Dayaw Season 4 Episode 2 : Living Treasures (Part 1)
Summary
TLDRThis video script celebrates the National Living Treasures of the Philippines, known as Gawad sa Manlilikha ng Bayan awardees, who preserve and pass on their culture's rich heritage. It features three masters from Northern Luzon: a Kalinga teacher, a hat maker from Abra, and an Ilocos Norte weaver. Each showcases their unique crafts and the importance of their work in maintaining cultural identity. The video emphasizes the humility, perseverance, and the quiet strength of these individuals, who have dedicated their lives to their art, inspiring future generations to value and carry on these traditions.
Takeaways
- 🌟 The script celebrates the rich cultural heritage of Northern Luzon, highlighting the importance of preserving and documenting these traditions.
- 🏆 It features three Gawad sa Manlilikha ng Bayan (GAMABA) awardees who are masters in their respective fields, showcasing their dedication to their craft.
- 👵 Magdalena Jameos, a weaver from Ilocos Norte, is recognized for her mastery in weaving complex patterns, particularly the binnacle pattern, using locally grown cotton.
- 🎓 Teófilo Garcia, a hat maker from Abra, is noted for his expertise in creating durable and beautiful hats from gourd, reflecting a deep connection with nature and agricultural knowledge.
- 💃 Alonzo Saclag, a Kalinga master, is devoted to preserving not only dance and music but also the broader aspects of Kalinga culture, including architecture and social rituals.
- 🌱 The script emphasizes the importance of raw materials in the craft, such as locally grown cotton for weaving and the specific variety of gourd for hat making.
- 👶 There is a call for younger generations to learn from these masters to ensure the continuity of these cultural practices and the knowledge they carry.
- 🏫 Teófilo Garcia has successfully integrated hat weaving into the school curriculum, ensuring the preservation of the craft for future generations.
- 🏰 Alonzo Saclag's establishment of the Kalinga Budong dance troupe and his organization of cultural festivals demonstrate his commitment to cultural preservation.
- 🏛 The script suggests that the humility and perseverance of these cultural bearers are lessons that can be applied to modern life, regardless of the specific craft or tradition.
Q & A
What is the main theme of the video script?
-The main theme of the video script is the documentation and preservation of precious living cultures and the recognition of the individuals who are the bearers of these cultures, known as Gawad Manlilikha ng Bayan awardees.
Who are the three Gawad Manlilikha ng Bayan awardees featured in the script?
-The three Gawad Manlilikha ng Bayan awardees featured are a Kalinga teacher, a hat maker from Abra, and a weaver from Ilocos Norte.
What challenges have these culture bearers faced?
-These culture bearers have faced challenges such as colonization, conflict, marginalization, and the struggle to pass on their knowledge and skills in a rapidly changing world.
What is the significance of the binnacle pattern in the weaving of Magdalena Gamaya?
-The binnacle pattern is a complex abstraction that represents the whirlwind and is one of Magdalena Gamaya's specialties, showcasing her mastery of weaving and the intricate mathematics of the pattern's construction.
What is the relationship between Teófilo Garcia and the natural environment in his craft?
-Teófilo Garcia's craft is deeply connected to the natural environment, as he uses agricultural knowledge, time-honored design, and simple aesthetics to create functional and beautiful hats from gourds.
How did Teófilo Garcia integrate his craft into the local education system?
-Teófilo Garcia integrated his craft into the local education system by creating a curriculum based on hat weaving, which includes planting, harvesting, and material collection, and teaching it as part of the practical arts in elementary schools.
What is unique about Alonzo Saclay's approach to preserving Kalinga culture?
-Alonzo Saclay's approach to preserving Kalinga culture is unique because he is devoted to preserving not just a particular aspect of the culture but the entire range of dance, music, chanting, architecture, and spiritual and social rituals.
What is the significance of the festivals and workshops held by Alonzo Saclay?
-The festivals and workshops held by Alonzo Saclay are significant because they bring together communities to celebrate and compare cultural practices, fostering a spirit of oneness and cultural pride.
What can we learn from the Gawad Manlilikha ng Bayan awardees about perseverance and humility?
-We can learn from the Gawad Manlilikha ng Bayan awardees the importance of humility and perseverance in the face of a changing world, as they continue to do what they love without seeking external acclaim or recognition.
How does the National Commission on Culture and the Arts recognize the contributions of these culture bearers?
-The National Commission on Culture and the Arts recognizes the contributions of these culture bearers through the Gawad Manlilikha ng Bayan awards, which acknowledge their dedication to preserving and passing on traditional knowledge and skills.
Outlines
🌟 Cultural Preservation and the Gawad Manlilikha ng Bayan
This paragraph introduces the theme of cultural preservation, focusing on the importance of documenting and maintaining traditional cultures. It highlights the challenges faced by culture bearers, such as colonization, conflict, and marginalization, yet their persistence in passing on knowledge through generations. The segment features three Gawad Manlilikha ng Bayan awardees from Northern Luzon: a Kalinga teacher, a hat maker from Abra, and a weaver from Ilocos Norte. The narrative emphasizes the need to learn from these masters and preserve their skills and traditions.
👵 The Art of Weaving with Magdalena Gamaya
This paragraph delves into the life and work of Magdalena Gamaya, a weaver from Ilocos Norte and a Gawad Manlilikha ng Bayan awardee. At 88 years old when she received the award in 2012, she had been weaving since the age of 16. Her expertise in the Abelana weave, particularly the binnacle pattern, is highlighted, showcasing her ability to create complex and modern designs despite her age. The importance of local materials, such as kappa or cotton, is underscored, and there is a call for younger generations to learn and continue the tradition.
🎩 The Craft of Hat Making with Teófilo Garcia
The focus shifts to Teófilo Garcia of Abra, another Gawad Manlilikha ng Bayan awardee, who is known for his skill in creating traditional Filipino hats from gourds. The paragraph discusses the resurgence of interest in these hats as a statement of identity and the need for Garcia to pass on his knowledge. His dedication to teaching young people in his community is highlighted, with the hat weaving curriculum integrated into the local school system, ensuring the continuation of this craft.
🎶 Alonzo Saclagay's Commitment to Kalinga Culture
This paragraph introduces Alonzo Saclagay, a multi-talented Gawad Manlilikha ng Bayan awardee who is devoted to preserving various aspects of Kalinga culture, including dance, music, chanting, architecture, and social rituals. His establishment of the Awit Shan Village in Lubuagan as a tribute to Kalinga culture is featured, along with his efforts to organize festivals and workshops that bring communities together in the spirit of unity and cultural appreciation.
🏆 The Legacy of Gawad Manlilikha ng Bayan Awardees
The final paragraph reflects on the legacy of the Gawad Manlilikha ng Bayan awardees, emphasizing the humility and perseverance they embody. It discusses the importance of acknowledging their contributions to preserving cultural knowledge and pride. The paragraph concludes by urging the audience to appreciate and thank these bearers of culture for their dedication to their crafts and traditions.
Mindmap
Keywords
💡Cultural Bearers
💡Gawad sa Manlilik ng Bayan (GAMABA)
💡Kalinga
💡Weaving
💡Binnacle Pattern
💡Abra
💡Ilocos Norte
💡Preservation
💡Hat Weaving
💡Cultural Pride
💡National Commission on Culture and the Arts (NCCA)
Highlights
The importance of documenting and preserving precious living cultures.
Cultural bearers as vessels of knowledge, pride, and identity.
The resilience of culture bearers despite colonization, conflict, and marginalization.
Introduction of three Gawad Manlilikha ng Bayan awardees from Northern Luzon.
Magdalena Jameos, the oldest Gawad Manlilikha ng Bayan awardee, and her impact on the community.
The art of weaving Abelana, a simple hobby with complex patterns.
The significance of the binnacle pattern in weaving and its representation of a whirlwind.
The necessity of raw materials like locally grown cotton for traditional weaving.
The wish for younger generations to learn and carry on the weaving tradition.
The simplicity and durability of Ilocano structures reflecting a strong sense of community.
Teófilo Garcia's craftsmanship in creating functional and aesthetically pleasing hats.
The resurgence of interest in traditional hats as a statement of identity.
Garcia's integration of hat weaving into the school curriculum, ensuring the tradition's continuity.
Alonzo Saclag's dedication to preserving the dance, music, and rituals of the Kalinga culture.
The establishment of the Kalinga Budong dance troupe as a form of cultural education.
The role of cultural festivals and workshops in reviving and celebrating cultural pride.
The humility and perseverance of the Gawad Manlilikha ng Bayan awardees in the face of a changing world.
The importance of acknowledging and valuing the contributions of cultural bearers.
Transcripts
[Music]
in a world and time when so much is
changing there is still so much of our
culture that has to be documented and
kept alive who are the bearers of these
precious living cultures how do they
pass on a knowledge transmitted through
the ages
[Music]
what they represent a survived
colonization conflict
[Music]
marginalization and yet they persist
Salah oxacillin the living vessels that
store dial our knowledge our pride
our series and the culture bearers are
gawad Melilla Khan and Byun awardees or
gababa continues this time you look at
those masters who are still with us
who's continuing work we must
acknowledge learn more about and
preserve northern Luzon is a home of
three gamma ba winners we feature in
this episode the first is a Kalinga
teacher the second is a maker of hats
from Abra the third a weaver from Ilocos
Norte what can we learn from them as we
begin to admire the complexity and the
richness of their work
[Music]
a weaver from Pinelli Ilocos Norte and
perhaps the oldest of the gamma ba
winners at the time when she was honored
Magdalena jameos frail frame and quiet
demeanor belies the strength of her
weaves and the impact overworked on her
community Dahlonega Maya well when she
was given the award in 2012 she was
already 88 years old but I think as
early as 16 really learned the art of
weaving the Abela
the Ilocano a bell a very simple hobby
no and she has a very very bad
repertoire of a really being especially
the binnacle pattern make she knows many
many other patterns some of them are
very difficult to make roster a cameo in
spite of her age can continue doing all
those important very modern designs
[Music]
Kamiya specializes in the waving of the
hardly cotton fabric all available by
the Ilocano
[Music]
the binnacle pattern a complex
abstraction said to represent the
whirlwind is one of her specialties
many variations of the binnacle exist
and she still retains the complex
mathematics of its construction in her
mind and in her heart
[Music]
but for a skill to survive there is a
need for base raw material of her choice
kappa or locally grown cotton
she's educate my life
I don't rely upon is they have a bad
economy the Mayas wish is for more young
Ilocanos to learn from her and to
inherit and carry on the knowledge which
she is only a vessel all that in the
common buffer that Madonna and a mama
know about the gap cone you know man I
am five your Madonna Cortez and I got
such a trouble
no son we need to make her come out of
the cannot rely upon me by that fund
that everything came over
Magdalena is a master of a wide range of
repertoire she can do many designs
techniques color combinations that a
single Weaver will not be so she's
really there and that was what made her
stand out from all the others also the
refinement again
quiet persona a beautiful textile
[Music]
sorry 30 is is really a very strong
sense of community they really are able
to build strong sense of solidarity
among themselves that's why when you
look at Ilocano structures they're quite
simple in many churches show these
structures there are very few ornaments
what you see is the solidity of
structure simple and compound anything
compact it's more durable so this is
what I can say about letting Amaya see
in the showcases with best of the other
kind of mine
[Music]
[Music]
in the work of Magdalena de Mayo we see
how physical frailty and age have not
hindered her from continuing to weave
and to teach in the work of teófilo
Garcia of Abra we see have a close
relationship with nature can shape a
practical object of endurance and beauty
[Music]
a good heart may seem like a simple
thing an item dismissed as a foxy
filipiniana
but in the creations of teófilo Garcia
and Ilocano living in San kingpin abre
the Gord hats or table alone that he
creates a result of agricultural
knowledge time-honored and functional
design and simple but pleasing aesthetic
sensibilities
what others may see is just a hat is in
fact an object that shows just how
deeply traditional Filipino craftsman
was attuned to his environment for
Garcia it
with a perfect gourd to work with he now
begins the process of creating a hat
[Music]
no Madison Madison yamaha yama niyama my
god nobody knew
no medicinal timber
[Music]
so mr. de corazon Oh
during the depart this button I'm
rotating with the gamma Bob recognition
came the sudden resurgence of interest
in the heart as a statement of one's
identity as well as a need for teófilo
to pass on his knowledge
[Music]
you know it's very rare that you find a
person who becomes interested in the one
seemingly curious item a hat no made of
good and you know he single-handedly was
able to really master the skills
necessary for making very strong hats
the taboo mo of the people abruptly
thing ends and if you look at the
external fish they had seems to be
simple but if you dove underneath they
had it's very implicit and one thing
good about your fellow that she i said
she was able to really impart this
knowledge the young kids in his
community now as part of the school
system I think the Department of
Education in his region was able to make
it about making a part of school
curriculum and so I don't think this
edition will disappear anytime soon
simply because of the way he was able to
teach to the young people in this
community how to make a bomb out he's
really an unusual person because since
the time that he was awarded they have
been able to put together a program in
elementary school practical arts one
whole year or one semester of curriculum
based on his his
hat weaving now and it's very
interesting to say the the the the
planning starts with the planting of the
OPO they start with the planting of the
Hoopoe and then he teaches them it's a
special variety of open at any variety
will do and then you harvesting and then
you collecting of materials and there is
a curriculum so so he's really a useful
person to be able to do that and to
teach here he teaches it in his
elementary in the elementary school in
his community for me that's the idea
really of the mama so you have to be
between he's such a quiet man also
[Music]
[Music]
[Applause]
[Music]
Alyce's o'clock was given the award in
India 2000 because he was had done sir
very good answer
classic rag was also a musician know he
knows how to play the nose flute of the
Kalinga gangster the co-leader of the
Kalinga and many others so he's a master
of the musical instruments of the
Kalinga and of the dances and
architecture indeed Saqlain a native of
Lube walden is very different from the
other gababa masters in that is devoted
to preserving not just a particular
aspect of his culture his passion covers
dance music chanting architecture
spiritual and social rituals of the
Kalinga
the awit shan village in loop wagon is
his own tribute to the Kalinga culture
he grew up loving but a maple syrup and
cultura sirisha come gastos in a Wahoo
nato media upon aloo potato well
undoubtedly to noon to along - Big D to
a planetary plateau from Mesa I would
measure in a walkway to at my own
expense but mei-chiao chiu para
two-parameter Abajo if you can Priscilla
young the tokuma car in beautiful campus
in along south nila aluminum video from
event a bustling metropolis it to green
taco from rice terraces number in the
atrium about winter Cooper alumnus news
indeed sorry the Camino para may
preserve uncle Torah known but la una
whom successful
I use a tribal war c'est une langue
victory dance is a whom a felon
yesterday noon where's my opera but
paper on my shower but I'm waiting
waiting waiting
so Mario hello whistle volumes I own a
Union victory turns
oh yeah well immunity I see were you
possible by well a move it is as I only
meant I job where are you select a table
mean to nestle if human courtship Naboo
by the lucky boy
yah
[Music]
Inga Yaya
[Applause]
[Music]
[Applause]
no but aku interesado Kusa
sounding Gong but the human can't an
amine bana ballard victory song you
untie spurs up and mitaina matando
you're not Sally do my cologne Hong Kong
luma careful young marine iguana Morocco
param param no tea well Christopher
Young moving moving
so the hakuna Kappa graduate mechanics
the foolish Kahuna who noon Perot pop
that in sedans anta McCauley Nevadan
Anissa pune yin yang defu headed in de
parejas and give nodosa motto la la la
la la the vanilla bragging in Alonso's
o'clock we see a Filipino who is
passionate about the preservation of all
aspects of his culture and the passion
even at his age
seems unabated the establishment and
training of the Kalinga Budong dance
troupe he established is easily the most
accessible form of learning for both his
Kalinga participants and his eager
audience
[Music]
[Music]
[Music]
alonzo sir clamps commitment to
preserving the culture of a warrior
society may strike some of us as
anachronistic what is it truly reviving
courage cultural pride the memory of a
journey that as people have taken from
being members of a tribe to being part
of a nation the through hell and high
water he holds these huge festivals and
workshops in Kalinga and that's that
means he is a good organizer he calls
together not only his community but now
I think neighboring communities they
come together they have their festivals
and they compare and contrast and they
do this all in the spirit of oneness now
in the Cordilleras this is very
important know there are a few people
that can call together such groups and
so the fact that he holds them and then
the topics may sometimes it's for an
instrument making festival sometimes
it's for a dance festival sometimes for
singing but I have I have I have on
several occasions marveled at the fact
of doing this tried to do
I know inside need oh mighty one
[Music]
earlier I asked what can we learn from
the gamma Baba awardees from northern
luzon well we may not learn the
intricacies of weaving a kousaka's
pattern nor understand the social fabric
of a traditional warrior society nor the
way of making a hat from a gourd
these are the end products of their work
what we can learn from what will be most
useful and relevant to our lives today
is the humility and the perseverance
with which Alonzo Saqlain Magdalena
gamaya
MP ophélie Garcia have lived their lives
theirs is a hard choice in the face of a
changing world
they've quietly gone on doing what they
love they sought no acclaim no
recognition no honor from a world that
has yet to learn how to look and value
what they stand for yep slowly but
surely the recognition has come the
state through the National Commission on
culture and the arts has seen to that it
is up to us now to acknowledge the gift
that they have given us and to say thank
you for choosing to be bearers of dayal
our knowledge our pride
[Applause]
[Music]
[Applause]
[Music]
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