Ang mamatay para sa bayan (Full Episode 20) | Ilustrado

GMA Public Affairs
15 Jun 202427:23

Summary

TLDRThe transcript appears to be a dramatic narrative set in the Philippines, featuring characters like Pepe and Padre Amado. It involves themes of rebellion, danger, and a quest for justice. The dialogue hints at a plot where Pepe is entrusted with a mission, and there's mention of a dangerous plan and a need for unity against foreign oppressors. The script also includes emotional moments, such as a character expressing love for a child and a call for the nation's freedom. It culminates in a reflection on the sacrifices made for the country's independence and a vision of a monument symbolizing the struggle and triumph.

Takeaways

  • 😀 The script appears to be a dramatic narrative involving characters named Pepe, Padre Amado, and Dr. Rizal, set in the Philippines.
  • 🏰 There is a mention of a rebellion, suggesting historical or political conflict is a central theme.
  • 🔍 The dialogue includes discussions of danger and the need for safety, indicating a tense and risky environment.
  • 📜 References to literature and writings by Dr. Rizal imply a connection to Philippine history and national identity.
  • đŸ‘„ The script contains dialogue about family, land, and legacy, hinting at themes of inheritance and cultural heritage.
  • 🚹 There are mentions of imprisonment and accusations, suggesting legal or moral dilemmas faced by the characters.
  • 😱 Emotional distress and loss are evident through expressions of grief and the mention of death.
  • 💬 The script includes a plea for unity and justice, possibly reflecting a call to action for the audience.
  • 🌅 The narrative seems to culminate in a vision of the future, with mentions of monuments and the setting sun, symbolizing legacy and the passage of time.
  • 📜 The final lines emphasize the importance of freedom and the sacrifices made for the country's prosperity.

Q & A

  • Who is the character 'Pepito' in the script?

    -Pepito is a character mentioned in the script, but his specific role or actions are not detailed in the provided transcript.

  • What is the significance of 'Maynila' in the script?

    -Maynila, or Manila, is referred to as a place where a character needs to go, indicating it might be a significant location in the narrative.

  • What does the character express about the danger involving 'Vegito'?

    -The character expresses concern for safety due to the dangerous plans involving someone named Vegito, suggesting Vegito might be a threat or involved in risky actions.

  • What is the relationship between 'Padre Amado' and the woman mentioned in the script?

    -Padre Amado seems to be a priest or a figure of authority who is connected to a woman in a way that suggests concern or responsibility for her well-being.

  • What mission does Padre Amado seem to be involved in?

    -Padre Amado appears to be on a mission that involves success and possibly some form of conflict or struggle, as indicated by the mention of 'tagumpay ang Mison' and 'alagang ahas'.

  • What is the importance of the character 'Dr. Rizal' in the script?

    -Dr. Rizal is a significant character whose writings have inspired others, as evidenced by the admiration expressed by another character.

  • What does the character mean when they say 'Maraming salamat po sa pagunawa'?

    -The phrase 'Maraming salamat po sa pagunawa' translates to 'Thank you very much for understanding,' indicating gratitude for someone's comprehension or support.

  • Why does the character express a desire not to have a day of mourning for their passing?

    -The character wishes to avoid a day of mourning for their death, likely to prevent further grief or to focus on more positive aspects of life.

  • What is the significance of the 'Monumento' mentioned in the script?

    -The 'Monumento' is likely a monument or memorial that will be built or recognized in the future, symbolizing the legacy or impact of the characters' actions.

  • What does the character mean when they say 'Hindi na tayo nasa ilalim ng Espanya'?

    -The phrase 'Hindi na tayo nasa ilalim ng Espanya' translates to 'We are no longer under Spain,' suggesting a shift in governance or independence from Spanish rule.

  • What is the message conveyed by the character's statement about the 'freedom of this nation'?

    -The character emphasizes the importance of freedom for their nation, indicating a struggle for independence or self-determination.

Outlines

00:00

🎭 A Dangerous Mission to Protect Pepe

In this tense exchange, Benito is given a dangerous task involving sneaking into someone's room while others remain vigilant. The dialogue suggests an imminent threat to Pepe, as a group plans to protect him at all costs. The scene portrays the risk and bravery of those involved, emphasizing the peril of their situation as they try to avoid detection and danger.

05:03

📚 Dr. Rizal’s Influence and Conflict Over Land

This segment focuses on the admiration for Dr. Rizal’s literary works, which inspire others. It also introduces a conflict over land ownership, with discussions about injustice and familial strife. Tensions rise as characters argue over who rightfully owns the land, culminating in accusations and emotional confrontations about suffering and betrayal.

10:04

😔 Tragedy Strikes Amidst Revolutionary Calls

A tragic moment unfolds as news of Leonor’s death due to childbirth devastates one of the characters. Amidst this personal loss, revolutionary fervor continues, with calls for unity against foreign oppressors. The dialogue shifts between personal grief and the need for collective action to fight for justice and liberation.

15:11

✍ A Son’s Final Letter to His Family

A heartfelt letter is written by a son to his family, thanking them for their understanding and support. He asks for a simple burial with a tombstone marking his name, birth, and death. The emotional farewell conveys a sense of acceptance of fate and the sacrifice made for a greater cause – the freedom of the nation.

20:12

đŸ”„ Rizal’s Legacy and Future Monument

Dr. Rizal’s resolve is evident as he talks about how his efforts will be remembered in the future, with monuments in his honor. The characters express their loyalty to him and belief in the lasting impact of his sacrifices, ensuring that his spirit will continue to inspire generations to come.

25:23

đŸ–‹ïž The Eternal Struggle for Freedom

In this closing paragraph, the struggle for freedom is poetically emphasized. The imagery of writing and fighting through challenges, like wading through quicksand, symbolizes the hardships endured for the nation's liberation. The message conveys hope, resilience, and the belief that freedom is the true wealth of the nation.

Mindmap

Keywords

💡Rebeldes

The term 'Rebeldes' is Spanish for 'rebels'. In the context of the video, it likely refers to individuals who oppose the ruling authority or status quo, possibly in a historical or political setting. The script mentions 'mga petos nagawa sa mga rebelde,' which suggests actions taken against these rebels, indicating a theme of resistance and conflict.

💡Pepito

Pepito appears to be a character in the video, possibly a protagonist. The script mentions 'dala ni, pepe,' which could imply that Pepito is being called upon to take some action or is part of a plan. His role is central to the narrative, as indicated by the directive 'Gawan mo ng paraan ikaw ay makapasok sa kanyang kwarto.'

💡Maynila

Maynila is the old name for Manila, the capital city of the Philippines. The mention of 'Maynila' in the script, 'kailangan kong pumunta ng Maynila,' suggests a setting or a destination that is significant to the plot, possibly where important events or decisions are to take place.

💡Panganib

The word 'Panganib' translates to 'danger' in English. It is used in the script to express the perilous situation someone is in, as seen in 'nasa, panganib si, pepe.' This keyword highlights the theme of risk and the stakes involved in the actions of the characters.

💡Padre Amado

Padre Amado seems to be a character, potentially a priest given the title 'Padre,' which means 'Father' in Spanish and is often used to address members of the clergy. His name appears in the context of a mission, 'Padre tagumpay ang Mison,' indicating a religious or moral dimension to the video's narrative.

💡Kaliboso

Kaliboso is a term that refers to a dungeon or a place of confinement, often used in the context of prisons. The phrase 'mabubulok sa kalaboso' implies a severe punishment or consequence, reflecting the severity of the actions taken by the authorities against the characters.

💡Himagsikan

Himagsikan is a Filipino word that means 'to wage war' or 'to fight.' The script mentions 'Himagsikan ang kawalang hustisya sa ating bayan,' which suggests a call to arms against injustice, a central theme of struggle for justice and freedom.

💡Kalayaan

Kalayaan translates to 'freedom' in English. It is a recurring theme in the script, as seen in 'ang kalayaan mo at kalayaan ko,' emphasizing the characters' fight for liberation and autonomy. The word is often associated with national pride and the pursuit of independence.

💡Espanya

Espanya refers to Spain, which historically colonized the Philippines. The script's mention of 'ngayon tayo ay malaong mti, Espanya' suggests a historical context of colonial rule and the desire for independence from it.

💡Pagsasalita

Pagsasalita means 'to speak out' or 'to express.' The script includes 'nagkaraon sa apoy kalayaan mo, at kalayaan ko ang, kayamanan nitong bayan,' which could imply the importance of voicing one's thoughts and ideals for the betterment of the nation.

Highlights

The necessity to spread the word about the rebels' actions, as indicated by the phrase 'kailangan na ito ay maipalabas natin na'.

The mention of Pepé and the urgency to find a way into his room, as highlighted by 'Benito gawan mo ng paraan ikaw ay makapasok sa kanyang kwarto'.

The concern for safety and the need to be cautious, as expressed in 'mag-iingat po kayo senyorita'.

The plan to go to Manila before Vegito arrives, as stated in 'Kailangan kong pumunta ng Maynila bago makarating si Vegito'.

The warning about the danger Pepé is in, as described in 'delikado yang iniisip ninyo nasa panganib si pepe'.

The dialogue about Pepé's return to the country and the ensuing conversation, encapsulated in 'Pepe Mabuti naman umuwi ka dito sa bansa'.

The mention of Padre Amado and the woman from the town, as referenced in 'r Padre Amado dakpin ng babaeng ito bayan'.

The success of the mission and the subsequent concern for safety, as noted in 'tagumpay ang Mison mo subalit mukhang meron kang alagang ahas'.

The discussion about plans and the absence of any, as indicated by 'walang Mangi plano natin ang walang Hong kapatid'.

The moment of realization and the call to action, as shown in 'ginawa mo ha, Halika hal'.

The dramatic turn of events and the threat of being hanged, as depicted in 'Sige Kulang pa yan Muntik mo na kaming ipahamak'.

The shift of the battleground from Madrid to the Philippines, as mentioned in 'naipalit na ang larangan ng labanan mula Madrid tungong Pilipinas'.

The call for unity and the pursuit of an end to the struggle, as emphasized in 'panahon na para magkaisang bayan upang makamit nito ang katapusan'.

The appreciation and praise for Dr. Rizal's novels, as expressed in 'Salamat Dr Rizal andr, bfo nabasa ko po ang iyong mga nobela'.

The concern for the welfare of the family and the land, as highlighted in 'Mama o ngat si Padre Amado ang magdedesisyon kung sino magpapatakbo ng mga lupa nila'.

The emotional plea not to imprison innocent people, as captured in 'hindi ako nagor, mama ayoko lang na may inosenteng taong makukulong'.

The revelation of a plan to frame someone, as suggested in 'marahil ay may nagplano para ilagay saakin'.

The dramatic confrontation and the accusation of being heartless, as shown in 'yan talaga ang kapalaran ng mga enong lumalapastangan sa anak ng Diyos'.

The call for justice and the end of foreign rule, as stated in 'Dapat tama ang ginagawa n mga kapatid sukdulan ang kalupitan ng mga dayuhang kasila'.

The final message of love and the desire for freedom, as expressed in 'kayamanan ditong bayan ko ang kalayaan mo at kalayaan ko ang'.

The poetic reflection on the struggle and the hope for a better future, as encapsulated in 'mga letra sa papel na isinulat aking mga saloobin'.

Transcripts

play00:03

ako sa Pilipinas sa lalong madaling

play00:05

panahon ito ang mga petos nagawa sa mga

play00:10

rebelde

play00:11

kailangan na ito ay maipalabas natin na

play00:16

dala ni

play00:17

pepe

play00:18

Benito gawan mo ng paraan ikaw ay

play00:21

makapasok sa kanyang

play00:23

kwarto akong bahala dito

play00:46

[Musika]

play00:56

Hwag gagawa ng ingay

play01:00

pa po bang tao sa labas Ako lang po ang

play01:03

bantay

play01:04

buweno kailangan kong pumunta ng Maynila

play01:07

bago makarating si vegito naku Senorita

play01:11

delikado yang iniisip Ninyo nasa

play01:13

panganib si

play01:14

pepe Kailangan ko siyang balaan kung

play01:18

kayo Sasama ako sa inyo hindi manatili

play01:22

ka dito bukas pagising nila pagtakpan mo

play01:28

ako

play01:30

mag-iingat po kayo senyorita

play01:34

[Musika]

play01:58

[Musika]

play02:08

Pepe Mabuti naman umuwi ka dito sa bansa

play02:11

natin Kamusta ka

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na Bueno

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ah babalik na ako ng

play02:21

kalamba marami kasing trabaho nagaantay

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saakin

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do sa dati niong lupain

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baa m

play02:32

[Musika]

play02:44

[Musika]

play02:54

r Padre Amado dakpin ng babaeng ito

play03:06

bayan

play03:11

[Musika]

play03:14

din

play03:16

Benito

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Padre tagumpay ang Mison

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mo subalit mukhang meron kang alagang

play03:28

ahas k

play03:29

[Musika]

play03:35

sa ak

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siamang

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L siguraduhin natin walang Mangi plano

play03:45

natin ang walang Hong

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kapatid hindiya mga

play03:53

plano at

play03:58

[Musika]

play04:04

[Musika]

play04:11

ginawa mo ha

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Halika hal

play04:16

[Musika]

play04:34

[Musika]

play04:42

[Musika]

play04:47

[Musika]

play04:47

[Palakpakan]

play04:48

[Musika]

play04:50

Sige Kulang pa

play04:53

yan Muntik mo na kaming

play04:56

ipahamak utakbiyak ka talaga mas

play04:59

Kinabahan mo pa ang mga Indo sige

play05:03

[Musika]

play05:06

pa at nang magtanda

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[Palakpakan]

play05:15

ka nailipat na ang larangan ng labanan

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mula Madrid tungong Pilipinas

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napatunayan na wala doon ang laban kundi

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Nandito kaya panahon

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na para magkaisang bayan upang makamit

play05:29

nito ang katapusan muna sa

play05:33

[Musika]

play05:43

loob Salamat

play05:47

Salamat Dr Rizal andr

play05:52

bfo nabasa ko po ang iyong mga nobela

play05:55

napahanga mo ako sa iyong mga sinulat

play05:58

ang paborito kong tauhan

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sal

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[Musika]

play06:36

maari kang kumain at manatili

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rito at Maaari ka ring humingi ng paum

play06:43

sa akin sa sakit na ginawa mo sa pagt mo

play06:46

sa

play06:47

akin hindi ako nagor

play06:50

mama ayoko lang na may inosenteng taong

play06:53

makukulong

play06:55

inos ang

play06:58

paka kapag nakuha niya ang loob ni disp

play07:01

hall pare-pareho tayong mapapatalsik

play07:03

dito akin ang lupaing ito at walang

play07:08

sinuman ang makakaagaw nito sa akin

play07:11

inagaw lang natin ang lupang ito

play07:14

Mama o ngat si Padre Amado ang

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magdedesisyon

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kung sino magpapatakbo ng mga lupa

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nila Pero hindi ako matatahimik

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mama kapag Nakakita ko na aming

play07:29

pamilyang naghihirap dahil sa mga ginawa

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niyo ni Padre

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Amado Dr

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Ral nakita yan sayong

play07:53

malet Hindi ko po alam kung paano

play07:55

napunta sa akin ang mga yan marahil ay

play07:58

may nagplano para ilagay saakin

play08:01

[Musika]

play08:04

maleta kung ganon Dr

play08:08

Rizal kanino ang una nag banig na nasa

play08:11

iong malet k

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lu

play08:23

lu si Lucia na iyong kapatid

play08:28

[Musika]

play08:34

[Palakpakan]

play08:38

ayan ayan na ayan na sige ay

play08:45

[Musika]

play08:51

ay ito na ayan tagumpay ito na yung bata

play09:02

Dr Ituring muna ang iyong

play09:05

sariling

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arestado Sandali lamang hindi ko alam

play09:10

kung paano napunta saakin mgaan wala

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akong kasalanan Gobernador Heneral Hindi

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ko alam kung sino naglagay niya sa aking

play09:16

mga maleta pakinggan po ninyo

play09:19

ako wala akong kasalanan gobernador

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Hindi ko alam kung paano napunta saakin

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yan Wala akong

play09:27

kasalanan gandang bata

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[Musika]

play09:35

napakaputing

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bata

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Sweetheart It's a

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[Musika]

play09:56

boy I love you

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darling

play10:01

darling

play10:04

darling

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Sweetheart Sandali lamang wala akong

play10:08

kasalanan diyan Hindi ko alam Sandali

play10:10

lang sandali

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lang Gusto kong

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makausap ang kriminal na

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ito tignan mo nga

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naman nahuli rin ng bubuwit

play10:29

Sweetheart We have a beautiful boy

play10:33

Sweetheart darling you know darling

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Hello give her

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air let bre Let her bre Let her bree

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[Musika]

play10:57

[Musika]

play11:07

[Musika]

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yan talaga ang

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kapalaran ng mga enong lumalapastangan

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sa anak ng

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Diyos natulad ko hayop ka kung alam ko

play11:32

lang ikaw ang may kagagawan ng lahat ng

play11:34

to

play11:36

o nagbibintang ka pa ng isang Alagad ng

play11:42

simbahan kaya nararapat sayo ang mabulok

play11:48

sa

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kalaboso mabubulok ang sa kalaboso

play11:54

katulad

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ng iyong ina ina

play12:02

dito sobra ng kalap tanganan ninyo sa

play12:06

amin Anong

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kapatan anong kapatan yong pasakit ng

play12:12

aming

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pamilya patapon ang aking mga

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kamaganak nak kami ng aming mga lupa at

play12:23

ipamigay sa iba

play12:29

sunugin

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nganan mga kababayan k

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magsasaka

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[Musika]

play12:46

Hayan mo yung jario si

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Rado tayo gagawin

play12:54

natin Oo nga hindi dapat ganyan ginagawa

play12:57

nila hindi makar nga ang ginagawa nila '

play13:01

ba mga kasama

play13:02

Oo Dapat tama ang ginagawa

play13:06

n mga kapatid sukdulan ang kalupitan ng

play13:09

mga dayuhang

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kasila hinog na ang panahon upang tayong

play13:15

lahat ay

play13:17

magkaisa Kailangan na nating tapatan ng

play13:19

Himagsikan ang kawalang hustisya sa

play13:21

ating bayan dahil kung hindi tayo

play13:23

lalaban ngayon kailan Baay buay buhay

play13:27

buhay buhay

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na pad i Problem

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[Musika]

play14:00

[Musika]

play14:04

ibig sabihin

play14:09

nito Anong ibig sabihin nito kapatid

play14:17

ko namatay si Leonor Ilang araw na ang

play14:21

nakakaraan Dahil Sa panganganak

play14:33

[Musika]

play14:46

Okay hito ma ari

play14:51

H hindi I ka

play14:55

ma kapatid ko ha

play14:59

[Musika]

play15:11

Bakit ano nangyari to patid

play15:16

[Musika]

play15:25

ko ayan

play15:29

[Musika]

play15:50

[Musika]

play16:02

[Musika]

play16:06

Inay sinusulat ko po ang aking

play16:10

nula marinig ko sana ako saap din dulot

play16:15

ko sa inyo

play16:17

kay sa ating

play16:24

pamilya Maraming salamat po sa

play16:26

pagunawa ilig niyo po ako ako sa

play16:30

lupa lagyan ng lapida at

play16:35

crus lagay niyo po doon ang aking

play16:39

pangalan araw na kapanganakan

play16:47

[Musika]

play16:49

kamatayan huwag na po kayong Maglaan ng

play16:51

araw para gunitain ang aking

play16:56

pagkawala Maraming salamat po sa lahat

play17:03

in mahal na mahal ko po

play17:26

kayo Walang dapat Ihingi ng tawad lalo

play17:30

na't naging tapat ka sa iyong layunin

play17:34

anak

play17:36

[Musika]

play17:48

ko hindi kasalanan ng ibuhos mo ang

play17:52

lahat sa isang matayog na pangarap na

play17:54

lumaya ang

play17:56

bayan mula sa araw na ito hindi na tayo

play18:00

nasa ilalim ng

play18:02

[Musika]

play18:05

Espanya ngayon tayo ay

play18:19

malaong mti

play18:29

Magandang gabi Padre

play18:31

Amado kung si Padre Damas parang may

play18:35

kilala akong triling

play18:53

ganito Hwag Hwag kang maingay Hwag kang

play18:56

maingay

play18:58

[Musika]

play19:11

[Musika]

play19:16

ang iyong mga likha ay nagpasiklab ng

play19:20

liwanag sa bayan nating nakubli sa

play19:24

kadiliman ng mga kaaway at masasamang

play19:27

loob

play19:45

ung

play19:59

[Musika]

play20:06

pito Senyora kailangan sumama saakin SAO

play20:11

Senyora Senyora sumama po kayo sa

play20:14

akinito tayo na po Senyora Senora tayo

play20:18

na

play20:20

poo Senora

play20:23

[Musika]

play20:27

t ah

play20:30

[Musika]

play20:51

[Musika]

play21:06

signor

play21:09

[Musika]

play21:32

[Musika]

play21:55

ah

play22:05

ano ano tulungan mo ako ano tulungan mo

play22:14

ako huwag huwag

play22:23

[Musika]

play22:29

[Musika]

play22:38

[Musika]

play22:45

[Musika]

play22:50

risal

play22:56

[Palakpakan]

play23:03

[Musika]

play23:10

[Musika]

play23:15

ris at patuloy itong magliliyab sa puso

play23:19

ng lahat ng mga naantig ngong

play23:23

pagpupursige

play23:24

[Musika]

play23:30

Sige pagtawanan niyo ako ngayon balang

play23:33

araw makikita niyo ang Monumento ko sa

play23:35

iba't ibang bahagi ng kapang ito

play23:44

[Musika]

play24:00

k magiging surpresa kaya ang muli nating

play24:07

[Musika]

play24:10

pagkikita makalimutan pinasa mo

play24:16

akaw

play24:18

angang pag

play24:29

[Musika]

play24:50

lukot nga sigurong manood ng paglubog ng

play24:52

araw

play24:53

ng pero hindi natin alam Pepe paka yan

play24:57

talaga ang taghana mo

play24:59

[Musika]

play25:06

umibig ka ng

play25:08

tunay minahal mo kami ng

play25:22

buo mapanatag ka anak ko hindi mapupunta

play25:27

sa wala ang iyong mga pagtitiis at

play25:31

pagmamalasakit sa bayang

play25:34

ito

play25:37

ab Prego

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[Musika]

play26:16

kulay kayo

play26:19

manggan ng aking

play26:21

tingi hindi magkukubli

play26:25

paglalaban ng lahi pagibig na taglay

play26:31

aking

play26:32

sinabay abuti ang tagumpay kahit pa

play26:37

hanggang bukay ang

play26:40

kalayaan mo at

play26:43

kalayaan ko ang

play26:47

kayamanan ditong bayan ko ang

play26:51

kalayaan mo at

play26:54

kalayaan ko ang kaya

play26:59

nitong bayan mga letra sa papel na

play27:03

isinulat aking mga saloobin binubuhat

play27:06

habang lumulusong sa kumunoy at maiahon

play27:10

ng bayan nagkaraon sa apoy kalayaan mo

play27:14

at

play27:15

kalayaan ko ang

play27:19

kayamanan nitong bayan

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