Mind Your Language Season 1 Episode 3

Rezaul Karim
20 Nov 201625:01

Summary

TLDRIn this comedic classroom drama, Mr. Brown's English students face various personal crises that spill into their lessons. The plot thickens as Ranjit, a Sikh student, contemplates suicide over an unwanted arranged marriage, while Mr. Brown juggles cultural misunderstandings and his students' antics. Amidst the chaos, a surprise visit from the bride-to-be's family adds to the confusion. The script is a humorous exploration of cultural clashes, personal dilemmas, and the challenges of language learning.

Takeaways

  • πŸ“š The script appears to be set in an English language classroom, where students are learning and practicing English.
  • πŸ‘¨β€πŸ« Mr. Brown is the teacher who is trying to manage the class and address various issues that arise, including students' personal problems.
  • πŸ“° The class involves activities such as reading newspapers and discussing the contents, which is a common language learning exercise.
  • πŸ€” A significant subplot involves a student named Ranjit, who is facing a forced marriage and considers suicide as a result of his predicament.
  • 🐭 There is a humorous element where students misunderstand the term 'bugged' as being related to insects, showcasing cultural and language barriers.
  • πŸ—£οΈ The script highlights the importance of language and communication, as well as the challenges of expressing oneself in a second language.
  • 🏠 A character named Max is involved in a humorous situation where he pretends to be a salesman, offering various items to the class.
  • 🀝 The script includes cultural references and discussions about traditions, such as arranged marriages in Sikh culture.
  • πŸ˜… There are several instances of miscommunication and misunderstanding, often leading to comedic situations.
  • πŸ‘©β€πŸ« Miss Courtney is another character who becomes involved in the subplot about Ranjit's forced marriage, adding another layer to the classroom dynamics.
  • πŸ“š The script ends with Mr. Brown addressing academic dishonesty, emphasizing the importance of integrity in education.

Q & A

  • What is the main issue that Ranjit is facing in the script?

    -Ranjit is facing the issue of being forced to marry a woman he was betrothed to when they were children, but now he is unhappy with the marriage because the woman has gained a lot of weight.

  • Why does Mr. Brown bring newspapers for the students?

    -Mr. Brown brings newspapers for the students as part of their education, intending to use them to discuss current events and improve their English language skills.

  • What is the occupation of Mr. Brown as mentioned in the script?

    -Mr. Brown is a teacher, as he is conducting a class and assigning homework to the students.

  • What is the significance of the word 'catalyst' in the context of the script?

    -In the script, the word 'catalyst' is used as a prompt for a student to create a sentence, indicating that it's part of a language exercise to improve vocabulary usage.

  • Why does Mr. Brown suggest alternating a different monitor each week?

    -Mr. Brown suggests alternating a different monitor each week to give all the students a chance to take charge of the class during his absence and to provide them with a good experience and a sense of responsibility.

  • What is the humorous misunderstanding regarding the word 'bugged' in the script?

    -The humorous misunderstanding occurs when Max misinterprets 'bugged' as being infested with insects, rather than understanding it as a term for being under surveillance with listening devices.

  • What is the cultural conflict that Ranjit is experiencing?

    -Ranjit is experiencing a cultural conflict between his traditional Sikh upbringing, which includes an arranged marriage, and his personal desires and the cultural norms of England, where he feels he has the freedom to choose his own partner.

  • Why does Mr. Brown want the students to speak only English in class?

    -Mr. Brown wants the students to speak only English in class to create an immersive environment for language learning and to ensure that they practice and improve their English communication skills.

  • What is the figure of speech used by Mr. Brown to describe the Prime Minister?

    -Mr. Brown uses the figure of speech 'sold a pup' to describe the Prime Minister, which means to deceive someone or to sell something that is not as good as it was claimed to be.

  • How does Mr. Brown handle the situation with Ranjit and Jaya at the end of the script?

    -Mr. Brown handles the situation by clarifying that there is no intention to marry Jaya, explaining the cultural and religious differences, and emphasizing that in England, they do not resolve issues with violence, thus diffusing the tension.

Outlines

00:00

πŸ˜… Classroom Chaos and Homework Woes

The script opens with a chaotic classroom scene where students are discussing homework and a mysterious 'big taco.' A student named Max is worried about an assignment, and another, Giovanni, assures him that a third party will resolve the issue. The teacher, Mr. Han, is expected to be upset about the unfinished work. The dialogue shifts to a discussion about a 'catalyst' in a Spanish context, and a student provides an incorrect definition. The teacher, Mr. Brown, arrives and introduces himself as a traveling salesman, humorously offering various items for sale to the class. The atmosphere is light-hearted, with a focus on the students' struggles with homework and the teacher's unconventional approach to education.

05:00

πŸ˜“ Cultural Conflicts and Marriage Pressures

In this paragraph, the class engages in a discussion about newspapers, but the conversation takes a serious turn when a student named Ranjit reveals his intention to commit suicide due to an unwanted arranged marriage. His classmates react with shock and humor, suggesting they assist or even watch the act. The teacher, Mr. Brown, tries to maintain order and focus on the lesson, but the situation escalates with the arrival of Jaya, Ranjit's betrothed, who is described as large and unattractive. The cultural and personal tensions are highlighted, and the teacher's attempts to keep the class on task are undermined by the students' personal dramas.

10:03

😲 Escalating Tensions and Misunderstandings

The tension in the classroom continues to rise as Mr. Brown tries to conduct a lesson on idioms and figures of speech. Despite his efforts, the students' attention is divided between the lesson and the personal crisis of Ranjit and Jaya. The teacher's attempts to explain idioms are met with confusion and humor from the students. Meanwhile, the situation with Ranjit and Jaya becomes more complicated with the involvement of other characters, including Miss Courtney, who seems to have a personal interest in the matter. The paragraph ends with a sense of impending conflict and the teacher's struggle to maintain control over the class.

15:07

πŸ˜₯ A Break for Tea and a Search for Resolution

As the class breaks for tea, the personal issues of the students continue to overshadow the educational objectives. Ranjit and Jaya's situation becomes more complex with the involvement of Mr. Brown, who is revealed to have a personal stake in the matter. The teacher's attempts to resolve the situation are met with resistance and further misunderstandings. The paragraph concludes with a sense of urgency as the characters scramble to find solutions to their problems before they are discovered by Miss Courtney, adding a layer of suspense to the narrative.

20:08

😀 Unraveling Deceptions and a Call for Honesty

In the final paragraph, the truth about Mr. Brown's intentions and the betrothal situation begins to surface. It is revealed that Mr. Brown has been less than honest about his reasons for wanting Ranjit not to marry Jaya, suggesting that he has personal motives. The teacher confronts the situation directly, addressing the cultural and religious differences that make the marriage inappropriate. The paragraph ends with a sense of resolution as the characters come to terms with the reality of the situation and the teacher enforces the importance of honesty and personal integrity over cultural obligations.

Mindmap

Keywords

πŸ’‘Catalyst

A catalyst is a substance that increases the rate of a chemical reaction without itself undergoing any permanent chemical change. In the context of the video, a character uses the word 'catalyst' in a sentence to demonstrate its use in language, indicating a change agent or something that accelerates a process. The character's sentence, 'In my country, Spain, most of the people are Roman Catholic,' uses 'catalyst' metaphorically to imply that religion might be a catalyst for cultural practices.

πŸ’‘Bugged

To be 'bugged' typically means to be under surveillance, often through hidden listening devices. In the script, a character misunderstands the word 'bugged' in the context of a newspaper headline about the 'American Embassy Bugged,' thinking it refers to insects, which leads to a humorous moment highlighting cultural and language differences within the classroom.

πŸ’‘Figure of Speech

A figure of speech is a rhetorical device that achieves emphasis by using language in non-literal ways. The script includes several examples of figures of speech, such as 'sold a pup' and 'as quick as lightning,' which are used to illustrate idiomatic expressions in English. These phrases are integral to the theme of learning English and understanding its nuances.

πŸ’‘Betrothed

To be 'betrothed' is to be engaged to be married. The script explores the concept of arranged marriages through the character Ranjit, who was betrothed as a child and is now reluctant to marry his childhood fiancΓ©. This keyword is central to a subplot involving cultural traditions and personal autonomy.

πŸ’‘Disruption

Disruption refers to an interruption or disturbance in a normal pattern or activity. In the script, the teacher mentions 'enough disruption for one night' in response to the various personal issues and conflicts that arise among the students, emphasizing the need for focus and order in the learning environment.

πŸ’‘Personal Problems

Personal problems are individual challenges or issues that are not related to the immediate context or task at hand. The teacher in the script advises students to leave their personal problems at home, indicating the importance of separating one's personal life from academic or professional responsibilities.

πŸ’‘Tea Break

A tea break is a short pause in work for refreshments, often involving tea. In the script, the mention of a 'tea break' signals a momentary respite from the classroom activities, allowing characters to discuss personal matters and adding a layer of realism to the setting.

πŸ’‘Newspaper

A newspaper is a publication containing news and other informative material, typically published daily or weekly. In the script, newspapers serve as a tool for language learning, with characters reading and discussing news articles to practice English comprehension and discussion skills.

πŸ’‘Cultural Backgrounds

Cultural backgrounds refer to the customs, beliefs, and practices that are part of an individual's or group's heritage. The script touches on the theme of cultural backgrounds, particularly in the context of arranged marriages and the potential conflicts that can arise when different cultures intersect.

πŸ’‘Extra Homework

Extra homework is additional work assigned to students beyond their regular assignments. In the script, the teacher assigns extra homework as a punitive measure for dishonesty, highlighting the consequences of not adhering to academic integrity.

πŸ’‘Chicane

A chicane is an act of deceit or trickery. The teacher in the script suspects 'some sort of chicane' when he notices similarities in the students' homework, suggesting that they may have colluded or cheated, which is a plot point that adds intrigue to the classroom dynamics.

Highlights

Discussion about the responsibility of a class monitor and the idea of rotating the role weekly.

Emphasis on the importance of speaking English in class and the prohibition of foreign languages.

An introduction to the concept of 'catalyst' with a request for a sentence from a student.

A humorous misunderstanding about the word 'bugged' leading to a discussion about listening devices.

A student's late arrival and the creative excuse involving newspapers for educational purposes.

A sales pitch in class for various items, including a discussion on the price and quality of a plastic item.

A debate on the cultural implications of arranged marriages and the personal struggles of a student.

A dramatic threat of self-harm due to an unwanted marriage, highlighting cultural and personal conflicts.

The arrival of an unexpected visitor who claims a promise of marriage, adding complexity to the situation.

A discussion on the use of figures of speech in the English language with examples provided.

A student's attempt to leave class unnoticed, leading to a humorous exchange about window cleanliness.

A confrontation between the teacher and a student over the legitimacy of homework completion.

A resolution to a marriage conflict through dialogue and understanding of cultural differences.

A reflection on the importance of personal choice in marriage and the rejection of arranged traditions.

A final discussion about the consequences of breaking a marriage promise and the impact on family honor.

Transcripts

play00:00

play00:02

play00:46

Ready's where does [everybody's] [oh] Max?

play00:50

Can you hit sure anything you want? I'm in very big taco I kill it

play00:59

The man who put you in big trouble, so he's no man. [you're] gracias

play01:05

No, it's my homework. I know finish it. [I] haven't [even] started it

play01:11

[Mr.]. [han] is going to be very angry don't worry Giovanni. He's gonna fix everything. Yeah for a [Sarah]

play01:19

Okay, who wants the homework only then p each?

play01:27

[hey], then [P] [know] [passata]

play01:32

okay, Ocean x

play01:33

You're running a class yes, oh

play01:36

How we know answers right sure answers all right? My landlady see the boy write some down

play01:51

Now not a knife. Oh, this is too bad. He should be here you want to give Mr.. Brown a massage [I]

play02:01

presume you mean message

play02:04

[no], thank you

play02:06

No, I shall wait until he arrives [we'll] give me an opportunity to find out how much you have learnt just precious little I suspect

play02:14

But Madam, we know [the] look for Mr.. Brown

play02:17

All right, now quiet quiet

play02:21

very well

play02:22

Let's see if we can find out how much you've [learnt] from Mr.. Brown. I can't anyone give me a sentence containing the word

play02:30

catalyst

play02:32

there come along somebody

play02:34

catalyst

play02:35

por Favor, Senora, yes

play02:38

in my country a spain

play02:41

most of the people a Roman catholic

play02:49

I don't believe it. That's not right. Oh ethel is a much bigger Catalyst hunter

play03:08

please

play03:09

Good evening, miss [Courtney]. It's almost good night. Yeah. Well I'm sorry. I'm late. I was detained at the paper shop, Mr.. Brown

play03:15

I know [the] times are hard, but [do] you have to deliver newspapers? [oh] no? No no?

play03:19

I bought them they're for the students as part of their education well they certainly need some education

play03:24

Yes, well good evening. Oh

play03:30

Squeeze me, please I'm just [this] moment arriving squeeze me again. I go what

play03:39

I come back

play03:42

I'm moving house. [oh] not at all

play03:45

I'm coming here straight from work. Oh, you've got [a] job. Yes, please. I'm a traveling Salesman

play03:51

I'd go around nicking the doors

play03:55

Knocking that is correct here. What are you selling? [oh] blimey everything for a master or a mistress?

play04:01

[I] show you some example. Maybe you will be wanting to buy something

play04:06

Hey here, no, thanks. Uh nothing

play04:09

That's my song so sorry

play04:10

please this case is for the lady people's only and

play04:14

this case is for the main people and everything very good price ah

play04:20

[look] this, please [it] not have to be tying it

play04:23

and also

play04:25

if you are dropping soup, you'll be wiping it off a

play04:30

Jolly good plastic yes very ingenious

play04:33

Only 1.50, you're wanting one another [sykes]. I'm

play04:37

Telling you what I am doing

play04:39

To you only one point. Yeah, I don't wanna

play04:44

Hop on the [Jolly] good [shed] ah it is guaranteed 100% substandard

play04:51

No, thank you, honey. You got any [shocks] plenty sucks. 50p. Only [lengthy] [willy] yeah, honey

play05:00

Excuse I'm serving

play05:03

I have a [-] right well [-] many many many

play05:09

Now tell me anybody wanting any hundred trousers all different colors hama

play05:15

Only fifty [p]. [le] [fils] ah you are wanting on. I'm finally a very good pair. [I]

play05:22

[have] [my] lovely lovely

play05:25

Red White and Blue just like Union Jack

play05:29

Very erotic, [but] no thank you pina, Colada join me

play05:32

How most definitely for you only one part made him hype line? Oh?

play05:39

I'm not by some capita restate [my] workers exploited as cheap labor

play05:45

Anybody else working something out honey, please

play05:53

[Politico]. They just sit down everybody

play05:57

[one] tell sit down

play06:00

Like before we do anything else this evening. [I] want to find a monitor. Okay? You tell us where to look we find the one

play06:09

Giovanni on monitor as a person who can [take] charge of the class during my absence somebody intelligent enough to assume responsibility

play06:15

Now on second thoughts perhaps. It's not such a good idea after all please. I think [I'm] making good money

play06:20

- yeah, I think we'll alternate have a different one each week. It'll be good experience for you writer [Anna], we'll start with you

play06:27

Thank you. Yeah, thank you. Thank you if you'll just hand these round and collect the homework yeah, yes, Anna

play06:33

Yes

play06:34

And from now on I want to hear no more foreign languages spoken in this class from the moment you come in here

play06:39

You speak English all the time is that understood?

play06:43

Yeah for follow yeah, and now poof of a puff [of] war finito English. Oh, all right? Yes

play06:52

[have] you all got a newspaper?

play06:55

Right I'm Gonna ask you each to read out a passage from the newspaper, and then we'll discuss it together

play06:59

Okay, max you start us off

play07:06

American Embassy Baguette

play07:12

No, max bud hey my boss see all the time say is buggit. Yes

play07:21

Well that may be so giovanni, but the word we're dealing with is bugged now. We did again Max correctly

play07:27

American

play07:28

embassy [bud] good

play07:31

Good now does anybody know what that means ah?

play07:34

Taro

play07:42

It means America unless a full of little insects. Oh

play07:50

[no], girona, not that sort of bugs listening devices [tamela]. Can you read something from your newspaper?

play07:56

Yeah, bring on me. Yeah read something

play08:04

Ha [Ada] [B]. Yes so let's start

play08:14

Legs again run g long Mr.. Tekin [I] am apologizing most humbly yes Perhaps next week, you'll try and get here on time

play08:22

I'm thinking next week. I'm not being here at all

play08:26

Leaving us. I'm going to be joining honorable ancestors

play08:31

I mean, you gonna call it most definitely [I] would die by my own hand

play08:37

please if you are wanting any assistance

play08:43

I'm happy to be helping

play08:46

I

play08:46

Thought you didn't like six that is why I'm happy to be healthy

play08:51

All right, alia this is no laughing, but I think ranjit is serious, but certainly I am who are you thinking of killing yourself?

play08:58

[I'm] forced to be getting married. [uh-huh] you ran the old chapati

play09:04

You are putting some innocent lady in the pudding club

play09:09

Fucking muslim twix all right that'll do look I don't understand Raji. Why are you being forced to get married?

play09:15

according to the sikh tradition

play09:16

[I] was betrothed when I was 12 to swing them the 10 year old daughter of the best friend of my father

play09:25

She was a beautiful girl

play09:27

[hair] like silk eyes like black diamonds and a figure like a Tender Bamboo shoot and

play09:35

Now love are they saying it is time for me to be married?

play09:39

Well if she said eyes like black diamonds hair like silk and a figure like a Tender Bamboo shoe

play09:43

What are you complaining about Blimey that was 20 years ago?

play09:47

Now [she's] putting on so much weight that from behind she's looking like an elephant

play09:52

Not no fat. She's looking like an elephant from front door

play09:57

I can't you just tell her that you've changed your mind not at all only lady can [join] mine

play10:03

I am up there click without the [portal]

play10:07

Paddle you not do it. [it's] a sin to [kill] yourself. It's the only [course] which is left open to me

play10:15

When you do this killing yourself tonight

play10:19

Can we come and watch?

play10:22

This is Ridiculous people don't go around killing themselves rather than break off an engagement is my religion in that case

play10:28

Why don't you marry that would be worse than killing myself?

play10:31

[well] go, and sit down we'll discuss whether you kill yourself or not during the tea break

play10:34

[yeah], would you all look on [me] there is an Indian lady in my office who wishes to speak to Mr.. Ranjit singh?

play10:42

Excuse me, missy this lady, you see resembling an elephant [I]

play10:47

Wouldn't exactly put it like that, but she's rather large [Lani] [you're] in there

play10:52

Ask her to come along here. Miss Courtney woods very [auricular]. Well it is rather important

play10:56

[ha] very well, but don't make a habit of it

play11:00

What are you doing that for? Oh so we can talk to her perhaps make us see reason not anywhere possible. I kill myself

play11:07

Maxo honey hold it

play11:09

There is it he's not here yet ah [I] made for him in the corridor

play11:15

He [is] promised to me, and I swear by holy guru he is having me

play11:22

Sorry lip [face]. [I'm] Jaya sorry [Colony] [now] patania

play11:27

ready booty booty perky come on a pudding ah

play11:32

Yah

play11:33

Nikita

play11:42

Well what am I telling you? Yeah quite see your point about an elephant

play11:47

[soon] [Armani], Ranjit, [I'll] [show] some elephants very nice, and I had nice bed

play11:52

Please promise you won't kill yourself promise killing myself is not going to help me. It's the attitude

play12:38

Yeah, you're still there. Yes. I still here. I really think you ought to go home

play12:44

No, I read for ranjith. Well. I don't think ranjit will be coming tonight. I

play12:49

make

play12:58

She's [t] being out in cotton. Oh, yeah

play13:00

I'm afraid [so] ranjit miss Courtney is not gonna be very pleased when she finds out about this or hearing me

play13:05

What am I going to be doing?

play13:06

Why can't you just tell her you're not gonna marry her, but I am not going to be marrying, Mr.. Courtney I

play13:13

am with her to surinder

play13:15

Oh, no, if I am telling her that she's surely going to kill me [ah] you said you were Gonna kill yourself

play13:23

patty Scurry Yeah Rachel in an iconic

play13:27

personal Camuto

play13:30

Hara-Kiri, it is customer for best friend to be present [or] to chop off head

play13:38

head hi, I

play13:44

Will be happy to our system. You will do nothing nothing of the sort owner, please everybody just sit down

play13:51

You're here to learn English we've had enough disruption for one night. [you] should leave your personal problems at home now. Look at your newspapers

play13:57

One read out a headline for

play14:00

the newspaper Aarthi A

play14:04

newspaper yep read something out ah [ah]

play14:09

[oh]

play14:12

increase

play14:14

in London wrath

play14:19

London rats. Hey Kiki in London Grass, right

play14:32

Yeah

play14:37

Yeah, Anna your turn vest and vault Welcomes [Vient] of change

play14:46

Wonderful

play14:49

[Danielle]

play14:55

[prime-Minister]

play14:57

Salt it pop good now that is a very good example of a figure of speech

play15:02

Prime minister sold a pup. Can you tell me what that means giovanni?

play15:07

He's buying a dog

play15:11

No, it's a figure of speech. Let me give you another example prime minister [Solder] Dummy

play15:15

Do you know what that means sure did you understand it? Yeah?

play15:19

It's just [that] one thing. I don't understand is if I the dummy before or after he [buy] the [part]

play15:27

He doesn't buy anything

play15:30

newspaper a man's a big a liar a

play15:34

Bigger speech, I told you it's just a figure of speech. It doesn't mean what it says

play15:39

Typical of imperial politicians through these thoughts loose and [suppressed] working classes

play15:44

A figure of speech is a way of expressing an idea by way of contrast or comparison if you're being sold a pup or solder

play15:51

Dummy you're being cheated or deceived in England we use figures of speech quite a lot example

play15:56

We say as quick as lightning as light as a feather as clean as a whistle as blind as a [su]

play16:01

[Li] as blind as a bat good because bats cannot see max as Deaf as a post

play16:08

map

play16:14

Now max post because posts cannot hear neither can my postman

play16:21

honey a sly as a [seek]

play16:27

[Hawks] [ranjit] as mad as a Muslim

play16:32

Ha ha [tarot] as drunk as a neutral

play16:38

Our lord is more correct Jamila as white as you

play16:45

snow [Ali] as smooth as

play16:51

babies bottoms

play16:54

[alright], we'll break for tea now and continue with the

play16:58

Newspapers when we come back all right, please how am I going to be getting out without being observed by the fat one?

play17:05

Well, that's your problem my problem is how to get off the premises before Miss Courtney finds?

play17:14

Look, I really think you ought to go home. No I

play17:18

stay

play17:20

What is going on? What is going on?

play17:23

What is [going] on um yes, sir, but I'm talking to this lady. Why is she here. What was she's talking to me?

play17:30

Why is she sitting in the corridor? [why] is she sitting in the column must you repeat everything I say?

play17:51

I could've sworn that woman wasn't cake yesterday

play18:08

[Kena], [what'd] you do now?

play18:12

Maybe I jump out of the window [you'd] be lucky. We're on the third [floor]. Oh

play18:18

Mr.. Brown, I have a feeling that something very peculiar is going on no, no everything's perfectly all right. I can assure you

play18:24

Are you going?

play18:26

Yes, ah you got a cup of tea?

play18:33

I

play18:36

Wonder who?

play18:40

that

play18:41

Was sounding that [mad] indeed very [xena]? I told you he's not here

play18:45

But here excuse me deary [ah] are you looking for the Darky Fella with the beard and the bandage round his head

play18:53

Suddenly yeah, he's just gonna be on no skirt

play19:05

Come on, randy. I am knowing you are there come on

play19:35

the meaning of this

play19:36

I'm not using windows very dirty something before you I liked very much cleaning windows in [a] pitch dark

play19:44

Now coming off at Window net it once [was] certainly

play19:51

the thousand Apologies

play20:07

Tea breaks in my cool. I'm gonna be [dormant] [as] fat. Don't keep them waiting -

play20:17

I'm doing it now, so he came. This is it Danny come on hurry up

play20:30

Maybe I'm having a cup of coffee tonight

play20:34

Angie we all know you haven't the slightest intention of killing yourself

play20:37

So put your knife away

play20:38

And let's discuss this properly now surrender as I understand it you and ranjit here were both betrothed when they were children lost

play20:45

Definitely now. He's not wanting to marrying me

play20:48

[yeah], well you can't get married unless you love each other [did] his duty to be marrying me otherwise. I'm losing my face

play20:54

I think she's lost it already

play20:58

You wouldn't be happy together. I mean can't you just agree to release ranji from his promise, and what is to become of me?

play21:03

I'm sure you'll meet somebody else [oh]

play21:07

If I think I'll meet another man. Oh, I'm most glad near in his run [geez] you would most certainly

play21:16

But who is having me now?

play21:18

You know sir in that there is something Mr.. Brown is not telling you there is oh

play21:24

Yes indeed

play21:25

He has special reason for wanting you, not marrying me I have

play21:32

He's wanting to Marry himself

play21:36

He wanted to be marrying me [pike] wanted to marry her

play21:53

Although Mr.. Brown. Good evening Runners. Hey, when's the happy day then that's not gonna be any happy day?

play21:59

It was all a complete misunderstanding. [oh]

play22:02

What a pity, and I thought you and surrender made a lovely couple

play22:07

With all due respect she was a couple on our own

play22:20

[check] your homework last night

play22:23

And I have a feeling that there's been some sort of chicane regoing on

play22:27

We not know what you mean no Giovanni. We'll I'll tell you

play22:31

Firstly, there's [the] fact that five of them were all in the same handwriting

play22:36

Is so sheer coincidence?

play22:40

And is it also a coincidence that you all answered question seven as follows question explain

play22:44

What is wrong with the following sentence? My [dogs] is in the garden?

play22:50

Answer, I do not have a garden

play22:56

Well, you will already sees extra homework tonight

play23:01

Please this time make sure that you do it yourselves. [I]

play23:05

am apologizing again

play23:07

I am nice. It ended. Well. I thought she'd agreed to release you from your marriage vows. Oh, yes, you had what her father?

play23:14

He's coming to see you about [your] mother

play23:18

There's not gonna be any wedding. I have broken it [all] orderi me how painful

play23:25

Is a surrenders parents explaining that I cannot possibly marry their daughter?

play23:29

I've also pointed out the differences between our religious and cultural backgrounds and the fact that I have no intention of marrying anyone

play23:38

You've got the letter this morning. [oh] yes. He be that is why he is coming he is hoping to be slicing you ten Manatees

play23:45

Um he say you are bringing disgrace on his daughter. Don't be ridiculous

play23:51

This is in the punjab [its] england a civilized country people. Just don't go around slicing each other up, and I should tell him sir

play23:59

Where's this illegitimate Hospi over six legged?

play24:17

you

play24:55

you

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Related Tags
English ClassCultural ClashHumorous DialogueLife LessonsMarriage TraditionLanguage LearningClassroom ChaosFigures of SpeechCross-cultural HumorEducational Comedy