The Interview By Christopher Silvester [English Core Class 12 CBSE] Flamingo

Shortcut Study Channel
22 Feb 202305:09

Summary

TLDRIn this interview, Christopher Sylvester explores the impact of interviews on celebrities and authors, with opinions ranging from invasion of privacy to a credible source of truth. Sylvester also discusses with Umberto Eco his writing process, embracing empty spaces and narrative style, and the unexpected success of 'The Name of the Rose', reflecting on the underestimated intelligence of readers.

Takeaways

  • 📰 **Influential History**: Sylvester States has been a significant part of journalism for over 130 years.
  • 🎨 **Art vs. Invasion**: Some view interviews as an art form, while others see them as an invasion of privacy.
  • 🤔 **Celebrity Concerns**: Celebrities often feel unjustly treated by interviews, which they believe can diminish their dignity.
  • 📸 **Primitive Beliefs**: Primitive cultures believe photographs can steal a soul, similarly, some believe interviews can take away a person's essence.
  • 📚 **Literary Views**: Various authors like V.S. Naipaul, Louis Carroll, and Rudyard Kipling have expressed negative views about interviews.
  • 😴 **Kipling's Aversion**: Rudyard Kipling found interviews repulsive and unpleasant, as noted by his wife, Caroline.
  • 📖 **Twain's Irony**: Despite considering interviews a nightmare, Mark Twain gave several, including one to Sylvester.
  • 🎭 **Bellows' Suffocation**: Noted playwright and novelist Saul Bellow felt suffocated by interviews.
  • 🗣️ **Communication Tool**: Sylvester argues that interviews are a useful method of communication, despite the criticisms.
  • 🌟 **Umberto Eco's Expertise**: Umberto Eco is introduced as a formidable scholar with a wide range of expertise.
  • 📈 **Eco's Writing Process**: Eco's writing focuses on similar topics and he utilizes 'interstices' or empty spaces to expand his writing.
  • 📝 **Unconventional Style**: Eco's writing style differs from mainstream academic writing, favoring a narrative approach over hypotheses or conclusions.
  • 📚 **Academic vs. Novelist**: Eco acknowledges the broader reach he has as a novelist despite his academic background.
  • 📖 **Readers' Complexity**: Eco believes readers appreciate complex ideas in literature, contrary to the narrow views of publishers and journalists.
  • 🤷‍♂️ **Mystery of Success**: Eco remains puzzled by the success of 'The Name of the Rose', his masterpiece.

Q & A

  • What is the main perspective of Christopher Sylvester on interviews?

    -Christopher Sylvester considers interviews as a useful method of communication despite acknowledging the various views of literary figures who see interviews as invasive or diminishing a person's dignity.

  • Why do some celebrities and primitive cultures view interviews negatively?

    -Some celebrities and primitive cultures view interviews negatively because they believe interviews can be unjust, diminish a person's dignity, or take away the soul of the subject, similar to how a photograph is thought to do in some cultures.

  • What did V.S. Naipaul believe about interviews?

    -V.S. Naipaul believed that interviews hurt the person being interviewed.

  • Why was Louis Carroll hesitant about giving interviews?

    -Louis Carroll was hesitant about giving interviews due to his fear of interviewers and his belief that he would be celebrated unnecessarily.

  • What was Rudyard Kipling's opinion on interviews?

    -Rudyard Kipling found interviews repulsive and unpleasant, as noted by his wife Caroline in her diary when an interviewer ruined their day.

  • What did Umberto Eco consider his writing to focus on?

    -Umberto Eco's writing focused on similar topics, which made his writing process easier according to his own comment.

  • How does Umberto Eco define 'interstices' in the context of his writing?

    -For Umberto Eco, 'interstices' or empty spaces refer to the time between different events, which he used productively to expand his writing output.

  • What was unique about Umberto Eco's academic writing style?

    -Umberto Eco's academic writing style was unique in that he used a narrative approach, telling the story of his research rather than focusing on a hypothesis or a conclusion.

  • Why did Umberto Eco start writing novels later in life?

    -Umberto Eco started writing novels after the age of 50 because he enjoyed using a narrative approach in his essays and only later applied this style to fiction.

  • How did Umberto Eco feel about being labeled as a novelist despite his academic works?

    -Umberto Eco was bothered by the novelist tag despite having written noted academic works, but he acknowledged that he reached a broader audience as a novelist.

  • What was Umberto Eco's reaction to the success of 'The Name of the Rose'?

    -Umberto Eco found the success of 'The Name of the Rose' a mystery and believed that it was publishers and journalists who were surprised by the readers' enjoyment of the complex novel.

  • What did Umberto Eco think about the readers of 'The Name of the Rose'?

    -Umberto Eco believed that readers chose to read 'The Name of the Rose' for a complex reading experience, contrary to the narrow view held by publishers and journalists.

Outlines

00:00

🗣️ The Art and Criticism of Interviews

The first paragraph discusses the role of interviews in journalism and the varied perspectives on them. Christopher Sylvester states that interviews have been a part of journalism for over a century and are a common experience for literate individuals. However, opinions differ on interviews, with some considering them an art form and a source of truth, while others, including celebrities, view them as an invasion of privacy. Sylvester quotes literary figures such as V.S. Naipaul, Louis Carroll, and Rudyard Kipling, who express discomfort with interviews, suggesting they can be dehumanizing. Despite these views, Sylvester argues for the utility of interviews as a communication tool. The paragraph ends with Dennis Bryan's comment on the influence of interviewers.

📚 Umberto Eco: A Multifaceted Intellectual

The second paragraph introduces Umberto Eco as a scholar with a wide range of expertise and a diverse literary career spanning academic texts, essays, fiction, newspaper articles, and children's books. Eco gained fame with the publication of 'The Name of the Rose' in 1980. The interview explores his writing process, which focuses on similar topics and utilizes 'interstices' or empty spaces between events to expand his work. Eco's writing style is noted for its narrative approach, differing from traditional academic writing. He began writing novels later in life, at the age of 50. Eco discusses his reception as a novelist versus an academic and his surprise at the broad appeal of 'The Name of the Rose,' which dealt with complex themes. He attributes the novel's success to readers' desire for a rich reading experience, contrary to the narrow views of publishers and journalists.

Mindmap

Keywords

💡Interview

An interview is a conversation where questions are asked about someone's life, opinions, or experiences. In the context of the video, interviews are presented as both an art form and a tool for truth-seeking. However, some celebrities view them as invasive to their privacy. The script references various authors who had negative views on interviews, suggesting that they can diminish a person's dignity.

💡Literary figures

Literary figures refer to individuals who are prominent in the world of literature, often authors or poets. The script mentions several literary figures such as V.S. Naipaul, Louis Carroll, and Rudyard Kipling, who held various opinions on interviews, ranging from feeling hurt to finding them repulsive.

💡Truth

Truth, in this context, refers to the accurate representation of facts or reality. Interviews are discussed as a credible source of truth, but the script also implies that this truth can be subjective and potentially manipulated or skewed by the interview process.

💡Privacy

Privacy is the state of being free from unsanctioned intrusion or disturbance. Celebrities often view interviews as an invasion of their privacy because they feel that they are unjustly treated or misrepresented, which is a central theme in the discussion of the pros and cons of interviews.

💡Umberto Eco

Umberto Eco was an Italian philosopher, literary critic, and novelist. His mention in the script highlights his diverse expertise and his approach to writing, which focused on similar topics and utilized 'interstices' or empty spaces to expand his writing output.

💡Interstices

Interstices refer to the spaces between things, or in the context of the video, the time between events. Eco used these empty spaces productively, such as writing an article while waiting for an interview, illustrating his efficient use of time.

💡Academic writing

Academic writing is a formal writing style used in scholarly work, typically involving hypotheses and conclusions. Umberto Eco's writing style is noted as being different from mainstream academic writing, as he preferred a narrative approach that focused on storytelling.

💡Narrative Approach

A narrative approach in writing involves telling a story to convey information or ideas. Eco enjoyed using this approach in his essays, which is a departure from the more rigid academic styles that focus on hypotheses and conclusions.

💡The Name of the Rose

The Name of the Rose is a novel by Umberto Eco that deals with complex themes such as religion, philosophy, and medieval history. The script discusses how the novel's success surprised publishers and journalists, who underestimated the reading public's desire for complex narratives.

💡Readers

Readers, in this context, are the consumers of literature. The script suggests that readers are looking for a complex reading experience, as evidenced by the popularity of 'The Name of the Rose,' which challenges the narrow view held by publishers and journalists.

💡Novelist

A novelist is an author who writes novels. Umberto Eco, despite his academic background, was also a successful novelist. The script explores the tension between his academic identity and his recognition as a novelist, reaching a broader audience through fiction.

Highlights

Christopher Sylvester has been a key figure in journalism for over 130 years.

Some people view interviews as an art form and a source of truth, while others see them as an invasion of privacy.

Celebrities often feel that interviews are unjust and diminish their dignity.

V.S. Naipaul, author of 'A House for Mr Biswas', believes interviews hurt the person being interviewed.

Lewis Carroll avoided interviews due to fear and a belief in unnecessary celebration.

Rudyard Kipling found interviews repulsive and unpleasant.

Kipling's wife, Caroline, noted in her diary how an interviewer once ruined their day.

Sylvester found it ironic that he had interviewed Mark Twain, who also considered interviews a nightmare.

H.G. Wells gave several interviews but privately thought of them as a nightmare.

Saul Bellow felt suffocated by interviews.

Sylvester believes interviews are a useful method of communication despite the views of the quoted writers.

Dennis Brian believed in the significant influence of the interviewer.

Umberto Eco is introduced as a formidable scholar with a wide range of expertise.

Eco's literary career spans academic texts, essays, fiction, newspaper articles, and children's books.

Eco's 'The Name of the Rose' brought him intellectual superstardom in 1980.

Eco's writing focuses on similar topics, making his process easier.

Eco uses 'interstices' or empty spaces between events to expand his writing output.

Eco's unconventional thesis submission style was appreciated for its narrative approach.

Eco began writing novels later in life, after the age of 50.

Eco is bothered by the 'novelist' tag despite his academic works.

Eco believes readers enjoy complex ideas in 'The Name of the Rose'.

The success of 'The Name of the Rose' remains a mystery to Eco.

Transcripts

play00:00

foreign

play00:05

here is a summary of part 1 of the

play00:08

interview by Christopher Sylvester

play00:11

to Sylvester States has been an integral

play00:14

part of Journalism for the last 130

play00:16

years any literate person would have

play00:19

read an interview at some point or the

play00:21

other

play00:22

while some people claim that an

play00:24

interview is an art form and a credible

play00:26

source of Truth celebrities often

play00:29

consider it as an invasion of their

play00:31

privacy

play00:31

[Music]

play00:32

this might be because these celebrities

play00:34

feel that interviews often treat them

play00:37

unjustly

play00:39

some primitive cultures believe that a

play00:41

photograph takes away the soul of its

play00:43

subject similarly some believe that an

play00:45

interview diminishes a person's dignity

play00:48

now Sylvester quotes different literary

play00:50

figures who agree with this View

play00:53

via sniper author of a house for Mr

play00:56

biswas believes that an interview hurts

play00:59

the person being interviewed

play01:02

famous children's book author Louis

play01:04

Carroll never consented to interviews

play01:06

because of his fear of interviewers he

play01:09

also believed he would be celebrated

play01:10

unnecessarily

play01:13

the jungle book author Rudyard Kipling

play01:15

went one step further he stated that he

play01:18

found that this form repulsive and

play01:21

unpleasant

play01:22

in her diary entry Kipling's wife

play01:24

Caroline notes how an interviewer once

play01:27

ruined their day

play01:30

however Sylvester considered it ironic

play01:33

that he had interviewed Mark Twain

play01:36

like Kipling Wells also considered the

play01:39

interview to be a nightmare

play01:41

though he gave several interviews during

play01:43

his life he had also interviewed Joseph

play01:45

Stalin

play01:47

finally Sylvester outlines noted

play01:50

playwright and novelist Saul Bellows

play01:52

opinion

play01:53

Bello said that he felt suffocated by

play01:55

interviews

play01:58

although Sylvester quotes these writers

play02:00

he believes that the interview is a

play02:02

useful method of communication

play02:05

the essay ends with a comment by Dennis

play02:07

Bryan who believed in

play02:11

as such the influence of the interviewer

play02:15

[Music]

play02:21

here is a summary of part 2 of the

play02:24

chapter the interview

play02:26

padmanabhan introduces Umberto Echo as a

play02:28

formidable scholar with expertise in a

play02:31

wide range of academic subjects

play02:33

echo's remarkable literary career has

play02:36

spanned academic texts essays fictions

play02:39

newspaper articles and children's books

play02:43

he attained intellectual superstardom

play02:45

with the publication of the name of the

play02:47

Rose in 1980.

play02:51

began the interview by quoting author

play02:53

and critic David Lodge on echo's writing

play02:57

output

play02:58

Echo commented that his writing focused

play03:01

on one thing similar topics which makes

play03:03

his writing process easier

play03:06

he also made use interesthesis or empty

play03:10

spaces to expand his writing output for

play03:13

Echo empty spaces are the time between

play03:16

different events

play03:18

as an illustration Echo uses the example

play03:21

of the current meeting while waiting for

play03:23

padmanabhan to come over and interview

play03:26

him Echo used the time productively to

play03:29

write an article

play03:31

padmanabhan then talks about echo's

play03:33

writing style which is different from

play03:35

mainstream academic writing

play03:38

echo in response narrates the story of

play03:41

his thesis submission

play03:43

during the presentation one of his

play03:45

professors commented on his

play03:47

unconventional style of research that is

play03:49

telling the story of his research rather

play03:51

than focusing on a hypothesis or a

play03:54

conclusion

play03:56

Echo enjoyed using A Narrative Approach

play03:58

To His essays because of this he only

play04:01

started writing novels after the age of

play04:03

50.

play04:04

then asked whether Echo was bothered by

play04:07

the novelist tag despite having written

play04:10

noted academic works

play04:12

Echo replied yes but even though he

play04:15

considered himself an academic

play04:16

practically he knew he reached a broader

play04:19

audience as a novelist

play04:21

padmanabhan Then Came To echo's

play04:23

Masterpiece he asked whether Echo was

play04:26

surprised by his reader's enjoyment of

play04:28

the name of the Rose which dealt with

play04:30

complex ideas of religion philosophy and

play04:33

medieval history

play04:35

Echo replied that it was only Publishers

play04:39

and journalists who were surprised

play04:40

because of their narrow view of the

play04:42

reading public

play04:44

he believed the readers read his novel

play04:46

because they wanted a complex reading

play04:48

experience

play04:50

finally padmanabhan asks Echo to comment

play04:53

on the success of the name of the Rose

play04:55

Echo replies that he still finds the

play04:58

novel's success a mystery

play05:01

foreign

Rate This

5.0 / 5 (0 votes)

Ähnliche Tags
Interview InsightsCelebrity PrivacyAuthor OpinionsLiterary AnalysisJournalism EthicsSylvester StatesUmberto EcoMedia ImpactWriting ProcessReader EngagementAcademic Writing
Benötigen Sie eine Zusammenfassung auf Englisch?