How Typography Elevates Design from Good to Great (Masterclass Part 2/3)

The Futur
15 Aug 202306:49

Summary

TLDRIn this masterclass segment, Emmy-winning designer Christo emphasizes the pivotal role of typography in elevating a designer's skill set from good to great. He clarifies the distinction between logo type design and typography, highlighting the latter's focus on manipulating type arrangement for effective communication. Christo advocates that understanding typography, including contrast and space, is fundamental to mastering design in all its forms. He also touches on the importance of expressive typography and its ability to capture attention and convey messages, suggesting that a grasp of this art is crucial for any aspiring designer to achieve greatness.

Takeaways

  • 🌟 Typography is a crucial skill for aspiring designers to master in order to elevate their work from good to great.
  • 🔍 There's a distinction between a logo type designer and a typographer; the former focuses on specific letter combinations for branding, while the latter manipulates type arrangement for communication.
  • 📚 A typographer's role involves understanding and utilizing point size, color, weight, and layout to convey ideas effectively.
  • 🎨 Expressive typography can be used to capture attention, even if it's not immediately readable; its purpose may be to make the viewer decipher the message.
  • 💡 Mastery of typography can lead to a broader understanding of design principles, applicable to various forms of design, including 2D and 3D.
  • 🛠️ Rigorous exercises and learning from traditional methods, such as those from the Basel School in Switzerland, can help designers overcome their discomfort with typography.
  • 🔄 Understanding contrast in design elements like point size, texture, and weight is key to mastering typography and, by extension, design.
  • 🏆 Great typographers often win design competitions, demonstrating their superior understanding of space, color, texture, and contrast.
  • 🎭 The work of James Victor showcases how hand-drawn letter forms can become an art form, requiring viewers to work to decipher the message.
  • 📖 The intention and goal of a design should dictate the approach to typography, balancing legibility with artistic expression.
  • 🎼 Just as music is not just about the notes but also the spaces between them, design is about the balance between structure and freedom.

Q & A

  • What is the second skill that aspiring designers must master according to the video?

    -The second skill that aspiring designers must master is typography, as it is crucial for going from good to great in design.

  • What is the difference between a logo type designer and a typographer as mentioned in the video?

    -A logo type designer focuses on creating a specific expression with a combination of a few letters in a fixed sequence, while a typographer manipulates the arrangement and layout of type to communicate ideas effectively.

  • What does the video suggest is the 'Kryptonite' for designers?

    -The 'Kryptonite' for designers, as mentioned in the video, is typography, which can be a weakness for some and cause them to fall apart in their design work.

  • What is the purpose of expressive typography according to the video?

    -The purpose of expressive typography is not always to be read easily but sometimes to capture attention or make the viewer stop and decipher the message, thus meeting its goal.

  • What famous quote does the video reference to emphasize the importance of design skills?

    -The video references Massimo Vignelli's quote, 'If you can design one thing, you can design everything,' to emphasize the importance of mastering design skills.

  • What is the significance of learning typography for a designer's overall skill set according to the video?

    -Learning typography is significant as it helps a designer understand formal relationships, manipulation of contrast, and arrangement, which can be applied to various facets of design, including 3D design.

  • What does the video suggest is the relationship between being a great typographer and a great graphic designer?

    -The video suggests that one cannot be a great graphic designer without being a great typographer, as typography is a fundamental skill in design.

  • What is the role of contrast in typography as discussed in the video?

    -Contrast in typography, such as in point size, texture, and weight, is essential for creating tension and releasing tension, guiding the reader, and making the design effective.

  • How does the video describe the work of James Victoria in the context of typography?

    -The video describes James Victoria's work as an art form where his hand-drawn letter forms and personal handwriting become beautiful expressions that require the viewer to decipher, adding a layer of interaction.

  • What is the importance of understanding the intention and goal of a design project according to the video?

    -Understanding the intention and goal of a design project is crucial as it helps the designer choose the right approach, balancing between legibility and expressiveness to effectively communicate the message.

  • What does the video suggest about the use of grids in design?

    -The video suggests that while grids are essential tools in design, they should not be overly visible or dominate the design, comparing them to underwear that is meant to be used but not seen.

Outlines

00:00

📚 Mastering Typography: The Key to Great Design

In this segment, the video emphasizes the critical role of typography in elevating a designer's skills from good to great. The speaker, Christo, an Emmy award-winning designer, discusses the importance of understanding typography as distinct from logo design. He clarifies that while logo designers focus on specific letter combinations, typographers manipulate type arrangement and layout to convey messages effectively. Christo argues that mastering typography is akin to having a 'Superman' ability in design, with the only 'Kryptonite' being one's discomfort with typography. He suggests that through rigorous exercises and learning from traditional methods, such as those from the Basel School in Switzerland, a designer can overcome this weakness. Typography, according to Christo, is not just about creating visually appealing work but about effectively communicating messages. He also touches on the idea that understanding the formal relationships in typography can translate into success in various design fields, including 3D design. Christo concludes by stating that a great designer must also be a great typographer, as evidenced by award-winning designers who excel in this skill.

05:00

🎨 The Art of Legibility and Expressive Typography

The second paragraph delves into the practical applications and artistic expressions of typography. Christo discusses the balance between legible, functional typography and the more artistic, expressive forms that require effort to decipher. He uses the work of James Victoria as an example of the latter, where hand-drawn letter forms become an art form that captures attention and requires the viewer to engage with the design to understand its message. Christo emphasizes the importance of understanding the intention behind a design and choosing the right approach accordingly. He also touches on the idea that while grids and rules are essential, over-reliance can lead to a boring design. The speaker encourages designers to think about the tools and methods they use to convey messages, whether through non-verbal or verbal communication. The segment concludes with a recommendation for viewers to watch a video where Christo applies these principles in real-time, offering a practical demonstration of the importance of typography in design.

Mindmap

Keywords

💡Typography

Typography is the art and technique of arranging type to make written language legible and appealing when displayed. In the video, it is the central skill that aspiring designers must master to elevate their work from good to great. The script emphasizes that typography is not just about creating logos but about manipulating the arrangement and layout of type to communicate ideas effectively.

💡Designer

A designer in this context refers to a professional involved in creating visual compositions that convey messages or ideas. The video discusses the transformation of a designer from average to great through mastery of typography, highlighting the importance of understanding formal relationships in design.

💡Master Class

A master class is an educational session led by an expert in a field, often sharing advanced techniques and insights. The script mentions that the video is part of a master class series, indicating a high level of instruction aimed at improving the viewer's skills in typography.

💡Kryptonite

In the script, 'Kryptonite' is used metaphorically to describe a weakness or an area of difficulty for a designer, specifically in the context of typography. It suggests that overcoming this weakness is crucial for becoming a great designer.

💡Contrast

Contrast in design refers to the difference in elements such as color, size, and texture that make certain aspects stand out. The video emphasizes the importance of understanding contrast in typography to create tension and guide the viewer's attention effectively.

💡Point Size

Point size is a unit of measurement used in typography to indicate the size of a font. The script discusses how manipulating point size, from big to small, is a key aspect of typography that contributes to the overall design's effectiveness.

💡Weight

Weight in typography refers to the thickness of a typeface, such as thin, regular, bold, or extra bold. The video explains that understanding and using different weights is crucial for creating visual hierarchy and emphasis in design.

💡Negative Space

Negative space is the area around and between the subjects of an image or design. The script mentions learning to use negative space effectively as part of mastering typography, which can translate into better overall design composition.

💡Expressive Typography

Expressive typography is a style that uses type in a creative or artistic way to convey a message or emotion. The video mentions that while traditionalists may focus on readability, expressive typography can capture attention and create a memorable visual impact.

💡Legibility

Legibility is the quality of being clear enough to read, which is a key aspect of functional typography. The script notes that while most design work involves legible typography, following all the rules can result in a boring design, suggesting a balance is needed.

💡James Victoria

James Victoria is mentioned in the script as an example of an artist who takes typography to an artistic level, creating hand-drawn letter forms that are more about the beauty of the strokes than immediate readability. This showcases the diverse applications of typography in design.

Highlights

The video discusses the second skill essential for aspiring designers to master, as taught by Emmy award-winning designer, Christo.

Christo emphasizes the importance of typography for designers to transition from good to great.

Designers are compared to Superman or Superwoman, with typography being their only Kryptonite.

Typographers are differentiated from logo type designers, focusing on the arrangement and layout of type rather than creating typefaces.

The purpose of typography is to communicate ideas effectively, not just to capture attention.

Expressive typography can be used to stop viewers in their tracks and make them decipher the message.

Christo shares a famous quote by Massimo Vignelli, highlighting the universality of design skills.

Rigorous exercises from the Basel School in Switzerland can help designers master typography.

Understanding typography translates into mastery of all facets of design, including 3D design.

James Victor's work is highlighted as an example of hand-drawn letter forms elevating to an art form.

The importance of the intention and goal of design in determining the approach to typography.

Most design work involves legible and functional typography, but following all rules can lead to boredom.

Massimo Vignelli's quote about grids being like underwear, meant to be used but not seen, is mentioned.

Christo discusses the importance of understanding the formal relationship when placing elements on a page or screen.

The video concludes with an invitation to watch another video for a real-time application of design principles.

Christo hopes viewers find the video enlightening about the importance of typography in design.

Transcripts

play00:00

this video is going to dive into the

play00:02

second skill that you as an aspiring

play00:04

designer must Master to go from good to

play00:07

great and we're going to learn it at the

play00:08

hands of Emmy award-winning designer

play00:10

Christo in the second part of this

play00:13

master class series if you missed the

play00:14

first part go back and watch that now

play00:16

but for those of you that already

play00:17

watched it we're going to do a deep dive

play00:19

on topography and why that's such an

play00:21

important skill for you to master we're

play00:22

talking about designers right so you

play00:24

said how do you go from being an average

play00:25

designer to a great designer and I'm

play00:27

going to tell you right now you are like

play00:29

Superman or Superwoman there's not a lot

play00:31

that you can't do but you do have one

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Kryptonite and if this is your

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Kryptonite you're gonna fall apart and

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your Kryptonite is typography you know

play00:37

I'm gonna say it typography

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there are some misunderstanding about

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what typography is people who design

play00:44

logo types sometimes refer to themselves

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as typographers that's not correct in

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typographers are not logo type designers

play00:51

these are very different skill sets so

play00:53

logo type designer is concerned about

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the individual combination of very

play00:56

specific number of letters together to

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create one expression they're not

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worried about if the letters were

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reversed or in different order whatever

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it is they don't care about that and so

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they'll spend a lot of time designing

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the perfect alphabet for five or six

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letters that's it and in that exact

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sequence a typographer in contrast

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doesn't design the typeface what they do

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is they manipulate the arrangement and

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layout of type it's Point size its color

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its weight in order for someone to

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understand ideas it's arrangement of

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letters and words on a screen or on a

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page or an app or something like that to

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communicate ideas and sometimes the idea

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is to just capture your attention and so

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some of the traditionalists who don't

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understand expressive typography say

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like well I can't read that if it's

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concept if it's purpose is not for you

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to read but it's stopping your tracks to

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get you to decipher it then it's met its

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goal so typography at least in my

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instance has taught me everything about

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design and they're so famous Massimo

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vignelli quote that says if you can

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design one thing you can design

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everything and I really believe that so

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if typography is your Achilles heel is

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your Kryptonite it means that you're

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uncomfortable with this there's good

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news for you here the good news is if

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you go through a series of rigorous

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exercises things that we teach and

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things have been taught to many

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designers many generations before from

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the Basel School in Switzerland then you

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will learn this thing and it's painful

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to learn but once you learn it you can

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master design and if they say that

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content is King which a lot of people

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say well then contrast is Queen learning

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about how to manipulate contrast in

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point size like big and small in texture

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smooth and rough in weight like extra

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bold and thin understanding these

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relationships a lot of negative space

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and deep heavy concentration of type on

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a page learning how to use this

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translates into every facet of design

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not just 2D design with type but also

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three-dimensional design once I learned

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how to design a poster I could design a

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room I could do interior design I could

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design furniture and all these things

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I've done anything that I can think of

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because I understand the formal

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relationship that exists when you start

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to put things on a page or on the screen

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and this to me is a ginormous unlock you

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cannot in my opinion be a great designer

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if you don't understand typography what

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I love about what you just said and my

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key takeaway around this is you said the

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manipulation of the arrangement of

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letters and words for people to

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understand the message at the core of

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that for me is you are not just making

play03:15

something pretty you are making

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something that effectively communicates

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what you're trying to convey what you're

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saying is if someone misses that Mark

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they're probably just good and not great

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am I hearing that right yeah in my

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opinion you cannot be a great graphic

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designer if you're not a great

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topographer too and in fact if you look

play03:30

through the design annuals in topography

play03:33

and other International design

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competitions you almost always see the

play03:37

people who win are the best typographers

play03:39

in the bunch they understand space they

play03:41

understand color and texture and

play03:43

contrast in creating tension and

play03:45

releasing tension they know how to

play03:46

create primary secondary tertiary reads

play03:48

and they also know how to do very

play03:50

beautiful expressive typography as well

play03:51

we recently had James Victoria on her

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show and he does something totally

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different which is something that many

play03:57

of you are going to say well Chris I

play03:58

watched an episode now you're

play04:00

contradicting yourself no you my friend

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are not paying careful attention enough

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right if you think it's a contradiction

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James does hand-drawn letter forms and

play04:09

he takes it to an art form where his

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scribbles his brush marks and his

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personal handwriting become so beautiful

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that they become art itself just the way

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that somebody is able to put ink on a

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page I kind of draw a parallel to

play04:21

Chinese calligraphers and if you've seen

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them work it's a thing of beauty they're

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using ink on a page and they don't have

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two shots at this there's no white

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there's no building up they just draw

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with The Strokes and calligraphers

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master calligraphers an artist can

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recognize the skill level from one

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person to another who's put in 10 20 30

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000 hours of practice versus someone who

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just starting they can see that so James

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primary communication thing isn't about

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whether you can read this easily or not

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he wants you to work at it to decipher

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the meaning or the words that he's drawn

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is not illegible but it does require

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some work but in that instance you stop

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and you try to figure it out and when

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you can figure it out a smile happens at

play04:58

least in your mind now James is not

play05:00

writing the Declaration of Independence

play05:02

from the Bill of Rights he's usually

play05:03

using one or two words or an expression

play05:06

idea and that's all that's on his

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posters and his design and he's

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designing this for book covers he's

play05:11

designed this for posters he's not

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designing this for you to read a

play05:14

manuscript because it would require too

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much mental labor you know it's too

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intellectually demanding for you to

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figure out on any kind of long-term

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consistent basis so you have to kind of

play05:23

weigh what is the intention and the goal

play05:26

of what it is I'm designing and mix that

play05:28

with the right approach for the most

play05:29

part 80 to 90 of what you do is going to

play05:32

be legible functional typography but if

play05:34

you follow all the rules it's going to

play05:36

be really really boring even Massimo

play05:38

vignelli will talk about this one of the

play05:39

same quotes is something like grids are

play05:41

like underwear they're meant to be used

play05:43

but not seen so so many people like put

play05:45

grids on everything and it's like yeah I

play05:48

get it you understand Swiss design

play05:49

boring you have to learn how to use all

play05:53

the notes and sometimes the space in

play05:55

between the notes is the music I'm

play05:57

borrowing from Massimo again damn that's

play05:58

a hell of a quote about the unders he's

play06:00

good at quotes I mean there's a whole

play06:02

mass of finale Canada that I hope to

play06:03

learn all of them I love that it's a

play06:05

conversation and what tools and methods

play06:08

non-verbally or verbally like I think of

play06:09

things in communication are you using to

play06:11

convey the message like with James it's

play06:13

the whole design is meant to be a mind

play06:15

game once it clicks you're like oh my

play06:17

God I'm in the know this is no longer an

play06:19

inside joke right versus what you're

play06:21

talking about where you're doing book

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covers or manuals or whatnot and there's

play06:24

like you have to guide the person with

play06:26

the type and I think that's just

play06:27

incredible that concludes part two of

play06:29

this and I hope you find this to be

play06:31

enlightening in terms of how important

play06:32

typography is to you as a designer if

play06:34

you want to upscale I highly recommend

play06:36

you watch this video right here where

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you can actually see me working through

play06:40

the design problem and see how these

play06:42

principles apply in real time I hope to

play06:44

see you sometime soon take care

play06:45

everybody

play06:47

foreign

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Связанные теги
TypographyDesign SkillsMaster ClassGraphic DesignLayoutTypefaceCommunicationExpressive ArtDesign PrinciplesCreative Process
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