Dostoevsky's Radical Philosophy of Love

Unsolicited advice
27 May 202430:27

Summary

TLDRThis video explores Fyodor Dostoevsky's philosophy of love, highlighting its transformative power and potential for redemption. It delves into the dark consequences of lovelessness, the dangers of egoistic love, the sacrifices involved in selfless love, and the ultimate goal of universal love for all humanity.

Takeaways

  • 📚 Dostoevsky's works frequently explore the theme of love, presenting it as a complex and essential aspect of the human experience.
  • 😔 According to the script, the absence of love can lead to profound suffering, as depicted in 'Notes From The Underground' where the protagonist's life is devoid of affection and ends in misery.
  • 🤔 Dostoevsky suggests that love is not just a powerful emotion but an indispensable component of a fulfilling life, without which we are destined to be unhappy.
  • 👥 The script highlights the dangers of egoistic love, where individuals seek to control or dominate their partners for their own benefit, often leading to destructive outcomes.
  • 💔 In 'Crime and Punishment' and 'The Meek One', Dostoevsky illustrates how possessiveness and jealousy in love can manifest in violence and self-destruction.
  • 🔄 The author criticizes the intellectual circles of his time for their condescending attitude towards the Russian peasantry, reflecting a lack of genuine love and respect.
  • ❤️ The concept of selfless love is presented as the purest form of affection, where love is given without expectation of return, even in the face of personal suffering.
  • 🙏 Dostoevsky's later works emphasize the idea of loving through sacrifice, as seen in characters like Prince Mishkin from 'The Idiot' and Alyosha from 'The Brothers Karamazov'.
  • 🌟 The script discusses the idea of 'active love' as opposed to passive or dreamy love, which requires continuous effort, fortitude, and the willingness to give without resentment.
  • 🌍 Dostoevsky proposes a radical vision of universal love, where people practice selfless and open affection for all, as a means to transform the world and bring about salvation.
  • 🕊️ The final takeaway emphasizes the power of love to redeem and transform individuals, as seen in the characters of Dostoevsky's novels who, despite their flaws, have the potential for goodness through love.

Q & A

  • What is the central theme of the video script regarding Fyodor Dostoevsky's philosophy on love?

    -The central theme of the video script is the exploration of Fyodor Dostoevsky's philosophy on love, particularly how love can both compel us to commit self-destructive actions and redeem us, granting us meaning and the potential to save the world.

  • According to the script, what does the character of the underground man from 'Notes From The Underground' represent in terms of love?

    -The underground man represents the suffering that arises from an inability to love. His character is depicted as being filled with resentment, envy, and hatred due to his deprivation of the ability to love others.

  • In the context of Dostoevsky's works, how is the concept of 'narcissistic love' portrayed?

    -Narcissistic love in Dostoevsky's works is portrayed as a form of love that is self-centered and seeks to control or dominate the beloved for the lover's own benefit, often resulting in disaster.

  • What is the significance of the character Luzhin from 'Crime and Punishment' in illustrating Dostoevsky's views on egoistic love?

    -Luzhin is significant as he exemplifies egoistic love, where he loves Duna not for her own sake but for the control he can exert over her, showing how love can be corrupted by a desire for power and superiority.

  • How does Dostoevsky explore the idea of sacrificial love in his novels?

    -Dostoevsky explores sacrificial love through characters who give themselves over to their beloved, often facing great personal cost. This type of love is depicted as pure and transformative, even when it leads to the lover's suffering.

  • What role does Alyosha play in 'The Brothers Karamazov' in terms of representing Dostoevsky's ideal of love?

    -Alyosha represents Dostoevsky's ideal of love through his unwavering compassion and lack of judgment towards others, regardless of their actions. He embodies the selfless, universal love that Dostoevsky believes has the power to redeem and transform individuals.

  • How does the script connect Dostoevsky's personal religious views to his philosophy of love?

    -The script connects Dostoevsky's religious views to his philosophy of love by highlighting the influence of Christian concepts such as self-sacrifice and universal love, as seen in the character of Christ and the teachings of the Elder Zosima.

  • What is the concept of 'active love' as discussed in the script in relation to Dostoevsky's views?

    -Active love, as discussed in the script, refers to the kind of love that requires effort, labor, and fortitude. It is the love that is willing to give without resentment or entitlement, embodying Dostoevsky's belief in the transformative power of selfless love.

  • How does the script interpret Dostoevsky's belief in the potential of love to save the world?

    -The script interprets Dostoevsky's belief as the idea that love, specifically selfless and universal love, has the power to cut through people's insecurities and self-destruction, leading to a brighter future for humanity through examples of kindness and compassion.

  • What is the significance of the quote from the New Testament used in the script regarding love?

    -The quote from the New Testament is significant as it encapsulates the qualities of love that Dostoevsky admired and advocated for in his philosophy. It serves to reinforce the idea that love is patient, kind, and selfless, and that these qualities have the potential to transform individuals and society.

Outlines

00:00

🔍 The Philosophy of Love in Dostoevsky's Works

This paragraph explores Fyodor Dostoevsky's deep and complex views on love, as depicted in his novels and writings. It emphasizes love as a central theme in Dostoevsky's work, with a focus on the suffering that arises from an inability to love, as illustrated by the character of the Underground Man in 'Notes from the Underground.' The paragraph discusses how love can both compel individuals to destructive actions and offer redemption and meaning, suggesting that love is a fundamental aspect of humanity's existence.

05:01

😔 The Consequences of Lovelessness

This section delves into the torment of individuals who are deprived of the ability to love, as exemplified by the Elder Zossima's quote from 'The Brothers Karamazov.' The character of the Underground Man is used to illustrate the self-destructive nature of a life devoid of love, leading to a state of misery and self-hatred. The narrative shows how spite and cruelty can turn into self-punishment, highlighting the importance of love in Dostoevsky's philosophy and the misery that ensues without it.

10:02

🤔 The Egoist's Twisted Love

The paragraph examines the concept of narcissistic love, where individuals seek to control or dominate their loved ones for selfish reasons. It uses the character of Luzhin from 'Crime and Punishment' and a short story 'The Meek One' to illustrate how love can become a tool for manipulation and power. The paragraph discusses the disastrous outcomes of such relationships and the suffering they cause, emphasizing the destructive potential of love when it is corrupted by egoism.

15:03

👨‍❤️‍👨 Love and Sacrifice

This section discusses the idea of sacrificial love, drawing on the teachings of Julian of Norwich and Dostoevsky's interpretation of Christ's self-sacrifice. The paragraph contrasts egoistic love with selfless love, highlighting the dangers and the transformative power of love that is willing to give without expectation of return. It uses 'The Idiot' and 'The Brothers Karamazov' to show how characters embody this selfless love, even in the face of betrayal and hardship.

20:03

🌏 The Universal Lover's Vision

The paragraph introduces the concept of universal love, or 'agape,' and Dostoevsky's aspiration for a world where love is extended to all people without discrimination. It discusses the idea of treating everyone as brothers and sisters, serving them with enthusiasm and gratitude. The paragraph reflects on the challenges of this philosophy and the potential for love to redeem and transform individuals, as seen in the characters of Alyosha and Zosima.

25:05

🕊️ Love as the Salvation of Humanity

This section encapsulates Dostoevsky's belief in the redemptive power of love, suggesting that it can serve as the salvation of humanity. It discusses the active love that Zosima speaks of in 'The Brothers Karamazov,' which involves serving others and sharing in their suffering. The paragraph connects this idea to Dostoevsky's broader philosophical and political views, emphasizing the importance of empathy, compassion, and the recognition of shared humanity.

30:09

🌟 The Hope for a Loving World

The final paragraph reflects on Dostoevsky's hope for a world transformed by love, as inspired by the teachings of Christ and the example set by characters like Alyosha and Prince Myshkin. It discusses the potential of love to unite humanity and overcome violence, resentment, and retribution. The paragraph concludes with a personal note on the power of literature to inspire and guide moral behavior, and the enduring message of love from the New Testament.

Mindmap

Keywords

💡Love

Love in the context of the video is a multifaceted concept that encompasses both the potential for redemption and the capacity for destruction. It is the central theme, with the video exploring love's role in human suffering, selflessness, and transformation. For example, the video discusses how love can compel us to commit self-destructive actions or redeem us, granting meaning and potentially saving the world, as seen in the character of Alyosha from 'The Brothers Karamazov'.

💡Hell

Hell is used metaphorically to represent the suffering that arises from an inability to love. It is not just a physical place but a state of emotional torment. The video cites the Elder Zosima's view that the quickest way to plunge into torment is by cutting off one's ability to love others, as seen in the character of the Underground Man from 'Notes From The Underground'.

💡Selfishness

Selfishness is portrayed as a distortion of love, where individuals seek to control or dominate others for their own benefit. This is evident in the character of Luzhin from 'Crime and Punishment', who loves Duna for the control he can exert over her, and in the short story 'The Meek One', where a husband mentally tortures his wife for his own egoistic satisfaction.

💡Suffering

Suffering is a key consequence of lovelessness and selfishness in the video. It is depicted as a result of the inability to love or be loved, leading to a life not worth living. The Underground Man's story exemplifies this, as his lack of fellow feeling for others dooms him to a life of misery.

💡Nihilism

Nihilism is briefly mentioned as one of the many topics discussed by Dostoevsky. It is a philosophical viewpoint that suggests life is without objective meaning, purpose, or intrinsic value. The video does not delve deeply into nihilism but implies it as a potential outcome of the rejection of love and morality.

💡Existentialism

Existentialism is a philosophical theory that emphasizes individual freedom, choice, and subjective experience. The video touches on existentialism as part of Dostoevsky's broader philosophical exploration, particularly in how characters grapple with the meaning of life and love in the face of suffering and moral ambiguity.

💡Self-sacrifice

Self-sacrifice is presented as the purest form of love, where one is willing to give themselves over to others without expectation of return. This concept is exemplified in 'The Idiot' through Prince Myshkin's attempts to help others despite the personal cost, and in 'The Brothers Karamazov' with Alyosha's unconditional love for others.

💡Resentment

Resentment is depicted as a destructive emotion that can arise from an inability to love and a sense of self-hatred. It is particularly evident in the character of the Underground Man, who festers with resentment, envy, and hatred due to his lack of love and affection.

💡Redemption

Redemption is the possibility of salvation or improvement through love. The video suggests that love can offer a path to redemption, as seen in 'Crime and Punishment' where Sonia's love helps Raskolnikov regain his conscience, and in 'The Idiot' where Myshkin's love offers a fleeting moment of hope to Natasha.

💡Universal Love

Universal Love is Dostoevsky's radical suggestion of extending selfless, active, and brotherly love to all of humanity. It is the ultimate expression of his philosophy, where love is not limited to personal relationships but is expanded to encompass all people, as illustrated in the Elder Zosima's teachings in 'The Brothers Karamazov'.

Highlights

The concept of hell as the suffering from an inability to love, according to Fyodor Dostoevsky's philosophy.

Love as a central theme in Dostoevsky's works, exploring its power to both destroy and redeem.

The character of the underground man from 'Notes From The Underground' as an example of self-destructive actions resulting from a lack of love.

Dostoevsky's view on the unloving life being not worth living, as depicted in 'The Brothers Karamazov'.

The idea that love can compel us to commit heinous actions, as seen in various Dostoevsky's characters.

The transformation of love into a tool for control or domination in Dostoevsky's novels.

The character of Luan from 'Crime and Punishment' as an example of narcissistic love.

Dostoevsky's critique of intellectual circles for their egoistic love of the people of Russia.

The concept of sacrificial love as the purest form of affection, as seen in 'The Idiot'.

The character of Alyosha in 'The Brothers Karamazov' as an embodiment of selfless love.

The demand for active love that requires labor and fortitude, as opposed to passive or dreamy love.

Dostoevsky's belief in the transformative power of selfless love, even when it leads to personal suffering.

The idea of universal love or 'Agape' as a solution to the world's problems, according to Dostoevsky.

The 'Dream of a Ridiculous Man' as an exploration of a world based on universal selfless love.

Dostoevsky's vision for a future of love between all people, inspired by the teachings of Christ.

The importance of recognizing the potential for redemption in every character, according to Dostoevsky's novels.

The New Testament's influence on Dostoevsky's view of love as patient, kind, and not self-seeking.

Transcripts

play00:00

what is hell I maintain it is the

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suffering of an inability to love

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Theodore dovi is known as a historic

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thinker on many many topics in his

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novels and articles he discusses God

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morality nihilism and existentialism but

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today I want to focus on an often

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neglected part of dov's overall

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philosophy his ideas about love because

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for this Russian author love was a

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subject of endless Fascination and it

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crops up in almost every one of his

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works dovi is adept at displaying how

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love can compel us to commit heinous

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self-destructive actions but also how it

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can redeem us grant us meaning and

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ultimately even save the world and if

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that's not a reason to keep watching I

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don't know what is get ready to learn

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how love can kill what passion has to do

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with politics and why for dovi love was

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the fundamental redeeming quality of all

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Humanity as always bear in mind this is

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just my interpretation of dovi and you

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are totally free to disagree also there

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will be spoilers ahead for many of dov's

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novels though I will do my best to avoid

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giving too much away on major plot

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points but with that out of the way

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let's begin by exploring the darkest

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aspect of dov's philosophy of love what

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happens to us when we are deprived of it

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one the unloving life is not worth

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living the quote at the start of this

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video comparing hell to an inability to

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love comes from the Elder zosa in in

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dov's magnum opus the brothers karamazov

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according to him the quickest and most

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potent way a human can plunge themselves

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into unimaginable torment is by cutting

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off their ability to love others

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deprived of this love they will begin to

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Fester like an infected wound as

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resentment envy and hatred fills the

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place where affection could have been

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and nowhere is this more evidence than

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in the character of the underground man

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famously dov's Nolla Notes From The

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Underground begins with the main

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character declaring himself sick

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spiteful and unattractive and throughout

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his story he narrates the various ways

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he sought to enhance the misery of other

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people he vividly describes the sick

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pleasure he took in a toothache because

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he could make the lives of everyone

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around him that bit worse with his loud

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and Theatrical moans and complaints he

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says that in his position as a civil

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servant he would exercise his Petty

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power on the people around him in a

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needlessly cruel manner he would would

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care nothing for the feelings of other

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people and would even go out of his way

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to make their lives worse just to savor

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their suffering his entire philosophy

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can be summed up in the following phrase

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Let the world go to hell but I should

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always have my tea of course this

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philosophy is hardly a successful one

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and the underground man ends up in

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profound misery as a result of it the

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core of the underground man's suffering

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is that he has absolutely no fellow

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feeling for other people and it is

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tragically understandable how he has

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become this way to to hear him tell it

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he only has cruel and disloyal so-called

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friends a meager pension and no reason

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to carry on living in such a situation

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it is easy to see how someone could lose

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their sense of Love entirely but this

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lack of Love Dooms him all the same ever

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eager to present complex psychological

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profiles dovi shows how this aggressive

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spite eventually morphs into the

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underground man's way of punishing

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himself towards the end of the Nolla he

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begins to befriend a poor and

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downtrodden prostitute named Liza and it

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seems like there might be the first

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smatterings of genuine affection here

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they have a long conversation where the

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underground man shocks her with his

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brutal and cruel honesty but then

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briefly softens inviting her to visit

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him at his home but when she does appear

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and offers out a hand of friendship and

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companionship he suddenly changes his

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tune berating her and insulting her

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until she leaves now he is not just

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unloving out of lack of opportunity it

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has become a direct selfharm Choice he

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soon regrets his cruelty and begins to

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run after Liza but at the last moment he

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decides it was better to spread his

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bitter resentments to another person now

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she will know the truth as well that the

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world is not loving or kind and it never

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will be the hot brand of his insults

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will turn her Against Humanity as well

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and a new underground man will be

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created where before there was such

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promise of selflessness and Redemption

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the underground man has become so deep

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in his hatred of himself and the world

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that he does not know how to love

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anymore it is like an atrophied muscle

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he has lost control over and here we get

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potentially the saddest line in the

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entire story Liza certainly did fully

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understand that I was a Despicable man

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and what was worse incapable of loving

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her the underground man is so torn apart

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inside with the insults and injustices

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of the world and so unable to look past

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the malays of his own self-hatred that

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he is permanently deprived of Love thus

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he dwells in a dovi in Hell mourning the

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loss of what could have made his life

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worthwhile and when dovy equates

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lovelessness with hell he is not talking

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merely about romantic love some of the

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happiest characters in his other novels

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are contented monastics filled with a

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gentle love for everyone but it is the

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all-encompassing totalizing completeness

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of the underground man's hatred that

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Dooms him because it is not just poor

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Liza he despises it is all of mankind

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every indignity or suffering thrown at

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him becomes another twisted smile he can

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curl in the face of the next person he

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passes he is the very definition of a

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hurt person hurting people and he is

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also the starkest example of just how

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important love is in dov's overall

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Philosophy for some thinkers like Plato

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love is a wonderful compliment to a good

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life but is ultimately subordinate to

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more important matters like virtue and

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the pursuit of Truth for others like

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nature interpersonal love is often

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looked down upon with him remarking that

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very few great thinkers have ever been

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married the Romantic Poets often

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depicted love as a powerful motivating

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and destabilizing force throwing our

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souls into torment and Ecstasy with

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every passing moment but Notes From The

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Underground demonstrates that for dovi

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love is not just powerful not just

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valuable but is an indispensable

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component of a worthwhile life without

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any love at all no compassion for a

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partner or affection for a friend or

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even a loose sense of commonality with

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the rest of the human race we are doomed

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to be miserable and despise ourselves to

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ask someone to live without loving

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others might as well be asking them to

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live without the use of oxygen for those

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of you familiar with Buddhist philosophy

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you might recognize some parallels here

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with the idea of loving kindness and the

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unskillful emotions I also want to focus

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on dov's choice to say that hell is the

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inability to love he seems to agree with

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Aristotle here that the greater part of

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Love is in the loving it might be

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heartbreaking and isolating for us to

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feel that we are not loved but to use

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this as a reason to never love others is

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to needlessly increase our suffering a h

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hundredfold it is the genius of dovi to

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argue that our philosophies should begin

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with love rather than getting to them

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further down the line and Notes From The

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Underground is perhaps the darkest

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demonstration of this terrifying idea

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and as we move forward to looking at

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some of the less Savory ways love can

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manifest we should bear in mind that

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dovi thinks that a rejection of love

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love entirely is the worst situation of

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all this is why he equates lovelessness

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with hell abandoning our natural

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affection for other people Dooms us

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entirely it cannot get any worse than

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this but anyway enough of my gloomy

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rantings we can now slowly move out of

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hell and begin to explore some of the

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ways dovi thinks the noble emotion of

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love can be morphed into something much

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uglier how it can turn into a wish to

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control or to dominate or otherwise

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bring out the most violent aspects of

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the human psyche let's look at the

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people who talk about love but believe

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only in ego if you want to help me make

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more videos like this then please

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consider subscribing to my Channel or my

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patreon the links are in the description

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two the love of the egoist in modern

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parlament the term narcissistic love has

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become pretty commonplace various

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definitions abound but they all orbit

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around one key Insight some lovers are

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only out for themselves knowingly or not

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they aren't truly loving for the sake of

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those they love but instead for some

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selfish benefit this might be to plug

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some Gap in their self-image or from

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hedonistic desire or simply out of spite

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but however this manifests dovi normally

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envisions it ending in disaster and

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moreover he sees this type of Love

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everywhere in public life perhaps the

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most well-known example of this type of

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Love is in the character of Luan from

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Crime and Punishment Luan is a lawyer

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betrothed to Mari Duna the sister of our

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protagonist rasnov sorry that's a lot of

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names to take in however it quickly

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becomes clear that Luan loves Duna

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purely for the control he can exert over

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her he talks about how he has always

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wished to marry a poor woman down on her

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luck as this encourages her to remain

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constantly grateful to him for

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magnanimously agreeing to take her in

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just when she was least desirable he

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thinks that women make much better wives

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you see when they cannot survive without

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their husbands he becomes terrified when

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Duna looks like she might come into some

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significant money because he does not

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really want to freely love and be loved

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freely in return what he desires most is

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to control his beloved moreover when he

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feels like he is losing this control he

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turns spiteful and bitter attempting to

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ruin raskolnikov's reputation as a petty

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form of Revenge today we would probably

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not hesitate in calling Luan somewhat of

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a narcissist later dovi would explore

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this ugly variant on love in even

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greater detail in his terrifying short

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story the meek one here he portrays how

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a narcissistic and domineering husband

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mentally tortures his own wife until she

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eventually decides to end her life dovi

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describes every inch of the man's

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control he would deprive her of

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affection and have her beg it from him

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piece by piece he would attempt to

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uncover dirt on her so he always had

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something to hold above her head worst

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of all he always presented things so he

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could hold the moral High ground and

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look down on her from it not letting her

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forget a single one of her faults again

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we see how a twisted and malformed

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version of Love Can manifest from a

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spiteful and controlling person in this

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case the egoist does not truly care

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about their beloved but instead wants to

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see a glorified image of themselves

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reflected back at them they want to

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prove that they are worthy of worship

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and affection Superior to everyone else

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around them especially the one they are

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supposed to love both lusion and this

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husband managed to come across as

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simultaneously repulsive and deeply

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pitiable they want selfless devotion

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they want to be loved but they refuse to

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give it themselves as a result rather

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than receiving the free affection of

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another agent they must extract it bit

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by bit through numerous Avenues of

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coercion I would wager we all know

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people who love a little bit like this

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for dovi these people are also suffering

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from a certain inability to love though

play11:22

they are not quite in the living hell of

play11:24

the underground man they are ultimately

play11:26

still cut off from True joy and this

play11:28

begins theme for dov's philosophy the

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more self-centered a love is the less

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Joy it can bring both for the lover and

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the Beloved this will eventually

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culminate in him praising a

play11:39

semi-religious Selfless Love but we'll

play11:42

save that for later in the video it is

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also worth noting that a points both

play11:45

Luan and this husband Express seemingly

play11:48

quite deep feelings of self-loathing

play11:50

this continues the idea that dovi

play11:52

expressed in Notes From The Underground

play11:54

how self-hatred can very quickly

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transform into a total lack of affection

play11:58

for anyone dovi also explores how

play12:01

possessiveness in love can bring out its

play12:03

destructive and explosive dimensions for

play12:06

instance in the brother's karamazov much

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of Dimitri karamazovs suffering is

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caused by his lust filled attachments to

play12:12

a woman named grushenka in an attempt to

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win her over he betrays almost every one

play12:17

of his principles he deceives his fiance

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spends other people's money and beats

play12:21

his own father in a jealous rage though

play12:24

Dimitri's love is not outright

play12:26

narcissistic or manipulative it is still

play12:28

possessive and envious and without

play12:30

spoiling too much this leads to pretty

play12:32

disastrous consequences likewise in the

play12:35

idiot we see jealousy slowly Drive the

play12:37

character of regoin insane and this

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culminates in a horrific and violent act

play12:42

against a woman who needed more than

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anything for someone to be kind to her

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in both cases it is not that these

play12:49

lovers set out to use the object of

play12:51

their affection egoistically instead it

play12:53

is that their fear and their self-image

play12:55

got in the way they may not have wanted

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to control but they itely wanted to

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possess and dovi paints this drop of

play13:03

selfishness transforming pure love into

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something potentially violent and

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terrifying to Branch out from romantic

play13:09

examples we also see dovi criticizing

play13:12

the intellectuals of his time period for

play13:14

their egoistic love of the people of

play13:16

Russia amongst the intelligencia of his

play13:19

time he saw that almost everyone would

play13:21

profess this deep affection for the poor

play13:23

and needy but that this rarely extended

play13:26

to actually spending time with them and

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treating them as equals instead much

play13:30

like the narcissistic lovers in his

play13:32

novels the intellectual Circles of St

play13:34

Petersburg would insist that they

play13:36

already knew what the peasantry of

play13:37

Russia needed and thought it was their

play13:39

job to Enlighten them very few things

play13:42

seem to make dovi as angry as this

play13:45

condescending attitude for him behind

play13:47

all of these huttin words was a

play13:49

fundamental lack of respect for the

play13:51

traditions and way of life of the

play13:53

Russian peasantry which in many ways

play13:55

dovi thought was superior to the

play13:57

westernized academic Circle of the

play13:59

Cities this thought culminates in his

play14:01

astonishing novel demons where he skewes

play14:04

the members of the intelligencia as

play14:06

fundamentally self-interested he accuses

play14:08

them of really just wanting to use

play14:10

whatever sentiments they deem necessary

play14:12

to gain control and power and of

play14:15

thinking they knew how the peasantry

play14:17

should live their lives better than they

play14:19

did here we also begin to see another

play14:21

theme in dov's view on love he not only

play14:24

views it as of extreme interpersonal

play14:26

significance but it also becomes a key

play14:28

part of his wider philosophical and

play14:30

political views as time goes on the idea

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we see running through all of the

play14:34

examples of this section is that love

play14:36

can become corrupted through a sense of

play14:39

superiority and a lack of respect for

play14:41

the agency of the Beloved and this makes

play14:43

sense given the particulars of dov's

play14:46

religious views for him part of what

play14:48

made Christ's love for mankind so moving

play14:50

is that he was fully human he was not a

play14:53

spirit standing above us dictating

play14:55

orders but instead suffering alongside

play14:58

us and delivering his message as a

play15:00

god-made man I am not Christian myself

play15:02

but I don't think you have to be to see

play15:04

the beauty in this idea dovi constantly

play15:07

points out how our desire for Love Can

play15:09

mingle with our fears and insecurities

play15:11

to create this noxious mixture of

play15:13

condescension and control and that this

play15:15

threatens to strangle what could have

play15:17

been a joyous kind of love this

play15:20

poisoning of kindness and affection by a

play15:22

wish to control also forms the backbone

play15:24

of much of his critiques of other

play15:25

religious movements for instance Roman

play15:28

Catholicism and protestantism and even

play15:30

some Orthodox churches and I think this

play15:32

warning is worth listening to for our

play15:34

own lives how often do we taint our own

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love with some form of egoism or

play15:39

selfishness sure we might not be total

play15:41

narcissists or believe that we are

play15:43

fundamentally Superior to our partner

play15:45

but how often do we think we love

play15:47

someone for who they are only for it to

play15:49

emerge later that we may have partly

play15:51

loved them for what they could do for us

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it is a difficult question to pose but

play15:56

one well worth asking when something as

play15:58

important as love is on the table but

play16:00

then this also begs the question how do

play16:02

we love in a way that is not so egoistic

play16:05

well dooi has a surprising answer three

play16:09

love and sacrifice in the 14th century

play16:13

the English Mystic Julian of Norwich

play16:15

fell ill with a fever and began to

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experience Visions a devout Christian

play16:19

she experienced Revelations About the

play16:22

Passion Jesus felt for Humanity as he

play16:24

died on the cross sacrificing himself to

play16:26

save our souls in one of these Visions

play16:29

Christ tells her it is endless

play16:31

satisfaction to me that I ever suffered

play16:34

passion for thee and if I might suffer

play16:36

more I would suffer more the phrasing

play16:39

here is incredibly important for Julian

play16:41

Christ did not just suffer because it

play16:43

was necessary he did so as a loving and

play16:46

willing Act of self-sacrifice so great

play16:48

was his Devotion to mankind that he was

play16:51

not only able to Bear suffering for us

play16:53

but was glad to do so just like how you

play16:55

will often hear parents not just say

play16:57

that they would die for children but

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that they would do so without a hint of

play17:01

regret or resentment in their hearts

play17:03

again I am not personally religious but

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I have had this line running through my

play17:08

head for months now because it is one of

play17:10

the most insightful meditations on

play17:12

Selfless Love I have ever come across

play17:14

and it also summarizes in a single

play17:16

sentence what dovi thinks the purest

play17:19

kind of affection can amount to a key

play17:22

theme in many of dov's later works is

play17:24

the idea of loving through sacrifice

play17:27

this forms a very clear contrast from

play17:29

the egoistic kind of love we explored in

play17:31

the previous section whereas the selfish

play17:33

lover attempts to extract from their

play17:35

Beloved the sacrificial lover intends to

play17:38

give themselves over to them as if as an

play17:40

offering obviously such a move is

play17:42

fraught with danger and despite praising

play17:45

this sort of sacrificial love dovi does

play17:47

not shy away from how it can end

play17:49

horribly arguably his novel The Idiot is

play17:52

all about how a kind man who loves in a

play17:55

wholehearted and selfless way is driven

play17:57

mad by the cruel and cowardly behavior

play17:59

of other people the titular character

play18:01

Prince mishkin spends much of the novel

play18:04

attempting to help the Fallen woman

play18:05

nstasia philipov and her troubled and

play18:08

Reckless lover rosu sorry if I've

play18:10

completely butchered the pronunciations

play18:12

there more than anything else he wants

play18:13

them to see their own value bring them

play18:16

out of their cynicism and love them he

play18:18

even sacrifices his prospects with the

play18:21

woman he truly wants to be with to

play18:23

achieve this and forgives rosen's murder

play18:25

attempt on him and yet in the end it is

play18:28

all in vain I won't totally spoil it

play18:30

here but suffice to say the innocent

play18:32

Prince michan's attempts blow up in his

play18:35

face and he has left a Broken Man sent

play18:37

abroad for extensive medical treatment

play18:39

in an attempt to recover his psyche he

play18:42

gave all he had in Acts of Selfless Love

play18:44

and yet dovi paints him as suffering for

play18:47

it the question dangling in the air is

play18:49

should he have been so kind should he

play18:51

have been so loving and dov's answer is

play18:54

still unequivocally yes we get a glimpse

play18:58

of the true radicalism of his loving

play19:00

philosophy here he implores us to love

play19:02

others selflessly even as it's going

play19:05

horribly wrong for us for him this is

play19:07

what it truly means to be

play19:09

self-sacrificial in our love and let's

play19:11

be absolutely clear this is a tall order

play19:14

the great Russian is asking us to

play19:15

perform and it leaves us incredibly

play19:17

vulnerable to exploitation and

play19:19

manipulation but as we shall see in the

play19:21

next section his demands only become

play19:23

more extreme we see a similar kind of

play19:26

Selfless Love in the character of alosa

play19:28

in the brothers karamazov he is the most

play19:30

spiritual of the three brothers and his

play19:32

most remarkable trait is his complete

play19:34

unwillingness to judge other people or

play19:36

consider them beneath him in any way all

play19:39

throughout the novel he encounters

play19:41

people who have done Terrible Things

play19:43

pursued selfish ends and committed only

play19:45

scant acts of kindness in their lives

play19:47

and yet each time despite all the good

play19:49

he is doing in the world he will

play19:51

continually affirm that he is not better

play19:54

than them instead he shows them an

play19:55

unrelenting and indiscriminate kind of

play19:58

love this comes out most strongly in his

play20:00

meeting with grushenka another of dov's

play20:03

Fallen women despite her poor reputation

play20:05

and lowly societal Position alosa will

play20:08

not consider himself Superior to her and

play20:10

indeed at points even act as if he is

play20:12

beneath her confronted with genuine

play20:15

egalitarian affection and understanding

play20:17

grenka Spirits are restored and she

play20:19

actually begins to change as a person

play20:22

for the better he does the same thing

play20:24

for many others over the course of the

play20:25

story alosa will take someone who has

play20:28

been made rule by self-judgment or the

play20:30

Judgment of others and he will extend a

play20:32

hand to them but this is not the

play20:34

condescending wish to save that dovi was

play20:36

so critical of in the previous section

play20:38

this is instead a genuine brotherly love

play20:41

that emanates from alosia like an aura

play20:44

this is the ideal sort of love for dooi

play20:47

Endless uncond descending and selfless

play20:49

and he admits that this is incredibly

play20:51

demanding in the same novel The Elder

play20:53

Zoser a much- regarded monastic talks

play20:56

about the difference between active love

play20:58

and a kind kind of dreamy love whereas

play21:00

it is easy for anyone to fantasize about

play21:03

Grand romantic gestures or a general

play21:05

affection for mankind or to say that

play21:07

they love someone from the bottom of

play21:09

their heart active love is different and

play21:11

much more difficult zosima admits that

play21:13

it is Harsh and Dreadful and requires

play21:16

labor and fortitude it is the kind of

play21:18

love that is willing to give and give

play21:21

and give without a hint of resentment or

play21:23

entitlement I would argue we see this

play21:25

kind of love in small ways everywhere

play21:27

from the ground grand father who

play21:29

painfully kneels on brittle bones to

play21:31

play with his delighted granddaughter to

play21:33

the wife standing by her husband as he's

play21:35

ravaged with illness it is in the eyes

play21:37

of the dog who leaps to the defense of

play21:39

their owner and in The Last Breath of

play21:41

the soldier taking a bullet for their

play21:43

friend but to have this active love be

play21:45

the guiding force of your life to be

play21:47

totally devoted to others willing to

play21:49

sacrifice anything for them and actively

play21:51

loving them every second of every day

play21:54

that is the sort of love zosa and dovi

play21:57

demand of us and at points he says it is

play22:00

the highest virtue a person can have it

play22:02

is the Cornerstone of dov's faith and he

play22:05

finds its apotheosis in the image of

play22:07

Christ dying for us all still crying out

play22:10

for his captors to be forgiven and all

play22:12

throughout dov's novels we see the

play22:15

redeeming power of being loved like this

play22:17

in crime and punishment it is the

play22:19

selfless and Noble love of Sonia that

play22:21

helps raskolnikov ReDiscover his ailen

play22:23

conscience and become a better man in

play22:26

the idiot it is what convinces nstasia

play22:28

Philip POA if only for a moment that she

play22:31

might have worth as a person and in the

play22:33

brothers karamazov alyosha's love

play22:35

consistently transforms the people

play22:37

around him from callous and uncaring to

play22:40

kind and generous for dostoevski this is

play22:43

what makes Selfless Love worthwhile even

play22:45

when it leaves us vulnerable and

play22:47

sometimes goes disastrously wrong for

play22:49

him it has the power to cut through

play22:51

people's insecurity and self-destruction

play22:54

and make them see that they are worthy

play22:56

of respect and reveal to them the kind

play22:58

of person that they could be if they

play23:00

truly tried one of the wonderful things

play23:02

about dov's novels is that almost no one

play23:05

is portrayed as Beyond Redemption and

play23:07

everyone has the potential to become

play23:09

something truly good If Only They had

play23:12

this treasured Kind of Love No Doubt

play23:14

such a love is incredibly rare but if

play23:16

even a fraction of what dovi says about

play23:19

its transformative effects are true it

play23:21

may be well worth striving for but if

play23:23

you thought that this was a stretch

play23:25

dov's demands are about to get much more

play23:27

extreme because now he wants us to take

play23:29

this selfless sacrificial almost

play23:32

sacramental love and expand it to

play23:34

Encompass the whole of humanity four the

play23:37

universal lover in ancient Greece people

play23:40

would use the word Agape to describe the

play23:42

sort of universal Divine love that

play23:45

Christians would later attribute to God

play23:47

this was part of a whole set of

play23:49

different types of loving that included

play23:51

AOS or erotic love and filia or

play23:54

brotherly love and dostoevsky's radical

play23:56

suggestion is that we bring about a a

play23:58

world in which there is universal agape

play24:01

and filia that is affection and

play24:03

brotherly love for all he himself seems

play24:06

to recognize that this idea is a little

play24:09

bit ambitious he even calls one of his

play24:11

final short stories exploring this idea

play24:13

the dream of a ridiculous man here he

play24:16

explores someone going through a brief

play24:18

but intense existential crisis who

play24:20

emerges on the other side with a

play24:22

completely new outlook on life the man

play24:24

discovers a wish to work tirelessly in

play24:27

service to a future where we all love

play24:29

one another selflessly and openly saying

play24:32

that this will be the salvation of the

play24:34

world and of course everyone else calls

play24:37

him ridiculous there are many

play24:38

theological themes that come up in

play24:40

dostoevski there's the problem of evil

play24:42

the issue of morality without God and so

play24:45

much more but one that perhaps appears

play24:47

more often than any other is the

play24:49

doctrine of loving your neighbor as

play24:51

yourself and this becomes increasingly

play24:53

prominent in his later writings in the

play24:55

brothers karamazov the Elder zosa gives

play24:57

us perhaps the closest approximation of

play24:59

dostoevsky's own philosophy he says that

play25:02

we should love life and encourage all

play25:05

others to do the same and moreover that

play25:07

this must be the energetic active love

play25:09

that we spoke about in the previous

play25:11

section we must behave like alosia and

play25:13

seek to serve those around us as if they

play25:15

were our brothers essentially dovi wants

play25:17

us to emulate the behaviors of the

play25:19

previous section but not just towards

play25:21

our friends or our partners but anyone

play25:24

that we come across and moreover to do

play25:26

all of this not begrudgingly or early

play25:28

but with endless enthusiasm and energy

play25:31

and even gratitude this also goes some

play25:33

way to making sense of what dostoevski

play25:35

means when he says we are not just

play25:37

responsible for our own sin but also the

play25:39

sins of everyone else he is encouraging

play25:41

us to treat the hardship of life like a

play25:44

shared burden and to extend empathy and

play25:46

compassion towards anyone's suffering

play25:48

even if that suffering is of their own

play25:50

creation and to recognize we're doing

play25:52

this not from a place of superiority but

play25:54

because it is a privilege to serve this

play25:56

also explains how dosv can portray

play25:59

characters like the underground man with

play26:01

such Exquisite tenderness while still

play26:03

not pretending that they are not

play26:04

responsible for their actions dovi is

play26:07

doing in a literary way what Jesus or

play26:09

alosa do in a literal way he is sharing

play26:12

in the trials and tribulations of his

play26:14

characters without removing their agency

play26:16

and through his writings he encourages

play26:18

us to do the same to people suffering in

play26:21

our own lives it is a little bit like

play26:23

schopenhauer's idea that we are a

play26:24

community of fellow sufferers dooi wants

play26:27

us to recognize the pain of other people

play26:30

and extend our compassion even to those

play26:32

who are cruel or self-destructive and

play26:34

this attitude closely aligns with dov's

play26:37

wider philosophy in a speech delivered a

play26:39

year before his death in celebration of

play26:41

the poet Pushkin dovi discusses his

play26:43

vision for the future of Russia and the

play26:45

world just as Prince Michigan or alosia

play26:48

or Christ serve as examples to light our

play26:51

way to selflessness and Universal

play26:53

kindness he wanted Russia itself to

play26:56

become a symbol of universal Global

play26:58

Brotherhood saying to become a Russian

play27:01

fully means only to become a brother of

play27:04

all men to become if you will a

play27:06

universal man Doo's ridiculous dream is

play27:10

of a future of love between all people

play27:13

where we are all a bit more like alosha

play27:15

mushkin and Christ where we would take

play27:17

up the demands of a totalizing active

play27:20

and Universal love and follow it to the

play27:22

ends of the Earth he is perhaps one of

play27:25

the only authors in history to take the

play27:27

Christian commandment to love all people

play27:29

so seriously for dostoevski violence and

play27:32

resentment and retribution would never

play27:35

get to the root of the problems we face

play27:37

as a species he thought that instead of

play27:39

leading by conquest or military might a

play27:42

brighter future could be brought about

play27:44

by examples of selfless people saying

play27:47

our destiny is universality won Not By

play27:50

The Sword but by the strength of

play27:52

Brotherhood and our fraternal aspiration

play27:54

to reunite mankind this again makes a

play27:57

lot of sense dov's religion for him the

play28:00

most impactful person in history was

play28:02

Jesus Christ he accomplished more than

play28:04

any General transformed the face of much

play28:07

of the world and yet did so through the

play28:09

power of his message of total love sure

play28:12

this idea has been corrupted and used

play28:14

for all sorts of Nefarious ends but

play28:16

dostoevski still believes hopes and

play28:20

dreams that we might be able to

play28:22

recapture it viewed in this light some

play28:24

of dov's characters like zosima alosha

play28:27

Mish and more can form powerful examples

play28:30

for us to follow personally I find that

play28:33

part of the power of great literature is

play28:35

that it lends a certain dignity to ways

play28:37

of living when we are struggling to

play28:39

follow our own values we can turn to a

play28:41

literary character we admire and ask

play28:43

what they would do and suddenly we don't

play28:46

feel so much like a fool I have

play28:48

certainly noticed this myself when I am

play28:50

struggling to be kind or when it seems

play28:52

to be backfiring on me I quite often

play28:54

call to mind the humble alosa or the

play28:57

poor and loving Prince Michigan and it

play28:59

certainly helps Soothe My burgeoning

play29:01

resentment it helps me realize that love

play29:03

is not stupid or ridiculous it might not

play29:06

always go our way and there are plenty

play29:08

of kind people that get taken advantage

play29:10

of but in my very limited experience it

play29:13

remains infinitely better than the

play29:15

cynical alternative I still have a long

play29:17

way to go to live up to even a minuscule

play29:20

fraction of this kind of love but I'm

play29:22

eternally grateful to have these

play29:24

characters to help me on my way but

play29:26

whoever we are cynic or Optimist

play29:28

religious or atheist we can certainly

play29:30

learn a lot from this extraordinary

play29:32

Russian thinker and who knows maybe he's

play29:35

right maybe love truly can save the

play29:39

world because to quote the New Testament

play29:41

that dovi valued so much love is patient

play29:45

love is kind it does not envy it does

play29:48

not boast it is not proud it does not

play29:51

dishonor others it is not self-seeking

play29:53

it is not easily angered it keeps no

play29:56

record of wrongs love does not Delight

play29:58

in evil but rejoices with the truth it

play30:01

always protects always trusts always

play30:04

hopes always perseveres I have to admit

play30:08

I don't know if dostoevski is right but

play30:11

I can say I really hope he is and if you

play30:14

want to explore more of dov's philosophy

play30:17

then click here to see my analysis of

play30:19

perhaps his most famous work Crime and

play30:21

Punishment and stick around for more on

play30:24

thinking to improve your life

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الوسوم ذات الصلة
DostoevskyLove PhilosophySacrificeRedemptionUnderground ManCrime and PunishmentThe IdiotBrothers KaramazovSelflessnessUniversal Love
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