Chad Horror Movie - SNL

Saturday Night Live
2 Mar 201903:43

Summary

TLDRIn a chilling phone call, Chad is confronted by a mysterious caller who claims to be watching him and initiates a terrifying game with high stakes. The caller, revealed to be Ferguson Toddle, an old acquaintance from middle school, accuses Chad of tormenting him and ruining his life. As the game unfolds, Chad is manipulated into turning on patio lights, answering the door to a pizza delivery, and eating pizza over a white rug, all while being threatened with death. The caller's twisted revenge plot is interspersed with dark humor and Chad's nonchalant responses, creating a tense yet oddly comical atmosphere.

Takeaways

  • ๐Ÿ“ž The script begins with a phone call where an unknown person initiates a threatening conversation with Chad.
  • ๐Ÿ•ต๏ธโ€โ™‚๏ธ The caller claims to be watching Chad and implies that Chad is already involved in a game against his will.
  • ๐Ÿ‘• The caller allows Chad to put on shorts before the game starts, suggesting a level of control and surveillance.
  • ๐Ÿ”ฆ Chad is instructed to turn on the patio light, revealing a shocking scene that is quickly dismissed by the caller.
  • ๐Ÿ˜จ The caller pretends that Chad's girlfriend's head is outside, but Chad clarifies he doesn't have a girlfriend, leading to the mention of Ashley.
  • ๐Ÿ• A pizza delivery interrupts the conversation, which the caller uses to further intimidate Chad, implying the game is real and dangerous.
  • ๐Ÿงโ€โ™‚๏ธ Chad is told to answer the door for the pizza delivery, adding an element of suspense and potential danger.
  • ๐Ÿฝ๏ธ The caller warns Chad about spilling pizza on his white rug and couch, showing an intimate knowledge of Chad's living situation.
  • ๐Ÿšช The pizza delivery turns out to be a ruse, as the caller reveals himself to be the person on the phone, not the delivery person.
  • ๐Ÿค The caller, Ferguson Toddle, reveals a history with Chad, indicating a long-standing grudge from their shared past.
  • ๐Ÿ—ฃ๏ธ Ferguson accuses Chad of tormenting him in middle school and having affairs with people close to him, fueling his hatred towards Chad.
  • ๐Ÿ“บ Chad appears to be distracted and dismissive of the serious situation, even making light of it with humor.
  • ๐Ÿ”ช The script ends with a clear threat from Ferguson to kill Chad, leaving the outcome of the game and Chad's fate uncertain.

Q & A

  • Who is the main antagonist in the script?

    -The main antagonist is Ferguson Toddle, who has a history of being tormented by Chad during their middle school years.

  • What is the game that the antagonist wants Chad to play?

    -The script does not specify the nature of the game, but it is implied to be a dangerous and life-threatening situation orchestrated by the antagonist.

  • What is the antagonist's relationship to Chad?

    -The antagonist, Ferguson Toddle, grew up with Chad and was tormented by him throughout middle school, leading to a deep-seated hatred.

  • What is the antagonist's initial method of contact with Chad?

    -The antagonist initially contacts Chad through a phone call, where he starts to play the 'game' with Chad.

  • How does the antagonist demonstrate that he is watching Chad?

    -The antagonist tells Chad to turn on the patio light and then reveals that he has something for Chad to see, implying he has a visual on Chad's location.

  • What is the antagonist's reaction when Chad says he doesn't have a girlfriend?

    -The antagonist mentions 'Ashley,' implying that Chad might be in a relationship or has a close female friend, which Chad does not confirm.

  • What unexpected event occurs when Chad is told to answer the door?

    -An unexpected pizza delivery arrives, which Chad did not order, indicating the antagonist's involvement and control over the situation.

  • Who is the person at the door claiming to be the phone caller?

    -The person at the door is Ferguson Toddle, the antagonist, who Chad knew from middle school.

  • What does the antagonist reveal about his past with Chad?

    -The antagonist reveals that Chad tormented him, teased him, and made his life miserable during middle school. Chad also slept with the antagonist's girlfriend, sister, and mother.

  • What is the antagonist's ultimate threat to Chad?

    -The antagonist threatens to kill Chad, indicating that the 'game' he has forced Chad into has deadly consequences.

  • How does Chad react to the antagonist's threats?

    -Chad's reactions are a mix of confusion, disbelief, and attempts to dismiss the situation, such as when he says 'Okay' or 'Oh, no thanks.'

Outlines

00:00

๐Ÿ˜ฑ Sinister Phone Call and Deadly Game

The script begins with a suspenseful phone call where Chad is being interrogated by an unknown caller who claims to be watching him. The caller, revealing himself as Ferguson Toddle, accuses Chad of tormenting him in middle school and having an affair with his sister and mother. The caller coerces Chad into playing a game with high stakes, threatening his life if he loses. The caller also manipulates Chad into turning on the patio light, only to reveal a horrifying sight, presumably of his girlfriend's head, although Chad clarifies he doesn't have one. The caller's presence is further confirmed when a pizza delivery interrupts, and the delivery man is revealed to be the caller himself, escalating the tension and establishing the deadly seriousness of the game.

Mindmap

Keywords

๐Ÿ’กGame

A 'game' in this context refers to a manipulative and threatening scenario imposed by the caller on Chad. It is not a casual or recreational activity but rather a tool of psychological torment. The game is central to the video's theme of coercion and fear, as seen when the caller says, 'YOU'RE ALREADY PLAYING.'

๐Ÿ’กFear

Fear is a fundamental emotion experienced by Chad throughout the script, triggered by the caller's threats and manipulations. It is a key element in the video's narrative, illustrating the power dynamic between the two characters. For example, Chad's fear is evident when the caller mentions, 'YOUR PRETTY LITTLE THROAT WILL, GET SLIT.'

๐Ÿ’กThreat

A 'threat' is a declaration of intent to harm someone, which is a recurring element in the script used by the caller to control and intimidate Chad. The threats escalate the tension and highlight the caller's malicious intent, such as when stating, 'I'M GOING TO KILL YOU, CHAD.'

๐Ÿ’กManipulation

Manipulation is the act of influencing someone's behavior or emotions through underhanded or deceitful tactics. In the script, the caller manipulates Chad by using his fears and personal information against him, as seen when the caller forces Chad to play the 'game' under duress.

๐Ÿ’กSurveillance

Surveillance refers to the close observation of Chad by the caller, who claims to be 'WATCHING YOU RIGHT NOW.' This concept adds a layer of intrusion and vulnerability to Chad's situation, emphasizing the caller's control over him.

๐Ÿ’กRevenge

Revenge is a driving motive for the caller, who harbors deep-seated resentment towards Chad for past wrongs. The theme of revenge is central to the video's plot, as the caller's actions are fueled by a desire to make Chad pay for his past torment, as revealed when the caller says, 'MY HATRED TOWARDS YOU GREW IN ME LIKE A CANCER.'

๐Ÿ’กTorment

Torment is both a past action inflicted upon the caller by Chad and the current situation Chad finds himself in. It signifies the psychological distress and suffering experienced by the characters, particularly in the caller's recollection of middle school bullying and Chad's current predicament.

๐Ÿ’กBetrayal

Betrayal is implied in the script through the caller's mention of Chad's past actions, such as sleeping with the caller's girlfriend, sister, and even mother. This theme underscores the depth of the caller's animosity and the complexity of their relationship.

๐Ÿ’กIsolation

Isolation is a situation where Chad finds himself alone and vulnerable, with the caller being his only point of contact. The theme of isolation is evident when Chad is forced to interact solely with the caller, highlighting his lack of support or escape.

๐Ÿ’กControl

Control is exerted by the caller over Chad throughout the script, dictating his actions and responses. It is a key aspect of the power dynamic, as seen in the caller's directive, 'TURN THE PATIO LIGHT ON,' which Chad obediently follows.

๐Ÿ’กConfrontation

Confrontation occurs when the caller reveals his identity and past grievances to Chad, marking a climax in the video's narrative. It is a moment of truth and escalation, where the caller's intentions and the reasons behind his actions are laid bare, as in 'FERGUSON TODDLE. YOU CALLED ME EVERY NAME IN THE BOOK EXCEPT MY OWN.'

Highlights

An ominous game begins with a mysterious caller who seems to be watching Chad.

The caller threatens Chad with a deadly consequence if he loses the game.

Chad is forced to turn on the patio light, revealing a shocking sight.

A pizza delivery arrives unexpectedly, adding to the suspense.

The caller reveals a personal history with Chad, hinting at a vengeful motive.

Chad's past torment of the caller is revealed, adding depth to the caller's actions.

The caller's identity is disclosed as Ferguson Toddle, someone from Chad's past.

Chad's ignorance of his past actions towards Ferguson is highlighted.

The caller's intense hatred for Chad is compared to a cancerous growth.

Chad is distracted by a TV show during a critical moment, showing his nonchalance.

The caller's declaration of intent to kill Chad is met with Chad's casual refusal.

The game's high stakes are emphasized as the caller insists Chad has no choice but to play.

A bizarre moment of levity is introduced with a fart sound effect.

The game reaches its climax with the caller's final threat to Chad.

Chad's casual response to the life-threatening situation underscores the tension.

Transcripts

play00:10

[ THUNDER ] [ PHONE RINGING ]

play00:11

>>> HELLO? >> HELLO CHAD.

play00:16

>> WHO IS THIS? >> AH, AH, AH.

play00:18

I ASK THE QUESTIONS HERE. >> THIS MATT?

play00:20

>> NO. TELL ME CHAD.

play00:21

>> THIS KELLY? >> NO, DO YOU WANT TO PLAY A

play00:25

GAME? >> OH, NO THANKS.

play00:29

[ PHONE RINGING ] >> HELLO?

play00:34

>> SORRY, CHAD. YOU CAN'T SAY NO TO A GAME THAT

play00:38

YOU'RE ALREADY PLAYING. >> OKAY.

play00:43

>> AND I'LL KNOW IF YOU'RE CHEATING, CHAD BECAUSE I'M

play00:44

WATCHING YOU RIGHT NOW. >> OKAY.

play00:51

>> AND BECAUSE I'M THERE, I'LL LET YOU PUT SOME SHORTS ON

play00:53

BEFORE WE START. >> I'M GOOD.

play00:57

>> I'M NOT ASKING. >> OKAY.

play01:01

>> TELL ME CHAD, WHAT'S YOUR BIGGEST FEAR?

play01:05

>> [ BLEEP ] FALLS OFF. >> BUT I BET YOU ALSO FEAR

play01:12

DEATH, AND IF YOU LOSE MY GAME, YOUR PRETTY LITTLE THROAT WILL

play01:16

GET SLIT. >> HM, SLIT.

play01:21

>> TURN THE PATIO LIGHT ON. >> OKAY.

play01:23

>> I HAVE SOMETHING I WANT YOU TO SEE.

play01:27

THAT'S NO. PATIO LIGHTS.

play01:28

>> OKAY. >> OH MY GOD.

play01:35

NEVER MIND. YOUR GIRLFRIEND'S HEAD IS OUT

play01:37

THERE. >> I DON'T HAVE A GIRLFRIEND.

play01:41

>> THEN WHO IS ASHLEY. >> WE JUST --

play01:43

[ DOORBELL RINGING] >> AH, THE PIZZA'S HERE CHAD.

play01:48

BETTER ANSWER THE DOOR. >> LIT.

play01:51

>> STRANGE THAT YOU DIDN'T ORDER PIZZA.

play01:53

HELLO? >> THANKS.

play02:01

>> SHAME ABOUT THE PIZZA GUY, BUT NOW YOU KNOW THE GAME IS

play02:06

REAL, AND THE STAKES ARE -- CHAD, CAN YOU GET A PLATE.

play02:11

YOU'RE EATING PIZZA OVER YOUR WHITE RUG, AND COUCH, AND I KNOW

play02:13

YOU'RE GOING TO SPILL IT. THERE'S ONE UNDER THE PIZZA BOX.

play02:15

>> OKAY. GOT IT.

play02:20

>> HELLO CHAD. >> HOLD UP.

play02:22

HELLO. >> NO CHAD, I'M THE PERSON WHO

play02:25

WAS ON THE PHONE. >> OH, WHAT UP?

play02:28

>> YOU MIGHT REMEMBER ME CHAD. WE GREW UP TOGETHER.

play02:31

YOU CALLED ME EVERY NAME IN THE BOOK EXCEPT MY OWN.

play02:36

FERGUSON TODDLE. >> OH, NICE TO MEET YOU.

play02:39

>> WE'VE MET. ALL THROUGH MIDDLE SCHOOL YOU

play02:43

TORMENTED ME. YOU TEASED ME.

play02:46

YOU MADE MY LIFE A LIVING HELL. >> OH MY BAD.

play02:49

>> YOU SLEPT WITH MY GIRLFRIEND. >> SORRY.

play02:51

>> MY SISTER. >> OH MY BAD.

play02:54

>> MY MOTHER. >> SHE GOOD?

play02:57

>> MY HATRED TOWARDS YOU GREW IN ME LIKE A CANCER, A CANCER THAT

play03:00

ROTTED AWAY UNTIL I -- ARE YOU WATCHING TV?

play03:01

>> "RIDICULOUSNESS." >> YO THIS KID FALLS RIGHT THE

play03:04

HELL OFF HIS -- >> CHAD, DO YOU UNDERSTAND

play03:08

WHAT'S GOING ON? [ FART ]

play03:10

>> SAFETY. >> I'M GOING TO KILL YOU, CHAD.

play03:13

>> OH, NO THANKS. >> OH, I'M AFRAID YOU DON'T HAVE

play03:17

A CHOICE. >> GAME OVER, CHAD.

play03:28

>> OKAY.

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Related Tags
SuspensePhone CallDeadly GameThreatFearRevengeTormentConfrontationSurvivalScript