HOW TO BLEND ACRYLIC PAINT on Canvas for Beginners 🎨

Syndia Art
9 May 202009:17

Summary

TLDRIn this video, the artist shares essential do's and don'ts for blending acrylic paint to create seamless gradients. They demonstrate the correct paint consistency, the importance of keeping the brush damp but not dripping, and how to avoid streaks and see-through effects. The video also offers tips on blending dark and light colors, managing paintbrush pressure, and using slow-dry products. A time-lapse of a sunset on a lake painting illustrates the techniques, and the artist emphasizes the importance of preparing more paint than needed to avoid running out mid-blend.

Takeaways

  • 🎨 Use the right paint consistency for blending: not too thick like pudding, not too thin like soup, but like thick gravy.
  • πŸ’§ Avoid using too much water as it can make the paint see-through and create streaks.
  • πŸ–ŒοΈ Keep the paintbrush damp but not dripping wet to facilitate blending without creating droplets.
  • 🧽 Have a rag or sponge handy to blot the paint and remove excess water.
  • 🚫 Position water jars to the side to minimize the chance of droplets falling onto the canvas.
  • πŸ–‰ Choose a softer brush for easier blending and to avoid streaks caused by stiff bristles.
  • πŸŒ‘ When blending light and dark colors, start with the light color and gradually add the dark to prevent it from overpowering.
  • 🧼 Clean the brush often and thoroughly when blending to avoid mixing unwanted colors.
  • πŸ–ΌοΈ Pay attention to the pressure applied by the paintbrush to create a seamless gradient.
  • πŸ•’ Use products like 'slow dry' to extend the drying time of acrylic paint for more blending time.
  • πŸ“¦ Always prepare more paint than you think you'll need to avoid running out and having to redo sections.

Q & A

  • What is the main topic of the video script?

    -The main topic of the video script is blending acrylic paint, focusing on techniques to avoid common mistakes and achieve seamless gradients.

  • What is the first 'don't' mentioned in the script regarding blending acrylic paint?

    -The first 'don't' mentioned is using too much water, as it can make the paint see-through and create streaks.

  • What is the ideal paint consistency for blending according to the script?

    -The ideal paint consistency for blending is like a thick gravy, not too thick like pudding nor too thin like soup.

  • Why is keeping the paintbrush damp recommended in the script?

    -Keeping the paintbrush damp helps with blending colors into each other, but not too wet to avoid creating droplets and streaks.

  • What should one do if a droplet falls onto the canvas during blending?

    -If a droplet falls onto the canvas, one should gently blot it right away and work the area specifically to make it seamless.

  • Why is it advised to keep water jars on the side of the painting instead of in front in the script?

    -Keeping water jars on the side of the painting reduces the chances of water droplets falling onto the canvas.

  • What type of brush is recommended for blending acrylic paint according to the script?

    -A softer brush is recommended for blending acrylic paint as it's easier to achieve a seamless background effect with softer bristles.

  • Why is it better to bring a light color into a dark color when creating a gradient?

    -It's better to bring a light color into a dark color to create a gradient because dark colors are overpowering and can quickly make a light color too dark.

  • What is the importance of pressure when blending with a paintbrush as mentioned in the script?

    -The importance of pressure when blending with a paintbrush is that it requires adjusting between heavier and lighter pressure to work the colors into each other without creating streaks.

  • What product is suggested in the script to help with blending when painting realistic subjects?

    -The product suggested in the script to help with blending when painting realistic subjects is 'slow dry' by Liquitex, which extends the drying time of the paint.

  • What is the simple but important tip shared at the end of the script regarding blending acrylic paint?

    -The simple but important tip shared at the end of the script is to always make more paint than needed to avoid running out and having to redo areas of the painting.

Outlines

00:00

🎨 Mastering Acrylic Blending Techniques

The speaker begins by expressing their intent to demonstrate the art of blending acrylic paint. They aim to share their experiences to help viewers avoid common mistakes. A time-lapse video of a sunset on a lake painting is promised to illustrate the blending techniques effectively. The speaker emphasizes the importance of paint consistency, cautioning against using too much water which can lead to streaks and transparency. They suggest that the ideal paint consistency is akin to thick gravy, and keeping the brush damp, rather than wet, is crucial for smooth blending. The speaker also advises against using stiff brushes, recommending softer ones for a seamless blend. They discuss the challenges of blending dark and light colors, suggesting that starting with the light color and gradually introducing the dark is more effective. Attention to brush pressure is highlighted as essential for creating a seamless gradient, adjusting it according to the blending needs.

05:01

πŸ–ŒοΈ Advanced Blending Tips for Realism

In the second paragraph, the speaker offers advanced blending tips, particularly for realistic subjects like portraits or skin tones. They introduce 'slow dry' products that extend the drying time of paint, allowing more time for blending. The speaker shares a personal tip about preparing more paint than anticipated to avoid running out mid-blend, which can lead to noticeable color discrepancies once the paint dries. They stress the importance of this practice to maintain consistency in the artwork. The speaker also encourages viewers to watch more of their painting tips videos, promising weekly uploads, and invites viewers to subscribe for more content.

Mindmap

Keywords

πŸ’‘Blending

Blending refers to the process of smoothly transitioning from one color to another in painting, creating a gradient effect. In the video, blending is the central theme, as the artist discusses techniques to achieve seamless color transitions, particularly when painting a sunset on a lake. The artist emphasizes the importance of paint consistency and brush dampness for effective blending.

πŸ’‘Acrylic Paint

Acrylic paint is a fast-drying paint made of pigment suspended in water. It is the medium used by the artist in the video. Acrylic's quick-drying nature can pose a challenge for blending, which is why the artist offers tips on how to manage it effectively, such as using the right amount of water and pressure.

πŸ’‘Gradient

A gradient in art refers to a gradual change from one color to another. The artist in the video discusses creating seamless gradients, like transitioning from a light to a dark color, to achieve a realistic sunset effect. The script mentions blending a light color into a dark color to avoid overpowering the lighter shade.

πŸ’‘Water

Water is used to thin out acrylic paint, which can affect the blending process. The artist cautions against using too much water as it can lead to streaks and see-through paint. Water is essential for achieving the right paint consistency but must be used judiciously.

πŸ’‘Paintbrush

A paintbrush is the tool used for applying paint to a canvas. The artist discusses the importance of keeping the brush damp for blending but not too wet to avoid droplets and maintain control. The type of brush, such as a softer one, can also affect the blending outcome.

πŸ’‘Consistency

Consistency in this context refers to the thickness of the paint. The artist explains that the right consistency is crucial for blending; too thick and it's hard to blend, too thin and it creates streaks. The artist uses the analogy of pudding, soup, and gravy to describe ideal paint consistency.

πŸ’‘Droplets

Droplets are unwanted water marks that can ruin a painting's blend if they fall onto the canvas. The artist advises blotting them gently to prevent altering the color or lifting the paint, illustrating the need for careful handling of wet brushes.

πŸ’‘Pressure

Pressure refers to the amount of force applied while painting with a brush. The artist mentions that adjusting the pressure can help avoid streaks and achieve a smooth blend, highlighting the nuanced control needed for blending.

πŸ’‘Retardants

Retardants, specifically 'Slow Dry' mentioned in the script, are additives that extend the drying time of acrylic paint. This is useful for blending, as it gives artists more time to work on their paintings before the paint sets, allowing for more seamless transitions.

πŸ’‘Seamless

Seamless in the context of the video means a smooth, uninterrupted transition between colors. The artist's goal is to create a seamless gradient, which is achieved by careful blending techniques, proper paint consistency, and attentive brushwork.

πŸ’‘Pigment

Pigment refers to the colored matter used in paints to give them their color. The artist discusses creating gradients and blends with pigments, emphasizing the need for sufficient pigment to avoid see-through areas in the final painting.

Highlights

Blending acrylic paint can be challenging, but there are do's and don'ts to avoid common mistakes.

Using too much water can make the paint see-through and create streaks.

The ideal paint consistency for blending is like thick gravy, not too thick or thin.

Keeping the paintbrush damp helps with blending but too wet can create droplets.

Droplets can ruin a painting, so blot them gently and work the area to maintain seamlessness.

A softer brush is easier for achieving a seamless background effect.

Blending dark colors into light colors can be problematic as dark colors are overpowering.

To blend light and dark colors, bring the light color into the dark and clean the brush often.

Pay attention to the pressure of your paintbrush when blending to avoid streaks.

Washing the brush often and thoroughly helps achieve a seamless gradient.

A quick time-lapse of a sunset on a lake painting demonstrates blending techniques.

For realistic subjects like portraits, use paint with drying retardants to extend blending time.

Adding too much drying retardant can make the paint more liquid and translucent.

Always make more paint than needed to avoid running out and having to redo areas.

Having insufficient paint can lead to see-through areas in a gradient after it dries.

Subscribe for more painting tips and tutorials.

Transcripts

play00:00

today I want to show you how to blend

play00:01

acrylic paint I know it can be a

play00:02

challenge sometimes I'm gonna go through

play00:05

the list of do's and don'ts to avoid all

play00:07

the mistakes that I made I'll also show

play00:10

you a super quick time-lapse of this

play00:12

painting that I created

play00:13

it's a sunset on a lake it's super

play00:16

blended so you'll see an example of

play00:18

blending techniques that hopefully will

play00:21

be helpful to you when I think about

play00:23

blending tips and especially when I want

play00:26

a seamless gradient of two colors

play00:28

instinctively I would think of a thin

play00:30

paint that would kind of seamlessly

play00:33

blend into each other and one way to do

play00:35

that would be to use water have the

play00:37

paintbrush super wet the surface wet and

play00:40

the paint super thinned out with water

play00:42

that's on my list of don't using too

play00:45

much water is an ideal the paint will be

play00:47

see-through it'll create a lot of

play00:50

streaks the best way to start a gradient

play00:52

is to have the right paint consistency

play00:54

so if it's too thick it's gonna be hard

play00:57

to lay in the canvas and blend into each

play01:00

other the different colors and if it's

play01:02

too thin as I said it's gonna create

play01:04

streaks and it's gonna be see-through I

play01:06

paid that it would be too thick would be

play01:08

kind of like a rich pudding you know

play01:10

what I mean and I've paint that is too

play01:12

thin would be kind of like soup and the

play01:15

perfect consistency would be like a nice

play01:19

thick gravy yeah keeping the paintbrush

play01:23

damp really helps blending colors into

play01:26

each other but having the brush to wet

play01:29

like dripping wet is gonna be super hard

play01:32

to work with first of all it's gonna

play01:34

create droplets which is I know no

play01:36

droplets are the enemy once a droplet

play01:39

falls onto your canvas you have to kind

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of start over in that specific area

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because if you blot it it it lifts the

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paint and if you leave it to dry it's

play01:51

going to alter your color so if there's

play01:54

gonna be that droplet mark even if it's

play01:56

faint it's gonna be visible for droplets

play01:58

I would blot it gently gently right away

play02:01

and kind of like work that area

play02:04

specifically so that it's seamless right

play02:06

away I like to keep a rag on hand or a

play02:09

sponge so that I could blot my paint

play02:13

and remove any excess water keeping the

play02:15

brush damn is good keeping the brush wet

play02:19

isn't so good and they keep those pesky

play02:21

water droplets at bay I keep their water

play02:24

jars on my on the side of my painting as

play02:27

opposed to in front there's less chances

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of it happening and I'm saying this

play02:32

because it happened to me hundreds of

play02:34

times I was telling you that too much

play02:36

water will create like a streaky kind of

play02:39

effect another thing that might create

play02:42

that effect is if the brush is too stiff

play02:45

so some brushes have very thick and

play02:49

stiff bristles that might create those

play02:52

streaks so a softer brush not too soft

play02:55

you want a brush that can still hold

play02:57

paint but on the softer side it's a lot

play03:01

easier to achieve like a super blended

play03:04

and seamless background effect with

play03:06

softer bristles there's no hard rules in

play03:10

art right you can do whatever you want

play03:12

but I've noticed that when I try to

play03:15

blend a dark color into a light color I

play03:18

usually get problems dark colors are

play03:22

very overpowering a little bit of a dark

play03:25

color can make a light color way too

play03:30

dark really quickly so when blending two

play03:33

colors together especially a very light

play03:36

color in a dark color to create a

play03:38

gradient as a seamless gradient it's

play03:41

better to bring the light color into the

play03:44

dark color and the way to do that is to

play03:46

clean the brush super often what I would

play03:48

do is either use two separate brushes

play03:51

one for a dark color and one for our

play03:54

light color create my background the way

play03:56

I want it and when I get to the point

play03:58

where I want that seamless blend I would

play04:00

wash out one of the brush super well

play04:02

remove the excess water then dip it into

play04:06

the lighter shade first and bring that

play04:09

light shade into the dark shade I've

play04:11

done the opposite so many times and

play04:13

created a mess where my gradient would

play04:15

like move into the light shade way too

play04:18

much and kind of overpower everything

play04:20

where I had only a sliver of why

play04:22

at the end just because dark colors tend

play04:26

to take over everything and as you're

play04:27

blending one thing to do is to pay

play04:30

attention to the pressure of your

play04:31

paintbrush especially in that gradient

play04:35

where the two colors meet sometimes

play04:37

it'll require a heavier pressure to

play04:40

really work the colors into each other

play04:42

but sometimes it's gonna require a very

play04:45

light touch so that it doesn't create

play04:49

streaks it's kind of like give-and-take

play04:52

and adjusting as you're seeing things

play04:55

evolve on the canvas paintbrush pressure

play04:58

is a thing also I just want to repeat

play05:00

that in order to get a seamless gradient

play05:03

one of the best things to do is to wash

play05:06

the brush often and thoroughly and

play05:09

really dab the excess water so that when

play05:12

you go on canvas that want me blobs of

play05:14

colors where it doesn't belong trust me

play05:17

on that it'll make your life a lot

play05:18

easier okay

play05:19

I have another tip it's a simple tip but

play05:22

it's super important and it's something

play05:24

that we tend to neglect before I tell

play05:26

you that tip I want to show you that

play05:28

painting that I was talking about it's a

play05:30

super quick time lapse over about a

play05:32

minute and I'll give you my tip right

play05:33

after that

play05:36

[Music]

play06:31

[Music]

play06:57

if you're looking for blending technique

play07:00

for more realistic subjects especially

play07:02

for like portraits or skin tones

play07:05

I know sometimes the paint dries a lot

play07:09

before you have time to blend a seamless

play07:11

skin tone there's paint with our date

play07:14

terms retardants I mean to say is that

play07:18

there's a product like this called slow

play07:21

dry by liquitex that you can add to your

play07:24

paint that will extend the drying time

play07:27

so you'll have a little bit more time to

play07:29

blend whatever you want on your canvas

play07:32

before it fully dries on the bottle it

play07:35

says not to add more than 25% of your

play07:37

solution I found that I had to add quite

play07:40

a bit in order for it to make a

play07:42

difference but one thing to note is that

play07:44

the more you add the more liquid your

play07:46

paint will be and the more translucent

play07:49

it'll be but by far what's helped me the

play07:53

most and my blending and gradient

play07:56

technique was when I realized that I

play07:58

should always make a lot more paint that

play08:01

I think I will be needing stay with me I

play08:04

know it sounds obvious but it's not I

play08:06

usually would mix the colors I wanted

play08:09

and sometimes it would take a lot more

play08:11

color for a specific area for whatever

play08:14

reason I would run out and obviously you

play08:17

can never make the same exact color

play08:19

twice so by the time I had done another

play08:23

mix I have more colors my paint would be

play08:26

dry on my canvas and I had to repaint

play08:28

that entire area or else I could see the

play08:31

difference so having more paint than

play08:33

needed is obvious to some it's so easy

play08:37

to forget and really really helpful the

play08:40

worst thing that can happen is to paint

play08:42

a perfect gradient and see that some

play08:46

parts of it is kind of like see-through

play08:48

that there was an enough paint and you

play08:51

found that out after the paint dried and

play08:54

you have to start over completely don't

play08:57

don't do it if you like another painting

play09:00

tip you can go watch this one it's a

play09:02

really good one and I'll be seeing you

play09:04

very

play09:04

soon I post videos every week so

play09:06

subscribe and hit them out I would love

play09:08

to have you back thanks for watching

play09:10

[Music]

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Related Tags
Acrylic PaintingBlending TipsArt TechniquesSunset ArtLake PaintingGradient GuideArtist TutorialPaint ConsistencyBrush TechniquesArt Tutorial