Música por la Memoria - #Amia27años
Summary
TLDRThe script recounts the commemoration of the 1994 AMIA bombing in Buenos Aires, which left 85 dead and over 300 injured. It highlights 27 years of cultural and artistic activities to remember and demand justice, featuring music by prominent artists like Luis Alberto Spinetta and Patricia Sosa. The narrative emphasizes the power of music to rebuild memory and the importance of demanding justice, with various artists contributing to this cause. It also mentions the participation of new generations, symbolizing the continuity of memory and the fight for truth and justice.
Takeaways
- 🗓️ The script commemorates the 27th anniversary of the AMIA bombing that occurred on July 18, 1994, in Buenos Aires, which resulted in 85 deaths and over 300 injuries.
- 🎶 Music has been a central theme in remembering and demanding justice for the victims, with various cultural and artistic activities held in connection with the memory of the event.
- 👤 The script mentions several artists, including Luis Alberto Spinetta, Fito Páez, Bayly, Eto'o, Patricia Sosa, and Andrés Calamaro, who participated in a concert at the Obra Social Stadium five months after the attack.
- 💥 The bombing was intended to silence the community, but the script emphasizes that the community's voice has not been muted and continues to sing and remember.
- 🌐 The script calls for unity and the importance of peace, rejecting hatred, resentment, and ancestral vengeance that surpasses reason.
- 📖 In 2010, a significant event was the addition of lyrics by Kevin Johansen to the instrumental song 'Cando Ámbito del Recuerdo', with a music video made at the rebuilt AMIA site.
- 🎨 Artist Liniers also contributed with his work '85 Puntos de Colores', remembering each victim of the attack.
- 🔟 In 2016, 'Memoria AMIA' was a notable event where 100 artists came together to sing 'La Memoria' by Leon Gieco, setting aside differences for the sake of memory and justice.
- 📚 A book was published after the 100 artists' version of 'La Memoria', featuring photos and texts of the participants, emphasizing the importance of memory in constructing the future.
- 🎵 In 2018, a new song 'Abro Los Ojos' was released, with lyrics written by Luis Alberto Spinetta shortly after the 1994 attack and music added by Gabo Ferro 24 years later.
- 🌟 The script highlights the importance of bridging generations in remembering the attack, with Mateo Sujatovich composing 'No Se Borra' and inviting Leon Gieco to sing it, symbolizing the transmission of memory.
Q & A
What event occurred on July 18, 1994, that is mentioned in the script?
-A terrorist attack on the AMIA (Asociación Mutual Israelita Argentina) building in Buenos Aires took place on July 18, 1994, resulting in 85 deaths and over 300 injuries.
What has been the status of the investigation into the AMIA attack after 27 years?
-After 27 years, the AMIA attack remains unsolved and unpunished.
What role has music played in the commemoration of the AMIA attack?
-Music has been a significant part of the commemoration activities, serving as a means to remember the victims and demand justice.
Which artists participated in the event at the Estadio Obras Sanitarias five months after the attack?
-Artists such as Luis Alberto Spinetta, Fito Páez, Bayly, Eto'o, Patricia Sosa, and Andrés Calamaro participated in the event.
What was one of the intentions of the bomb attack according to the script?
-One of the intentions of the bomb attack was to silence the voices of the people, but the script emphasizes that their voices have not been silenced.
What is the significance of the phrase 'our voice becomes a song' in the script?
-The phrase signifies that the voices of the people, instead of being silenced, have turned into songs that celebrate life and contribute to the reconstruction of memory.
What did Ignacio Copani emphasize in his speech regarding the importance of peace?
-Ignacio Copani emphasized the importance of fighting for a humanity that refuses to understand the significance of peace and the need to remember and not forget the atrocities committed.
What was the emotional event that took place in 2010 related to the AMIA attack?
-In 2010, an emotional event occurred when Kevin Johansen added lyrics to the instrumental song 'Cuando Ámbito del Recuerdo' and created a music video in the rebuilt AMIA site.
What was the significance of the event 'Memoria AMIA' in 2016?
-The 'Memoria AMIA' event in 2016 was significant as it brought together 100 artists to sing the classic song 'La Memoria' by Leon Gieco, setting aside differences and emphasizing the importance of memory in building the future.
What is the message conveyed by the song 'No Se Borra' composed by Mateo Sujatovich?
-The song 'No Se Borra' conveys the message of unity between generations, emphasizing the importance of remembering and constructing the memory of the AMIA attack for those who did not experience it.
What is the overarching theme of the artistic journey over the past 27 years as described in the script?
-The overarching theme is the continuous demand for memory, truth, and justice for the unsolved AMIA attack and other unsolved causes in the country, highlighting the inclusive nature of memory and the identity of Argentina.
Outlines
🕊️ Commemorating the AMIA Bombing with Music and Art
The script from the first paragraph discusses the bombing of the AMIA (Argentine Jewish Mutual Association) building in Buenos Aires on July 18, 1994, which resulted in 85 deaths and over 300 injuries. The event remains unpunished, and the AMIA has organized various cultural and artistic activities to commemorate the tragedy and demand justice. Music has been a central element in these remembrances, with performances by notable artists such as Luis Alberto Spinetta, Fito Páez, and others. The script emphasizes the importance of maintaining the memory of the event and using the power of music to demand justice and rebuild. Ignacio Copani, in a personal dedication, expresses the universality of the fight for peace and humanity, beyond the Jewish community, in the face of hatred and ancestral resentment.
🎼 Musical Tributes and Artistic Expressions Over 27 Years
This paragraph highlights the musical tributes and artistic expressions that have taken place over the 27 years since the AMIA bombing. It mentions the participation of numerous artists in recitals, shows, and festivals, all occurring on the anniversary of the attack, July 18th, at the exact time it occurred. Specific artists like Patricia Sosa, Julia Zenko, Raúl Lavie, and others are named for their contributions. The paragraph also references the addition of lyrics by Kevin Johansen to an instrumental piece, a music video made at the rebuilt AMIA site, and the involvement of artist Liniers with his work '85 points of colors' remembering each victim. The collective effort of 100 artists to sing 'La Memoria' is also noted, emphasizing the importance of memory in constructing a future.
🌟 Generational Unity in Remembering the AMIA Attack
The final paragraph focuses on the importance of uniting generations in the memory of the AMIA bombing. It discusses the creation of new songs, such as 'No Se Borra' composed by Mateo Sujatovich, which aims to bridge the gap between those who have a living memory of the event and those who must build their memory of it. The paragraph also mentions the collaboration between Sujatovich, Bitch Soy Gotusso, and León Gieco in performing the song. The script concludes by emphasizing the ongoing artistic journey of 27 years, using music and art to demand justice for the unpunished AMIA attack and other unpunished causes in Argentina. It stresses the collective responsibility to remember and not forget, as it shapes the identity of the country.
Mindmap
Keywords
💡AMIA
💡Bombing
💡Impunity
💡Cultural and Artistic Activities
💡Memory
💡Justice
💡Music
💡Artists
💡Commemoration
💡Identity
💡Truth
Highlights
On July 18, 1994, a bombing at the AMIA headquarters in Buenos Aires resulted in 85 deaths and over 300 injuries.
The bombing remains unpunished after 27 years, and AMIA has organized various cultural and artistic activities to commemorate the event and demand justice.
Music has been a constant presence in these commemorations, with artists like Luis Alberto Spinetta, Fito Páez, and others participating in events.
One of the bombing's objectives was to silence the community, but the voice of the people has turned into songs that demand justice and rebuild memory.
Ignacio Copani emphasized the importance of fighting for humanity and refusing to understand the significance of peace.
Artists have used their voices and music not only for the Jewish community but also for any community threatened by hatred and ancestral resentment.
In 2010, Kevin Johansen added lyrics to the instrumental song 'Cuando Ámbito del Recuerdo', creating a powerful music video in the rebuilt AMIA plaza.
Artist Liniers contributed with his work '85 Puntos de Colores', remembering each victim of the bombing.
In 2016, 100 artists united to sing 'La Memoria' by Leon Gieco, setting aside differences for the sake of memory and justice.
A book was published after the 100 artists' version of 'La Memoria', featuring photos and texts from the participating artists.
In 2018, a new song 'Abro Los Ojos' was released, with lyrics written by Luis Alberto Spinetta shortly after the bombing and music added by Gabo Ferro 24 years later.
The song 'No Se Borra' was composed by Mateo Sujatovich, bridging the gap between generations and urging not to forget the past.
The importance of uniting the living memory with the generation that must build the memory of events they did not experience is highlighted.
Throughout the 27 years, music and art have been used to demand justice for the unpunished AMIA bombing and other unsolved causes in the country.
The memory, truth, and justice are emphasized as inclusive and essential to Argentina's identity, shaped by what is chosen to remember and not forget.
Transcripts
el 18 de julio de 1994 se perpetró un
atentado a la sede de la amia en la
ciudad de buenos aires murieron 85
personas y más de 300 resultaron heridas
a 27 años el atentado sigue impune amia
realizó diferentes actividades
culturales y artísticas vinculadas a la
memoria la música siempre estuvo
presente para recordar y exigir justicia
el primer hito fue apenas cinco meses
después del atentado en noviembre de
1994 en el estadio obras sanitarias por
la reconstrucción y para no perder la
memoria allí estuvieron entre otros y
otras
luís alberto spinetta fito páez bayly
eto'o patricia sosa andrés calamaro y
muchísimas más
[Aplausos]
entre los nefastos objetivos de la bomba
seguramente uno de ellos fue dejarlos
mudos sin embargo estamos aquí para
decirle a los sembradores de error que
nuestra voz solamente dejó de alzarse
porque estaba ahogada por el llanto y
dolor pero jamás enmudecida
hoy nuestra voz se hace canción y canta
de mil maneras y estilos a la vida
y en cada nota y en cada verso intentará
sumar una piedra más para reconstruir
hoy nuestra voz debe agitar a la memoria
para que se mantenga encendida por
siempre por nosotros
y por quienes no tienen la dicha de
estar aquí
hoy nuestra voz no tendría ninguna razón
de existir sería un sonido torpe hueco y
sin valor si no usara toda su fuerza
para reclamar
para exigir justicia
[Aplausos]
ignacio copani
ustedes saben que acá no quedan ningún
espacio para ni para ellos ni para otras
estupideces sino para luchar por una
humanidad que se niega a comprender la
importancia de la paz esta adhesión en
forma personal a parte de dedicarles con
todo amor a todos los damnificados por
este atentado horrible y para
reunirme con su corazón y cantar unas
canciones mi modo personal de pensar es
que ya no solamente por la comunidad
judía de la argentina o de cualquier
lugar del mundo por cualquier comunidad
cuyos hogares cuyos hijos se ven
amenazados donde los niños no son
tenidos en cuenta dónde
el odio y el resentimiento la venganza
ancestral superan la barrera del
raciocinio
ya no es una cuestión de judíos árabes
ojo maoríes se trata de la vida en el
planeta tierra de una vida que se está
porque no lo digo para el aplauso lo
digo porque tengo van a decirlo y no
espero esto espero que llegue la palabra
no que me aprueben que llegue la palabra
después cada uno que la reduzca y yo lo
que pienso es
que voy a cantar otra canción porque no
me deja
tu corazón tiempo
no siempre se podrá ir
[Música]
solo quiero estar bien
[Música]
los brillos
he quedado atrapada
no pedía a la razón
e
a seguir bebiendo sin más
primero hay que saber sufrir después
amar después partir
al fin andar es un pensamiento
perfume de naranjo en flor promesas
buenas de un amor
que se esfumaron
el viento y yo solo
[Música]
y yo
[Música]
yo solo
[Música]
gracias por haber venido
[Música]
[Música]
además de todas las actividades
musicales que se realizaron a lo largo
de estos 27 años recitales shows
festivales también muchísimas y
muchísimos artistas participaron de los
actos que se realizaron todos los 18 de
julio a las 9 y 53 de la mañana el día y
la hora exacta del atentado
patricia sosa en 2013 julia zenko en
2014 raúl lavié en 2015 jairo en 2016 y
baglieto y vitales en 2019 entre muchos
y muchas otras alzaron su voz y
dispusieron su música al reclamo de
justicia y al ejercicio de la memoria en
2010 sucedió algo muy pero muy emotivo
porque a la canción instrumental ya
existente cando ámbito del recuerdo se
sumó kevin johansen con una letra
maravillosa y un videoclip realizado en
la plaza seca en la sede reconstruida de
la amia donde obviamente se recuerda el
atentado constantemente
como si fuera poco el artista liniers
participó también con su obra 85 puntos
de colores donde obviamente se recuerda
a cada víctima del atentado
[Música]
la otra
[Música]
en 2016 se realizó memoria amia tal vez
uno de los hechos más recordados en
estos 27 años 100 artistas se juntaron
para cantar el clásico de león gieco la
memoria dejando toda diferencia de lado
porque no hay construcción de futuro sin
el ejercicio de la memoria en el
presente
[Música]
todos los muertos de la amia
todos los muertos de la amia
y los de la embajada de israel
por qué
no es verdad
pero de la vida
un año después de esta versión
maravillosa hecha por 100 artistas de la
memoria leon gieco amia hizo este libro
muy muy ponderado donde se muestran
todas las fotos de los artistas con
textos pertinentes que participaron
entre ellos sino los persas axel fabiana
cantilo hilda lizarazu y muchísimas y
muchísimos más justicia
justicia
justicia justicia justicia justicia
justicia justicia justicia justicia
justicia justicia justicia justicia
justicia justicia justicia justicia
antes porque es justicia
esas son sus órdenes son de justicia
usted es usted sí justicia justicia
justicia
[Música]
justicia
en 2018 amia homenaje a un nuevo
aniversario del atentado con una nueva
canción abro los ojos que tiene una
historia muy particular la letra la
escribió pocos días después del atentado
en 1994 luis alberto spinetta y 24 años
después con luis alberto spinetta ya
fallecido y con permiso de la familia
gabo ferro le puso música
[Música]
[Música]
[Música]
el año pasado llegó el turno de las
nuevas generaciones y fue mateo
sujatovich quien compuso especialmente
la canción no se borra invitó a su ego
tu uso y al león gieco a cantarla la
importancia de unir la generación que
tiene el recuerdo vivo y la generación
que tiene que construir el recuerdo por
no haberlo vivido por eso no se borra
fue un hito entre dos generaciones mateo
sujeto bitch soy gotusso con león gieco
[Música]
[Música]
[Aplausos]
[Aplausos]
[Música]
yo
[Música]
recuerdo
no estaba allí
[Música]
me lo contaron
para no olvidar
así llegamos al final de este recorrido
artístico de 27 años reclamando y
homenajeando memoria verdad y justicia
27 años con música y arte para reclamar
por el atentado impune de la amia y por
todas las causas impunes del país porque
entendemos que la memoria es inclusiva y
tenemos que trabajar constantemente para
saber qué es lo que no queremos olvidar
los y las argentinas ya que es la
identidad de nuestro país está dada por
todo lo que elegimos recordar y por todo
lo que decidimos no olvidar memoria
verdad y justicia
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