CPAR GAMABA Awardees

Summary

This educational video script celebrates the rich cultural heritage of the Philippines through its National Living Treasures, recognized by the National Commission for Culture and the Arts (NCCA). It highlights the 1992 establishment of the Gawad sa Manlilikha ng Bayan (GAMABA) awards, which honor Filipinos who excel in traditional arts and contribute to national heritage. The script introduces various awardees, each a master in their craft, from poetry and weaving to musical instruments, showcasing the diversity and creativity of Filipino culture.

Takeaways

• 🏆 The Philippines recognizes its rich cultural heritage through the identification of 'National Living Treasures' who have made significant contributions to the country's traditional arts.
• 🎭 The National Commission for Culture and the Arts (NCCA) is the highest policy-making and coordinating body for culture and arts in the Philippines, responsible for promoting and preserving traditional Filipino arts.
• 📜 Republic Act No. 7557, also known as the 'Manlilikha ng Bayan Act,' was established in 1992 to recognize Filipino citizens who excel in traditional arts and pass on their skills to their communities.
• 🎨 The NCCA has honored 16 Gawad Samanilikan ng Bayan (GAMABA) awardees who have demonstrated exceptional skill and artistry in various traditional Filipino art forms.
• 📚 The script highlights the importance of preserving pre-colonial traditions and ensuring they continue to be woven into everyday life.
• 📝 The awardees come from different regions of the Philippines and represent a diverse range of art forms, including poetry, music, weaving, and storytelling.
• 🎵 Notable awardees include Nino Bilob, who introduced Surat Mangyan in Ambahan poetry, and Masino, a master of basal or gong music.
• 🌟 The GAMABA awardees are celebrated for their creativity, technical excellence, and their role in maintaining the cultural diversity and creativity of the Filipino people.
• 👵🏼 The script emphasizes the importance of passing on traditional arts to future generations to ensure the continuity of the country's cultural heritage.
• 🏞️ The recognition of these artists and their work helps to promote a genuine appreciation and pride among Filipinos for their unique cultural identities.

Q & A

What is the significance of the term 'Tagawad Samanilikanang Bayani' in the context of the Philippines?

The term 'Tagawad Samanilikanang Bayani' refers to the 'Gawad sa Manlilikha ng Bayan' awardees, who are recognized for their exceptional contributions to the preservation and promotion of traditional Filipino arts and culture.

What does the National Commission for Culture and the Arts (NCCA) do in the Philippines?

The NCCA is the highest policy and coordinating body for culture and the arts in the Philippines. It searches for the finest traditional artists, ensures the transfer of their skills to others, and promotes appreciation and pride in the Filipino cultural heritage.

What is the purpose of Republic Act No. 7557, also known as the 'Manlilikha ng Bayan Act'?

Republic Act No. 7557, or the 'Manlilikha ng Bayan Act,' was established to recognize and honor Filipino citizens who are engaged in traditional arts and have reached a high level of technical and artistic excellence, contributing to the national heritage.

Who is Nino Bilob and what is his contribution to Filipino culture?

Nino Bilob is a 1993 Gawad sa Manlilikha ng Bayan awardee from Panaitayan, Mansalayi, Oriental Mindoro. He is known for introducing Surat Mangyan in Ambahan poetry and preserving the Hanunoo Mangyan script.

What is the significance of Masino's work in the field of traditional Filipino music?

Masino is recognized for his mastery of basal or gong music, playing the kushapi, ardeen, and other traditional instruments. He is also an epic chanter and storyteller, achieving excellence in the art of playing the huchapi or kugapi, and kulingtang agong.

What is the art of tinala weaving, and who is Lang Dulai in relation to this craft?

Tinala weaving is a traditional textile art using abaca fibers. Lang Dulai, a 1998 awardee, is credited with preserving her people's traditional tinala weaving using fine abbaja fibers and recreating intricate designs like crocodiles, butterflies, and flowers.

What is the contribution of Salinta Monon to the field of traditional weaving in the Philippines?

Salinta Monon is recognized for her mastery in inabal weaving, a traditional textile of Bagobo. She demonstrated the creative and expressive aspects of the ikat weaving technique, which was threatened with extinction.

How does Federico Caballero contribute to the preservation of Filipino oral literature?

Federico Caballero works towards documenting the oral literature of the people, particularly the epics rendered in a language that is no longer spoken, thus preserving an important part of Filipino cultural heritage.

What is the importance of Alonzo Saclad's work in the context of Filipino culture?

Alonzo Saclad is known for painting portraits of his people and recording traditions and dualities of character through the use of Kalinga musical instruments, creating dance patterns and moves related to rituals.

What is the significance of Hajja Amina Api's mastery in matt weaving?

Hajja Amina Api is recognized as a master of matt weaving, showcasing her precise sense of design, proportion, symmetry, and sensitivity to color through her colorful mats with complex geometric patterns.

How does Magdalena Gabayo contribute to the tradition of abel weaving in the Philippines?

Magdalena Gabayo is a master in abel weaving, not only weaving traditional Iloko textiles but also designing new patterns, such as the pili lian technique, which produces unique and intricate designs.

Outlines

00:00

🎨 Cultural Preservation and Recognition of Filipino Art

The script introduces the rich cultural heritage of the Philippines, emphasizing the importance of traditional arts and the role of national living treasures in preserving these art forms. It discusses the concept of 'Tagawad Samanilikanang Bayani' and the National Commission for Culture and the Arts (NCCA), which recognizes Filipino citizens who have mastered traditional arts and contribute to cultural diversity. The script also highlights Republic Act No. 57355, also known as the 'Manilykan Bayani Act,' established in 1992 to promote and protect these traditional arts. Examples of awardees and their contributions to various art forms, such as poetry, music, weaving, and storytelling, are provided.

05:01

🏆 Celebrating Excellence in Traditional Filipino Arts

This section of the script delves into the achievements of several awardees who have excelled in their respective traditional art forms. It covers the mastery of musical instruments like the huchapi or kugapi, and the art of weaving using fine abbaja fibers. The script also mentions the preservation of traditional colors in weaving and the importance of passing these skills to the younger generation. The narrative showcases the dedication of these artists in maintaining their cultural practices and the recognition they receive for their efforts.

10:03

🌟 Highlighting the Artisans and their Artistry

The script continues to celebrate the achievements of traditional Filipino artists, focusing on their unique skills and contributions to the arts. It discusses the intricacies of metal plating, weaving, and the creation of religious and secular artworks. The artists mentioned are recognized for their dedication to their craft, their innovation in design, and their commitment to teaching the next generation. The section also touches on the cultural significance of these art forms and how they contribute to the national heritage.

15:08

📜 Summarizing the Significance of Filipino Traditional Arts

In conclusion, the script summarizes the importance of recognizing and preserving traditional Filipino arts through the efforts of the NCCA and the Gawad Samanilikanang Bayani awardees. It reiterates the purpose of Republic Act No. 7355 and the role of the NCCA in promoting these arts. The script lists the awardees and their respective art forms, emphasizing the diversity and richness of Filipino culture. It encourages continued pride and support for these cultural treasures.

Keywords

💡National Living Treasures

National Living Treasures refer to individuals recognized for their exceptional contributions to the cultural heritage of the Philippines through their mastery of traditional arts. In the video, these treasures are described as 'tagawad samanilikanangbaya,' and they are celebrated for their ability to maintain and pass on pre-colonial traditions that are integral to Filipino identity. Examples from the script include Nino Bilob, who introduced Surat Mangyan in Ambahan poetry, and Lang Dulai, known for preserving traditional tinala weaving.

💡National Commission for Culture and the Arts (NCCA)

The NCCA is the highest policy and coordinating body for culture and the arts in the Philippines, established to promote and preserve the country's cultural heritage. It is responsible for identifying and honoring traditional artists through programs like Gawad sa Manlilikha ng Bayan, as mentioned in the script. The NCCA plays a crucial role in ensuring that the skills and artistry of these masters are transferred to future generations.

💡Gawad sa Manlilikha ng Bayan

Gawad sa Manlilikha ng Bayan is an award given by the NCCA to recognize Filipino citizens who have reached a high level of technical and artistic excellence in traditional arts and have contributed significantly to the national heritage. The awardees, as highlighted in the script, are seen as custodians of cultural practices that are uniquely Filipino, such as the mastery of specific musical instruments or weaving techniques.

💡Traditional Art

Traditional art in the context of the video refers to the various forms of artistic expression that have been passed down through generations in the Philippines. These arts are deeply rooted in the country's history and culture, and they encompass a wide range of disciplines, including poetry, music, dance, and textile weaving. The video emphasizes the importance of preserving these art forms and the role of the awardees in maintaining their relevance in contemporary society.

💡Cultural Heritage

Cultural heritage, as discussed in the video, encompasses the tangible and intangible elements that contribute to the unique identity of a nation or community. It includes traditional arts, languages, beliefs, and customs that have been preserved and passed down through generations. The video underscores the importance of recognizing and celebrating the individuals who contribute to the preservation and promotion of the Philippines' cultural heritage.

💡Intangible Cultural Heritage

Intangible cultural heritage refers to the practices, representations, expressions, knowledge, and skills that communities recognize as part of their cultural heritage. This includes oral traditions, performing arts, social practices, and traditional craftsmanship, as exemplified by the awardees in the video who are masters in their respective fields, such as the art of weaving or musical performance.

💡Technical and Artistic Excellence

Technical and artistic excellence is a key criterion for the Gawad sa Manlilikha ng Bayan award, as it signifies the high level of mastery and skill that the awardees have achieved in their traditional art forms. The video highlights how these masters have not only honed their craft but also contributed to the development and innovation within their respective fields, showcasing the depth of their expertise.

💡Pre-colonial Traditions

Pre-colonial traditions are cultural practices and art forms that existed in the Philippines before the arrival of European colonizers. The video emphasizes the importance of these traditions in shaping the country's cultural identity and the role of the awardees in keeping these traditions alive. Examples include the preservation of ancient scripts and the continuation of traditional music and weaving techniques.

💡Community

Community, in the context of the video, refers to both the local and national groups that are impacted by the preservation and promotion of traditional arts. The awardees are recognized for their ability to engage with their communities, passing on their skills and knowledge to others, thus ensuring the continuation of these art forms. The video illustrates how the work of these artists strengthens community ties and cultural pride.

💡Cultural Diversity

Cultural diversity is the variety of cultural expressions and traditions that exist within a society. The video celebrates the rich cultural diversity of the Philippines, showcasing how the awardees contribute to this diversity through their mastery of different traditional art forms. Their work helps to maintain the unique cultural identities of various regions and ethnic groups within the country.

Highlights

The Philippines is rich in cultural arts that have been passed down by ancestors and recognized as national treasures.

16 National Living Treasures are known as 'Tagawad Samanilikanang Bayani', recognized for their contributions to the national heritage.

The National Commission for Culture and the Arts (NCCA) is responsible for promoting and preserving traditional Filipino arts.

Republic Act No. 7553, also known as the 'Manlilikha ng Bayan Act', was established in 1992 to recognize and promote traditional Filipino arts.

NCCA ensures the transfer of traditional art skills to others and promotes appreciation and pride in Filipino cultural heritage.

National Living Treasure artists enhance Philippine identity through various forms of arts.

Nino Bilob from Oriental Mindoro is recognized for preserving the Hanunoo Mangyan script and Ambahan poetry.

Masino from Region 4B is an outstanding master of Basal or gong music and a prolific epic chanter and storyteller.

Lang Dulai from South Cotabato is credited with preserving the traditional Tinala using Abaca fibers.

Federico Caballero works on documenting oral literature, particularly the epics of the people.

Alonzo Saclad from Kalinga is known for painting portraits that capture the traditions and dualities of his people.

Hajja Amina Api from Muslim Mindanao is recognized as a master weaver of Matt, showcasing her sense of design and color.

Eduardo Moto from Pampanga is an artist known for his religious and secular artworks in various materials.

Darhata Sawabi from Sulu is devoted to teaching the art of Pisibit weaving, ensuring the best quality of her products.

Magdalena Gabayo from Ilocos Norte is a master in Abel weaving, creating new patterns and techniques.

Tiofilo Garcia from Abra is known for his expertise in Katukung or Tabungao hat making.

Ambalang Ausalin from Basilan Island is respected for her Yakan weaving skills and her ability to perform complex embellishment techniques.

Estelita Bantilan from Region 12 is known for her Bala and Matt weaving, showcasing her dexterity and rhythmic coordination.

Yabbing Masalandullo from Region 12 introduced Balaan Ikat, a traditional dyeing and fabric weaving technique.

Transcripts

audio jumper

[Music]

good day my dear students our country

the philippines

are rich in culture based on its

different forms of arts

which has been strengthened by our

ancestors

their amazing works of arts which was

been passed

to the new generation help us to be

recognized

on our unique identities as filipinos

they are the living treasures who has

been recognized

under special contributions to their

community

and to our national heritage

in this lesson you will learn about our

16

national living treasures known as

tagawad samanilikanangbaya

[Music]

from the national commission for culture

and the arts

or the ncca the awardees produce

art forms that are woven into

everyday life they show

how pre-colonial traditions continue

through the present time as envisioned

in republic

act number five 7355 known as manily

kanambayan act

was established in 1992 and shall mean

citizen

engage in any traditional art uniquely

filipino

whose distinct skills have reached such

a high level of technical

and artistic excellence and they pass it

on

to his or her community with the same

degree

of technical and artistic competence

what

is national commission for culture

and the arts or the ncca

it is the highest policy and

coordinating body

for culture and the arts of the state

it has to search for the finest

traditional artists of the land

who adopts a program that will ensure

the transfer of their skills to others

undertakes measured to promote a genuine

appreciation

and to give pride among our people

about the genius of manglika

nangbayan what about

tagawadzimanilikanangba

as filipino who recognize the unique

identities

of our fellow filipinos it is the right

to see their contribution to the

community

the country is rich with various

elements

of tangible and intangible cultural

heritage

which has passed on the new generation

culture as part of our philippine

identity

includes a variety of arts that enhance

by our national living treasure artists

who are recognized in their special

contribution

to the national heritage these are

filipino citizen

who is engaged in any traditional art

forms

and has contributed to the development

of cultural diversity

and the creativity of humanity

[Music]

here are the gamba awardees for the year

1993

nino bilob from panaitayan mansalai

oriental mindoro from region 4b

he introduced surat mangyan in ambahan

poetry

he and his community preserve the hanuna

mangian script

in ambahan is a poem consisting of seven

syllable lines

and promote in every occasion so that

the art

will not be lost but preserved for

posterity

[Music]

masino

island region 4b he is an outstanding

master of basal

or gong music

highly lyrical foam and baguette

instrumental music played

on the kushapi also played the ardeen

or the mouth heart babara or the ring

float

and above all he was a prolific

and preeminent epic chanter and

[Music]

storyteller

[Music]

in muslim mindanao he achieved

the highest level of excellence in the

art of playing

huchapi or kugapi two-string glute

and also profession in kulingtang agong

suspended bus gong with wide rim

[Music]

so

come up awardees for the year 1998

lang du lai from tibuli south cebu

soutabato mindanao under bangsamoro

autonomous region

in muslim mindanao she is credited with

preserving her people's

traditional tinala using abbaja fibers

as fine as hair which traditionally has

three primary colors

red black and the original colors

of abakalib she recreated

by her nimble hands the crocodiles

butterflies and flowers

[Music]

she was awarded for fully demonstrating

the creative

and expressive aspects of bhagobo abbaka

ikat or the ikat weaving

ikat means to die or

bound this weaving is also called inabal

traditional textile of bagobo at a time

when such art was threatened with

extinction

the mob awardees for the year 2000.

from yakan la mitan basilan island of

bangsamoro autonomous region

in muslim mindanao he referred to

for his ability and mastery in playing

different yakan

instruments made of bamboo

wood and metal and for the imparting his

insights to the youngsters of his local

he kept on performing and struck despite

his diminishing visual perception

keeping the yakan melodic custom alive

and thriving federico caballero

from sulud bukitnun kalinog iloilo

panay island from region 6

he continuously works for the

documentation of the oral literature

in particular the epics of people

these 10 epics rendered in a language

that

though related to kineraia is no longer

spoken

alonzo saclad from kalinga northern

luzon

island of cordeliera administrative

region

his lifestyle's work is to paint

a portrait of his people to record

a tradition of opposites and dualities

of people character

recorded in cadences each aggressive and

gentle play kalinga musical instruments

create dance patterns and moves

related to rituals

[Music]

[Music]

in muslim mindanao she was recognized

as the master of matt weaver her

colorful mats

with her complex geometric patterns

showcased

her precise sense of design proportion

symmetry and sensitivity to color

eduardo moto from appali pampanga

regentry he is an artist

who has devoted his existence to

developing religious and secular

artworks

in silver bronze and wood

his intricately detailed tablos

mirrors altars and carrosas

are in church buildings and non-public

collections

a range of these works are quite large

some exceeding 40 feet some are very

small

and feature very nice and refined

[Music]

craftsmanship

[Music]

darhata sawabi from taosu

parang solu southern philippines under

bangsamoro autonomous region

in muslim mindanao she remained devoted

and persevered with her mission to teach

the artworks of fishy bit

weaving her strokes firm ensure

her color sensitivity acute and her

dedication

to the best of her products and

weavering

kamab awardees for the year 2012

magdalena gamayo pinili ilocos norte

region 1. she has been a master in a

bell weaving

she is not only weaving traditional

ilocano textiles

but also designed new patterns one of

her designs

employs a difficult weaving techniques

called

pili lian meaning partially

though we produce a one-of-a-kind design

that takes after a string of flowers

[Music]

does it name inubon asabon

she did not formally study such

traditional art

instead she watched closely to her ant

and imitated the patterns

[Music]

iofilo garcia sankintin abra

region 1 he introduced katukung

for taboonau hat making when he finishes

field work as a farmer he focuses

on the cultivation and development of

taboo now

that is the ilocano term for uppo

at the age of 15 he learned the art

of katukong or tabungao had making

and basket weaving from his grandfather

[Music]

[Music]

[Music]

come up awardees for the year 2016.

ambalang ausaleen from la meeton basilan

island

bangsamor autonomous region in muslim

mindanao

she introduced yakan weaving apombalang

is significantly respected in all of

lamitan

her abilities are guarded unique she can

bring forth all designs

and actualize all textile categories

under the yakan community who are known

to be among the finest weavers

within the southern philippines

she can perform the suwo becca or the

cross stage like

embellishment and suwa pendan

or embroidery-like embellishment

techniques

of the bungasama category she has the

complex knowledge

of the whole weaving process

estelita to mandan bantiland

[Music]

from region 12 or sox surgeon

she introduced bala and matt weaving

since she was a child she was bright and

careful

in tangled weaving her perseverance

took place because of her supportive

husband

[Music]

the thin strips of the pandanus romblon

rice matrix through their fingers

performing

an individual rhythm the beat

guided by her eyes then whooping strips

are held tight

at the other end of her body as toes

curl and glows around the arc of her

torso

that remains the dexterity of feet and

toes

hand and eye coordination happen inside

the frame

of mile sequence

[Music]

[Music]

yabbing masalandullo

region 12. she introduced balaan ikar

or thai dying fabric weaving yabbing

masalandullo

called was only 14 years old

when she started weaving all her younger

years were spent in sharpening her

skills

and imparting the knowledge to younger

generations

of bala and weavers she follows her

mother's movement

back and forth she colors the fibers

count the thread and observes the

rhythmic dance

of fever's dream woven into unique

soulful pieces

[Music]

to summarize republic act number seven

three five five as manly canon by an

act was established in 1992

to give recognition to traditional art

uniquely filipino

who preserves and promotes its

traditional folk arts

that contribute to the national heritage

national commission for culture and the

arts or the ncca

is the highest policy and coordinating

body for

culture and arts of the state the

philippines through the effort of

ncca introduced the sixteen

gawad samanili kanangbayan or gamaba

awardees

namely gino vilog 1993

surat mangyan in ambahan poetry

masino in tarai 1993

epic chanter and storyteller

sama own sulaiman 1993

playing kujapi lang dulai

1998 tinalaq weaving

salinta monon 1998

in abal weaving ahadas

2000 playing yakan instruments

federico caballero 2000

chanting epic opening

alonso 2000

playing kalinga musical instrument

hajja amina api 2004

matt weaving eduardo moto

2004 metal plating

darhata sawabi 2004

physiabit weaving magdalena gabayo

2012 abell weaving

tiofilo garcia 2012

katukong or tabungao hat making

ambalang ausalin 2016

yakan weaving estelita bantilan

201

[Music]

fabric weaving that's all for today

let us continue to be proud to our gamba

awardees

see you on our next session

thank you and goodbye