EDIT PHOTOS Like a Pro // Complete LIGHTROOM Tutorial

Summary

In this video, the host guides viewers through a comprehensive Lightroom photo editing tutorial, emphasizing the importance of starting with a well-lit photo. They discuss the significance of the golden hour and demonstrate initial adjustments like exposure and white balance. The tutorial then delves into more advanced techniques, including the use of masks, curves, HSL adjustments, and color grading. The host shares personal workflow tips, like adjusting curves last for color accuracy, and offers insights on sharpening and lens corrections. The video concludes with a call to action for a potential group photography meet-up, inviting viewers to engage further with the community.

Takeaways

• 📸 **Start with a Good Photo**: Every good edit begins with a high-quality photo, emphasizing the importance of good lighting and composition.
• 🖼️ **Library Tab**: The Library tab in Lightroom is where you browse and select photos for editing, acting as the starting point for the workflow.
• ⏱️ **Efficiency Improvements**: The video discusses changes in the editing workflow aimed at making the process faster and more efficient.
• 🌅 **Golden Hour**: The video uses a photo taken during the golden hour after sunrise to demonstrate editing techniques, highlighting the quality of light during this time.
• 🎨 **Exposure and White Balance**: Initial adjustments in editing involve exposure and white balance to correct the photo and set the tone for further edits.
• 👤 **Subject Selection**: The video shows how to use the 'Select Subject' feature to quickly isolate and adjust the subject within a photo.
• 🖌️ **Masking and Adjustments**: Masking is emphasized as a crucial step to control lighting and tones, with detailed instructions on how to use brushes and gradients for local adjustments.
• 🌈 **Color Grading**: The script covers color grading techniques, including the use of tone curves and HSL adjustments to enhance and creatively interpret the photo's colors.
• 🔍 **Detail Enhancement**: Clarity, texture, and dehaze adjustments are discussed as a way to fine-tune the photo's details and overall look.
• 📊 **Histogram Utilization**: The video explains how to use the histogram as a guide for making exposure and white balance adjustments to achieve a balanced image.

Q & A

What is the main focus of the video?

The main focus of the video is to provide a step-by-step guide on photo editing in Lightroom, emphasizing a more efficient workflow and sharing tips for editing photos more effectively.

Why does the video suggest starting with exposure and white balance adjustments?

The video suggests starting with exposure and white balance adjustments because these are fundamental steps that set the tone for the rest of the edit, ensuring the photo has a proper balance of light and color before moving on to more detailed adjustments.

What is the significance of the golden hour in photography as mentioned in the video?

The golden hour is significant in photography because it refers to the soft, warm light that occurs shortly after sunrise or before sunset, which can enhance the colors and textures in a photo, making it ideal for capturing stunning images.

How does the video suggest using the 'Select Subject' feature in Lightroom?

The video suggests using the 'Select Subject' feature in Lightroom to quickly select a subject in the photo, which can then be refined with a brush tool to accurately mask the subject for localized adjustments without affecting other areas of the photo.

What is the purpose of adjusting shadows and highlights in the video's editing process?

Adjusting shadows and highlights in the editing process is to bring out more detail in the darker and lighter areas of the photo, respectively, creating a more balanced and dynamic image with a better range of tones.

Why does the video recommend testing presets even if they're not going to be used?

Testing presets, even if not used, is recommended to give the editor an idea of the different styles and looks that can be achieved, which can inspire or guide their own manual adjustments.

How does the video approach the use of texture and dehaze sliders in Lightroom?

The video suggests using the texture slider to enhance fine-grained details and the dehaze slider to either remove haze for a clearer look or to add a flat look to the photo, depending on the desired outcome.

What is the significance of the Curves adjustment in the video's editing workflow?

Curves adjustment is significant as it allows for fine-tuning of the tonal range and contrast in the photo. The video suggests doing this at the end after other adjustments to ensure the most accurate and impactful changes.

Why does the video advise against using white balance for overall color cast adjustments?

The video advises against using white balance for overall color cast adjustments because white balance is designed to ensure accurate and neutral color representation. Instead, for color grading, the video recommends using the color grading tools in Lightroom, which allow for more creative control over the color temperature and tint.

How does the video suggest using the HSL panel in Lightroom?

The video suggests using the HSL panel to make specific color adjustments, such as making blues more prominent or adjusting the hue of specific colors in the photo, which allows for a more nuanced and targeted color grading process.

Outlines

00:00

📸 Lightroom Editing Basics and Workflow

The paragraph introduces a video tutorial focused on the fundamentals of photo editing in Lightroom, emphasizing a streamlined workflow for efficient editing. The speaker shares personal experiences and tips for enhancing photos, starting from selecting a good photo to making initial adjustments like exposure and white balance. The importance of good lighting and the composition elements in the photo are discussed, along with the speaker's preference for making exposure and white balance adjustments first. The video also hints at the use of presets for a quicker editing process and the speaker's personal presets for achieving specific looks.

05:01

🎨 Advanced Lightroom Techniques and Personal Touches

This section delves into more advanced editing techniques in Lightroom, starting with the speaker's recent shift to masking before levels and HSL adjustments. The focus is on perfecting lighting and tones to ensure colors blend well in subsequent steps. The use of 'select subject' and 'subtract' tools for precise masking is highlighted, along with the speaker's approach to adjusting shadows, highlights, and the use of brushes for localized edits. The paragraph also covers personal taste adjustments like clarity, texture, dehaze, vibrance, and saturation, with the speaker sharing their preferences and the rationale behind them.

10:01

🌈 Creative Color Grading and Curves Adjustments

The speaker discusses the creative aspect of color grading in Lightroom, starting with the use of tone curves for adding warmth or contrast. The paragraph explains the hierarchy of adjustments in Lightroom and the impact of curves on color and brightness. The speaker demonstrates how to use the picker tool for precise color adjustments and the importance of being cautious with luminance to avoid banding. The focus is on enhancing specific colors and creating a harmonious look that fits the overall theme of the photo, with tips on how to adjust color casts and achieve a desired mood.

15:03

🖌️ Fine-Tuning and Final Touches in Lightroom

The final paragraph covers the last stages of photo editing, including sharpening, lens corrections, and creative mask adjustments. The speaker explains the use of the detail tab for sharpening specific areas of the photo and the lens correction profile for removing distortion and vignetting. The paragraph also touches on the creative use of gradients and brushes to adjust specific parts of the photo, such as darkening the foreground or enhancing the sun's effect. The speaker concludes with a personal anecdote about enhancing the color of their signature sunglasses and invites viewers to participate in a potential group meet-up for photography enthusiasts.

Keywords

💡Lightroom

Lightroom is a photo editing software developed by Adobe. It is a comprehensive tool used by photographers for organizing, editing, and enhancing digital photos. In the video, Lightroom is central to the tutorial, as the speaker guides viewers through the process of photo editing from start to finish using this software, highlighting its various features and adjustments.

💡Editing Workflow

An editing workflow refers to the sequence of steps and methods used to process and edit photos or videos. The video emphasizes the speaker's personal workflow in Lightroom, which has been optimized for efficiency. The workflow includes steps like exposure adjustments, white balance, and the use of presets, all aimed at enhancing the photo's quality and achieving the desired look.

💡Histogram

A histogram is a graphical representation of the tonal distribution in a photograph. It shows the range of shadows, mid-tones, and highlights, which is crucial for making exposure adjustments. In the script, the speaker uses the histogram to adjust the exposure, ensuring that the photo is neither overexposed nor underexposed, and to maintain proper skin tones.

💡Presets

Presets in photo editing are pre-defined settings that can be applied to photos to quickly achieve a certain look or style. The video mentions using presets as a starting point for editing, which can save time and provide a base for further customization. The speaker also refers to their own set of presets, suggesting that these can be a useful resource for viewers.

💡Masks

Masks in photo editing are tools used to apply adjustments to specific areas of an image while leaving the rest untouched. The script describes using masks for local adjustments, such as darkening the foreground or brightening a specific element, which allows for precise control over how edits affect different parts of the photo.

💡Clarity and Dehaze

Clarity and Dehaze are adjustments in Lightroom that affect the contrast and perceived sharpness of an image. Clarity enhances mid-tone contrast, while Dehaze can remove or add atmospheric haze. The speaker discusses personal preferences for these adjustments, noting that they often reduce clarity to avoid an overly sharp or HDR-like appearance.

💡Vibrance and Saturation

Vibrance and Saturation adjustments affect the intensity of colors in a photo. Vibrance is more selective, increasing the saturation of less-saturated colors while leaving skin tones alone, whereas Saturation affects all colors evenly. The video explains how these tools can be used to creatively interpret the color palette of the photo.

💡Curves

Curves is an advanced tool in Lightroom that allows for precise tonal adjustments. It works by manipulating the input (shadows, mid-tones, highlights) versus output (resulting tonal values) relationship. The speaker has revised their workflow to adjust curves later in the process to avoid disrupting other color adjustments, aiming for a more harmonious final look.

💡HSL

HSL stands for Hue, Saturation, and Luminance, which are individual color controls in Lightroom. The speaker uses HSL adjustments to fine-tune colors, such as making the jacket bluer or warming up the yellows. This tool is essential for color grading, where the speaker aims to create a cohesive and intentional color story within the photo.

💡Color Grading

Color grading is the process of altering and enhancing the color of a photo or video to create a specific mood or style. In the video, color grading is a creative step where the speaker makes decisions about the overall color palette, using tools like tone curves and color adjustments to give the photo a unique and consistent look.

💡Detail

The Detail section in Lightroom contains tools for enhancing sharpness and reducing noise in a photo. The script mentions sharpening as a way to bring out fine details, which is an important final step in the editing process to ensure that the photo has clarity and definition where desired.

Highlights

Introduction to start-to-finish editing in Lightroom, highlighting changes in workflow to make editing faster and more efficient.

The importance of starting with a good photo; explaining the benefits of shooting during the golden hour, especially during sunrise for dramatic lighting effects.

Basic editing workflow: Begin with exposure and white balance adjustments, emphasizing how to use the histogram to maintain correct skin tones.

Discussion of Auto White Balance and tips on adjusting temperature settings, such as warming up to match daylight conditions.

The role of Lightroom presets in editing; testing presets even if not used to get ideas for the edit, and mentioning custom presets available for purchase.

New approach to masking: Performing masking first to adjust lighting and tones before color adjustments, using AI tools and manual adjustments for intricate areas.

Using tools like texture, clarity, and dehaze creatively to fine-tune photo details and overall look, including the impact of reducing clarity to soften photos.

Detailed color grading steps: Adjusting individual color channels using tone curves, starting with red and blue channels to add warmth and contrast.

Utilizing HSL sliders to make specific adjustments to hue, saturation, and luminance, and the effect of these changes on fine details like jackets or backgrounds.

The importance of performing curves adjustments last due to Lightroom’s hierarchy, ensuring fine-grained tweaks in HSL are preserved.

Tips on using masking techniques such as linear and radial gradients to creatively enhance light and focus in specific areas of the photo.

In-depth explanation of sharpening techniques, using masking tools to control what areas are sharpened, highlighting how to visualize and adjust these effects.

Recommendations for lens corrections and the impacts of chromatic aberration and vignetting, particularly advising against some corrections in low-light conditions.

Final touch-ups: Adding color casts creatively with color grading instead of adjusting white balance, ensuring the photo maintains balanced colors.

Discussing the practical aspects of cropping, using virtual copies for different platform-specific crops without altering the original edits.

Invitation to followers for potential group meetups with other photographers, highlighting the idea of community learning and collaboration during photo trips.

Transcripts

forget everything you know about editing

in Lightroom because in this video we're

going back to the basics of start to

finish editing inside of Lightroom even

if you've seen some of my past videos

there are some things that have changed

in my workflow that have made it a

little bit faster to edit and there are

little bits of tidbits of iteration that

I want to share with you to help you

edit more efficiently now every good

edit begins with a good photo jumping

into Lightroom this is the library tab

this is typically where you're going to

browse through all of your photos now

I've made this quick collection of the

already edited photo that you've

probably seen in the thumbnail but if I

grab this red version which is the

unedited version and I open it up you'll

remember last month I was in Utah and

Arizona and if you check out this video

here you can actually see the story

behind us capturing this photo we were

with our friend Mike we actually stayed

up all night to do some astrophotography

and this was right after Sunrise so we

had that awesome golden is it Sunrise I

guess Sunrise is golden hour typically

we think of golden hour at Sunset but

essentially we got that good light which

you can see is hitting the sides of the

Rock from the left so the sunrise is on

the left hand side of the frame it's

kind of giving me this Edge and allowing

me to pop off the background now there

are some other things inside this photo

that makes it great one we have this

foreground element we have this rock

there we have a mid-ground element this

other Rock and then of course myself

standing in as the subject and then we

have this out of focus background this

Canyon wall of Zion National Park and

actually I think we have a we have a

impersonator a photo bomber down at the

corner which I didn't notice but we'll

fix that as well with all my photos I

like to jump in and do exposure and

white balance adjustments right away now

if you look at the histogram a lot of

the tone a lot of the info information

is in the shadows or on the left hand

side of the histogram now you can adjust

this really easily you can see my mouse

is changing just by dragging over the

histogram if I drag the middle portion

it actually adjusts the exposure now one

thing you want to be careful of is skin

tone so if I was to drag this and say oh

let's just bump it all the way that's

going to make the photo looked washed

out in the skin tone so if I hold my

mouse over you can see in the histogram

it's saying it's basically 100 there's

there's no information there it's fully

clipped it's fully white I'm going to

bring that back just a little bit I'm

pretty sure I shot most of this in Auto

white balance actually will shot this

photo of me I first shot one of him and

then we traded places I gave him my

camera and I'm actually holding his

camera in this photo which is typically

what we do so that when we're done

shooting we each have our own photos of

ourselves I'm actually gonna warm it up

I think probably closer to Daylight like

50 500 Kelvin I think I'm actually going

to drag the exposure back down a little

bit and actually bump the Shadows it

really just depends whether you want

your photo to be kind of like a like a

high key really bright photo or like a

low-key Moody photo at this point if you

have presets this is usually where I

like to test them even if you're not

going to use them it's just good to give

you an idea of what's available and

Lightroom of course has built-in presets

I also have my division one presets

which I'll typically in this case go for

something that's a little bit warmer

like Amber road is a good option Cold

Island is one that pulls out a lot of

Blues in the shadow Dark Earth gives you

that kind of like flat matte black look

but really any of these will give you a

good idea of what's possible with your

edit now in this case we're going to do

it completely from scratch but if you

are someone who wants to save a little

bit of time you can find my presets

linked down in the description below in

the past last my next step would have

been to jump into levels and hsl

adjustment but recently I've been doing

my masking first now the reason for that

is because we really want to nail all of

our lighting and all of our tones so

that when we move into that next step

all the colors are going to blend

exactly where we want them to so if

something's a little bit too bright we

want to bring that down like in the case

of where my face is a little bit bright

so I'm actually going to say select

subject and it's kind of over selected

which I do find the AI is is not the

greatest at but then we can go in and

say subtract and use something like a

brush to brush out all those extra areas

when you get to areas that are a little

bit more intricate you can turn on auto

masking and that will help you find the

edges of objects so you don't

accidentally brush out something that

you meant to keep what I'm going to do

is raise the shadows and you can see

that starts to pull more detail out of

the darker areas of my jacket but then

also drop the highlights and it does a

pretty good job but I still have a hot

spot on my face so I'm going to add one

more brush where I'm just going to brush

my face and then I'm going to lower the

highlights just on that area

foreign

my mouse over that and look back at the

histogram you can see it's sitting in

the 70 to 80 percent brightness range

which is going to work better for

editing these skin tones texture Clarity

and dehaze is going to be a little bit

of a personal taste in my case I do find

digital photos tend to be a little bit

sharper than they need to be so I'll

usually drop the clarity and you can

kind of see it just has this effect of

softening the photos if you go the other

way it starts to give the photo this

like fake HDR looks I'm actually going

to drop the clarity texture is one of

those adjustments that depends on your

photo if you have a lot of fine-grained

details sometimes you might want to bump

it up by raising the texture in this

case one way or the other doesn't really

affect my photo so I'm gonna leave it at

zero now dehaze is one of those things

if you have Haze in your photo it can

help cut it out or if you want to add

some in like if I drop the dehaze it

kind of gives the photo this flat look

but if you want a more detailed

breakdown of how these three functions

these tools work you can check out this

video here Vibrance and saturation is a

personal taste Vibrance tends to leave

skin tones alone and just adjusts the

blues and the greens like in this case

when I drag the Vibrance you can see how

my jacket starts to get saturated

whereas saturation will saturate

everything now Raw photos tend to be a

little bit desaturated straight out of

camera so while I don't go crazy with

the saturation usually I'm anywhere

between 10 and 15 positive on my

saturation if you're enjoying this so

far go ahead let me know down below

what's a Lightroom tool that you want to

know a little bit more about like what

Lightroom tool should I do a deep dive

into and if you see someone's already

commented go ahead and thumbs it up and

whatever comment gets the most thumbs up

I'll go ahead and make a dedicated video

on tip this is where I would jump to

Curves now one thing I've started doing

differently is actually doing curves

adjustments at the very end now the way

lightroom's hierarchy works if you

remember in a previous video I talked

about the calibration panel which is all

the way down at the bottom but even

though it's all the way down at the

bottom it's actually the first thing

that gets applied to your photo and if

you want to know more about that check

out this video here now curves is

similar in the sense that even though

it's in the middle of the panel you

would think you know follow the panel

down and everything's applied in that

order but as far as my understanding

goes curves is actually applied after

your hsl your color adjustments which

can make it a little bit tricky if you

do your curves adjustments first because

it can really throw off those hsl those

like really fine grain tweaks that you

want to make in The Next Step but for

the sake of moving this tutorial along

I'm actually going to grab this little

picker here which allows you to select

areas on your image and make fine

detailed adjustments so I'm actually

going to pin the area of my skin tones

because I don't want those being

adjusted so I'm going to click and then

some of these areas in the background

where maybe I want them to be a little

bit darker I'm going to click and drag

down that's maybe a bit too dark so I'm

going to grab some of these mid tones

manually and just raise them up and then

I'm actually going to flatten out my

highlights now the way you do that is by

grabbing this top point and what you'll

notice it's it's really really minor but

some of those areas like in the Rocks

here where we have those really bright

areas it will just flatten them out a

bit and you can even do the same thing

to the Shadows like if you wanted that

flat black matte look if you grab this

point and drag it up and you start to

create this like little shelf here

you'll get that flat black matte look

but I'm going to do that because I think

it's a little bit too much for this

photo I'm gonna skip the RGB tone curves

and come back to that later for now

we're going to jump down to the hsl

color q and saturation adjustments same

thing as before if you're not sure where

to start with your adjustments you can

pick this little picker tool and then

click on an area of your photo like say

for example I wanted my bluish greenish

jacket to be more blue I could click on

it and drag down and it makes it look a

little bit more cyan or if I was to drag

it up it makes it look a little bit more

purple with that tool still selected I'm

going to go over to the left side of my

photo and take these yellows and maybe

make them a little bit more orange so if

I drag down you can see I'm actually

going even more into red but what I have

to be careful of is that's also

affecting my skin tones if it's getting

a little bit too crazy what you can do

is you can double click on any setting

and it will reset it so if I double

click on orange it will Zero that

property out or if I'm not happy with

any of those settings if I hold Alt on

my keyboard you can see it allows me to

reset things so if I just hold alt and I

say reset Hue it will Zero out all of

those settings lately with my edits one

of the things I've been doing is

desaturating kind of like the green and

the cool tones just because it tends to

fit in a little bit more with my

Instagram grid to have these like warmer

Earth Tones now if we hold the backslash

on the keyboard

it will show us the before

and the after luminance is one of those

settings that you want to be really

careful of if you push it too far you

can start to get banding in between like

really high contrast color areas so if

you have like blue next to Red and then

you boost the luminance sometimes it can

create a little bit of a of a Halo now

in this case because this is pretty much

a warm photo like even if we push it

really hard like you can see in my

sunglasses like maybe there's a little

bit of an edge there I do think I'm

going to boost the blues just a little

bit because it will help the or maybe

like the greens and the Aquas because

it'll help my sunglasses pop off but

other than that we don't need to go too

far now we're going to start to have a

little bit more fun with the colors and

give this photo our creative

interpretation of how it should look so

I'm actually going to go back to the

tone curves and start with the red tone

curve and just make a few tweaks to the

mid-tones to pull a little bit more

warmth out of that area and I'm going

gonna do the same thing over on the blue

Channel except what I want to do now is

actually create a little bit more

contrast where I'm going to lift these

Shadows to make them look more blue and

of course this will depend on your photo

like you can see how with this

adjustment just by pulling it down I'm

adding a ton of yellow to that sun

that's hitting like my jacket like you

can really warm it up and Target that

specific area to make it look more

yellow or more blue so once you're happy

with it instead of having to go back to

Curves adjustments or hsls and try to

figure out what the heck you need to

adjust let's say you're looking at this

photo and you go you know what I want

the Shadows to be more blue the Shadows

are those darker tones and simply by

dragging the wheel into that you know

blue territory now all of a sudden

you've got way more blue in those dark

areas and you can actually see that

reflected in the histogram at the top so

if I go back to where it was and I start

to drag the blue out a little bit you

can see those channels separating and

now all of a sudden you can see more of

the blue being revealed I'm actually

going to go with green in this case kind

of like a greenish yellow just to

complement those kind of like morning

warm tones and then in my mid-tones drag

out the oranges because I do want this

to look like a sunrise still I wouldn't

want to go to like something that's

super cool and now now it looks like I'm

on a I don't know like a martian planet

now if you want finer grain control you

can click over to these individual

settings and you actually have like

numbers like if you want just you know

five as a saturation or if you want you

can go all the way to 100 100 as a

saturation looks a little bit too red

maybe like we're in Blade Runner or

something and of course you can also

adjust the brightness of that so if you

want to bring the mid tones down to

darken them you can do that that will

darken the skin tones if I go to

Highlights now this is where I want to

get that muted look so if I drag the

luminance all the way to the left you

can notice in the highlights of the left

hand side of the screen where this where

the sun is kind of hitting that rock

that they start to take on that more

muted appearance you can do whatever you

want here there are there are no rules

when it comes to color grading maybe

maybe a few rules if you want to know

more about color grading more in depth

you can check out this video here if you

want to give your photo like an overall

Color cast a lot of people will tend to

do that with white balance that is not

the way to do that like let's say we

were finished with this edit or at least

somewhat happy with it and we go up and

say oh I want it to be a little bit

warmer well if I drag the white balance

that is not what you want to do that

will obliterate all the colors in your

photo white balance is specifically

there so that all of your colors are

well balanced so instead if you want to

make that type of like orangey warm Hue

adjustment the best way to do that is

under color grading you go to This

Global tab which is actually this little

circle over here and now you can drag in

as much orange as you want or as much

green as you want now if you're not

happy with the overall balance of those

colors that's when you can come down to

well blending and balance so blending is

the smoothness between each of those

colors typically I leave that at the

default but let's say you wanted a

little bit more green because that's

what we've put in the shadows well if I

drag that all the way to the left now

the greens start to dominate this photo

it might be hard to see but if I drag it

up you can see the greens are definitely

dominating if I go back to neutral you

know we can see that the yellows or that

orange tone is starting to take over and

if I go all the way up that's when that

kind of blue tone starts to take over

now there's one setting that you can

adjust pretty much at any point which is

the detail or what I like to call the

sharpening because that's really what

you're doing inside of this tab the best

way to visualize this if you hold alt on

your keyboard and you drag the masking

it will show you what exactly it's

sharpening so if you want to sharpen

everything you go all the way to the

left but if you have specific details

then you can hold until you see that and

then let go so now when I zoom into 300

which is probably way too much but if I

drag the sharpening you can see it will

just start to sharpen like the edges of

my glasses and maybe like my Silhouette

there's also lens Corrections which

typically just get added by default now

if I undo it and I say remove profile

Corrections you can see it's basically

just unwarping it so every lens has a

bit of optical Distortion in this case

it tries to get rid of it also same

thing with the vignetting and chromatic

aberration it's kind of hard to

demonstrate on this photo but if you're

looking for a clinically perfect and

clean photo you can use it for certain

types of photography I would recommend

not using it like if you're doing

astrophotography or anything that's low

light photography applying the profile

correction can get you this really weird

noise pattern now what I'm gonna do is

go into my masking and make creative

mask adjustments in this case I'm going

to darken the foreground by grabbing a

linear gradient I'm just going to drag

it over the area that I want to adjust

and you'll see again it kind of like

Fades out so if I start to drop the

exposure and maybe

de-emphasizing some of those foreground

elements then I'm going to do the

opposite on the left hand side of this

photo I'm going to grab a radial

gradient and actually drag and drop it

over here this is a good way you to also

like highlight a specific element within

your photo what I'm going to do is I'm

actually going to drop the dehaze it

kind of makes it look like there's more

sun coming from that area I can also do

the plus exposure drop the clarity drop

the texture and now all of a sudden it

looks like there's more sun coming from

the left side of your photo one more

thing that I'm going to do if you take a

look at my sunglasses they've lost a

little bit of their like oomph so I'm

actually gonna use a brush and I'm gonna

paint a mask onto my sunglasses now

because these are my signature green

sunglasses they should look green so I'm

gonna do a few things to fix that I'm

going to drag my temperature tint all

the way into the green I'm going to drag

my temperature all the way into the

orange and then we're just going to take

that saturation and boost the heck out

of it I think I might even just boost

the exposure and maybe like the Shadows

just a little bit there we go now you

know that it's actually a photo of me

one thing you'll notice that I didn't

cover is cropping this photo that's

because I don't usually crop my photos

when I'm editing them I'll crop it after

for wherever I'm going to post it

typically I'm doing virtual copies which

is what you saw at the beginning of the

video so if I go back to my library what

I've got here is just all of the virtual

copies with different crops so I don't

have to be committed to just cropping it

in One Direction I've got all these

variations that I can use for wherever

I'm going to post this photo so I've got

a question for you seeing this photo and

the videos that came out of this trip

would doing a group meet up with other

content creators and photographers like

like maybe I'll bring my photographer

friends and you can bring one of your

photographer friends and we can decide

on a location plan it over the course of

a week to shoot some sunrise and some

sunsets is that something that would be

of interest to you because it's

something that I've been thinking about

doing I don't have all the details but

I'm probably gonna do a poll over on my

Instagram stories to see what you think

so if you're not already falling over

there make sure you're following and if

you're not subscribed here and you enjoy

this video and you want to see more like

it make sure you leave that comment down

in the comment section below and until

the next one

go shoot photos

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[Applause]

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