HOW TO BLEND ACRYLIC PAINT on Canvas for Beginners π¨
Summary
TLDRIn this video, the artist shares essential do's and don'ts for blending acrylic paint to create seamless gradients. They demonstrate the correct paint consistency, the importance of keeping the brush damp but not dripping, and how to avoid streaks and see-through effects. The video also offers tips on blending dark and light colors, managing paintbrush pressure, and using slow-dry products. A time-lapse of a sunset on a lake painting illustrates the techniques, and the artist emphasizes the importance of preparing more paint than needed to avoid running out mid-blend.
Takeaways
- π¨ Use the right paint consistency for blending: not too thick like pudding, not too thin like soup, but like thick gravy.
- π§ Avoid using too much water as it can make the paint see-through and create streaks.
- ποΈ Keep the paintbrush damp but not dripping wet to facilitate blending without creating droplets.
- 𧽠Have a rag or sponge handy to blot the paint and remove excess water.
- π« Position water jars to the side to minimize the chance of droplets falling onto the canvas.
- π Choose a softer brush for easier blending and to avoid streaks caused by stiff bristles.
- π When blending light and dark colors, start with the light color and gradually add the dark to prevent it from overpowering.
- π§Ό Clean the brush often and thoroughly when blending to avoid mixing unwanted colors.
- πΌοΈ Pay attention to the pressure applied by the paintbrush to create a seamless gradient.
- π Use products like 'slow dry' to extend the drying time of acrylic paint for more blending time.
- π¦ Always prepare more paint than you think you'll need to avoid running out and having to redo sections.
Q & A
What is the main topic of the video script?
-The main topic of the video script is blending acrylic paint, focusing on techniques to avoid common mistakes and achieve seamless gradients.
What is the first 'don't' mentioned in the script regarding blending acrylic paint?
-The first 'don't' mentioned is using too much water, as it can make the paint see-through and create streaks.
What is the ideal paint consistency for blending according to the script?
-The ideal paint consistency for blending is like a thick gravy, not too thick like pudding nor too thin like soup.
Why is keeping the paintbrush damp recommended in the script?
-Keeping the paintbrush damp helps with blending colors into each other, but not too wet to avoid creating droplets and streaks.
What should one do if a droplet falls onto the canvas during blending?
-If a droplet falls onto the canvas, one should gently blot it right away and work the area specifically to make it seamless.
Why is it advised to keep water jars on the side of the painting instead of in front in the script?
-Keeping water jars on the side of the painting reduces the chances of water droplets falling onto the canvas.
What type of brush is recommended for blending acrylic paint according to the script?
-A softer brush is recommended for blending acrylic paint as it's easier to achieve a seamless background effect with softer bristles.
Why is it better to bring a light color into a dark color when creating a gradient?
-It's better to bring a light color into a dark color to create a gradient because dark colors are overpowering and can quickly make a light color too dark.
What is the importance of pressure when blending with a paintbrush as mentioned in the script?
-The importance of pressure when blending with a paintbrush is that it requires adjusting between heavier and lighter pressure to work the colors into each other without creating streaks.
What product is suggested in the script to help with blending when painting realistic subjects?
-The product suggested in the script to help with blending when painting realistic subjects is 'slow dry' by Liquitex, which extends the drying time of the paint.
What is the simple but important tip shared at the end of the script regarding blending acrylic paint?
-The simple but important tip shared at the end of the script is to always make more paint than needed to avoid running out and having to redo areas of the painting.
Outlines
π¨ Mastering Acrylic Blending Techniques
The speaker begins by expressing their intent to demonstrate the art of blending acrylic paint. They aim to share their experiences to help viewers avoid common mistakes. A time-lapse video of a sunset on a lake painting is promised to illustrate the blending techniques effectively. The speaker emphasizes the importance of paint consistency, cautioning against using too much water which can lead to streaks and transparency. They suggest that the ideal paint consistency is akin to thick gravy, and keeping the brush damp, rather than wet, is crucial for smooth blending. The speaker also advises against using stiff brushes, recommending softer ones for a seamless blend. They discuss the challenges of blending dark and light colors, suggesting that starting with the light color and gradually introducing the dark is more effective. Attention to brush pressure is highlighted as essential for creating a seamless gradient, adjusting it according to the blending needs.
ποΈ Advanced Blending Tips for Realism
In the second paragraph, the speaker offers advanced blending tips, particularly for realistic subjects like portraits or skin tones. They introduce 'slow dry' products that extend the drying time of paint, allowing more time for blending. The speaker shares a personal tip about preparing more paint than anticipated to avoid running out mid-blend, which can lead to noticeable color discrepancies once the paint dries. They stress the importance of this practice to maintain consistency in the artwork. The speaker also encourages viewers to watch more of their painting tips videos, promising weekly uploads, and invites viewers to subscribe for more content.
Mindmap
Keywords
π‘Blending
π‘Acrylic Paint
π‘Gradient
π‘Water
π‘Paintbrush
π‘Consistency
π‘Droplets
π‘Pressure
π‘Retardants
π‘Seamless
π‘Pigment
Highlights
Blending acrylic paint can be challenging, but there are do's and don'ts to avoid common mistakes.
Using too much water can make the paint see-through and create streaks.
The ideal paint consistency for blending is like thick gravy, not too thick or thin.
Keeping the paintbrush damp helps with blending but too wet can create droplets.
Droplets can ruin a painting, so blot them gently and work the area to maintain seamlessness.
A softer brush is easier for achieving a seamless background effect.
Blending dark colors into light colors can be problematic as dark colors are overpowering.
To blend light and dark colors, bring the light color into the dark and clean the brush often.
Pay attention to the pressure of your paintbrush when blending to avoid streaks.
Washing the brush often and thoroughly helps achieve a seamless gradient.
A quick time-lapse of a sunset on a lake painting demonstrates blending techniques.
For realistic subjects like portraits, use paint with drying retardants to extend blending time.
Adding too much drying retardant can make the paint more liquid and translucent.
Always make more paint than needed to avoid running out and having to redo areas.
Having insufficient paint can lead to see-through areas in a gradient after it dries.
Subscribe for more painting tips and tutorials.
Transcripts
today I want to show you how to blend
acrylic paint I know it can be a
challenge sometimes I'm gonna go through
the list of do's and don'ts to avoid all
the mistakes that I made I'll also show
you a super quick time-lapse of this
painting that I created
it's a sunset on a lake it's super
blended so you'll see an example of
blending techniques that hopefully will
be helpful to you when I think about
blending tips and especially when I want
a seamless gradient of two colors
instinctively I would think of a thin
paint that would kind of seamlessly
blend into each other and one way to do
that would be to use water have the
paintbrush super wet the surface wet and
the paint super thinned out with water
that's on my list of don't using too
much water is an ideal the paint will be
see-through it'll create a lot of
streaks the best way to start a gradient
is to have the right paint consistency
so if it's too thick it's gonna be hard
to lay in the canvas and blend into each
other the different colors and if it's
too thin as I said it's gonna create
streaks and it's gonna be see-through I
paid that it would be too thick would be
kind of like a rich pudding you know
what I mean and I've paint that is too
thin would be kind of like soup and the
perfect consistency would be like a nice
thick gravy yeah keeping the paintbrush
damp really helps blending colors into
each other but having the brush to wet
like dripping wet is gonna be super hard
to work with first of all it's gonna
create droplets which is I know no
droplets are the enemy once a droplet
falls onto your canvas you have to kind
of start over in that specific area
because if you blot it it it lifts the
paint and if you leave it to dry it's
going to alter your color so if there's
gonna be that droplet mark even if it's
faint it's gonna be visible for droplets
I would blot it gently gently right away
and kind of like work that area
specifically so that it's seamless right
away I like to keep a rag on hand or a
sponge so that I could blot my paint
and remove any excess water keeping the
brush damn is good keeping the brush wet
isn't so good and they keep those pesky
water droplets at bay I keep their water
jars on my on the side of my painting as
opposed to in front there's less chances
of it happening and I'm saying this
because it happened to me hundreds of
times I was telling you that too much
water will create like a streaky kind of
effect another thing that might create
that effect is if the brush is too stiff
so some brushes have very thick and
stiff bristles that might create those
streaks so a softer brush not too soft
you want a brush that can still hold
paint but on the softer side it's a lot
easier to achieve like a super blended
and seamless background effect with
softer bristles there's no hard rules in
art right you can do whatever you want
but I've noticed that when I try to
blend a dark color into a light color I
usually get problems dark colors are
very overpowering a little bit of a dark
color can make a light color way too
dark really quickly so when blending two
colors together especially a very light
color in a dark color to create a
gradient as a seamless gradient it's
better to bring the light color into the
dark color and the way to do that is to
clean the brush super often what I would
do is either use two separate brushes
one for a dark color and one for our
light color create my background the way
I want it and when I get to the point
where I want that seamless blend I would
wash out one of the brush super well
remove the excess water then dip it into
the lighter shade first and bring that
light shade into the dark shade I've
done the opposite so many times and
created a mess where my gradient would
like move into the light shade way too
much and kind of overpower everything
where I had only a sliver of why
at the end just because dark colors tend
to take over everything and as you're
blending one thing to do is to pay
attention to the pressure of your
paintbrush especially in that gradient
where the two colors meet sometimes
it'll require a heavier pressure to
really work the colors into each other
but sometimes it's gonna require a very
light touch so that it doesn't create
streaks it's kind of like give-and-take
and adjusting as you're seeing things
evolve on the canvas paintbrush pressure
is a thing also I just want to repeat
that in order to get a seamless gradient
one of the best things to do is to wash
the brush often and thoroughly and
really dab the excess water so that when
you go on canvas that want me blobs of
colors where it doesn't belong trust me
on that it'll make your life a lot
easier okay
I have another tip it's a simple tip but
it's super important and it's something
that we tend to neglect before I tell
you that tip I want to show you that
painting that I was talking about it's a
super quick time lapse over about a
minute and I'll give you my tip right
after that
[Music]
[Music]
if you're looking for blending technique
for more realistic subjects especially
for like portraits or skin tones
I know sometimes the paint dries a lot
before you have time to blend a seamless
skin tone there's paint with our date
terms retardants I mean to say is that
there's a product like this called slow
dry by liquitex that you can add to your
paint that will extend the drying time
so you'll have a little bit more time to
blend whatever you want on your canvas
before it fully dries on the bottle it
says not to add more than 25% of your
solution I found that I had to add quite
a bit in order for it to make a
difference but one thing to note is that
the more you add the more liquid your
paint will be and the more translucent
it'll be but by far what's helped me the
most and my blending and gradient
technique was when I realized that I
should always make a lot more paint that
I think I will be needing stay with me I
know it sounds obvious but it's not I
usually would mix the colors I wanted
and sometimes it would take a lot more
color for a specific area for whatever
reason I would run out and obviously you
can never make the same exact color
twice so by the time I had done another
mix I have more colors my paint would be
dry on my canvas and I had to repaint
that entire area or else I could see the
difference so having more paint than
needed is obvious to some it's so easy
to forget and really really helpful the
worst thing that can happen is to paint
a perfect gradient and see that some
parts of it is kind of like see-through
that there was an enough paint and you
found that out after the paint dried and
you have to start over completely don't
don't do it if you like another painting
tip you can go watch this one it's a
really good one and I'll be seeing you
very
soon I post videos every week so
subscribe and hit them out I would love
to have you back thanks for watching
[Music]
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