The ultimate guide to Color Theory for photographers, in just 20 minutes. Use Color harmonies.
Summary
TLDRThis video script delves into the science and theory of color, emphasizing the importance of understanding color rules before breaking them for creative expression. It explores how colors influence emotions, with examples like red signifying danger and yellow symbolizing happiness. The speaker discusses the RGB and CMY color models, their differences, and their applications in digital and traditional art. Color harmonies, saturation, luminance, and the psychological impact of warm and cool tones are also covered. Practical advice includes choosing outfits and props wisely, and using Lightroom for color correction and enhancement to achieve a balanced and visually appealing final image.
Takeaways
- đš **Foundation in Color Theory**: Understand the science and rules of color before experimenting to build a strong creative foundation.
- đ **Color Impact on Emotions**: Colors like red, orange, yellow, green, blue, and purple elicit different emotional responses, affecting how viewers engage with art.
- đ **Artistic Expression**: Color is essential for giving life, character, and unique styles to images, making it a fundamental aspect of artistic expression.
- đ **Understanding Color Wheels**: Knowing the difference between RGB (digital) and CMY(K) (print) color models is crucial for accurate color mixing and balance.
- đ **Practical Application**: Invest in clothing and props with pleasing tones that work in various environments to enhance color harmony in photography.
- đ **Color Intensity**: The intensity of colors can be manipulated through adjustments in saturation and luminance to create different moods and feelings.
- đ **Color Harmony**: Utilize color harmonies like analogous, monochromatic, triadic, complimentary, and others to create balanced and visually appealing images.
- đž **Real-world Application**: Apply color theory in real-world photography by considering the environment, outfits, and props to create cohesive color palettes.
- đĄ **Editing with Intent**: Use editing software like Lightroom to adjust and balance colors, enhancing the visual impact and emotional resonance of photographs.
- đ **Balance and Dominance**: Achieve a balanced color composition by distributing colors in a way that one color dominates while others provide accent and visual rest.
Q & A
What is the importance of understanding color theory in art and photography?
-Understanding color theory is crucial as it provides a scientific foundation that artists and photographers can build upon to enhance their creative side. It helps in unlocking the potential of colors to give life, character, and unique styles to images, and it's essential to master the rules before experimenting with them.
Why is it beneficial to know the rules of color theory before breaking them?
-Knowing the rules of color theory before breaking them provides a solid foundation that allows for more informed and effective creative decisions. It ensures that the artist has a clear understanding of how colors work together, which can lead to more impactful and intentional art.
How does the speaker suggest one should approach learning color theory?
-The speaker suggests learning color theory by first understanding the scientific aspects and the 'why' behind color interactions. They recommend studying the theory and proven principles used by artists and photographers to create timeless art.
What role do colors play in influencing human emotions according to the script?
-Colors significantly impact human emotions. For instance, red is associated with danger or vibrancy, orange with happiness, yellow with brightness, green with calm and nature, blue with calming effects, and purple with a deep and calming feeling.
What is the difference between RGB and CMY color models as explained in the script?
-The RGB color model is used in digital media like computers and Lightroom, where mixing all colors results in white and increasing brightness. In contrast, the CMY model is used in paint mixing, where mixing all colors results in black. This difference is crucial when working with colors in digital editing versus traditional art.
How do warm and cool colors affect the visual perception in photography?
-Warm colors, which are on the left side of the color wheel, hold more visual intensity and energy, making them appear closer and more forward in an image. Cool colors, on the right side, recede and are often used in the background to create depth.
What are color harmonies and why are they important in creating a balanced image?
-Color harmonies are combinations of colors that work well together. They are important because they contribute to the overall balance and visual appeal of an image. Different harmonies, such as analogous, complementary, triadic, and others, create different moods and effects.
How can one practically apply color theory in photography and editing?
-Practically applying color theory involves choosing outfits and props with pleasing tones, understanding the RGB and CMY color wheels for editing and shooting respectively, and balancing the intensity, saturation, and luminance of colors in an image. Using tools like Lightroom to adjust and enhance colors can also help achieve a desired color palette.
What is the significance of the 60-30-10 rule in color balancing as mentioned in the script?
-The 60-30-10 rule in color balancing refers to the proportion of dominant, secondary, and accent colors in a composition. It suggests that a dominant color should make up 60% of the image, a secondary color 30%, and an accent color 10% to create a balanced and visually pleasing composition.
How can understanding color theory improve one's photography or art?
-Understanding color theory can improve one's photography or art by providing the knowledge to create more compelling and balanced compositions. It allows artists to intentionally use color to guide the viewer's eye, evoke emotions, and enhance the overall aesthetic and mood of their work.
Outlines
đš Understanding Color Theory for Creative Expression
The speaker emphasizes the importance of understanding color theory to enhance creativity in art and photography. They suggest mastering the rules of color before experimenting with them. The paragraph delves into the emotional impact of colors, such as red being vibrant and dangerous, orange being happy, and blue being calming. The speaker also touches on the practical application of color theory in photography, advising on the selection of props and outfits with pleasing tones. The concept of Hue, Saturation, and Luminance is introduced, and the difference between RGB and CMY color models is explained, highlighting their relevance to digital and traditional art mediums.
đ Exploring Color Relationships in Photography
This section discusses the complementary nature of colors, particularly in the context of RGB and CMY color models. The speaker clarifies that while green complements red in the real world, cyan is its complement in the RGB model used in digital editing software like Lightroom. The importance of considering warmth and coolness in colors is highlighted, with warm colors being more visually intense and advancing in an image. The paragraph also introduces color harmonies such as analogous, monochromatic, triadic, complementary, split complementary, and square, each offering different visual effects and applications in photography.
đïž Balancing Color Intensity and Saturation in Imagery
The speaker focuses on the balance of color in images, discussing the dominance of one color and the use of accents to provide visual rest. They explain the concept of color intensity and how a 60% dominant color should be of lower saturation or luminance to allow the subject or accent color, which has higher intensity, to stand out. The importance of color placement in an image to guide the viewer's eye is also covered, with warm colors often placed in the foreground and cool colors in the background to create depth and interest.
đ Practical Application of Color Theory in Outfits and Props
This paragraph discusses the practical application of color theory in choosing outfits and props for photography. The speaker suggests using presets in editing software like Lightroom to enhance color harmony and balance. They also mention the importance of understanding how to manipulate colors to achieve a cohesive look in a collection of images. The paragraph concludes with advice on how to use color to frame and direct the viewer's attention within an image, creating a more pleasing and balanced composition.
đĄ Enhancing Image Cohesion Through Color Editing
The final paragraph emphasizes the role of editing in enhancing the color balance and harmony of photographs. The speaker suggests using Lightroom to adjust colors that were not achievable in-camera, such as pushing skin tones or adjusting the intensity of other colors to complement the dominant color in the image. They also encourage viewers to explore color theory further to develop a unique style and understand how to manipulate colors effectively in both shooting and post-processing.
Mindmap
Keywords
đĄColor Theory
đĄHue
đĄSaturation
đĄLuminance
đĄColor Wheel
đĄComplementary Colors
đĄRGB and CMYK
đĄColor Harmonies
đĄWarm and Cool Colors
đĄColor Intensity
đĄVisual Weight
Highlights
Understanding the science behind color is crucial for unlocking creativity in art and photography.
Mastering the rules of color theory is essential before experimenting with them.
Color is fundamental in giving life, character, and unique styles to images.
Studying color theory early can accelerate the development of one's creative skills.
Colors such as red, orange, yellow, green, blue, and purple have distinct emotional impacts.
Adjusting saturation and luminance can significantly alter the mood conveyed by colors.
Investing in versatile clothing with pleasing tones can enhance color harmony in photography.
Hue, saturation, and luminance are key components of color theory.
RGB and CMY color models differ, impacting how colors mix and appear in digital and physical media.
Understanding the complementary colors in the RGB color model is vital for color balancing in digital editing.
Warm colors tend to advance visually in an image, drawing more attention than cool colors.
Color harmonies such as analogous, monochromatic, triadic, and complementary are important for creating balanced images.
Balancing color intensity is crucial for creating visually appealing and balanced compositions.
Editing software like Lightroom is essential for fine-tuning color balance and enhancing the visual impact of images.
Using presets in Lightroom can help achieve a cohesive color palette across a series of images.
Practical application of color theory involves selecting outfits, props, and understanding how to balance colors in-camera and post-production.
The speaker offers further in-depth tutorials on color theory and its application in Lightroom for advanced learning.
Transcripts
this is what I know about color after
studying it for 5 years so knowing the
theory and the why behind things so I
like to think of it as there's a level
of science that you need to know to
unlock and build upon your creative side
so at least understand or Master the
rules before you decide to break them
because you need a foundation to use
your creative side and then create art
and travel the world and I just
personally love color I think almost
every artist does this is a really
exciting topic to dive really deep into
because it's where you give life it's
where you give character it's where you
give unique styles to images I think
there's a lot of Science and why and
reasoning behind photography and
creativity earlier you learn this Theory
and and the science the quicker you can
get into exploring your creative side
improving your creative side at least
you want to know why it's not looking
good at least in you can start to
connect the dots on all this theory
proven Theory over many many years of
these artists these painters these
photographers that have used these
principles to create art that um lasts
and this Timeless this these rules to
color that everyone needs to at least
understand before they play with it how
they like so this video is going to be
broken into a few sections we'll go
deeper and deeper about understanding
color and the roles it plays in uh
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photography so how do these colors
impact us what Sudan colors do to
people's uh emotions we have red orange
yellow green blue and purple red is like
a very dangerous or vibrant color orange
is very happy yellow is very bright
green is
very calm nature blue is very calming as
well and purple can be it feels very
deep and calming and then there's black
and there's white so black and white
black can be kind of luxurious same with
white can be very luxurious can be a
little bit evil feeling where white can
be more of a vibrant color but I really
think all these colors can move the mood
so much if you just uh mute them a
little bit or desaturate darken and deep
them in terms of luminance or saturation
down or up the saturation and up the
luminance and you'll get a very
different feeling so don't feel
constrained by these colors but it does
play a role I think color theory and
stuff the biggest thing is maybe the
props and the outfits that are chosen in
the shots so invest in clothing that
works in multiple environments and is
has pleasing tones and then if and doubt
go with black and then I and blue
jeans whenever you're referring to color
there is H saturation and luminance and
temperature so Hue is the color so we
got red orange
yellow green
blue and purple so all the Hues make up
the color wheel with Scarlet maroon all
these different colors Amber all in
between these colors but there's a bit
of a Twist to all this because there's
two color wheels so so one is RGB and
the other is C ym so RGB is what
computers Lightroom users and then cym
is painted
mixing colors for example so one of the
biggest differences is if you mix all
the colors using RGB the computer system
you get white colors become brighter
until they become white and then if
you're painting for example these colors
mix them all together you'll get black
so it's a bit of a really random twist
um that you have to think about when
working with colors but I'll explain why
that's not the biggest issue and how to
get around that RGB combine all your
colors and you'll get white and then as
you can see on the crossover of these
colors this is how colors mix this is
how it ends up giving us the ability to
create any color we want so that's why
over the last couple of years I've been
really encouraging people to download a
color wheel study the color wheel so red
green and blue and then red green and
blue gives us the ability to make any
color we want so where this can trip you
up is red is complimentary to Green but
if you you look at the RGB color wheel
across from Reed is cyan and not green
so you might not realize re uh green is
complimentary to red but in Lightroom if
you're mixing colors working trying to
balance colors create new colors
everything you need to work in Lightroom
you're not going to be working with
green and red to balance out you're
going to be working with red and cyan to
balance out for example in the curves
here you are adding in the color or you
are subtracting that color because they
are opposite in the RGB color wheel it's
not super super crucial because uh cyan
is still very very complimentary to R
it's just green is also there's a lot of
leeway when creating compelling color
palettes so how I see it is when you're
working in Lightroom creating the colors
balancing colors you need to be thinking
RGB cuz that's how you're going to
balance the colors and then when you're
out shooting in the room real world or
the end result of your edit you want to
be thinking C color wheel so picking
colors for the real world um C because
they are complimentary but balancing
working towards those colors mixing
getting the right color correcting
colors you is RGB cuz that's what
Lightroom uses and then the luminance
and the saturation is the brightness of
that color and as it says
saturation so we also have warm and cold
colors I think a lot of people
underestimate warmth in your image and
the colors you choose so so we're
basically just chopping our color wheel
in half with Blues on the right and warm
colors on the left the reason this is so
important is because the warm colors
hold a lot more visual uh intenseness
energy they really Advance forward in
the image so anything on the warm side
is going to be much more it appears
closer and further and comes out of the
image more than the cooler tones a very
good technique people do is read in the
foreground and then the cooler tones and
the background so it doesn't have to be
red but any of the warmer tones
generally they're very it's very good
placing them in the foreground or right
by the subject and then leting them the
cooler tones fall back a lot more visual
attention goes towards the warmer
colors and that brings us to the next
point which is the harmonies and this is
the combination of colors which is I
think much more important okay so here
we are in color. adobe.com so we can
play with the color palettes in here as
you can see we've got analogous
monochromatic Triad complimentary split
complementary and square and compound so
analogous as all the colors are on the
same side of the color wheel I really
like this one it's probably one of the
easiest ones to do it's there's a lot of
it in nature my best tip is when you're
out shooting and you want to create nice
colors it's just very simply wear the
color say your outfit same as the
environment and you'll quite likely end
up with a color palette like this uh I
really love chromatic again if you just
wear the same color as the environment
you might end up with a color palette
like this so yeah so just different
shades of the same color Okay brightness
and then we've got Triad so this
is so this is a very
balanced image in color so so for
example this photo I took has very
balanced colors because it was sunset a
lot of orange person's wearing orange
there's a lot of green in the image a
lot of blue in the image so
complimentary orange and teal most
common yellow and blue and then we've
got green and red and then we've also
like I was sort of mentioning before we
got orange and teal but Reed is still
very complimentary to teal getting into
a yellow uh green I mean uh split
complimentary can look really nice
as well gives you a little bit of three
color split like this is a good example
of you do have leeway you can sort of go
to a color to the left a color a little
to the right um in terms of balancing
making appealing colorless Square will
give you a very balanced look as well so
analogous can give you a very calming
feeling to your photos it's very colors
aren't competing with each other whereas
say the complimentary color palettes
these are very eye-catchy there's a lot
of contrast of color between the two
colors so it's great for movies
advertisements when you really want to
make a striking image same with split
complimentary and then uh Square Triad
is the these will give you a feeling of
balance in your image and monochromatic
can give a very calming balance of color
as well
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and this stuff's really nice to know but
it is a little bit more complex to
actually play this out in real life into
your photos so maybe in Photoshop you
will just hard change that color into
the complimentary color if there's solid
colors but a lot of hotels a lot of
architecture a lot of interior a lot of
places have already done this color
palette for you and what's Mo most of
the time is what is what's up to the
photographer is the outfit and props and
but also in street photography you would
want to time these color pets as
well balancing your colors is just as
important as the colors you choose so
brighter a color is like more chroma in
the color which is very eye catchy and
intense for the eye where uh a less
saturated darker tone is visual rest or
like it's calming to the eye
that's how you would pick what sort of
saturation you want so balancing your
colors not only do you have to have the
right type of color the right huee of
color to complement other colors but you
also it's the amount within that image
that will create balance so generally
there's about a 70 20% and then a 10% or
25% and a 5% and that split of color
gives dominance to one color and then it
is just a nice balance of the last 30%
because a 50/50 color split can be very
jarring very harsh but that's maybe what
you're going for painters for example
have it a bit easier because they they
have complete control over their
colors yo I'm doing a video on color
theory so readed and uh cyan
complimentary
colors I don't know what that one's
saying either I don't know
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so colors have different
intensities depending on their
saturation luminance and warmth and what
they're complimentary to so you have a
60% color that is dominant that sort of
like sets the scene or frames the image
and then you have a 30% which is
commonly like the subject the content of
the the photo and then uh 10% 5% which
is called an accent which sort of gives
visual rest to the image because if you
just got two colors it can be kind of
jarring on the eyes it can be intense it
just sort of gives visual rest with a
nice balance of color so yeah just got
to release that visual tension with just
a a drop of another color so you don't
want the color that is 60% of your image
to be too dominant and overdo the other
colors so you want the main color the
most dominant color to be of less
saturation or less luminant so it's
dimmer it's it has less intensity
compared to the next color so the
subject or the accent to balance them
out if they're of the same intensity
they're out of balance so we need to
bring down the intensity of the color
that makes up about 60% and then the
axent or the subject has a higher amount
of Luminosity brightness maybe
saturation and then that balances out
the other tones so the brightness and
Luminosity has more visual weight yeah
yeah so lower saturation visual rest and
more chroma or
Luminosity saturation more intenseness
balance those out Le there's more visual
weight to a bright brighter saturated
image and a calmer lower saturated color
comes down the visual and let the eye
guide be directed to those more intense
colors or frames the more intense colors
patterns is worth mentioning so quite
often colors aren't solid if you have
the matching kind of pattern to the
matching kind of pattern of and your
image doesn't always have to be color
but that is also really nice technique I
see
so these are obviously not hard set
rules you can have two color harmonies
going on in the same image if they're
balanced right so for example we've got
this one here so what we've got is the
greens are very not of high Luminosity
quite lower less intense than the
subject here so we've got the
complimentary colors of all the GRE scen
sitting the scene taking up you know
that that 70 60 majority of the image
and then the green is very nicely
complimented with uh the most other
obvious color here which is red
complimenting and then the read is of a
higher saturation and Luminosity so it
it really really Pops from this image
and we've obviously got really nice
leading lines down here too but I'd say
the green and red is the complimentary
going on here and then as you can see
here we have Triads so we've got the
balance of red yellow and blue right and
where the subject is so a nice balance
of color all grouped together right
there with the subject is so it's really
cool seeing like great composition and
photography and
then great composition and photography
but then also on top of that the use of
color on top of that to help composition
guide the I frame just creates a more
pleasing looking image and I think
sometimes people wouldn't notice this
sort of
stuff so to try to sum up everything put
it all into one image everything we've
gone over for your for your shots you
want to decide whether you want warm or
cool tones and then you want what color
do you want so maybe you want red and
then you want the right compliment
colors to work with that with that color
so the right Harmony and then you want
the right
saturation luminance intensity of those
colors so that you've got the right
amount in each of those harmonies the 6D
3d10 roughly speaking um balance of
those three colors or the all those
colors and then on top of that they are
placed in the right area of your image
to help compose the image image with
warm colors at the front of your image
or where the subject is and cooler tones
where you don't want the eye to go as as
much so how to practically do this is
also just an editing using presets so
presets are intended just to give a
little bit of a monochromatic look a
complimentary split to balance the image
obviously want to shoot with the right
colors but then you can also push them
and help those colors come out as like
you can push your skin tones to have a
bit more red or a bit more yellow and
then you can push your greens to to
complement those colors so you can work
in Lightroom and just increase what you
could do in camera but then take it a
bit further with understanding color so
you can maximize these color palettes
just manually putting them into the
environment into the image rather than
shooting them whatever the dominant
color in the image is bring that out and
focus on that color and what will happen
if you just focus on adding the right
amount of color you'll be surprised how
just a small amount of color uh when you
zoom out and look at your feed looks
very cohesive really Blends your all
your images together in a really
surprising way has a really big impact
so there's a lot not in your control
when you're trying to balance these C
these colors in camera because you can't
sometimes change the amount of blue in
the sky but so that's why Lightroom is
so important work in Lightroom to get
these pleasing effects to your images to
the visual eye so just how Lightroom
works so you can actually use Lightroom
and then you have to understand color
and then you actually have to understand
these uh harmonies and how to balance
color what makes color looked balanced
what makes it looks nice example lots of
warmth and then just a little bit of
teal it's almost monochromatic but then
you've got that hint of that uh 10%
color just a light teal and it really uh
makes that image look very much more
balance so in this video we've covered a
lot of theory background but there is so
much more to it in terms of practically
how do you actually do it how do you get
these color palettes that look natural
pick colors remove colors bling colors
so that's what I've been teaching last
couple of years along with aund other
photographers breaking down the colors
like so many of them are using color in
a very different way so you want to use
shooting and editing in combination with
each other to achieve the style and look
you want so I've done another breakdown
on color but more related to Lightroom
so you guys can go check that one out
just sign up and it's for free about
color and the curves related to
Lightroom and not so much shooting like
we have in this one and then that way
you can slowly work your way towards
getting your own style so yeah that's it
for this one and I will catch you in the
next one
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