What Happens When the VILLAIN is Right?

Summary

This video script delves into the complex nature of villains in storytelling, questioning the traditional roles of heroes and villains. It explores characters like Beowulf's Grendel, Puss in Boots' Death, and Castlevania's Dracula, examining their motivations and humanity. The script challenges viewers to reconsider societal injustices and the cyclical nature of violence, suggesting that villains can reflect deeper societal truths and prompt heroes to confront their own morality.

Takeaways

• 😀 The script explores the complexity of villains in storytelling, challenging the traditional view of heroes and villains.
• 🔍 It discusses how villains are often more human than they are given credit for, possessing traits that evoke empathy despite their evil actions.
• 🏰 The narrative delves into how societal structures and the actions of heroes can inadvertently create or exacerbate villainy.
• 🤔 It raises the question of moral ambiguity, pondering scenarios where villains may have valid points or where heroes falter.
• 🎭 The script uses various examples from literature, mythology, and pop culture to illustrate its points, including 'Beowulf', 'Puss in Boots', and 'Castlevania'.
• 👻 It highlights the concept of villains as forces of nature or embodiments of larger societal issues, rather than just individual antagonists.
• 💡 The idea that villains can reflect societal injustices and force both heroes and audiences to reconsider their perceptions of good and evil is emphasized.
• 👶 The transformation of villains from human to monstrous is examined, showing how personal grievances can escalate into larger conflicts.
• 🔗 The script suggests that the line between hero and villain can be blurred, with heroes sometimes taking actions that could be seen as villainous.
• 🌐 It touches on the theme of change and the potential for villains to catalyze necessary transformations in society or individuals.
• 🕷 The complexity of character motivations is underscored, indicating that villains are not one-dimensional but have depth and backstory that inform their actions.

Q & A

What is the central theme of the video script discussing?

The central theme of the video script is exploring the concept of villains in storytelling, their motivations, and the complexity of their roles, often challenging traditional notions of heroes and villains.

Why does the script mention the story of Beowulf and Grendel?

The script mentions Beowulf and Grendel to illustrate the traditional hero-villain dynamic and to explore the idea of empathy for the villain, Grendel, despite his monstrous nature.

What is the script's perspective on the character of Puss in Boots from 'The Last Wish'?

The script presents Puss in Boots as a character who initially takes his lives for granted but eventually learns to value his last life, suggesting that even heroes can falter and must confront their mistakes.

How does the script describe the character of Death in the context of Puss in Boots?

The script describes Death as a personified villain who takes pleasure in the fear and suffering of Puss in Boots, rather than being a completely neutral force of nature.

What does the script suggest about the character of Dracula from the Netflix adaptation of 'Castlevania'?

The script suggests that Dracula's transformation into a monstrous villain is driven by a human-like grief and rage over the loss of his wife, Lisa, showcasing the complexity of his character and motivations.

How does the script discuss the character of Tylong from 'Kung Fu Panda'?

The script discusses Tylong as a character whose villainous turn is a result of feeling betrayed by his master and the society that created him, highlighting the idea that villains can be made by the actions of others.

What is the script's view on the character of Silko from 'Arcane'?

The script views Silko as a villain who fights for change and represents the anger of an oppressed society, suggesting that when a villain is right, it can lead to necessary societal changes.

How does the script analyze the character of Dr. Doofenshmirtz from 'Phineas and Ferb'?

The script analyzes Dr. Doofenshmirtz as a character whose comical and tragic backstory and daily struggles make him relatable, despite his villainous actions, showing that villains can be driven by very human desires for respect and happiness.

What does the script suggest about the role of villains in society?

The script suggests that villains often reflect the injustices of society and force both characters and audiences to question their own ideas of good and evil, challenging the status quo.

How does the script conclude about the nature of villains and heroes?

The script concludes that the lines between heroes, anti-heroes, and villains can be blurred, and that villains can sometimes be right in their perspectives, leading to a complex interplay between morality, justice, and societal norms.

Outlines

00:00

😈 The Complexity of Villains

This paragraph explores the traditional heroic traits often seen in protagonists across various media, contrasting them with the villains they oppose. It questions the simplistic portrayal of villains as purely evil and highlights the complexity and humanity that can exist within them. The paragraph references 'Beowulf' and 'Old Norse myth' to discuss the potential for villains to evoke empathy and the intriguing narrative possibilities when they are more than just one-dimensional antagonists. It also introduces the concept that society itself can create villains, suggesting a more nuanced view of morality and heroism.

05:01

😈 Villains as a Reflection of Society

The second paragraph delves into the idea that villains are not just evil entities but can represent the darker aspects of society or the universe itself. It uses 'Puss in Boots' and 'Beowulf' to illustrate how villains can be forces of nature or societal constructs, challenging the hero's morality and the audience's perceptions of right and wrong. The paragraph also discusses how villains like Dracula from 'Castlevania' can have relatable human motivations that lead to their villainy, suggesting that villains are often a product of their circumstances rather than inherent evil.

10:01

😈 The Tragic Origins of Villainy

This paragraph examines the tragic backstories of villains, suggesting that their villainous acts are often a response to loss or betrayal. It uses 'Kung Fu Panda' as an example, where Tai Lung's villainy stems from a perceived betrayal by his mentor. The paragraph argues that villains like Tai Lung and others are not born evil but are made so by the circumstances and treatment they receive from the world around them. It also touches on the cyclical nature of violence and how villains can be a symptom of deeper societal issues.

15:03

😈 Villains as Agents of Change

The fourth paragraph discusses the role of villains as catalysts for change, using 'Arcane' and 'Dr. Doofenshmirtz' from 'Phineas and Ferb' as examples. It suggests that villains can expose societal injustices and force heroes and society to confront these issues. The paragraph also explores the idea that villains can be trapped in a cycle of madness created by society, and their actions, while extreme, can be a call for change or a reflection of the society's own flaws.

20:05

😈 The Relatability of Villains

The final paragraph reflects on the relatability of villains and the empathy they can evoke. It uses 'Beowulf' and 'Grindl' to argue that even villains can be seen as misunderstood or mistreated, deserving of understanding and a chance for redemption. The paragraph concludes by suggesting that villains serve as a mirror to society, forcing us to question our own moral compass and the nature of heroism and villainy.

Keywords

💡Hero

A hero in the context of the video script refers to a central character in stories who embodies virtues such as courage, strength, and the will to protect others. Heroes are often contrasted with villains, highlighting their moral superiority. In the script, the concept of the hero is challenged and reevaluated, as it delves into the complexities of characters like Beowulf and Puss in Boots, who, despite being heroes, face moral dilemmas and show flaws.

💡Villain

A villain is traditionally depicted as a character with evil intentions and actions, serving as an antagonist to the hero. The video script explores the depth of villains, suggesting that they are not merely evil but can have relatable human qualities and even be 'right' in certain contexts. Examples from the script include Grendel from 'Beowulf,' who is portrayed with a sense of humanity and justified anger, and Death from 'The Last Wish,' who is not just an antagonist but a force that challenges the hero's morality.

💡Mortality

Mortality in the video script is a theme that explores the finite nature of life and the fear or acceptance of death. It is used to analyze the character of Puss in Boots, who initially refuses to accept the end of his nine lives but eventually learns to value his last life. The concept is also tied to the broader narrative of heroes and villains, questioning the hero's fear of death and the villain's role in confronting that fear.

💡Nature

In the context of the video, 'nature' is used to describe the inherent characteristics or the state of being that defines a character, particularly villains. It suggests that some villains are not just agents of evil but represent natural forces or imbalances in the world. For instance, Death in 'The Last Wish' is portrayed as a force of nature, embodying the inevitable cycle of life and death.

💡Humanization

Humanization in the video script refers to the process of attributing human emotions, characteristics, or motivations to characters, especially villains, making them more relatable and complex. The script uses this concept to challenge the simplistic portrayal of villains as purely evil, showing that they can have human-like desires, fears, and emotions, as seen with Grendel's mother mourning her son or Dracula's grief over his wife's death.

💡Morality

Morality in the video script is a central theme that examines the principles of right and wrong, exploring the moral complexities of both heroes and villains. The script questions the traditional moral stance of heroes and suggests that villains can also have moral justifications for their actions. For example, Dracula's quest for revenge is rooted in a moral response to the injustice done to his wife.

💡Empathy

Empathy is the ability to understand and share the feelings of others, a concept that the video script uses to encourage viewers to consider the perspectives of villains. By humanizing villains and exploring their motivations, the script invites empathy, challenging the audience to see villains not just as evil entities but as characters with understandable emotions and experiences.

💡Revenge

Revenge is a motif in the video script that drives some villains' actions, often as a response to perceived injustices. It is portrayed as a complex emotion that can lead to extreme and destructive behaviors, as seen with Dracula in 'Castlevania' who seeks to destroy humanity in retaliation for the death of his wife. The script uses revenge to explore the blurred lines between heroism and villainy.

💡Societal Injustice

Societal injustice is a recurring theme in the video script, where villains are shown to be products of societal wrongs and inequalities. The script uses this concept to critique social structures and highlight the role of villains in exposing these injustices. For example, the character of Silco from 'Arcane' represents the anger and rebellion against the disparity between the upper city of Piltover and the undercity of Zaun.

💡Transformation

Transformation in the video script refers to the changes characters undergo, often as a result of their experiences and the world around them. It is used to illustrate how heroes can falter and villains can emerge from tragic circumstances. The script shows how characters like Tylong from 'Kung Fu Panda' transform from promising heroes to villains due to betrayal and societal rejection.

Highlights

Heroes in traditional narratives often protect the weak and save the world, contrasting with the goals of villains.

The narrator feels pity for Grendel from Beowulf, despite him being the villain, due to his human-like qualities.

Villains can be more human than expected, and heroes may falter or sin, challenging the traditional dichotomy of good and evil.

Society can create villains, and heroes may defend societies that are the source of villainy.

In 'Puss in Boots', Death is portrayed as a villain rather than a neutral force, showing a more personal and vengeful side.

Grendel's mother in 'Beowulf' mourns her son, humanizing her and challenging the clear-cut definition of a villain.

Dracula from 'Castlevania' starts with human intentions but turns into a force of nature after personal loss.

Villains like Dracula can reflect the injustices of society and force a reevaluation of perceived good.

In 'Kung Fu Panda', Tai Lung's transformation into a villain is a result of betrayal and abandonment by his master.

Villains can expose the cracks in societal structures, forcing us to reconsider what we claim to be good.

In 'Arcane', Silco's push for independence for the undercity represents a societal anger with clear injustices.

The disparity between the rich and the poor in 'Arcane' leads to societal change, showing the impact of a villain's actions.

Dr. Doofenshmirtz from 'Phineas and Ferb' is a villain driven by a desire for respect and happiness, relatable to the audience.

The story of Beowulf has been adapted and retold, influencing the Western concept of heroes and their adventures.

Miguel O'Hara from 'Spider-Man 2099' represents a character with a gray morality, blurring the lines between hero and villain.

The video explores the complexity of villainy, suggesting that villains can reflect societal issues and prompt change.

The video concludes by questioning the nature of heroism and villainy, suggesting that they are not always clear-cut.

Transcripts

wait no heroes are supposed to be

right right in every Adventure cartoon

and shown in anime the protagonists take

on heroic traits they protect the weak

uplift their friends and save the world

all goals shaped in contrast to those of

a villain yet when I look back at the

stories that I love I can't help but be

drawn to that villain in college I'm

reading B wolf an Old Norse myth that is

is a foundation of Western storytelling

in which a hero bolf kills a villain

grindle yet despite bolf being the hero

I can't help but feel pity for grindle

he's a monstrous ogre-like murdering

giant compared to a demon but he has a

mother who Mourns him villains are

supposed to be evil terrifying and wrong

but what happens when villains are more

human than that what happens when the

heroes falter stumble or sin what

happens when the society that Heroes

defend are the ones that create villains

what happens when the villain is

Right tyong Silko and even Dr duin

Schurz are all answers to this question

so sit back and join me as we explore

the world of villains

you are being hunted this villain is

chasing you right now in fact it's

hunting all of us a slow terrifying hunt

this is the price of mortality a price

that Puss and Boots cannot accept in

doing so he invites the first villain of

this video to prove the hero wrong in

some stories villains aren't mortal

agents of evil but instead forces of

nature and the universe itself

attempting to undo the Injustice the

hero has created forces like death you

know it you love it sometimes it's

portrayed as a peaceful Shepherd of

Souls and other times Well it becomes

something out of a slasher film in pen

boots The Last Wish puss faces death not

metaphorically or figuratively or

rhetorically just death himself in this

case puss is the character who has

sinned even though he's a hero he's

indulged in Pleasures in each of his

Nine Lives living recklessly until he

realizes he's on his last one and death

decides to end this Kitty once and for

all death is right puss has taken his

lives for granted death's hunt of Elgato

can be seen as an extension of the cycle

of life and death puss has overstayed

thus someone must eliminate him yet I

would argue that death is still the

villain not just an antagonist he's not

a completely neutral Arbiter if he were

wouldn't he have just simply ended

puss's life despite the underlying moral

Justice death relishes in the fear he

causes puss death personified is

cackling and playful he drives puss into

Corners mocks him brings on anxiety

attacks and Dread gaining a sick kind of

pleasure in enacting Revenge to me this

is villainous it's only when puss learns

his lesson that death stops when puss

accepts his mortality and faces his fear

death stops his attack disappointed that

his prey has ended their game of cat and

wolf death is averted but to return

another day death comes for all of us

and in that he's completely correct in

Beowolf when the Nordic Warrior kills

grindle grindle's mother and the dragon

are we supposed to bat an ey the modern

idea of a hero and their Adventures is

so deeply influenced by bolf and so the

modern day villain must draw from

grindle right grindle said to be the

descendant of Cain the Bible's first

murderer is is clearly supposed to be

evil he attacks a meat Hall every night

murdering people in their sleep because

he hates the noise of its rry and

celebration and of course that's

terrible about as monstrous as you can

get but I remember laying in my own

college dorm room at night trying to get

some shy for my exam the next morning

when The Neighbor Next Door decides it's

finally time to party blaring music

until 4:00 a.m. is it wrong to want

peace does grindle like death himself

simply want the humans to stop their

prideful celebrations but even when

death Stoops down to follow more

humanlike impulses his wrath is focused

on one person alone on the other hand a

character like castlevania's Dracula

lets his human-like impulses drive him

to ascend into being a force of nature

one that is apocalyptic some villains

begin with heartbreakingly human

intentions we've all Loved Before and in

Castlevania Dracula is no different in

this Netflix adaptation dra has a human

wife named Lisa a brilliant woman of

Science and SAS whom the humans accuse

of

Witchcraft Dracula known to be a violent

monster had found domestic Bliss with

Lisa until she was burned at the stake

by religious leaders Dracula took this

one action as justification of the evils

of all mankind what was seated in love

grew into loss and exploded into

something sick and massive Dracula's

plan to destroy all humans with a plague

of hellish retribution he Unleashed

armies and armies of monsters across the

land if humans could hurt and unjustly

punish someone as pure as Lisa should

they be allowed to thrive any one of

them could have stopped it Dracula says

like The Angry God of the Old Testament

Dracula seeks to cleanse the world but

unlike a god however Dracula's efforts

are halfhazard grotesque and disorderly

instead of that biblical flood of ocean

wakia is drowned in senseless Seas of

blood the other vampires fighting

alongside him even wish that his attacks

are more orderly more militaristic but

Dracula doesn't care he falls into a

strange depression with nothing left

inside of him but human grief and

demonic rage it's wrong to kill an

innocent that's something baked into

basic morality and it's right to mourn

those we lose but while a hero may hunt

only those who lead the Witch Hunt

against Lisa a villain takes this moral

failure and uses it to wipe out everyone

perpetuating an endless cycle of

violence coming back to grindle there's

a part of me that feels even more pity

for his mother while grindle and his

mother are monsters they only had each

other Exiles on the edge of human

civilization beneath that villainous

expression of violence these creatures

cling to things that we all do community

family love and when grindle dies the

only one who Mourns for him is his

mother who lashes out towards the men

who killed her son is it wrong to mourn

those you loved one of the shest ways to

create a villain is to revoke that love

from them it's basically a cliche at

this point villains aren't born they're

made but in Tong's case it Bears truth

the villain of the first Kung Fu Panda

movie is Ty a Savage martial artist who

was once a child prodigy raised by

Master Shifu Master Shifu adopted the

orphan raised him trained him and loved

him as as if he was his own child and as

if he was destined to become the Dragon

Warrior tyong himself was also

exceptionally talented at fighting

mastering all thousand Scrolls of kung

fu but despite Tong's Talent Master ugu

saw only ambition and rage in the young

Warrior Master ugu denied the role of

Dragon Warrior to tailong but chifu his

master essentially his father did

nothing said nothing on his son's behalf

and just like that taong his entire life

changed he took this as betrayal and

used his martial arts skills to destroy

he would go on to ravage The Valley Of

Peace then be imprisoned for 20 years in

a prison built by ugu that had its

construction overseen by the one person

who had shown taong love no wonder that

when he broke out he sought out to

unleash his rage hunting the new Dragon

Warrior a certain Panda I think there's

a whole movie about that actually he

said that it had been Shifu who filled

his head with dreams and drove him to

train until his bones broke Shifu had

tried to build a hero out of an outsider

but when that title was denied to tyong

the spark of family was snuffed out when

he did nothing to help his son tyong had

nothing but his father and Kung Fu so

when one of those abandoned him what did

he have left his father and the

community around Kung Fu locked him away

in some ways the heroes of the world

were proving Tong's spite right rather

rather than try to sympathize with him

rehabilitate him or find a new pathway

for him besides being the Dragon Warrior

he was left to rot would imprisoning

grindle instead of killing him be any

better would exiling his mother do any

good but further her rage maybe when

villains like tyong are Wright they

expose something cruel in our Idols

fathers Masters gods and Kings should

not go by unquestioned villains have the

courage to show us the cracks in things

like love and tradition they force us to

rec consider the forces we claim to be

good but Tong's violence is still cruel

his pride is still wrong like a toddler

throwing a tantrum he seeks attention in

the most destructive of ways for instead

of hunting a person or people why not

Target a

system imagine a city of light and

progress a Whimsical steampunk

Metropolis sounds perfect right I mean

just forget the part about this being

from League of Legends and you'll be

fine but the Utopia is built on top an

underground of both lawlessness and

Community darkness and the most scarred

forms of Hope in the noxious fumes below

children play without care while

Topsiders who Venture down must wear

masks unaccustomed to the smog they've

created themselves this is the world of

Arcane and it's very easy to see the

disparity between piltover and its

unders City sometimes called Zan but few

people work to change this Injustice

when they spot it few two people are

like Silko growing up in the unders City

Vander and Silko faced the slums like

brothers until Vander betrayed Silko for

some reason leaving Silko scarred and

vengeful Silko grew into a ruthless chem

Baron who went to dangerous lengths to

control others in the unders City and

expand his drug Empire and eventually

when Vander was taken out of the

equation Silko took over more formally

later on Silko even made a deal with

piltover arguing for the unders City to

be liberated as the free nation of zhan

and surprisingly they began to listen to

Silko as violence between the two states

grew the disparity could not be denied

any longer the under city was being

discriminated against and overwhelmed by

the effects of pollution drug abuse and

apathy but the under city was its own

being by now it could not continue to be

dragged around and manipulated by

piltover at the end of the first season

the Council of piltover gathered to plan

this new change we see that when the

villain is right sometimes change must

happen but as much as Silko pushed for a

free nation of Zan and the council

almost let it happen other dominoes were

knocked over a certain blue-haired girl

named Jinx raised by Silko chose to kill

him and then she let her destructive

impulses free unleashing Devastation and

now Zan's Independence is still up in

the air until we find out what happens

next in season 2 silco represents not

just rage at Vander an individ idual but

a larger societal anger with a clear

Injustice in front of him why should his

people suffer while Topsiders live so

peacefully why must society damn those

below but in the end it's another form

of betrayal that comes and ends him in

bolf the Nordic tradition is about

strength and King rothgar goodness is

measured by his capability to conquer

they killed cows they killed horses they

killed each other when grindle attacks

hargar's me Hall is he not just a

reflection of the society's violence I

began to be more

amused I think it's the role of the

villain to force change in a society and

to hold a mirror to the madness that is

often overlooked but what happens when a

society traps a villain in this madness

and laughs Dr Hines doofen shz is

comically aggressively and kind of

paradoxically evil and but that

he lives in a tower creating crazy

weapons fighting a secret agent every

day and he even has his own jingle Dr

doof's backstory is also filled to the

brim with some of the most tragic and

comically tragic moments growing up he

was forced by his father to be a garden

gnome his mother failed to love him

because he was bad at kickball

apparently his two parents weren't even

there to show up at his birth his life

is driven to a cartoonish extreme

because well he's a cartoon and in the

series phny and Ferb his everyday life

becomes a kind of loop something in his

everyday life inconveniences him such as

being insecure about a squeaky voice or

wanting to give his teenage daughter a

nice birthday surprise then he creates

something over the top to deal with this

problem Perry the Platypus stops him and

it blows up in his face quite literally

as funny as he is this Loop also seems

kind of like Copus the old Greek myth of

the guy who had to push the boulder up

and up but only for it to fall over and

over

doof is trapped in the Society of

inconveniences people who laugh at his

viral fail videos online or disrespect

him in the smallest of ways he's stuck

constantly trying to improve his life

but finding a new issue in his way he's

just like me for real and his

overzealous crazed ability to create

dramatic giant machines to deal with

every little problem comes from a very

human Place wanting to be respected

wanting to be happy and wanting to make

those he cares about safe and happy

happy we laugh at him not because he's

completely wrong but the ways he tries

to solve his everyday issues are blown

so far out of proportion we get the

satisfaction of seeing them bite him

back in the butt but there's kind of a

catharsis in seeing that maybe because

it reminds us of our own lives being

stuck in a loop episode after episode

problem after problem knowing that no

matter what he tries he'll try again

next time is that so evil B wolf is a

story that was initially passed down by

oral tradition people would memorize the

poem they heard then perform it for the

next Generation but then it was

documented and written down and turned

into countless adaptations it's inspired

the fabric of nearly all Western Hero

Stories it's even one of the key

Inspirations for the Lord of the Rings

over and over the story is told and over

and over grindle is killed through the

art form of Storytelling like do Schartz

he is doomed to repeat his mistakes is

that Madness or is that just

life what does it look like when a

villain tries to control the madness of

reality fighting to protect stability

but doing so through violent often at

times overpowering ways look no further

than the one and only Spider-Man

2099 technically you might argue that

Miguel O'Hara isn't a villain he's not

evil like grin Goblin or the spot he's

just an antagonist one that opposes the

protagonist Miles Morales and with that

I honestly agree he he inhabits a more

gray space of somewhere from antagonist

to anti-hero to villain but at the same

time look at this guy he's got vampire

fangs what can you that's a villain

right there okay fine he's not a

clear-cut villain he's an antagonist

with both heroic intentions and some

villainous traits Miguel is a Spider-Man

that lost his entire Dimension and in

this grief he becomes paranoid he's a

Spider-Man who doesn't quip amassing an

army of different spider people and pigs

and horses and trying to control the

great web of the Multiverse he surveys

it all trying to make sure that the

cannon events happen and that order

remains inbalance but in doing so Miguel

allows people to die Canon events can

entail horrific tragedies that must

happen in order to maintain the

universal stability what other choice

does he have but to become villainous in

order to save everyone from the

perspective of Miles Morales it's easy

to see Miguel as a villain he represents

a darker Spider-Man who has seemingly

given up on saving certain people and

when it's discovered that Miles may be

an anomaly Miguel ruthlessly traps him

trying to prevent him from saving his

father from another villain is it the

hero or the villain who should decide

the fate of others the webs of hero

anti-hero and villain all become blurred

Miguel is right to try to save the

universe but is it right to let another

Ben die over and over is it right to

watch Gwen stay fall to her Doom a 100

times over and not do anything at what

point does it become too much at what

point does he become a True Villain out

of the different depictions of Beowolf

there's a book by John Gardner that

follows grindle's perspective instead

and based on that book there's a 1981

animated film called grindle grindle

grindle they have similarities and

differences but in the end they give the

villain of the story the main

perspective and we as the audience can't

help but empathize with him he's still a

murderer he Revels in attacking the men

of frothgar me Hall but the simple Act

of following him rather than bolf

exposes his loneliness his curiosity and

his Humanity would Miles Morales become

the villain if we followed Miguel's

perspective heroes or villains monsters

or humans right or wrong in this video

I've asked a lot of questions believe me

I wish I had more answers man but maybe

that's the point of a villain being

right when someone supposedly evil has a

point then we question our own ideas of

good villains reflect the injustices of

society giving us a lens to view our

world and notice the darkness and the

light but through the extreme actions

they take on heroes are dragged into The

Fray Innocents get hurt in the game of

hero and villain chess the hero has

three moves to respond to the villain's

moral check the first is to deny that

the villain was right to find another

way in spiderverse Miles runs from

Miguel zooming on his way to find his

father rejecting the idea that All Is

Lost that people must die to be

Spider-Man whether this is right or

wrong the villain moves the hero to act

and to figure out their own truth the

second is for the hero to accept that

they were wrong Puss and Boots realizes

that he needs to Value his last life

instead of recklessly wishing for the

next and the third and final way is

somewhere in between it is to listen to

the villain and to try to teach them to

engage in a conversation and show them

Mercy this is when the hero believes in

both the good and the bad of their world

they try to come to an understanding

between the flaws that the villain sees

in the world and the goodness the hero

knows Still Remains in the comment

section of the YouTube video on grindle

grindle grindle there's a comment that

says that Peter usenov the voice of

grindle said that this film was a

tribute to monsters who after all are

doing their job keeping us on our toes I

think this Bears truth monsters and

villains all alike Force us to stay

vigilant and to Recon consider what we

know they keep us on our toes at the end

of the film after watching this bumbling

mama's boy ogre observe humans he enters

the meat Hall one last time meeting his

Doom Beowolf has arrived and he manages

to pull grindle's arm off grindle begins

to die he stumbles outside and we watch

him lie there alone calling for his

mother when I see this villain there

alone I can't help but feel sad I don't

think we should let grindle devour more

folks or evil scientists take over the

tri-state area but they do deserve

something they deserve to at least have

someone to give them a chance and to

listen to them for it is an awful thing

to die

alone

gr had an accident

I wanted to make a different kind of

video one that's a little bit more chill

a little bit more like the video essays

I like to watch so I hope you enjoyed

Take Care thank you thank you thank you

for watching this has been Scrolls