

a Pablo tube from man like and then

there are all these helpers that you can

see here like backgrounds and reflectors

and that sort of thing and then there

are props so the first thing we're going

to use here is the picture wall I'll

show you that in just a second but you

can see that there are cameras and sofas

and chairs and desks and beds and TV

sets and toilets and you could make a

band you can put in plants you can put

in a ladder you can put in furniture

that you can color there's food there's

also Handbags and cars and Christmas

trees and drapes and gym equipment it

goes on and on and on all sorts of

things that you can put into the

software and manipulate but let's go to

the picture wall I'm going to drag this

in here to the scene you'll see all of a

sudden that Jessica is here at the beach

in Aruba which is a little bit of a

problem because I wanted to be in front

of a painted backdrop so what you're

going to do is you're going to come over

here to the presets and picture template

and we've got Beach but once you've

loaded a JPEG or a PNG or maybe even a

tip into the software and you click on

it over here it's going to load in

immediately so just if you wanted to add

a new one you just click on this plus

icon and navigate to where you had the

photo of your backdrop and drop it in so

that's what I've done the next problem

is that the size is all wrong so coming

down here to the size I'm going to

change the width to 6.5 because that's

about how wide my paper my canvas

backdrops are I'm going to undo the

unlock here

that's the proportion lock we don't need

that I'm going to make the height now

nine feet because that's that's how they

roll back here on the rack

and I'm just going to move it into

position and that looks about right so

now let's bring a light into the

situation we'll click on mono light over

here I'm going to grab a 5 foot octobox

or 150 centimeters or 59 inches as it's

listed in the software and I'm going to

drop that into the scene and you can see

the top view over here in the bottom

right and that might be a better way for

you to manipulate where things are going

and these lines that you see showing up

on the screen they're showing you where

the light beams are going and what

happens when they hit other things

that's what's going on there if I click

on the light here and I click on this

person icon it's going to turn towards a

person and if I keep clicking it will

Point towards Jessica now we've got it

pointed at Jessica and I think that's

probably uh fine for now

I'm just going to move it off to the

side for a second the most important

thing we get now is the camera I think

that's under the props I'm going to grab

this camera and put it in here and then

the next thing this icon just to the

right of the camera that this one will

make it the active camera and then we'll

press the model icon it will turn

towards the models in the room and there

it's turned towards Jessica

now you'll see right now that over here

in the camera dialog box it's set to a

4x5 crop that's the dreaded Instagram

crop we're using a 70 to 200 millimeter

lens our shutters 1 1 25th our our

f-stop is F9 and this is simulating what

would happen if our flash went off and

then right over here this is actually in

black and white mode so we'll put it in

color mode and then this is the zoom of

our lens we'll get it back over here to

about 85 millimeter sort of the portrait

standard if you will and we'll use that

and then what I'm going to do is I'm

going to back my camera up significantly

here so we've got a three-quarter length

view of Jessica and I think that feels

pretty good

all right and then we'll come over to

the light now on the light I can change

all sorts of different light models over

here I can make my own preset as well

but let's say that we're going to go

with the Ellen Chrome ELC 500 the one

that I use and we're going to have it at

full power and that does look about

right for what we're dealing with right

now the Ellen Chrome 5 is the same it's

just battery powered I'm going to go

ahead and feather my light just by

grabbing the back of a soft box and

turning it to the side it should give us

more pleasing light and I'm going to

change my perspective here to just look

at this normally I have the bottom of

the softbox sort of equal at the bottom

of the jaw so having the light about six

feet off the floor it feels about right

at the moment okay let's go with that

so we've got very nice pleasing light

here on Jessica and I think it's fine

she looks a little dim maybe I'll open

up just a little here let's open her up

to uh seven one

all right there's Jessica I think that

looks fine let's go into our next sort

of things that we can manipulate so

let's manipulate Jessica herself I'm

gonna change my view here so you can see

Jessica unobstructed by the camera and

zoom in a little bit so that she's

bigger so if I click on Jessica you'll

see in the top left hand corner here we

have the style so I can give Jessica

I'll throw up to the top I can change

her hair to be anything I want let's go

with this auburn hair it sort of is the

opposite of complementary is it adjacent

it's one of those things but it it goes

well with her blue top then we can

change her hair color to be anything we

want it could be black but let's keep it

this reddish color I think that looks

great we could change our clothing to be

anything that we want to but I think

we're gonna Pretend This is a business

portrait so we'll keep her in the outfit

that we started with and then we can

decide does she want a jacket maybe she

does maybe she doesn't let's keep the

jacket on we can change her top to be

different let's turn the jacket off

we'll change her top from the sweater to

the bikini to to that we could even make

Jessica pregnant if we wanted to

um but I don't think that we do so let

me undo that just know that these are

options that are in here if you're a

maternity photographer for instance so

let's go back down here we'll turn

Jessica's jacket back on

I think that looks great if we want to

change the color of our shirt we can do

it all the clothing is customizable I do

find that there's always options that

sort of look like the clothing that

you're going to end up with sometimes

it's not as customizable as I would like

but it's customizable enough I hope that

makes sense so I'm always finding

limitations I wish that they had stuff

that was more

varied and maybe a little more modern

sometimes I feel that the clothing is a

little old looking but it's not really a

problem I think it's fine we're just

giving people ideas and speaking of

ideas you could use this software and

I've done it before to give my clients

sort of a mood board of what I'm

thinking about doing for them

um you know before going into a meeting

on a commercial shoot so that they have

an idea of what we're doing I'm actually

doing a commercial shoot soon uh where

I'm going to have to execute four

different looks in 10 minutes and so I

came up with a lighting plan using the

software uh to figure out which lights I

needed to turn on and off or move and

then I was able to export

um setup shots of all uh four setups in

order to share those with my assistant

so we'll go over how you can export uh

things as well and and what sort of

things are included in those exports but

we'll get to that

so I think that looks fine let's just

pretend that we want our shirt to be

that let's make it bluish again all

right that's great perfect great color I

guess all right we could change the

fabric to be any of these beverage

choices as you can see they are varied

and mini the men actually have far less

choices for fewer choices but um know

that that is a thing

um you can change the pants to be

um you know leggings or a skirt on this

particular model each outfit has

different customization options so just

know that those are all there

um and

um you've got a lot of choices and you

could make an infinite number probably

of models with what's included in the

software you could decide to give her

glasses let's do that it will give us a

little bit of a challenge when it comes

to Reflections and

um you could change the skin color to be

darker or lighter you could you could do

it sort of any way that you want but

let's just keep it kind of where we were

I noticed right now she looks a little

blue that's because the Kelvin is set at

4 500 for some reason let's put it at

5200 which is daylight that's normally

where I'm at or daylight on my camera if

you want to there are Focus points for

the camera over here you just click on

one of that'll keep us focused on the

face it's not important now but maybe it

would be important if we were shooting

at 1.2 and it would focus on the

background rather than the person so

that's something to think about let's go

ahead and get her out of the skirt and

back in those pants all right that feels

better to me all right so I think that's

good we can also change her makeup if we

wanted to but we'll just leave it you

know where it is right now now when it

comes to the pose there are all sorts of

preset poses in the software and there

are standing poses for women

that you can see here there are there

are even sitting poses for women

and there are lying poses and there are

all sorts of poses for men as well

it's not a very good one

let's say something like that but let's

get her back into this first pose I

think that should look just fine

and that's good now there is some some

buttons here on her that are pretty

important so this one right here this is

going to make her head go towards the

camera this is going to make her eyes

look in the camera those are two things

that we might want to do we also can

rotate her body

fully I feel like that's a better look

for her right now and I'm gonna go ahead

and turn this uh head towards camera

thing off and I'm going to go over to

the pose

uh posing mode right here and that's

going to allow me to change how her face

is going so in this first one we sort of

just have access to turn her around in

different positions and it might not be

as accurate as you would like

or you know but it does sort of work

yeah let's say something like that or we

could change the axes of her neck you

could change every axis on the body in

the software to be whatever you want it

to be it will do things that are

unnatural and uncomfortable but know

that you can do that even down to the

finger uh individual fingers and finger

folds and that sort of thing so there

are lots of options to do anything that

you want to do any pose that you want to

do and then you can save those poses if

I didn't say it earlier you could make

your own pose and then save it for later

and apply it later so I actually have

about six or seven that I have in my

repertoire that aren't in the software

that I have saved um in my desktop not

in my laptop but those are there if we

wanted to we could click on our hand in

this mode and we could just grab it and

start manipulating it up and down with

this green part we could grab the red

part and manipulate it side to side if

we wanted to or we could grab the blue

part which would make it go towards the

camera and away from the camera but we

don't really need that I think her arms

are just fine we also could come over

here to the body and we could make her

look a lot bigger if we wanted to I'm

going to get the posing mode off just so

you can see

um let's get her back to default size we

could make her that's not default size

there we go

we could if we wanted to we could make

her legs really small we could make them

really big it's you know it's up to us

we'll just stick with the stock one then

if we want to I could even take her left

hand here and change how her fingers are

sitting but I don't want to so we'll

just undo that and you know the options

like I said they are infinite of all the

parts of the body that you can change

here you can change the feed you could

even change the shoes which I didn't

look at earlier but know that that's an

option you could change the expression

on the face you could make her look

happy you could just make her go back to

her normal resting face if that's what

you wanted so you've really got a lot of

choices

um that you could do here and I think

that looks pretty good overall I think

we might just move the camera and closer

to her normally because we're in this

posing mode we got to get out of it

and so we'll just come in here and move

the camera a Little Closer

and we'll Pan the camera up we'll get

our frame looking a little better

and you can see that yeah there is a

reflection in her glasses now we could

remedy this maybe if we just move this

over here now there are two ways that

the light can move as well so one is

that it's going to move on a Target

which is what it's at right now so no

matter where I move it's going to be

pointed at that same object that's

actually not what I want I want it to be

um turn that off I want to just move

freely

so maybe I move it over here

and I still see the reflection so maybe

I just gotta move this a little that way

usually what happens is like playing

pool if you hit it at the side of the

pool table head on it's going to bounce

back at you so when light hits the

glasses it's going to bounce off and go

that way if that light comes into the

camera then it's going to go right in

the lens and you're going to see it so

if I turn up here and I look at you that

light's hitting the lens and it's

reflecting back directly at you that's

why you see it but when I'm over here

and I keep my chin down a little bit you

see nothing that's because that light's

hitting here it's reflecting and going

down there I just had a look at the

monitor make sure that was true all

right so when I click on her and I go

into the posing mode unfortunately

what's going to happen is that they're

no longer going to show us the light

simulation in the preview window when

I'm changing the pose which is kind of

stupid like I need to turn the head in

order to change the reflections and I

need to see what's happening but they're

not going to show that

they're only going to show me what

happens with Reflections if I'm out of

the posing mode and moving the light but

sometimes I just need to move the person

so we're going to try moving the person

but we're going to have to do it sort of

in an ad hoc way because I can't predict

what's going to happen

I mean I can't see it in real time I'm

just gonna have to predict it I think if

I turn her head a little bit and bring

her chin down a little bit and then I

leave posing mode

I think we will have eliminated the

reflection

there we go I clicked on posing mode now

we still got it there so now that didn't

work but now we got to manipulate the

light let's maybe grab our light let's

move it

more perpendicular to her

let's tilt it down some

seeing this as a real world example of

how using the software can sort of teach

you through the idea of what you're

going to have to do to manipulate the

light in the real world to solve a

problem like this

I think I just gotta tip it down some

more

okay and I think that looks relatively

good so let's go ahead and look at the

export options so I can come over here

to export

and it's going to ask me to make a new

snapshot which I will do and a snapshot

it's just you recording your recipe into

your timeline which is good and you can

then save all of your snapshots together

and use them later so maybe you make one

for Black and Whites maybe you make one

for gels maybe you just make one and

that's it

you know it's really up to you I use

this primarily in my desktop so I have

different ones for different projects so

just know that that's a thing okay so

now let's look at the first template and

this is in the jpeg option the PDF

options have their own thing too but I

like the jpeg ones better

um just know that that's there so you

can have this collage you can change

what shows up on here too you can say I

don't want to show the measurements I

don't want to show the grid I don't want

to show the information

um and that sort of thing you can also

say I don't want to show the walls I

don't want to show the floor but you

probably do and I don't want to show you

know I want to up the brightness of my

studio for the BTS so I want to make it

dark in here or something like that and

I might want to change the field of view

for this screen over here so you know I

know that we're on the opposite side of

this room so I'm just going to

manipulate here with my mouse to get

over there

and yeah I've got to do it this way and

then I'm gonna go too far

and then I gotta turn around so maybe

this is the wrong field of view okay

maybe this is what I decide that I want

all right maybe I decide this is what I

want this will help me figure out how to

light this later that's all that I'm

going for I can change the resolution to

4K if I want to I can make there not be

a text or not there'd be a border and

that sort of thing and and that's how

that looks I can then change this around

to be two BTS angles and an overhead I

can change it so it's just the overhead

I can change it so it's it's only an

image of the scene this is a shot that I

have of the other set in this in my room

that's all set up here

um if I manipulate it you can see uh

where Jessica is over there but um this

is what I was doing in the software last

was figuring out this lighting setup so

um so that's there it's really going to

go back to wherever you were last time

when you click on these presets we can

change it to a final and a diagram we

can change it to a diagram and a BTS we

can change it just to a final you can go

over to the PDF and get you know all

sorts of info boxes here now there are

some other things that are here where

you can save images that you make with

the Elixir Community I believe I've

never done that I don't really care to

know about it and I don't even know what

this view thing is but it's not really

relevant to me and and what I'm doing

I'm more interested in having you know a

game plan over here

that I can then take out and and send to

an assistant and or maybe I send the

final image to an art director and that

sort of thing and make sure that we're

you know this is what I'm going to do

we're all on the same page this is how

it's going to happen uh that sort of

thing maybe for you you just want to use

the program to practice and that's

totally cool too anyway if you guys

click on the link in the description and

use the coupon code you will get um 15

off the software and so go ahead and

check that out hopefully it can help you

on your lighting journey and improve

your work I know it's been very helpful

in mind so thank you so much for

watching stay safe have a great day and

I'll talk to you soon maybe without

glasses