All 40+ Blender Sculpting brush EXPLAINED

Summary

This video tutorial offers an in-depth guide to various sculpting brushes in a 3D modeling software. It covers the functions of each brush, from adding quick shapes with 'Draw' to texturing with 'Scrape'. The presenter demonstrates the use of 'Clay', 'Inflate', and 'Smooth' brushes, among others, highlighting their unique applications in sculpting. The script also touches on more specialized brushes like 'Snakehook' and 'Poise', which are essential for detailed character sculpting. Viewers are encouraged to explore the brushes' settings for greater control and customization in their sculpting projects.

Takeaways

• 🎨 The script provides an in-depth walkthrough of various sculpting brushes and their functions in a digital sculpting software.
• 🖌️ 'Draw' brush is used for adding quick shapes and is helpful for details like eyelids or lips.
• 🔪 'Draw Sharp' brush is a sharper version of the 'Draw' brush, often used more frequently and can create creases.
• 🤏 'Clay' and 'Clay Strips' brushes are used for adding thickness or straight lines to the model, respectively.
• 👍 'Clay Thumb' is a unique brush that mimics the action of pinching the clay, useful for adding creases.
• 🌀 'Inflate' brush is used to expand the mesh by adding an inflated blob on top.
• 📏 'Crease' and 'Edge Sharpen' brushes are self-explanatory, used for adding creases and sharpening edges in the mesh.
• 💆‍♂️ 'Smooth' brush is essential for ironing out the model, with adjustable strength for finer control.
• 🗑️ 'Scrape' and 'Flatten' brushes are used for removing material and smoothing out the mesh, respectively.
• 🤏 'Pinch' brush is similar to a crease brush but pulls in geometry, while 'Grab' and 'Elastic' brushes move the mesh around.
• 👍 'Snake Hook' is useful for quickly adding details like horns or spikes to the model.
• 👁️ 'Thumb' brush is akin to the 'Grab' brush but allows for sliding and manipulating the sculpt in a different manner.
• 🎭 'Poise' brush is especially useful for character sculpting, enabling the rotation of specific areas.
• 👷‍♂️ 'Nudge' brush can move geometry around, finding niche uses in certain sculpting scenarios.
• 🔄 'Rotate' brush, as the name suggests, is used to rotate the entire model or specific parts.
• 🧘 'Relax' helps in smoothing out the topology by spreading out bunched-up geometry.
• 🖱️ 'Mask' is a versatile brush that prevents certain areas of the mesh from being affected by other brushes.
• 📦 'Box Masks' and 'Box Hard' are used for creating specific mask shapes and hardening the geometry, respectively.
• 🗑️ 'Box Trim' and 'Lasso Trim' are for quickly removing parts of the mesh by trimming.
• 📈 'Multi-Displacement' and 'Smear' brushes are associated with multi-resolution modifiers for dynamic mesh adjustments.
• 🧶 'Plus Brush' simulates cloth behavior, offering various settings for different cloth effects.
• 🔧 'Simplify' brush is used with dynamic topology to reduce the complexity of the mesh.
• 🎨 'Color Filter' and 'Edit Face Sets' are among the miscellaneous brushes for specific painting and editing tasks.

Q & A

What does the Draw brush do in sculpting?

The Draw brush adds a slight line or shape to your model, useful for adding quick details like eyelids or lips.

How is the Draw Sharp brush different from the Draw brush?

The Draw Sharp brush is a sharper, inverted version of the Draw brush, useful for creating creases or sharper edges.

What is the purpose of the Clay brush?

The Clay brush adds a layer of material onto your model, useful for quickly adding thickness.

How does the Clay Strips brush differ from the Clay brush?

The Clay Strips brush creates a straight line of material, commonly used for adding texture and details.

What does the Inflate brush do?

The Inflate brush drags up the surface of your model, creating an inflated or bulging effect.

When would you use the Crease brush?

The Crease brush is used to add creases or sharpen edges in your mesh, similar to the Draw Sharp brush but more focused on creating tight creases.

What is the function of the Smooth brush?

The Smooth brush smooths out your model's surface, helping to blend and soften areas.

How does the Flatten brush work?

The Flatten brush flattens the surface of your model, useful for creating flat planes or filling in uneven areas.

What is the purpose of the Grab brush?

The Grab brush allows you to drag and move parts of your mesh around, useful for repositioning and shaping your model.

What does the Snake Hook brush do?

The Snake Hook brush extrudes geometry from your model, useful for creating extended features like horns or tentacles.

How does the Pose brush assist in sculpting characters?

The Pose brush allows you to rotate and reposition parts of your model, making it easier to adjust poses and proportions.

What is the Nudge brush used for?

The Nudge brush is used to slightly move parts of your model, helping to make fine adjustments to the mesh.

How does the Boundary brush function?

The Boundary brush manipulates the edges of your model, allowing you to rotate, bend, and expand boundary areas.

What is the use of the Mask brush in sculpting?

The Mask brush creates a mask on your model, preventing changes to the masked area and allowing you to work on specific parts without affecting others.

What does the Box Trim brush do?

The Box Trim brush cuts away parts of your mesh in a box shape, useful for quickly removing unwanted geometry.

Outlines

00:00

🖌️ Introduction to Sculpting Brushes

In this segment, the speaker introduces the abundance of sculpting brushes available and sets the stage for a detailed walkthrough of their functions. They start by navigating to sculpt mode, showcasing the list of brushes on the left, and emphasizing the usefulness of getting a high-resolution view for better understanding.

05:01

✏️ Basic Brushes: Draw and Draw Sharp

This paragraph explores the 'Draw' and 'Draw Sharp' brushes. The 'Draw' brush is described as adding slight lines useful for quick shapes like eyelids or lips. The 'Draw Sharp' brush is a sharper, inverted version of 'Draw', functioning similarly to a crease brush and often more useful for finer details.

10:04

🗿 Clay and Clay Strips Brushes

Here, the 'Clay' and 'Clay Strips' brushes are discussed. The 'Clay' brush adds a layer of material, useful for quickly adding thickness, while the 'Clay Strips' brush creates a straight line, commonly used but not the best option available.

🤲 Specialized Brushes: Clay Thumb and Layer

This section covers the 'Clay Thumb' and 'Layer' brushes. The 'Clay Thumb' brush moves material and creates creases, though its use is not always clear. The 'Layer' brush adds a single layer of material, useful for maintaining the original shape while adding thickness.

🎈 Inflate and Blob Brushes

The 'Inflate' and 'Blob' brushes are explained. The 'Inflate' brush adds a large, rounded form, useful for quick volume addition. The 'Blob' brush works similarly but with slight differences, making them somewhat interchangeable.

🔨 Crease and Smooth Brushes

This paragraph introduces the 'Crease' and 'Smooth' brushes. The 'Crease' brush sharpens edges and creates creases in the mesh. The 'Smooth' brush softens and smooths the model's surface, with adjustable strength for different effects.

🔧 Flatten and Fill Brushes

The 'Flatten' and 'Fill' brushes are detailed here. The 'Flatten' brush evens out the surface, though results can be unpredictable. The 'Fill' brush fills gaps in the model, useful for smoothing out unwanted spaces.

🪚 Scrape and Multi-plane Scrape Brushes

In this section, the 'Scrape' and 'Multi-plane Scrape' brushes are described. The 'Scrape' brush removes material to flatten surfaces, while the 'Multi-plane Scrape' brush is useful for working with edges, though its application can be less clear.

✂️ Pinch, Grab, and Elastic Deform Brushes

This paragraph covers the 'Pinch', 'Grab', and 'Elastic Deform' brushes. The 'Pinch' brush pulls geometry together, creating tighter areas. The 'Grab' brush moves mesh within its radius, and the 'Elastic Deform' brush offers a wider falloff for smoother adjustments.

🐍 Snake Hook and Thumb Brushes

The 'Snake Hook' and 'Thumb' brushes are explained. The 'Snake Hook' brush extrudes geometry dynamically, useful for adding features like horns. The 'Thumb' brush is similar to 'Grab' but slides the mesh around.

🧍 Pose Brush

Here, the 'Pose' brush is discussed. It's particularly useful for character sculpting, allowing for rotation and movement of parts of the model, with the effect depending on the brush size.

🔄 Nudge and Rotate Brushes

The 'Nudge' and 'Rotate' brushes are introduced. The 'Nudge' brush moves geometry slightly, useful in specific situations. The 'Rotate' brush allows for rotating the entire model or parts of it.

🧩 Relax and Boundary Brushes

This section details the 'Relax' and 'Boundary' brushes. The 'Relax' brush adjusts geometry to reduce stretching and bunching. The 'Boundary' brush manipulates the edges of the model based on brush size.

⚙️ Mesh Filter and Cloth Brushes

The 'Mesh Filter' and 'Cloth' brushes are described. The 'Mesh Filter' brush applies various effects like sharpening and inflating. The 'Cloth' brush simulates cloth behavior on the model, useful for creating realistic fabric textures.

🎨 Mask and Color Brushes

In this paragraph, the 'Mask' and 'Color' brushes are covered. The 'Mask' brush blocks out areas from being affected by other brushes. The 'Color' brush applies color to the model, with various settings for different effects.

🔄 Multi-res and Simplify Brushes

The 'Multi-res' and 'Simplify' brushes are discussed. The 'Multi-res' brush reverts the model to its original shape under a multi-resolution modifier. The 'Simplify' brush reduces the complexity of the model when using dynamic topology.

🎭 Face Sets and Multi-res Displacement Brushes

This section covers the 'Face Sets' and 'Multi-res Displacement' brushes. The 'Face Sets' brush marks parts of the model for easier manipulation. The 'Multi-res Displacement' brush adjusts the model to its original shape under a multi-resolution modifier.

🖍️ Box and Lasso Masks

The 'Box' and 'Lasso' masks are explained. These brushes create masks over specific areas using box or lasso selection, respectively, allowing for focused editing on the sculpt.

✂️ Trim Brushes

This paragraph details the 'Box Trim' and 'Lasso Trim' brushes. These tools cut away parts of the mesh based on box or lasso selection, useful for quickly removing unwanted geometry.

🔍 Miscellaneous Brushes

The final segment discusses various miscellaneous brushes like 'Mesh Filter', 'Cloth', 'Color Filter', and 'Edit Face Sets'. These brushes offer unique functionalities, including simulations and color adjustments, enhancing the sculpting process.

Keywords

💡Sculpting

Sculpting in the context of the video refers to the digital creation and manipulation of 3D models using various tools and techniques. It is the main theme of the video, as the script discusses different brushes and their functions within a sculpting software. For example, the script mentions 'sculpt mode', indicating the mode within the software where one can sculpt the model.

💡Brushes

Brushes are tools within digital sculpting software that allow artists to modify the shape and texture of a 3D model. The video script provides an in-depth walkthrough of various brushes, such as 'draw', 'clay', and 'smooth', each serving a distinct purpose in sculpting. The term 'brushes' is central to the video's educational content, as it helps viewers understand the different tools available for sculpting.

💡Draw Brush

The 'Draw Brush' is a specific type of brush used in digital sculpting to add or define lines and shapes on a 3D model. The script describes it as adding 'a slight line' and being useful for tasks such as creating eyelids or lips. It exemplifies the variety of brushes and their specialized uses in the sculpting process.

💡Clay Brush

The 'Clay Brush' is likened to adding a layer of material onto the model, which can result in quick thickness adjustments. The script mentions it as an 'odd brush' but also 'pretty useful', highlighting the diversity in brush functionalities and their potential for creative outcomes in sculpting.

💡Clay Strips

Clay Strips is a brush that creates straight lines on the model, a common tool in sculpting. The script notes its frequent use by the speaker, indicating its importance and utility in shaping and defining the model's structure.

💡Inflate Brush

The 'Inflate Brush' is used to expand or 'inflate' parts of the model, creating a bulging effect. The script describes its action with phrases like 'adds like a big inflated blob on top of it', demonstrating how it can be used to modify the volume of the model.

💡Smooth Brush

The 'Smooth Brush' is essential for refining the surface of a 3D model by evening out irregularities. The script explains its function with the phrase 'it just Smooths out your model', emphasizing its role in achieving a polished look in sculpting.

💡Scrape Brush

The 'Scrape Brush' is used to remove material from the model, effectively 'scraping away' at the mesh. The script illustrates its function by saying it 'just starts removing material', showing how it can be used to reduce volume or refine details in the sculpting process.

💡Pinch Brush

The 'Pinch Brush' is used to pull in or compress geometry on the model, creating a pinching effect. The script describes its action as 'it's kind of similar to like a crease brush except, just pulls in Geometry', indicating its utility in shaping and detailing the model.

💡Mask Brush

The 'Mask Brush' is crucial for isolating parts of the model, preventing changes to certain areas while sculpting. The script explains its function by stating it 'stops the joint' and allows for selective editing, highlighting its importance in maintaining control over the sculpting process.

💡Multi-Resolution

Multi-Resolution is a modifier in sculpting software that allows for sculpting at varying levels of detail. The script discusses its use with the phrase 'if you have a multi-rism multi-resolution, modifier', showing how it can be employed to work on different scales of the model simultaneously.

Highlights

Introduction to various sculpting brushes and their uses in digital sculpting.

Explanation of the 'Draw' brush for adding quick shapes to a model.

Use of the 'Camera' brush, though not commonly used by the speaker.

Description of the 'Draw Sharp' brush for creating sharper lines and creases.

Introduction to the 'Clay' brush for adding material layers to a model.

Functionality of 'Clay Strips' for creating straight lines in sculpting.

The peculiar 'Clay Thumb' brush for creating creases and adding thickness.

The 'Inflate' brush for expanding the model and creating inflated shapes.

The 'Crease' brush for adding sharp edges and creases to the mesh.

The 'Smooth' brush for evening out the model's surface.

The 'Flatten' brush for filling in gaps and flattening areas of the model.

Utility of the 'Scrape' brush for removing material from the mesh.

The 'Multi-Pin Plane Scrape' for working with edges and complex shapes.

The 'Pinch' brush for pulling in geometry to create detailed forms.

The 'Grab' brush for moving and manipulating the mesh.

The 'Elastic' form brush for adjusting the weights and falloff of the model.

The 'Snake Hook' brush for creating extruded shapes and hordes.

The 'Thumb' brush for sliding and manipulating the model similar to 'Grab'.

The 'Poise' brush for precise adjustments, especially in character sculpting.

The 'Nudge' brush for moving geometry around with adjustable strength.

The 'Rotate' brush for rotating the entire model or specific parts.

The 'Relax' brush for smoothing out the topology of the mesh.

The 'Boundary' brush for creating and manipulating boundaries in the mesh.

The 'Plus' brush for simulating cloth and other materials.

The 'Simplify' brush for reducing the complexity of the mesh in DynaMesh.

The 'Mask' brush for protecting specific areas of the model from changes.

The 'Draw Face Sets' for selecting parts of the mesh, not compatible with DynaMesh.

The 'Multi-Res Displacement' and 'Eraser' brushes for working with multi-resolution models.

The 'Space and Speed Smear' brush for dragging and smearing the mesh.

Mention of painting brushes for texture work, suggested for further learning.

The 'Box Mask', 'Box Hard', and 'Box Face Set' brushes for creating masks and hard edges.

The 'Box Trim' brush for quickly removing parts of the mesh.

The 'Lasso Trim' and 'Limited Segment Drag' brushes for cutting away mesh.

The 'Mesh Filter' brush for adjusting mesh settings like sharpen and inflate.

The 'Cloth' brush for simulating cloth dynamics on the model.

The 'Color Filter' and 'Edit Face Sets' for working with color and face sets.

The 'Mask by Color' brush for masking areas based on color, noted as not very effective.

Conclusion summarizing the variety and utility of sculpting brushes.

Transcripts

if you've been sculpting you know

there's a lot of brushes so today I'm

going to walk you through what every

single one of them does let's hop right

into it all right let's start off so

basically what I'm going to do I'm going

to go to sculpt mode and let's just

start walking through all of them so on

the left you can see a list of every

brush I can pull this out you can see

all the names all the icons for

everything and everything like that if

you want to read them all I'm just going

to get a high resolution one because

sometimes it's NASA cool so first off we

can see draw which basically as you can

see it just adds like a slight line over

here so if you have like Max Jones you

can see it just has this kind of shape

this is useful if you need to like add

some quick shape sometimes like this

will be helpful like if you're doing

eyelids or something or like lips camera

brush I don't really use it that much

but it can be useful sometimes then we

have drawshop which is similar except

it's just sharper than the draw you can

see these fall off is just a sharper

version and it's inverted so if you can

click this plus little button you can

see it just it's basically like a crease

brush kind of so you can see it's just a

sharper version of draw this is also

very useful I'll actually use this more

than the drawer brush in my opinion is

more useful then we have Clay which is a

bit of an odd brush you can just let me

just drag up my so it just kind of like

adds on a layer of material onto it you

can get some weird results but it can be

pretty useful if you just need to add

some quick like thickness to your model

very quickly then we have Clay strips

everyone knows about K strips but it's

basically just a straight line very

common brush I use this a lot it's not

the greatest probably actually replace

it with some other other ones but why

not it's pretty good then we have Clay

thumb so this is also this is a very

weird one so you can kind of just like

you start just like moving kind of just

like creases it in and yeah very odd

brush bug out quickly but I don't know

when you'll use this but you can Leia

very similar to the clay brush but

literally just add one layer on top of

your model it'll copy like the exact

same shape just like this inflate kind

of in its name it just kind of drags all

the way up you can see it just goes and

adds like a big inflated blob on top of

it and you said blood brush which is

just works slightly different doesn't

work exactly the same as the Play Brush

but you can use them kind of like

changeably crease brush it's another

self-explanatory one you just add some

like creases into your mesh like this

but you can also sharpen edges it's kind

of similar to the the draw shop but yeah

then we have the smooth brush the smooth

brush yeah basically it just Smooths out

your model kind of makes an its name if

you just like go start moving kind of

just start smoothing out your model you

can adjust the strength of it so if you

adjust it here so if I go like shift

they have to make it slower and I'm in a

different like different brush I can

just hold shift and it'll work exactly

the same strength as it is over here

very useful I don't use it too much I

would most likely like a replaceable

scraping on black especially working on

phases but it's still really useful and

I still use it quite a lot and flatten

which will basically

I'll show you here and I'll flatten you

can see it kind of like gets a little

bit of an odd result but it does kind of

like fill in kind of like aggregate

flattens kind of thing yes it's kind of

odd I don't really use as much much but

it's up to you Phil so we can just fill

in this little Gap so usually a fill

smooth and like you there so you can

like fill in any unwanted gaps or

something like that

scrape brush also a very useful one it

kind of just like it it's kind of what

you'd expect flatten to be it kind of

just starts removing material whereas

flat and kind of like flattens

everything out

um so you can see if you just start

going you can start flattening what are

you like scraping away actual mesh so

you can kind of just carry on going like

this then you have multi-pin plane

scrape a bit of a weird one but you can

kind of just like if you have an edge

like this it's a bit odd

um

but sometimes it can be useful uh not

too much but it depends from time to

time cool then we have the pinch brush

here it kind of does like this it's kind

of similar to like a crease brush except

just pulls in Geometry so you can see we

have a very big cluster in this area

right now

then we have grab which is also another

self-explanatory one drop uh drag your

mesh around like this in like the radius

the bigger radius more mesh you can grab

at the time elastic the form it just

works slightly different to the grab

it's just how like the weights and stuff

of it you can see it just works a bit

differently so kind of like it has like

a wider falloff of the brush snakehook

is basically one that just pulls off

like this if you have a down Dynamic

topology on it will extrude a properly

uh thing as you can see like this so

this is kind of useful if you just need

to quickly add like a little horde or

something like that but yeah that's just

the snake brush then we have thumb which

also is just like a very similar to the

grab brush

um but you can kind of just slide the

mod the the sculpts like this okay Poise

brush it's just very useful especially

with characters when you're sculpting

them

um you can see here if I just like have

this little thing that we screwed it out

I can kind of just rotate it all like

that so if I make a smaller you can see

in artworks less so the size of the

brush how long this little white light

is it kind of shows how much of it

you're going to move with when you move

your brush

all right then we have the nudge brush

which kind of just oh wait I'll show you

kind of just if you drag up the strength

you can see you can kind of just like

move your stuff around not really useful

one but sometimes you can find a niche

use for it rotates obviously another

name you can rotate your whole model

like this but if you want something it

just like rotates it a little bit pretty

useful if you can just click slide relax

that's to kind of like with your

topology so you can see if like if I go

like start pulling a lot of geometry in

here so you can see it's kind of like

bunched up together then I go you start

relax and you can see you can kind of

just start moving the geometry and like

pulling it out

oh if you want to pinch it in a specific

area you can kind of just pinch it all

in like that with first light relaxed

boundary okay we're going to need a

different model to sort this out so if I

go select it you can see this bottom

Edge highlights right now so basically

all the stuff right now if you just drag

you can see you can kind of rotate like

pan around this whole thing so if we go

up and down and kind of just do it like

this and this is dependent on the size

of your brushed you can see this little

white line it doesn't make this bigger

you can see it does it more uh and it

make it smaller it does less okay and

then if you go up to the setting this

little the toolbar you can see it has a

bunch of settings over here these three

so you can choose geometry class

animation you can change it to Ben grab

someone and so on as you can see you can

just grab like this whole thing uh

you've expand which will basically just

like take it down

uh you have inflate go in and out you

have twist twist it like that

and then you have smooth which will just

take it in like that if you just hold

down all right so I'm going to change it

back to bend and then you can see the

boundary fall off so I'm going to go

brush radius

and I can see we have it like this and

you're like oh okay that's cool so you

can just do that on like an individual

thing but also what you're going to do

is you're going to Loop and now you can

see I mean Loop and invert

know what this does is you can see we

have like a bunch of them now so to have

it like there so we can change like the

south of our brush

like this and yeah I'll leave a link to

a video explaining all of this uh yeah

cool then we have plus brush also

another very useful one all it does you

can set it yeah there's a couple

settings over here but you can see if I

just start dragging you can see it

starts like simulating kind of a cloth

uh you can change the kind of like

simulation as leave it for now drag

pinch point you have a bunch of

different settings you can kind of like

use to create different effects for your

cloth uh you just have like radio and

plane so you can kind of do it like

there grab as you can see like there try

all the different ones and get something

that looks pretty

that's I mean already this is looking

pretty cool

simplify this only works when you are

using done over topology uh you can see

uh if it

if you have like a specific

number it will kind of like

a plot so if I have the subdivision the

Dynamics polygon you can see now this is

what happens

um

that's literally the only reason was

here and and if you're in using remesh

then there's no point in it

all right next one let's go to mask very

useful brush I use it all the time

basically a mask is kind of like uh you

stop the joint you can see like a sauce

adding this black to our sculpt and now

what we can do if we go to another brush

you can see we can't affect uh where

this black mask is you can see like this

so you can see it just leave that part

alone and we can't change it at all if

you want to invert it you just press

that control R and then just work on

this like if you grab you can see we can

just grab this specific area we can't

grab anything else you can see we just

can't change it at all very useful brush

if you want to clear it just press alt

and M then we have draw face sets don't

work when you have Dynamic topology on

um but you can see we can start drawing

and I'll kind of just select like a part

of the mesh like this

um I don't even know how to use these

properly

but before we found a video on how to do

these probably you should learn myself

so maybe I'll do a video of that

sometime I don't know next off we have

multi-reds displacement eraser so

basically what happens is if you have a

model so if I go add like a let's go and

I go add a multi-rism multi-resolution

modifier like this and press subdivide

or once or twice and I grew it like I'm

going to drag this out what happens with

this is it basically will try to get

back to the original shape that you have

right here so whatever changes you make

to this you can go like change it around

um you'll go back here and it will start

try to change it back to the default or

like watch it is underneath this

multi-resolution

then you also have this brush which is

the multi brace the space and speed

smear so basically if you go like drag

this out go click on this one you can

kind of see it just like drags it around

that kind of a useless brush but

sometimes you can find something useful

then you have these two which is just

for painting you could look up some

videos how to use this I'll start off

and seeing if I can leave them down

below

um

cool then we have a bunch of like other

miscellaneous ones uh box marks as you

can see it's just like drag it and it

mask your thing you have to have if you

drag down you can eat like a mask like

this or you can have the land mask like

that okay then we have the box hard I

believe yeah box hard it's all just hard

the geometry like this

um and then I appreciologist alt H and

it undoes it will re uh brings them back

cool then we have this one which is the

Box face set which like you just drag

and it will add a face set to that box

that you just drew all right and then we

have the box trim this will get rid of

part of your mesh I think it'd be

as you can see like this and you can see

it just cuts away like that so if you

want to quickly remove part of your mesh

box drag and do it like this and then we

have lasso trim so basically same thing

you can just like cut away like that you

can lag a bit but yeah then we have the

uh this is what limited segment drag uh

it'll just cut away almost the same

thing

um as the lasso trim

cool it just works better and it adds

some like topology here

cool

then we have the last couple ones that

are kind of weird and don't do much and

don't really need to be here mesh filter

you kind of just like drag it outside

why not uh you're gonna just have like a

bunch of settings sharpened

I don't know inflate you can inflate it

so on and so on just kind of add around

some random settings so I guess yeah why

not

um then we have the cloth

which will basically you can just go

like select there it's actually kind of

cool you can just go we okay what is

wrong with those eyeballs

um yeah so that's the fun of some of

these brushes they can kind of just use

some simulations uh and then we have

color filter this will basically work

with yeah uh and then we have edit face

sets so if you have your face set up you

can do it and then mask by color which

doesn't really work that well yeah that

is every sculpting brush hey make sure

to check down below for my Discord if

you want to chat to other people about

sculpting or click on this video on the

basics of sculpting