How To Edit Documentaries Like James Jani

Summary

In diesem Podcast-Interview spricht James Johnny, ein renommierter YouTube-Dokumentarfilmer, über seine kreative Prozesse und Techniken, die er verwendet, um Geschichten mit kineastischer Qualität zu erzählen. Er diskutiert, wie er durch nichtlineare Montage und die Verwendung von Filmmotiven die Erwartungen des Publikums spielt und es auf eine emotionale Reise mitnimmt. Johnny teilt auch Einblicke in seine Zusammenarbeit mit seinem Motion Graphics-Team und wie Musik seine Bearbeitung leitet, um auf YouTube einige der poliertsten Visuals zu erstellen.

Takeaways

• 🎥 James Johnny ist ein bekannter Dokumentarfilmemacher auf YouTube, der durch seine einzigartigen Erzählungstechniken und visuelle Präzision beachtet wird.
• 🍏 Er verwendet nichtlineare Bearbeitungstechniken, um das Gefühl der Unruhe und des Erkundens zu vermitteln, was zu einer emotionalen Reise führt.
• 🎬 Johnny nutzt visuelle Motive, um Erwartungen zu spielen und den Zuschauern den Verbleib im Video zu ermöglichen.
• 🎵 Musik ist ein wichtiger Bestandteil seines kreativen Prozesses und beeinflusst die Art und Weise, wie er die Szenen zusammenstellt.
• 🕵️‍♂️ Er legt Wert auf die Recherche und die Darstellung von Geschichten, die eine doppelte Botschaft haben und hinter denen mehr steckt als auf den ersten Blick sichtbar.
• 🔍 Johnny verwendet Puzzleteile als visuelles Element, um die Geschichte zu erzählen und die Zuschauer auf den Zusammenhang zwischen den Ereignissen aufmerksam zu machen.
• 📈 Die Verwendung eines Countdowns in seinen Videos dient dazu, die Spannung aufrechtzuerhalten und die Zuschauer auf die bevorstehende Katastrophe hinzuweisen.
• 👨‍💻 In seinem Video über Sam Bankman-Fried, dem reichsten Mann unter 30, verwendet Johnny die Geschichte, um ein Gefühl der Unruhe und des Misstrauens gegenüber dem Charakter zu erzeugen.
• 📹 Johnny legt Wert auf die Verwendung von echten Geschichten und Interviews, um die menschliche Dimension und die Auswirkungen auf die Betroffenen hervorzuheben.
• 🚀 Seine Videos sind bekannt für ihre hohe Produktionsqualität, die oft mit dem, was man von Fernsehnetzwerken oder großen Streamingplattformen erwarten würde, vergleichbar ist.

Q & A

Wie beschreibt der Sprecher seine Herangehensweise an die Erstellung von Dokumentarfilmen?

Der Sprecher beschreibt seine Herangehensweise als eine Mischung aus Emotionen, Ermittlung und einem konspirativen Gefühl, das den Zuschauern eine emotionale Reise bietet.

Was ist das Ziel von James' Video, wenn es darum geht, eine Geschichte zu erzählen?

Das Ziel ist es, eine Geschichte auf eine Weise zu erzählen, die normalerweise jeder erzählen könnte, aber mit einer kinematografischen Qualität, die für Netflix geeignet wäre.

Wie verwendet James Musik in seinen Videos?

James verwendet Musik, um die Bearbeitung zu leiten und die Stimmung und den Rhythmus seines Videos zu bestimmen. Musik ist ein großer Teil seines kreativen Prozesses.

Was sind 'Bewegungsgrafiken' und wie werden sie in James' Videos verwendet?

Bewegungsgrafiken sind animierte visuelle Elemente, die in James' Videos verwendet werden, um Informationen zu vermitteln oder die Geschichte zu unterstützen. Sie werden von einem Team von Motion-Graphics-Künstlern erstellt.

Wie wichtig ist die Verwendung von Musik für James' Videobearbeitung?

Musik ist sehr wichtig für James' Videobearbeitung, da sie die Inspiration und den Rhythmus für seine Videos liefert und dazu beiträgt, die Emotionen und die Dynamik des Films zu definieren.

Was ist der Unterschied zwischen der 'V1'-Version und der endgültigen Fassung eines Videos?

Die 'V1'-Version ist die erste Schnittfassung mit allen aufgezeichneten Materialien, wohingegen die endgültige Fassung nach dem Bearbeiten, Hinzufügen von Musik, Bewegungsgrafiken und anderen Elementen die fertige Produktion ist.

Wie verwendet James Countdowns in seinen Videos?

James verwendet Countdowns, um den Zuschauern mitzugeben, dass eine Situation oder ein Ereignis in Kürze stattfinden wird, was Spannung und Erwartungshaltung schafft.

Welche Rolle spielt die persönliche Geschichte des Opfers, Martins, in James' Dokumentarfilm über die FTX-Kollaps?

Die persönliche Geschichte von Martin, einem Opfer der FTX-Kollaps, dient dazu, die menschliche und emotionale Komponente der Geschichte zu vermitteln und unterstreicht die realen Auswirkungen der Ereignisse auf die Menschen.

Warum ist es für James wichtig, die letzten 30 bis 20% der Details seines Videos zu vervollkommnen?

Obwohl James anfänglich nach der Perfektion strebt, erkennt er, dass die letzten 30 bis 20% der Details nur von sehr wenigen Menschen bemerkt werden und er lernt, sich mit der Idee zufrieden zu geben, dass ein Video 70% gut ist, um den Schaffensprozess zu erleichtern.

Wie hat sich James' Einstellung zur Upload-Frequenz von Videos geändert?

James hat gelernt, sich mit der Idee zufrieden zu geben, nicht alle Videos perfekt zu machen, und er hat begonnen, ein Team einzusetzen, um den Druck zu reduzieren und die Produktivität zu erhöhen, anstatt alle Aspekte des Videos selbst zu bearbeiten.

Outlines

00:00

🎥 James Johnny's Documentary Filmmaking

James Johnny ist ein YouTube Dokumentarfilmemacher, der für seine einzigartige Art von Storytelling bekannt ist. Er verwendet nichtlineare Bearbeitungstechniken, um das Publikum auf eine emotionale Reise mitzunehmen. In diesem Podcast wird erzählt, wie er mit Filmmotiven spielt, um die Erwartungen des Publikums zu spielen und sie in seinen Videos zu halten. James nutzt auch Musik, um die Bearbeitung zu leiten und leitet sein Motion-Graphics-Team an, um hochpolierte Visuals für seine Dokumentationen zu erstellen.

05:00

🧩 Die Retentions-Storytelltechnik

Der Podcast diskutiert eine besondere Storytelltechnik, die durch die Verwendung von Puzzleteilen gekennzeichnet ist. Diese Technik wird verwendet, um das Publikum auf eine Weise zu fesseln, die es auf eine Erkenntnisreise bringt, ähnlich der, die der Filmemacher selbst durchläuft. Die Verwendung eines Countdowns im Video wird als effektive Methode betrachtet, um das Interesse des Publikums aufrechtzuerhalten und es auf den bevorstehenden Zusammenbruch hinzuarbeiten.

10:02

🎵 Musik als Inspirationsquelle

James betont die Rolle von Musik in seinen Videos und wie sie dazu beiträgt, die richtigen Emotionen und den richtigen Rhythmus für die Geschichte zu schaffen. Er verwendet Musik, um die Bearbeitung zu steuern und die richtige Stimmung für seine Dokumentationen zu erzeugen. Die Musik wird als ein wesentlicher Bestandteil des kreativen Prozesses beschrieben, der hilft, die Geschichte zu einem Spektakel zu machen.

15:03

👤 Das Herz der Geschichte

In diesem Abschnitt wird die Bedeutung der menschlichen Geschichte und der emotionalen Verbindung mit dem Publikum hervorgehoben. James suchte nach einer Geschichte, die die Wirklichkeit der Opfer der FTX-Kollaps zeigte. Durch ein Interview mit einem Opfer, Martin, wird die menschliche Seite der Geschichte hervorgehoben, die zeigt, dass es sich bei dem Ereignis um mehr handelt als nur um die Geschichte eines reichen Mannes. Es wird betont, wie wichtig es ist, diese menschliche Perspektive in seine Dokumentationen einzubinden, um das Publikum mit der Geschichte zu verbinden.

20:03

🔄 Die Herausforderungen des Content-Erstellens

James reflektiert über die Herausforderungen, die mit der Produktion von hochwertigen Inhalten einhergehen, insbesondere im Hinblick auf Perfektionismus und die Notwendigkeit, sich selbst zu erlauben, 'schlecht' zu sein. Er diskutiert, wie er lernt, mit dem Druck umzugehen, kontinuierlich hochwertige Videos zu veröffentlichen, und wie er sich anpasst, um diese Herausforderungen zu meistern.

Keywords

💡Dokumentation

Die Dokumentation ist ein zentrales Konzept im Video, da es sich auf die Arbeit des Filmemachers James Johnny konzentriert, der hervorragende Dokumentarfilme für YouTube erstellt. Dokumentarfilme sind lange, nicht-fiktionale Filme, die real existierende Ereignisse oder Themen darstellen und oft auf der Suche nach Wahrheit und Erkenntnissen basieren. Im Kontext des Skripts bezieht sich das Wort auf die künstlerische und journalistische Methode, mit der James seine Geschichten erzählt, um die Zuschauer auf eine emotionale Reise mitzunehmen.

💡Narrative

Ein Schlüsselbegriff im Zusammenhang mit der Art und Weise, wie Geschichten erzählt werden. Im Video wird er verwendet, um die Fähigkeit von James Johnny zu beschreiben, komplexe Geschichten mit künstlerischer Qualität zu erzählen, die normalerweise in Serien oder Filmen auf Netflix zu finden sind. Die narrative Struktur ist entscheidend für die Fähigkeit des Filmemachers, die Aufmerksamkeit des Publikums zu halten und eine emotionale Verbindung herzustellen.

💡Montage

Montage ist ein zentraler Begriff in der Filmherstellung und bezieht sich auf die Technik, wie verschiedene Filmsequenzen zu einem kohärenten Ganzen zusammengesetzt werden. Im Video wird dies verwendet, um die künstlerischen Fähigkeiten von James Johnny hervorzuheben, insbesondere seine Fähigkeit, nicht-lineare Erzählweisen zu verwenden, um die emotionale Reise des Zuschauers zu steuern und ein Gefühl der Unruhe und Neugier zu erzeugen.

💡Kinetische Motive

Kinetische Motive sind wiederkehrende visuelle oder thematische Elemente in einem Film, die verwendet werden, um die Geschichte zu unterstützen oder die Erwartungen des Publikums zu spielen. Im Video wird dies verwendet, um die Techniken von James Johnny zu beschreiben, wie er kinetische Motive wie Puzzleteile verwendet, um die Geschichte von Sam Bankman-Fried und dem Zusammenbruch von FTX zu erzählen und die Zuschauer in die Geschichte einzubinden.

💡Kreativer Prozess

Der kreative Prozess ist der Weg, wie ein Künstler oder Filmemacher an ein Werk herangeht, von der Idee bis zur Fertigstellung. Im Video wird dieser Begriff verwendet, um die Methoden von James Johnny zu erläutern, wie er die Bearbeitung durch Musik leitet, seine Motion-Graphics-Team leitet und die visuellen Elemente seines Films aufpoliert, um eine der hochwertigsten YouTube-Produktionen zu schaffen.

💡Investigativ

Investigativ bezieht sich auf die Art und Weise, wie eine Geschichte erzählt wird, die oft mit der Untersuchung von Fakten und der Aufdeckung von Wahrheit einhergeht. Im Video wird dies verwendet, um die Art und Weise zu beschreiben, wie James Johnny seine Videos aufbaut, indem er eine Art von Konspirativ-Video-Gefühl schafft und die Zuschauer auf eine emotionale Reise führt, indem er hinter die Kulissen der Geschichte geht.

💡Unruhe

Unruhe ist ein Gefühl des Misstrauens oder der Unsicherheit, das im Video verwendet wird, um die Atmosphäre zu beschreiben, die James Johnny in seinen Videos erschafft. Es wird verwendet, um die Reaktion der Zuschauer auf die Geschichte von Sam Bankman-Fried und dem Zusammenbruch von FTX zu beschreiben, indem er ein Gefühl der Unruhe und Skepsis hervorruft, bevor die Geschichte auf den Höhepunkt zusteuert.

💡Puzzleteile

Puzzleteile sind ein visuelles Motiv in dem Video, das verwendet wird, um die Geschichte von FTX und Sam Bankman-Fried zu veranschaulichen. Sie stellen die Teile der Geschichte dar, die zusammenpassen müssen, um das vollständige Bild des Zusammenbruchs zu sehen. Im Video wird dies verwendet, um die künstlerische und narrative Methode von James Johnny zu beschreiben, wie er die Zuschauer durch die Geschichte führt und sie auf die Lösung des Rätsels hinweist.

💡Zeitlupe

Eine Zeitlupe ist eine Technik, bei der Ereignisse schnell oder langsam wiedergegeben werden, um Details hervorzuheben oder die Wahrnehmung der Zeit zu verändern. Im Video wird dies verwendet, um die Methode von James Johnny zu beschreiben, wie er die Zeit durch die Verwendung von Countdowns und der Rückblende auf vergangene und zukünftige Ereignisse manipuliert, um die Spannung und den Fortschritt der Geschichte zu steigern.

💡Storytelling

Storytelling ist die Kunst oder der Prozess, Geschichten zu erzählen, um Informationen, Emotionen oder Botschaften zu vermitteln. Im Video wird dies verwendet, um die Fähigkeit von James Johnny hervorzuheben, um komplexe und faszinierende Geschichten zu erzählen, die die Aufmerksamkeit und das Interesse des Publikums aufrechterhalten und eine emotionale Verbindung herstellen.

Highlights

James Johnny's documentary style is compared to a beautiful garden with a dark secret, symbolizing the contrast between surface-level beauty and underlying truth.

His videos are described as having an investigative and almost conspiratorial feel, building an emotional journey for the audience.

James uses nonlinear editing to match the emotional arc of his storytelling, keeping viewers engaged.

Cinematic motifs, such as puzzle pieces, are used to play with audience expectations and maintain interest throughout the video.

The creative process involves guiding the edit with music to dictate the pacing and emotional tone of the video.

James directs his Motion Graphics team to produce polished visuals that contribute to the high production value of his videos.

The documentary on Sam Bankman-Fried explores the rapid downfall from a 32 billion dollar company to bankruptcy.

The storytelling technique involves creating a sense of unease and mystery, drawing parallels to community-driven phenomena like mega churches and cryptocurrencies.

Contrasting moments in the video, such as the switch from overly optimistic music to a darker theme, serve to hook the viewer and build intrigue.

The use of a countdown in the video adds a sense of impending doom, mirroring the pre-apocalypse feeling and keeping viewers engaged until the climax.

James discusses the importance of including real human stories, like that of an FTX victim, to add emotional depth to the documentary.

The process of creating a video involves a detailed storyboard, which includes script, music, and motion graphics directions.

The assembly cut is the first step in editing, where raw footage is organized and mistakes are removed to create a rough structure of the video.

Music selection plays a crucial role in dictating the pacing and emotional impact of the video, with James often using music as a source of inspiration.

The video's narrative is crafted to take the audience on the same journey of discovery as the filmmaker, enhancing relatability and engagement.

James emphasizes the importance of including small, emotionally resonant moments that bring the human element to the story, such as personal interviews.

The challenge of balancing perfectionism with the practical need to publish content is discussed, highlighting the decision to be satisfied with 'good enough'.

The interview concludes with a reflection on the permission to be 'bad' initially, acknowledging that early work may not be perfect but is necessary for growth.

Transcripts

you can't go too far down the list of

YouTube's best documentary filmmakers

without getting to James Johnny that

feeling is really what I love having in

the videos and it should feel like it's

a beautiful garden and there's a bunch

of people eating from this tree that has

amazing apples on it and in comes James

who's sort of watching this all and

going okay on what's what's going on

here and so I would start digging around

the tree to find that the thing that's

fueling this tree are dead

bodies whoa whoa whoa Rel like hold on

everyone like this is what's happening

underneath the surface James's video

Builds on that feeling of unease I've

doubled down on more of like the

investigative almost that feeling of

like a conspiracy sort of video but how

does James tell a story that anyone

could tell but with a cinematic quality

that should be on Netflix in this

episode we break down how James uses

crazy editing techniques like editing in

a nonlinear way to bring his audience on

his emotional Journey as a filmmaker how

James uses cinematic motifs to play with

his audience expectations and keep them

watching and we get an inside look at

James's creative process how he guides

the edit with music and how he directs

his Motion Graphics team to generate

some of the most polished visuals on

YouTube this is the editing podcast and

this interview was recorded with

Riverside the all-in-one video

podcasting tool if you're new here

please

subscribe I'm very excited to introduce

you to Sam bankman freed the wealthiest

person under 30 in the world sleeping on

a bean bag in his office you build these

people up to be these really interesting

people but you know that their entire

world their entire Foundation is about

to crumble from a 32 billion doll

company to bankruptcy in a matter of

Just 4 days or so many out there who

believe he's just a pathological liar I

feel like that comes down to just the

stories that you pick like inherently

are just interesting and I think that is

a really good analogy I think for what

I'm trying to do with the videos is to

give you first like a mystery something

that's intriguing that has almost again

that essence of I think a community

around it like with both mega churches

cryptocurrencies even FTX and especially

this this new video that I'm working on

there's this element of like there are a

bunch of people that surround this thing

um that there has a lot of attention

around it but there's a sense of

something isn't quite right uh and I

think I'm just naturally hooked to

stories like that uh which is why I

usually gravitate in that direction when

I pick ideas how do you make us feel

that cuz yeah you can show us hey look

how great Sam bman freed is but I don't

trust him already how did you make us

feel that with the context in mind that

you're watching a video titled the fake

genius there's already a feeling of

unease with that I think in the hook of

that video there was a really important

um sort of contrasting moment that I

wanted to get where you start off the

video with this very exciting music the

wealthiest person under 30 in the

[Music]

world almost too overly optimistic where

you sort of hear me saying there's this

guy everybody loves a story about an

underdog and a genius and then you hear

like s m mfri he's sleeping on bean bags

and he's rich and he wants to give all

of his money away and then you

eventually have the switch which is like

literally me going you know the

equivalent of I'm not like other girls

like this isn't like this isn't one of

those stories he wanted to dedicate his

life to doing good for the

world this is not one of those

stories and then that launches us into

the next segment which is where we sort

of the shifts there's a bit of a darker

theme and we get this Mark cot's tweet

appear which is just literally the words

FTX is a problem after having a whole

segment of how great this guy is and how

amazing he is just having that moment of

someone tweeting FTX as a problem is

like okay like all right what's what's

happening like let me dig into this and

so in the case of the video there was

this common Motif that we used which was

these puzzle pieces kind of coming

together puzzle that had managed to fool

so many but what I found was a story

that left people brok

throughout the video you start to see

how these puzzle pieces happen as we go

to the past or go to the present and

we're starting to see slowly as an

audience you're getting a a picture of

okay so I see like this thing is

important this thing is important I'm

starting to understand how all of this

is going to lead up to this big collapse

moment um and it's almost like when you

when you have those moments you can feel

what it's like to be me in that in the

sort of story of trying to piece

together what is going on taking the

audience through the same Journey that

you essentially took it brings in a very

interesting narrative it's like by

throwing us backwards and forwards in

time in the same way that you are

discovering it yourself in that sense

making us Discover it in that probably

same way every single time a significant

moment happened it was then bookended

with cutting towards the puzzle pieces

but if you tell someone that there is a

box that they can put their money into

and that box will return back tfold what

you gave it how could you not be tempted

from the years of 2020 to 202

the world of cryptocurrencies had become

that box for regular people the puzzle

pieces though it was a really satisfying

I was a retention moment of like I am

now understanding the story so much more

I'm seeing it being built but I think

the really really cheeky part of it all

is at the start of the video you started

with those puzzle pieces and you broke

them away yeah and I was like I was like

wait no I wanted to see what that was

but then you started building it back up

in the retention editing language that

became my dopamine hit you know like oh

this is working I I am now getting uh

the signal of chapters of like getting

that sense of progression there's a very

cheeky retention uh storytelling

technique but it works very well in this

context this interview was recorded with

Riverside the all-in-one video

podcasting tool so we've been using

Riverside for over a year now and it's

simply because they've been a great

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off the countdown that then being

another sense of progression another

sense of time of what of something for

us to then look forward to towards that

moment why was the countdown so

important for you in this story yeah the

countdown thing was it was interesting

because that was never in the kind of

like original sort of first draft of the

video it only became a concept after um

in the second draft especially when I

committed to the idea of not telling

this story in a linear way and when I

went and looked at the first draft and

this sort of back and forth it kind of

felt jarring like something just felt

wrong or that it was missing and I think

it was just naturally through the

scripting process like what if I just

add in like a countdown of like 10

months left and immediately it was like

oh my God like that that works perfectly

because it kind of accompanies even the

puzzle pieces element where so not only

are you looking in the past and you're

piecing together this puzzle you're

constantly reminded that this thing is

going to collapse that something is

going to fall and it keeps reminding you

why you're building those puzzle pieces

it's because you know things are about

to end and you want to find out what

what the hell is happening cuz

constantly in the story you're told how

great this person is how amazing the

business is and you're piecing together

the puzzle but then you're always

reminded every single time there's 10 10

months left there's 5 years left in that

retention tactic sort of world like that

again acts as a moment for someone to be

like I'm I'm here because I want to see

how this ends and how this eventually um

yeah how this all sort of collapses I

love it it's it's it's it's a very

really effective way just knowing the

end is coming there's a fantastic

feeling about uh the

pre-apocalypse right yes you know that

the world's about to end and then that

feeling that you can create and then

just that countdown of like this is when

the apocalypse is going to happen s bman

freed is the devil he is the devil in

crypto this guy's literally trying to

ruin crypto permanently and you know

what he says oh that's not what I'm

doing you liar you lie s bman

[Music]

fre

so James the Polish of your videos is

excellent quality this is the things

that we would see on network television

or some of the biggest streaming sites

the thing that I'm definitely curious of

is of course the journey to get to that

point so I'm curious what does the V1

version of this look like the assembly

cut I's say you've recorded everything

you've got it and what I have is

somewhat of a storyboard before we jump

into the edit and the storyboard will

literally be like script is kind of on

the left side on the right hand side

you'll have somewhat of a direction

whether it's motion graphic here b-roll

of this thing here etc etc gives you

some sense of what the edit could look

like once you get into the edit you drop

in your a-roll your face cam Miner

rating footage cut it all up any

mistakes and stuff so that you've just

got the things that you know you're

going to include after that's done you

know that there's going to be bits of

kind of essential b-roll is what I call

it we know that there's going to be a

footage of this thing happening here or

this interview here because it's

literally in the script and it says so

so we start to put in the essential

footage in there what happens next is

where things get a little bit more

interesting it's where you kind of go

into this process of back and forth and

it will be now the moment where you

start to implement some music and music

like I mentioned is a big part in my

videos and what I do so as soon as I

drop a song in that can dictate a lot of

about how the footage is going to roll

and how everything is going to be paced

again we have a sense of and it's

something I'm still trying to get better

at is having a sense of pacing before

you even do that um because that's going

to help you with your music selection

and everything else and now we're like

okay as you like watch through the video

there should be a sense and again you

can use a storyboard as an example we

know that okay we got to get a bunch of

Clips here of people praising Sam

bankman freed but now with the context

of the music in there you can start to

be able to shape the Clips in a way that

it makes sense with the music one of the

greatest quarterbacks in football

history well he's not only an ambassador

for FTX now he's also given equity in

the company and the same goes for the

Brazilian fashion model and Brady's wife

at the time bun the entirety of Major

League at this point as well again in

the story board you'll have a sense of

where Motion Graphics is going to be

which in the timeline uh in Premier Pro

is what I use the timeline is literally

just going to be a black screen that

says insert Motion Graphics of whatever

here once you've got a good sense of we

know the music is right we have a decent

amount of footage um an archive footage

that we we know we're going to use maybe

there's some like polishing that needs

to be done with it but whatever we have

a very good sense of what all of that is

going to be for a lot of them so I I

have a lot of what I call internet

sequences in my videos which is just

anything where it's like clicking on an

article or searching someone's name on

Google um it's a very kind of specific

thing that I have a lot of the time in

my videos I've got a whole creative

brief page that instructs like how to go

about making those internet sequences

from the effects used including like

after effects templates all of this

stuff and I will generally give that to

uh my Motion Graphics editors we had

this detective board thing that appeared

um is what we called it where we showed

kind of the piece of uh the individuals

who are important in the kind of sand

bankman free team or FTX in a circle

those ones require a bit more

storyboarding screen record me really

badly but still somewhat helpful in a

paint uh in an MS paint uh document and

just like drawing what I'm like looking

to have happen uh with the Motion

Graphics once they're done with the

Motion Graphics there might be a little

bit of back and forth but once they've

finally locked it in we just plug it

into the sequence and then yeah mixing

and and mastering kind of happens

afterwards which I'm I'm very terrible

at interestingly enough um conversation

around like AI kind of used mid journey

to help with some concept ideas which I

have found like AI to be helpful when it

comes to like figuring out concepts for

stuff like with the detective board uh

shots of this video I knew I wanted

something that looked a bit neon and and

kind of with this orange and blue theme

run it through mid Journey got some

really cool results fed it back to my

Motion Graphics guy and we kind of

played around with ideas and eventually

you know we got we got what we were we

were happy with in One Moment In the FTX

video we had this uh point in time where

it's we're kind of towards the end of

the story where customers are trying to

withdraw their funds from FTX and

there's this big moment where we talk

about how um imagine being a customer on

FTX when you're hearing all of this bad

news and you you want to withdraw your

money and we initially wanted to do we

we saw it we were like we have a big

Motion Graphics bit here can we just

like can we just record something can we

get like some some actual footage like

of this and we tried we we did like a

day we tried to to you know film

something and it didn't work we did we

didn't manage to find a good way of

doing it so we went back to the drawing

board and was like okay let's just

actually go and have an animation that

is mimicking what it'd be like as a as a

person on their computer so the

animation themselves is like being in a

browser clicking and seeing the article

then clicking to the tweet and seeing CZ

it's very like not it's kind of on the

nose it's very obvious but it was a

moment like okay cool this is fine like

let's move on um and yeah you'll get

moments like that I try and avoid it but

uh that that generally is how sort of

directional Motion Graphics will work

hey hold up let's take a quick music

break

this is nice isn't it music is such a

key source of inspiration for me lots of

times I put music on and I just sit and

I think and I listen I'm like is this

going to work for a scene on my next

project is this going to work in this

YouTube video and doing that research

ahead of time is a big deal and when I

find something that I know I'm going to

want to use in a scene I get pretty stok

bro I it's kind of exciting music bed is

that source of inspiration for me and

recently I have made the switch to music

bed for my music needs the reason why

like to use Music bed as opposed to

anybody else is that their curation

level is absolutely ridiculous I've

heard that they literally only let 1% of

the music submitted to them on their

service if it's not a Bop it's not a cop

if you know what you know what I'm

saying they have any kind of genre any

kind of mood and the producing quality

is absolutely ridiculous like off the

charts it sounds so Pro So Pro that you

might even find artists that you already

like on Spotify and you could use them

in your next video with music bit so

make the switch to music bed today and

experience what is only on music bed

check the link in our description and

get a 14-day free trial right now back

to the conversation what are some of the

small moments that are really important

for you to pull off in this documentary

when I do the videos there's always an

element of like you want to find what

the heart of the story is like what's

kind of the thing that actually brings

the human emotion into it because Sam

bankman freed is this very like know

Larger than Life type of character um

you know you just hear big headlines

about how much money he's worth and how

much money the FTX collapse caus and all

of this stuff it's very hard to relate

to it maybe on a human and emotional

level so one of the important things

that I really wanted to have was this uh

interview that I had with one of the

victims of the FTX collapse um who had a

really like powerful story which I think

humanized everything that was going on I

was following the situation uh quite

well after all of this and I was

horrifying that it's it's fun to see a

countdown it's fun to see you know oh my

God like this guy is not as what people

seem and all of those elements are

interesting to watch but then I think

the the thing that I constantly wanted

to have uh was this interview running

with uh like Martin who was the the

victim and to have him constantly go

through his experience and have this

moment at the end where I knew I wanted

to end kind of the main video on just

his own comments and his own thoughts on

the whole thing which I felt would have

been the real way to close it out is

yeah you hear the story about s m free

but you're finally reminded at the end

of it that there is someone who you know

is at the heart of it the ones who did

lose money and had real consequences

happened and Martin you know had this

really powerful moment where he's

talking about you know this is like

watching all your Christmas bonuses all

your checks everything you've worked

hard to like seeing it sort of thrown

into the wind it felt like everything I

worked up to this point in my life has

been just like there were different

memories flashing in my head of all the

raises you get at work of all the money

you get Christmas bonuses it would be

all the same if I just took those checks

and burned them and thrown them into the

wind or whatever and then this moment

where I kind of I includ in the

interview where I asked him you know

what what would you say to Sam bankman

freed if if he would you know if you

could talk to him uh and him just saying

you know just try make it right if he

has any Humanity left I think that was a

really big moment to emphasize that it

wasn't just about this bankman freed

character that everyone spoke about that

there were real losses uh at the end of

it all um and that I think was like kind

of the heartbeat of the story which I

think was really important to include

otherwise it becomes this funny roller

coaster story of rich man who you know

is so great and good and turns out he's

not spectacle is fun it can be

entertaining but spectacle doesn't hit

until you can bring in that human

element towards it how are you able to

allow yourself to be in a place where

you don't care how long it is between

uploads or you're making sure that you

are working on the video Until It's

actually done I funly enough I do care

quite bit about the upflow time it's

kind of it's been my um biggest kind of

pet peeve at the moment in terms of not

being able to consistently upload I

think again part of the issue is I still

have those areas of perfectionism which

makes me want to continue to draw things

out slowly as I've started to begin

developing out a team or people to help

me um like with this FTX video we hit um

a point you know weeks before the actual

release where I'm looking at my um my

creative producer and I'm saying to him

you like bro I don't think I don't think

this is ready like there's so much more

that I want to add into this like the

video is bad it's terrible I can't put

this out and he's like look we had a

conversation about it we're like we need

to be happy with 70% of this thing being

good and continue and move on from there

because truthfully that perfectionism

wanted me to pursue the the best

possible video in lie of like the

emotional like stress and and mental

like fatigue and and physical fatigue

that would it take to like get that last

bit completed um and I think it was

helpful having again like want to

actually again fundamentally different

to what it was before prior to burning

out where I brought on a team and

thought I had to come with the answers

this was a moment where I got to sit

down and be like okay here's how I'm

feeling and and we ended up you know

figuring out the solution in there what

we've been coming to realize uh amongst

a lot of these conversations is that

that last 30 to 20% of details barely a

100 people will really notice that

detail yeah and then but then that's

where you then start breaking your mind

on that detail that 99.9% of the

audiences won't care about and as you

gain the audience and you gain the

pressure of like a reputation of being

someone that uploads like high quality

content is you you I started to lose

this principle which is really important

I think to me which is giving yourself

permission to be bad um that was like I

I wouldn't have even uploaded my first

video if I didn't like drill that into

my head because you know when I was

making the first video as I'm recording

in my head the only thought was this is

the worst thing I this is going to be so

bad but it was always like give yourself

permission to be bad it's going to be

okay it was it and bear in mind like I

didn't have much of like I didn't have

any editing experience really prior to

starting this channel the only way I

slowly improved on that and understood a

lot of like what I was doing was again

going this video there were good moments

couple moments where I think I could

have improved let's move on to the next

[Music]

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