The Creative Community 2.0 with Artist Lynda Weinman

Summary

In this episode of the Creative Community, host David Starkey interviews ceramic artist Linda Weinman, delving into her journey from a tech background to 3D printing in ceramics. Linda shares her experience learning digital fabrication for molds, the creative process behind her unique pieces, and the joy of collaborating with other artists. The conversation highlights the importance of embracing imperfections and the challenges of learning new techniques, showcasing the fusion of art and technology in modern ceramics.

Takeaways

• 🎨 Linda Weinman's journey into ceramics began with a desire to have a ceramic studio during retirement, reigniting her passion from high school.
• 👩‍🎨 She initially found traditional pottery classes unsatisfying, leading her to explore digital fabrication for ceramic molds, which combined her tech background with ceramics.
• 💻 Linda's background includes animation, special effects, and 2D graphics, with some experience in 3D from teaching computer graphics.
• 🏠 Her husband's involvement in building a parametric house inspired her to seek a similar creative fulfillment in ceramics, leading to the establishment of her own studio.
• 🔄 The use of 3D software like Rhino for designing ceramic molds was a pivotal moment, as it allowed for the creation of complex shapes and forms not possible with traditional methods.
• 🤝 Collaboration with other artists, such as Patrick Hall, has been a significant part of Linda's growth, combining different techniques and pushing the boundaries of what's possible in ceramics.
• 🌐 The COVID-19 pandemic provided an unexpected opportunity for Linda to focus on learning 3D clay printing, turning a challenging time into a period of creative exploration.
• 🤖 Embracing the imperfections and 'beautiful disasters' that can occur during the 3D printing process has led to unique and interesting pieces in Linda's work.
• 🏆 Linda created 'Insecurity Trophies' to symbolize the struggles and self-doubt that artists face, turning failures into meaningful art.
• 🌱 Her work has been influenced by nature, as seen in pieces inspired by Lotusland's garden, and she has explored various techniques and assignments to grow as an artist.
• 🔮 Linda's upcoming show at Sullivan Goss, titled 'Regeneration,' showcases her evolving style, moving from functional to more sculptural and meditative pieces.

Q & A

What is the main topic of discussion in the interview?

The main topic of discussion in the interview is Linda Weinman's journey as a ceramic artist, particularly focusing on her use of 3D printing technology in her work.

What was the initial motivation for Linda to get back into ceramics?

Linda's initial motivation to get back into ceramics was her desire to have a ceramic studio as she and her husband were building a custom house during their retirement.

How did Linda's background in animation and computer graphics influence her approach to ceramics?

Linda's background in animation and computer graphics influenced her approach to ceramics by allowing her to combine her technical skills with her artistic interests, particularly through the use of 3D software to design molds.

What was the significance of the class Linda took at Anderson Ranch in Colorado?

The class at Anderson Ranch was significant because it introduced Linda to digital fabrication for ceramic molds, which utilized 3D software to design molds. This experience helped her realize she could combine her tech background with ceramics.

What was the first piece Linda modeled using Rhino 3D software?

The first piece Linda modeled using Rhino 3D software was a tray, which was later CNC milled based on the computer instructions.

How did Linda's husband's involvement in architecture influence her work?

Linda's husband's involvement in architecture, specifically building a parametric house, inspired her to explore the possibilities of combining her tech background with ceramics. She discovered that the software used in architecture was the same as what she used in her ceramic designs.

What was Linda's experience like when she first started learning 3D clay printing?

Linda's experience when she first started learning 3D clay printing was challenging but rewarding. She taught herself through YouTube videos and reached out to others who knew how to do it, turning her dining room into a 3D clay printing room.

What is the significance of the term 'beautiful disasters' in Linda's work?

The term 'beautiful disasters' refers to the unexpected and imperfect outcomes that sometimes occur during the 3D printing process. Linda embraces these imperfections, finding beauty in the chaotic results and even creating pieces based on these accidents.

Can you describe the collaboration between Linda and Patrick Hall?

Linda and Patrick Hall collaborated on a project where Linda's 3D printed pieces were combined with Patrick's traditional pottery. Patrick, an accomplished potter, contributed the base and lid of the pieces, while Linda provided the 3D printed neck sections.

What advice does Linda give to someone interested in pursuing a similar path in ceramics and 3D printing?

Linda advises starting with learning the software, as it is a significant part of the process. She emphasizes the importance of trial and error, and encourages persistence in overcoming the challenges that come with working with technology and ceramics.