How to Stand Out (without getting shot down)

Summary

这段视频讲述了如何在遵循传统规则的基础上,通过打破常规思维模式,实现创新和突破。导师们分享了自己的经历,比如导演泰卡·怀蒂蒂和音乐制作人里克·鲁宾,他们都是通过先学习掌握规则,然后大胆尝试打破规则,最终创造出独树一帜的作品。视频同时强调,创新不是盲目违背传统,而是在掌握传统的基础上,通过不断探索、实践和迭代,才能真正做出有价值的创新。保持好奇心和勇于尝试的态度,是打破陈旧思维、实现创新的关键所在。

Takeaways

• 👊 生活是可以被塑造和改变的，认识到这一点极为重要。
• 🌟 在社会中突出，而不被边缘化的关键是以正确的方式突出。
• 🎬 塔伊加·维迪提和里克·鲁宾通过打破传统，采用与众不同的方法取得了成功。
• 🔨 创新意味着必须与过去的传统做出明显的断裂。
• 🎵 里克·鲁宾通过打造一种全新的音乐风格，证明了创造力的重要性。
• 📚 创造力需要个体的独立思考，不能简单地复制他人。
• 📈 真正的创新来源于对先驱者的深入学习，而后在此基础上进行突破。
• 🌀 「守破离」是掌握创新的重要过程，从遵循规则到打破规则，再到创造规则。
• 🎤 成功的创新者，如维迪提和鲁宾，能够将他们的独特见解转化为具有深远影响的作品。
• 📖 学习和创新是一个不断的探索过程，通过不断的迭代和专注，可以达到真正的掌握。

Q & A

如何理解生活中的“扎针效应”，即当你对生活采取行动时，生活也会给予你相应的反馈？

这表明通过个人的努力和行动，我们能够对生活产生影响，改变并塑造它，这是认识到我们能够主动生活而不仅仅是被动接受的关键一步。

在一个规模任何大小的社会中，“突出的钉子总是会被锤下去”的说法如何与创新和改变并存？

尽管社会常常对不符合常规的行为施加压力，但通过正确的方式突出，例如通过创新和积极的改变，个人仍然可以在不被边缘化的情况下产生影响。

为什么《雷神索尔：诸神黄昏》是一部受到高度评价的电影？

该电影融合了不寻常的幽默元素，以及导演塔伊卡·维迪提的创新视角，使其成为一部既娱乐又引人思考的作品。

为什么早期的塔伊卡·维迪提没有遵循他的直觉而是听从了传统电影制作的建议？

维迪提最初被更有经验的传统电影制作者的意见所影响，他们建议他按照特定的方式进行剪辑和制作，而不是遵循自己的创新想法。

瑞克·鲁宾是如何对嘻哈音乐产生重大影响的？

瑞克·鲁宾通过捕捉纽约俱乐部中嘻哈音乐的原始能量，并将这种感觉带入他的制作中，帮助创造了一种新的嘻哈声音。

哲学家奥修是如何定义创造力的？

奥修认为创造力是存在中最大的叛逆，强调为了创造，人必须去除一切条件限制，成为一个独立的个体，而不是复制或随大流。

塔伊卡·维迪提和瑞克·鲁宾是如何从他们的前辈那里学习并最终创新的？

他们开始时严格遵循现有的规则和传统，但随着时间的推移，他们开始进行创新，最终打破常规，创造出原创且具有前瞻性的作品。

什么是“守破离”（Shu-Ha-Ri）？

守破离是一种日本武道的概念，描述了从遵循规则（守），到突破规则（破），最终达到自由创新（离）的学习和掌握过程。

为什么迭代（iteration）对于软件开发来说非常重要？

迭代允许开发者不断改进产品，通过重复的改善过程，使产品更接近用户的需求和最终目标。

罗伯特·格林（Robert Greene）如何看待掌握一门技能的过程？

格林认为掌握技能不是天赋或才华的结果，而是长时间和密集专注于某一知识领域的结果。

Outlines

00:00

🌟 打破传统,创造非凡

这一段强调了打破常规思维模式的重要性。它引用了斯蒂夫·乔布斯的话,认为我们不应被动地顺应生活,而是应该主动改变和塑造生活。接着,它以《雷神3:诸神黄昏》导演泰卡·怀蒂蒂为例,阐述了他最初遇到的来自传统的阻碍,但他依然坚持了自己的想法和做法。类似地,说到嘻哈音乐制作人瑞克·鲁宾,他也是以一种与众不同的方式捕捉到了嘻哈文化的精髓,并将其融入到音乐中。哲学家奥什欧指出,创造力源于个人性,脱离了群众心理,才能带来真正的创新。该段总结指出,要想创新,我们不能完全随波逐流,而是要打破常规。

05:02

🧭 从临门一脚到开创新纪元

这一段阐释了创新的过程往往需要遵循"守、破、立"的循环。它以合气道的"守破离"概念为例,解释了从模仿学习、尝试创新,到最终确立个人风格的三个阶段。泰卡·怀蒂蒂和瑞克·鲁宾都是从临门一脚、遵循既定规则开始,后来逐步打破常规,最终开创出属于自己的风格和作品。布鲁斯·李也指出,学习不应止于模仿,而是一个不断探索和发现的过程。罗伯特·格林则强调,精通某一领域需要时间和专注的投入,而不仅仅靠天赋。总的来说,这一段强调要在学习经典的基础上,不断挑战和超越自我,才能达到真正的创新和卓越。

Keywords

💡改变

在视频中，'改变'指的是个体对生活的主动作用和影响力。视频强调，意识到自己能够塑造和改善生活是极其重要的。通过推动和实践新想法，人们能够在生活中留下自己的印记，从而不再是被动的存在者，而是积极的创造者。

💡传统

在视频脚本中，'传统'指过去的做事方式和旧的规则。视频中提出，要想做出新事物，就必须与传统决裂。通过打破旧有规则，人们能够创造新的，有创意的作品，从而推动文化和技术的进步。

💡创意

视频中强调了'创意'是打破常规和超越传统的重要手段。创意不仅仅是复制已有的事物，而是要基于个人的独特视角和理解创造全新的内容。视频中通过各种例子展示了创意如何使作品、艺术或者音乐与众不同，成为独一无二的存在。

💡个体性

视频中提到的'个体性'强调了创新和创意的根源是个人独特的思考和见解。只有当人们保持自己的个性和独立思考时，才能创造出真正新颖和有影响力的作品。这与遵循群体心理或传统观念形成鲜明对比。

💡反叛

'反叛'在视频中被描述为对抗传统和常规的行为。通过反叛，个体不仅挑战现状，还能够引领新的潮流和趋势。视频中指出，创造性往往源自于对现有规则的挑战和重新定义。

💡创新

视频中的'创新'是指通过引入新思想、新方法或新产品来改变现有的状态或领域。创新需要个人或团队对传统做法的重新评估，并愿意冒险实施新的想法。视频案例展示了通过创新如何实现个人和社会层面的进步。

💡突破

'突破'在视频中指的是超越现有限制和框架的行为。无论是艺术、科技还是文化领域，突破既有的界限都是实现创新和创意的关键步骤。视频强调，通过突破，个人和集体能够探索新的可能性，从而推动发展。

💡追求

视频中提到的'追求'，强调了个人对于实现自己理想和目标的持续努力。无论是在创造性工作、学术研究还是个人发展方面，追求卓越和创新是推动个人和社会前进的重要动力。

💡学习

视频中的'学习'不仅仅指吸收已有的知识，更重要的是不断探索和发现的过程。学习被视为一种永无止境的旅程，它鼓励人们不断尝试新的方法和思想，以此来拓宽自己的视野和能力。

💡掌握

在视频中，'掌握'意味着通过长期的研究和实践，达到对某一领域深入了解和高超技艺的状态。掌握某技能或知识领域需要持续的学习和实践，并且不断地追求创新和完善，从而在该领域达到专家或大师级别。

Highlights

当你明白你可以改变生活,推动生活向前发展,这或许是最重要的事情,摆脱生活就是如此的错误观念,要拥抱生活,改变它,让它变得更美好,在生活上留下你的印记。一旦你学会了这一点,你就再也不会是原来的你了。

在任何规模的社会中,凸出的钉子都会被锤平,那么如何与众不同并产生影响,而不被驱逐出社会,你必须用正确的方式与众不同。

当你想做一些新的事物时,从根本上来说,你必须打破传统,改变过去的做事方式。

导演泰伽·维蒂蒂在谈到他的导演生涯初期时说,有些资深导演曾劝阻他拍一些与众不同的东西,但过了一两年后他意识到自己当初是对的。

嘻哈音乐现在已成为美国文化的重要组成部分,但很难想象曾经有一个时期它并非如此。制作人Rick Rubin是推动这种新声音诞生的关键人物之一。

Rubin说他只是想作为一个粉丝,听到在俱乐部里听到的原始嘻哈音乐的现场感觉,所以他的制作方式更像是一种纪录片风格。

正是因为Rubin没有受过正规训练,所以他的作品才能带来新的东西,打破常规。

哲学家奥修说,创造力是存在中最大的叛逆。如果你想创造,你必须摆脱一切条件约束,否则你的创造力只会是复制。

只有当你是一个个体时,你才能创造,你不能作为群众心理的一部分创造,因为群众心理是无法创造的。

Rubin制作出来的嘻哈音乐不像其他人那样,他必须打破常规,通过这种叛逆,他帮助创造了一种新的声音给新一代人。

在日本武术合气道中有一个概念叫"守破离",包括三个阶段:守即遵守规则,破即打破规则,离即创造新规则。

泰伽·维蒂蒂和Rick Rubin无意或有意都运用了这个方法,达到了真正的创新和创造力的层次。

维蒂蒂将幽默、情感和想象力融合在一起,既有娱乐性又引人深思。Rubin制作的音乐则原始、富有感染力并具有开创性。

他们都是从模仿规则、遵循既定规则,到打破常规、尝试创新,最终达到真正的创造力和创新。

成为大师的关键不是天赋或天分,而是花费大量时间和高度专注于某一特定领域的知识。不要为了与众不同而与众不同,要建立在已有基础之上,但也不要止步于已有的知识。

Transcripts

the minute that you understand that you

can poke life and actually something

will you know if you push in something

will pop out the other side that you can

you can change you can mold it that's

maybe the most important thing

is to shake off this uh erroneous notion

that life is is there and you're just

going to live in it versus embrace it

change it improve it make your mark upon

it once you learn that you'll never be

the same again I think about what Steve

said all the time he's right but how do

you reconcile what he just said with the

fact that in a society of any size the

nail that sticks out gets hammered down

how do you stand out and make a

difference without being cast out of the

island you have to stand out the right

way and that's what we're talking about

today let's get started

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[Applause]

thank you

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though Ragnarok is one of my favorite

Marvel movies and it's easy to see why

I choose to run toward my problems and

not away from them

[Music]

Thor is full of these kinds of unusual

bits of humor and that's why it's one of

the highest rated Marvel movies of all

time when you want to do something new

it fundamentally means you have to make

a break with tradition how things were

done in the past here's director and

otura taika waititi the director of

Ragnarok on starting out early I was

told by

so older generation of filmmakers and

now I realize I shouldn't have listened

to them in the first I remember my first

short films and stuff instinctively knew

I wanted to do a certain thing in in the

film but I was convinced by by people

who had more experience not to do them

and to do to edit things in a certain

way and then only like a year or two

later like realized like damn I was

right I want you to really notice what

he said there that he started off making

short films with an idea of what he

wanted but immediately the

traditionalists said no and that's the

rub you can't just do what other people

do and expect to get ahead you have to

be different and sometimes that thing is

precisely the thing other people say do

not do

[Music]

foreign

hip-hop is a key piece of American

culture now and today it's actually hard

to imagine a time when that wasn't true

Rick Rubin the producer he was one of

the key people to produce this new sound

and this is what it was like to be right

there when things were brand new

I just loved the music I would

buy every 12 inch single that would come

out when it would come out and none of

them sounded like what it sounded like

at the club it wasn't it wasn't related

at all live it was much more of a raw it

was like DJs and break beats and it was

harder whereas the record sounded more

like an r b record but with somebody

rapping on it what we know as rap today

that's not what those records sounded

like so I started making hip-hop records

really with the idea of I just wanted as

a fan to hear what it sounded like in a

club so it was more almost like a

documentarian Style part of it was

because I didn't know what I was doing I

didn't have any

um training or skill but that was what

allowed it to be new was it wasn't doing

it the regular way Rick Rubin could feel

the energy in the clubs in New York City

listening to early hip hop and hip-hop

artists and that was the magic he tried

to bring into the music when he was

producing it so other people would feel

that way too just like waititi Reuben

had to go with something

a little bit different the philosopher

Osho says creativity is the greatest

rebellion in existence if you want to

create you have to get rid of all

conditionings otherwise your creativity

will be nothing but copying it will just

be a carbon copy you can be creative

only if you are an individual you cannot

create as a part of the mob psychology

the mob psychology is uncreative it

lives a dragging life it knows no dance

no song no joy it is mechanical Rick

Rubin didn't make a hip-hop sound that

sounded like all the other things people

were doing he had to break with the mob

psychology and it is in that Rebellion

he helped create a new sound for a

generation

[Music]

so if we break with tradition and we

don't copy others does that mean we

should do any random thing with no

regard to what came before you

absolutely not if you look deeper

waititi and Reuben were both deep

studies of their predecessors if you

think they were born with the goods

think again

every Master begins as a student in

Aikido there's a concept called Shu ha

re there are three stages Shu follow the

rules ha break the rules and re-make the

rules

Aikido Master Endo shesiro Shihan stated

in Shu we repeat the forms and

disciplines ourselves so that our bodies

absorb the forms that our forebears

created we remain faithful to these

Norms with no deviation next in the

stage of ha once we have disciplined

ourselves to acquire the forms and

movements we make Innovations in this

process the forms may be broken and

discarded finally in re we completely

depart from the forms open the door to

creative technique and arrive in a place

where we act in accordance with what our

heart and mind desires unhindered while

not overstepping laws

this is a cycle that we repeat over and

over again

software we love talking about iteration

but the reality is that we can always

make it better

[Music]

by applying this method waititi and

Reuben conscious or not of it reached a

stage of true creativity and Innovation

where they were able to create works

that were truly original and forward

thinking waititi was able to blend humor

emotion and Imagination in a way that's

both entertaining and thought provoking

for Reuben he produced music that is raw

emotional and groundbreaking they both

progressed from imitation and adherence

to established rules to experimentation

and adaptation to True creativity and

Innovation Bruce Lee says learning is

definitely not a mere imitation or the

ability to accumulate and conform to

fixed Knowledge Learning is a constant

process of discovery and never a

concluding one not only is this the key

to iteration it's actually the key to

Mastery being able to go from novice to

World expert Robert Greene says Mastery

is not a function of Genius or Talent it

is a function of time and intense Focus

applied to a particular field of

knowledge don't be different for

different sake build on what is there

but don't settle for just being the same

as what you've already found that's it

for this week I'll see you next week

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foreign

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