PEMBAHASAN TAJWID SURAT AL MAUN CARA BACA DAN CONTOH PENGUCAPANYA -EPS 08

Summary

This video script provides an in-depth explanation of the laws of Tajweed in the Qur'an, specifically focusing on Surah Al-Ma'un. It covers a variety of Tajweed rules including the pronunciation of letters with Tafkhim, Lin, and the specific rules for Alif Lam, Syamsiah, and Qomariah. The script emphasizes the proper articulation of letters, such as LAM with Tasydid and their relationship with other vowels, as well as the application of Mad Thobii, Mad Aridh li Sukun, and Iq'fa. Each verse is analyzed for the correct pronunciation techniques to ensure accurate reading, with practical tips on how to lengthen or shorten sounds in accordance with Tajweed principles.

Takeaways

• 😀 The tajwid law of Tafkhim (thick pronunciation) is applied when the letter 'Ra' has a fathah above it, making the sound fill the oral cavity.
• 😀 Harf Lin (soft letters) refers to a softened pronunciation, especially when a letter is preceded by a letter with a fathah.
• 😀 The pronunciation of the letter 'Alif Lam Syamsiah' is not read directly; instead, it merges into the subsequent letter without being pronounced separately.
• 😀 The concept of Idghom Bilagunnah involves merging two letters with a humming sound, particularly when the tanwin dhomah is placed above the letter 'Lam'.
• 😀 Mad Thobii is a type of elongation that occurs when there is a fathah on a letter, and it is elongated by 2 beats.
• 😀 Mad Aridh Li Sukun refers to a scenario where a mad letter meets a letter with a sukun. Its elongation may vary between 2, 4, or 6 beats, depending on the context.
• 😀 The letter 'Lam' when followed by a 'Shamsiah' letter, such as 'Lam' itself, is pronounced directly without the initial 'Alif Lam'.
• 😀 The letter 'Mim' when followed by another 'Mim' with a sukun is read with clarity, following the rule of Idzhar Syafawi, which means no bouncing or holding back in the sound.
• 😀 The pronunciation of 'Mad Thobii' can be altered depending on the placement of vowels like 'Kasroh', 'Fathah', or 'Dhomah' before a supporting letter like 'Nun'.
• 😀 The concept of Mad Alif, particularly when 'Alif' is preceded by a fathah and meets a hamzah in one sentence, requires a mandatory elongation, as the letters cannot be separated.

Q & A

What is Tafkhim in Tajwid?

Tafkhim refers to thickening the sound of a letter, especially when it has a fathah (a vowel mark above the letter). This causes the sound to fill all the oral cavities, as seen in the letter 'RO' when it has a fathah.

How does Harf Lin (soft letters) affect pronunciation?

Harf Lin refers to soft letters that require a softer, less forceful pronunciation. For example, the letter 'hamzah' (ء) is softened when it is preceded by a fathah, making the reading gentler and without excessive elongation.

What is the significance of Alif Lam Syamsiah?

Alif Lam Syamsiah occurs when the definite article 'Al' (أل) is followed by a letter known as 'syamsiah' (e.g., 'LAM'). In this case, the 'Alif' is not pronounced, and the 'LAM' is pronounced directly without any separation from the next letter.

What does Mad Thobii entail?

Mad Thobii is the natural elongation of sounds, particularly when there is an 'Alif' before a fathah on a letter, such as 'LAM'. This elongation is typically 2 beats (harokat) and is not excessively pressed or drawn out.

When is Mad Aridh Li Sukun used?

Mad Aridh Li Sukun is used when a mad letter (like 'YA') precedes a sukun (a letter without a vowel) and the sound is followed by a waqof (a stopping point in the sentence). This elongation may be extended for 2, 4, or 6 beats, depending on the recitation.

What is the rule of Idghom Bilaghunnah?

Idghom Bilaghunnah occurs when there is a tanwin (nunation) followed by specific letters. The sound is assimilated into the next letter with a nasal hum, such as when 'LAM' and 'RO' meet.

Can you explain Idzhar Syafawi?

Idzhar Syafawi is a rule where the letter 'MIM' with a sukun (no vowel) meets a letter that requires articulation with clarity, such as 'NUN'. The sound should be read clearly without buzzing or suppression.

What is Ikhfa and how is it applied?

Ikhfa occurs when a 'NUN' with a sukun is followed by a letter that causes a faint buzzing sound. The tongue should be positioned between the mouth and the articulation point of the letters, such as in the case of 'SHIN' (ش).

What is the difference between Mad Jaiz Munfashil and Mad Muttashil?

Mad Jaiz Munfashil occurs when a mad is separated by a hamzah in the same sentence, and it is permissible to elongate the sound for 4 or 5 beats. On the other hand, Mad Muttashil happens when mad and hamzah are in the same sentence without separation, requiring a smooth elongation of the sound.

How does Mad Aridh Li Sukun work in different contexts?

Mad Aridh Li Sukun is applied when a mad letter meets a letter that is supported by a stopping point (waqof). For example, when 'WAU' is followed by a dhomah or when 'NUN' is followed by a fathah and a sukun. The elongation can be 2, 4, or 6 beats depending on the situation.