Bahasa Rupa Ruang Waktu Datar | Voice of Raws EP 31 Bersama Asep Deni

Summary

This video features an insightful discussion about photography, its development, and its connections with ancient art forms, particularly the reliefs on the Borobudur temple. The speaker, a photography professor, delves into how photography has evolved from traditional single-frame images to more complex, montage-based compositions. The concept of 'ruang waktu datar' (flat time-space) is explored, linking photography techniques with historical forms of storytelling found in ancient reliefs. The video also touches on the intersection of modern photography and digital manipulation, shedding light on creative approaches that blend the past with contemporary practices in visual art.

Takeaways

• 😀 The discussion explores the idea of photography as a form of storytelling, drawing parallels between photographic sequences and the reliefs on the Borobudur Temple.
• 😀 Photography can be understood as a montage of images, where multiple photos are combined to create a new meaning or narrative.
• 😀 The script touches on the relationship between photography and art history, specifically the concept of combining multiple images in one frame, similar to ancient reliefs.
• 😀 The speaker's journey in photography began with a personal hobby, documenting mountain trips, which later led to a deeper academic interest and a career in teaching photography.
• 😀 The concept of 'flat space-time' or 'RWD' in art and photography is explored, showing how multiple times and spaces can be combined into a single visual narrative.
• 😀 The speaker highlights the evolution of photography, from traditional techniques to digital photography and the use of Photoshop for image manipulation and creating composite images.
• 😀 Photography has expanded beyond practical uses and is now considered a subject of academic study, with institutions like universities helping to formalize photographic knowledge.
• 😀 A significant challenge in photography is combining images in a meaningful way that aligns with the narrative, a task made easier by modern technology.
• 😀 The concept of 'multi-exposure' is introduced as a technique used to combine multiple images, a practice that has existed in photography since the early days of analog film.
• 😀 The study of ancient art forms, such as the reliefs at Prambanan and Borobudur, reveals early uses of composite imagery, which laid the groundwork for modern photography and its creative possibilities.

Q & A

How does the speaker relate photography to the reliefs at Borobudur?

The speaker explains that the reliefs at Borobudur, which are essentially a series of interconnected images arranged in panels, can be compared to the concept of montage in photography. Just like a photographer might combine multiple frames to tell a story, the reliefs use a similar approach to depict scenes in a continuous narrative.

What is the significance of 'space-time flat' in the context of Borobudur reliefs and photography?

'Space-time flat' refers to a unique visual technique seen in the Borobudur reliefs, where multiple scenes are combined in a single panel. The speaker likens this to modern photographic techniques, like montage and multiple exposures, where different moments or spaces are merged into one image, creating a layered narrative.

How did the speaker's personal journey into photography evolve?

The speaker initially started photography as a hobby, using borrowed cameras and documenting mountain trips. Over time, this evolved into a more serious interest, leading the speaker to study photography at Universitas Widyatama and eventually become an academic in the field.

What role did Professor Primadi play in the speaker's academic development?

Professor Primadi's lecture on the Borobudur reliefs served as a pivotal moment in the speaker's academic journey. It inspired the speaker to explore how ancient art forms, like those at Borobudur, could be connected to modern photography, leading to their research and dissertation on the subject.

What is 'montage imaji' and how does it relate to the speaker's research?

'Montage imaji' refers to the technique of combining multiple images to create a new, unified narrative. The speaker uses this concept to draw parallels between the visual storytelling in the Borobudur reliefs and modern photographic techniques that use montages or composites to create meaning.

How does the speaker connect 'space-time flat' with modern digital photography?

The speaker suggests that while the 'space-time flat' technique from the Borobudur reliefs was an ancient method of visual storytelling, it has been unconsciously adopted in modern digital photography, particularly through tools like Photoshop that allow for combining different moments and spaces into one image.

What challenges does the speaker face when attempting to apply the 'space-time flat' method in contemporary photography?

The speaker notes that adapting the 'space-time flat' method in modern photography can be challenging due to the complexity of merging multiple scenes or spaces into one image. The process requires careful composition and sometimes involves dealing with technical constraints, but the speaker believes it is achievable with current technologies.

What practical applications of 'space-time flat' are discussed in the context of photography?

The speaker discusses how the 'space-time flat' method is applied in various fields, such as advertising and commercial photography, where multiple images are combined to create a dynamic, narrative-driven composition. This technique is also seen in creative photography, where it can be used to convey complex stories or ideas.

How has the evolution from analog to digital photography influenced the use of techniques like montage?

The transition from analog to digital photography has greatly expanded the possibilities for using techniques like montage. Digital tools like Photoshop make it easier to combine different images, enabling photographers to experiment with more complex visual storytelling that would have been much harder to achieve with traditional film-based methods.

What future research or projects is the speaker working on related to photography?

The speaker is working on a book that explores the integration of 'natural perspective' (NPM) and 'space-time flat' (RWD) in modern photography. Additionally, they are applying these concepts in practical projects, such as a photographic series inspired by the Ramayana reliefs at Prambanan, which will merge traditional storytelling with contemporary photographic techniques.