B1 kapitel 9 Kunststuecke/ kursbuch b1 kapitel 9 hoeren

Summary

The video script explores the final stop of a tour showcasing public art in Innsbruck, focusing on the city's new train station. It highlights Max Weiler's paintings from the 1950s, depicting Innsbruck's post-war recovery and key elements like education and tourism. The script also discusses a quilt project initiated by Lucia Lienhard Giesinger during the Bosnian war, which provided a creative outlet and income for refugee women. The narrative delves into the artists' intentions, the viewers' reactions to abstract art, and an interview with director Arne Birkenstock, who shares his accidental entry into filmmaking and the joys and challenges of documentary work.

Takeaways

• 🚂 The script discusses the second-to-last station of a tour of public art in Innsbruck, highlighting the importance of the new Innsbruck railway station.
• 🎨 It mentions the artwork by Max Weiler, created in 1954 and 1955, depicting the present of Innsbruck after World War II, focusing on leisure, education, and tourism.
• 🏔 The artwork 'Innsbrucks Gegenwart' (Innsbruck's Present) by Max Weiler includes elements representing the city's key features: the university and a skier, symbolizing education and tourism.
• 🌈 The script describes another artwork, 'Innsbrucks Vergangenheit' (Innsbruck's Past), with colors and patterns that are more subdued, contrasting the city's history with its present.
• 🧵 The story of 'Bosna Queens' is shared, a quilt project initiated by Lucia Lienhard Giesinger during the Bosnian war, providing a creative outlet and income for Bosnian women.
• 🛍️ The script talks about incorporating the 'Bosna Queens' quilts into an office space as a meaningful alternative to traditional corporate gifts.
• 🎭 There is a discussion about the challenges and joys of creating and performing in a theater group, emphasizing teamwork and the fun of writing and staging a play.
• 🖼️ The script includes personal opinions on various pieces of art, with characters expressing different tastes and interpretations of abstract and figurative art.
• 🎥 An interview with director Arne Birkenstock is mentioned, where he shares his accidental entry into filmmaking and his passion for storytelling through rhythm and groove.
• 🎓 Birkenstock's educational background in regional studies with a focus on Latin America, along with his involvement in music and journalism, is briefly touched upon.
• 🏆 The script highlights the satisfaction of attending film premieres and festivals, and the pride in possibly winning awards for one's work.

Q & A

What is the significance of the new Innsbruck railway station in the context of the guided tour of public art?

The new Innsbruck railway station is a rare inclusion in a guided tour of public art, as it is a modern structure rebuilt post-World War II and features significant artwork that represents the city's present and past.

Who is the artist that painted the large images in the old part of the railway station?

Max Weiler is the artist who painted the large images in the old part of the railway station during the years 1954 and 1955.

What themes does Max Weiler's painting titled 'Innsbruck's Gegenwart' (Present) depict?

Max Weiler's painting 'Innsbruck's Gegenwart' depicts important impressions of the time in bright colors, including people enjoying leisure time by a lake and in the mountains, symbolizing a peaceful scene in nature and the city's rebirth after the horrors of World War II and the Nazi dictatorship.

What are the two main elements of the city of Innsbruck that are depicted in Max Weiler's painting?

The two main elements depicted in the painting are the university and a skier, representing education and tourism, which are well-known aspects of Innsbruck.

What is the story behind the 'Bosna Queens' quilt project and how did it impact the women involved?

The 'Bosna Queens' quilt project was initiated by the painter Lucia Lienard Giesinger during the Bosnian war in 1993. It involved Bosnian women in a quilt-making process that not only provided them with a source of income but also a distraction from their worries and a sense of community.

How did the office acquire the 'Bosna Queens' quilt displayed in the script?

A colleague had seen an exhibition of the 'Bosna Queens' and shared the idea with the team. Instead of a corporate Christmas gift, they decided to purchase a quilt for the office, which was supported by the boss and led to the acquisition of a second quilt as well.

What is the profession of the guest in the 'Sonntagstalk' segment of the script?

The guest in the 'Sonntagstalk' segment is Arne Birkenstock, a documentary filmmaker.

What was Arne Birkenstock's initial career aspiration before becoming a filmmaker?

Arne Birkenstock initially wanted to work for a newspaper, which led him to start writing and making music, eventually being approached by a cultural editor of a television station to make two-minute films.

What educational background does Arne Birkenstock have?

Arne Birkenstock studied Regional Science Latin America at the University of Cologne, which included a mix of politics, history, economics, and Spanish language and literature, along with making music and working in newspaper and television editing during his studies.

What are some of the challenges Arne Birkenstock faces in his work as a documentary filmmaker?

Some of the challenges include the constant worry about funding, the risk involved as a family man, and the difficulty of making a good film, which often involves taking detours and overcoming obstacles.

What is the title of Arne Birkenstock's film about German folk music and what is its significance?

The film is titled 'Sound of Heimat'. The title has multiple reasons, including the protagonist being a New Zealander whose mother tongue is English, the lack of an English translation for 'Heimat', and to differentiate from a Swiss documentary with a similar title, while also avoiding the conservative connotations associated with the term 'Klang der Heimat'.

How does Arne Birkenstock choose the themes for his documentaries?

The process of choosing themes for his documentaries can vary; sometimes he has a theme and looks for stories to fit it, and other times he receives a story and builds the film around it. The most important aspect is having a deep fascination and love for the theme and being ready to commit several years to it.