Lucy Bedroque - Unmusique MIXTAPE REVIEW

Summary

This energetic review unpacks Lucy Bedrock’s debut mixtape, unmusic, praising its adventurous fusion of rage, digicore, pop, EDM and industrial textures. The reviewer highlights standout tracks—"Speakers Never Learn," "G6 Anthem," "Ultraviolet," and "2010 Justin Bieber"—for their catchy hooks and bold production, while noting songs like "Made in Italy" and "Finish Him" feel forgettable. Lucy’s low-fi, distorted approach creates thrilling moments but sometimes buries nuance; pacing and track sequencing also feel inconsistent. Overall the tape offers more hits than misses, signaling a promising artist experimenting at the edges of underground trap and pop — a light-to-decent 7/10.

Takeaways

• 😀 Lucy Bedrock's debut mixtape *Unmusic* has made a significant impact within the underground rage music scene, drawing attention from online hip-hop fans.
• 😀 Lucy is an artist who blends trap with a variety of genres, including DigiCore, EDM, pop, and industrial influences, creating a unique sound that's not just confined to rage music.
• 😀 Previous work under the name Lost Rushy shows that Lucy has a diverse musical background, with a cult classic album that fused mellow trap, bitcrushed pop, and obscure rap flavors.
• 😀 The mixtape's production is heavily distorted and abrasive, which fits within the rage genre but can sometimes obscure the musical nuances.
• 😀 Tracks like *G6 Anthem* balance explosive production with catchy melodies and slick flows, making them memorable despite the harsh sound.
• 😀 *Ultraviolet* features infectious club-friendly grooves and could easily become a viral hit due to its upbeat vibe and potential for TikTok dances.
• 😀 *2010 Justin Bieber* stands out with strong vocal leads and playful, Cardi-inspired inflections, though the track's short length detracts from its full potential.
• 😀 *Smackdown* is one of the few tracks on the mixtape that creates an eerie, meditative atmosphere, bringing a spookier, more experimental feel to the project.
• 😀 The track *Fenty Face* is aggressive and chaotic, with explosive bass and rapid hi-hats, but at times, its intensity can overshadow the song's musicality.
• 😀 The mixtape lacks overall consistency, with some tracks feeling forgettable or out of place due to its uneven pacing and structure.
• 😀 Despite its flaws, *Unmusic* features more successful tracks than misfires, showcasing Lucy's ability to create bangers while hinting at greater potential in future projects.

Q & A

Who is Lucy Bedrock, and what is the focus of their debut mixtape 'unmusic'?

Lucy Bedrock is a California-based rapper, songwriter, singer, and producer who is still building a name for himself in the music scene. His debut mixtape 'unmusic' showcases his creativity, blending various genres including rage, DigiCore, EDM, and industrial, while also drawing influence from underground rap and pop.

What is the primary production style of the mixtape, and how does it compare to other artists in the same genre?

The production style of 'unmusic' is characterized by highly distorted, saturated, and blown-out trap sounds, which are common in the rage subgenre. However, unlike many other artists in this lane, Lucy brings in influences from pop, EDM, and even industrial music, offering a unique twist that sets him apart from other, often one-dimensional, rage artists.

How does Lucy Bedrock's previous project 'Lost Rushy' relate to his new mixtape?

'Lost Rushy' was Lucy's previous music project, known for a blend of mellow trap, bitcrushed pop, and obscure rap flavors. While 'unmusic' moves more toward a rage direction, there are overlapping elements in terms of low-fi production, vocals, and experimental approaches that carry over from 'Lost Rushy'.

What makes 'unmusic' stand out compared to other rage music in terms of its approach to melody and structure?

While 'unmusic' maintains the abrasive, loud production typical of rage music, Lucy introduces more melodic elements with catchy flows and hooks. These melodies often push the boundaries of intelligibility, creating an interesting tension between the harsh production and more conventional pop/rap song structures.

What are some key tracks from the mixtape, and what makes them unique?

Key tracks from the mixtape include 'G6 Anthem', which balances harshness with catchy flows and melodies, and '2010 Justin Bieber', which features strong vocal leads and zany inflections. Other tracks like 'Ultraviolet' add charismatic flows and club-friendly groove changes, while 'Fenty Face' stands out with its explosive, war-zone-like energy.

What is the theme and musical style of 'Speakers Never Learn', the opening track?

'Speakers Never Learn' opens the mixtape with stuttering synthesizers, phased-out distorted guitar chords, and pumping kicks, blending elements of hype pop-rock with a distorted, experimental edge. The track's aggressive and crunchy production creates a chaotic but interesting sonic experience.

How does the song 'Smackdown' differ from other tracks on the mixtape?

'Smackdown' stands out with its meditative, eerie vibe, featuring spooky synthesizers and low-key vocals. It contrasts with the rest of the mixtape, which is typically more high-energy and aggressive, showing Lucy's ability to explore different moods and atmospheres within his broader sound.

What is the general flow and pacing of 'unmusic', and how does it impact the overall listening experience?

The flow and pacing of 'unmusic' are quite inconsistent. Some tracks like 'Made in Italy' and 'Finish Him' feel forgettable and lack strong musical hooks, while others like 'Ouiji' and 'I Am Impossible' bring back high-energy moments. This results in a mixed listening experience, where the lack of a clear progression may feel disjointed at times.

What is Lucy Bedrock's unique contribution to the rage genre?

Lucy Bedrock's unique contribution to the rage genre lies in his ability to mix elements from various musical styles such as DigiCore, EDM, and industrial music. His incorporation of pop and melodic hooks into the typically abrasive rage style adds depth and versatility, making his sound stand out in a genre that is often very one-dimensional.

What is the reviewer's overall assessment of 'unmusic', and how does it compare to a potential future album?

The reviewer describes 'unmusic' as a promising mixtape with many bangers but also some inconsistent moments. Despite the lack of an overall cohesive flow, Lucy's ability to experiment and combine different influences suggests that his future work, especially a full album, could be even more polished and refined. The mixtape is rated a light to decent 7 out of 10.