Shotlisting Just Got A LOT Better! Set a Light 3D Review

Summary

本期视频介绍了一款名为Set a Light 3D的软件，它允许用户创建3D场景并设置不同的灯光、反射器、修饰器、相机和演员，以预览实际拍摄效果。视频制作者分享了自己如何使用软件进行灯光布局设计，并在现实中复制设置，展示了软件的准确性和实用性。尽管需要根据实际灯具进行一些调整，但软件显著提高了设置效率，节省了时间。

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Q & A

视频更新的主要内容是什么？

视频主要介绍了一款名为Set a Light 3D的软件，这款软件可以帮助用户创建3D场景并设置不同的灯光、反射器、修改器、相机和演员，以预览实际拍摄时的灯光效果。

Set a Light 3D软件的主要功能是什么？

Set a Light 3D软件的主要功能是允许用户创建一个基础的3D拍摄场景，并在其中设置各种灯光效果，包括不同色温的灯光、反光板、色光等，以及可以自定义的人物模型和姿势，从而提供一个逼真的预览效果。

为什么作者认为Set a Light 3D软件对他来说非常重要？

作者认为Set a Light 3D软件对他非常重要，因为在实际拍摄时，尤其是在有严格时间限制和日程安排的情况下，他可以提前在电脑上测试和调整灯光效果，而不需要在现场实际移动任何灯光设备，这样可以节省时间和努力。

Set a Light 3D软件在实际操作中的表现如何？

在实际操作中，Set a Light 3D软件能够帮助用户大致模拟出实际拍摄场景的灯光效果，但由于使用的灯光设备与软件中的不完全相同，用户还需要在现场根据实际情况对灯光强度进行微调，以达到最佳效果。

作者在视频中使用了哪些特定的灯光设备？

作者在视频中使用了多种灯光设备，包括Aperture 300D、Sky Panel、Light Tube以及Pavo Tubes等，他还提到了自己的主光源是500瓦特的，而不是软件中的300D。

在视频中，作者提到了哪些关于Set a Light 3D软件界面的信息？

作者提到了Set a Light 3D软件界面包括一个工作区域，用户可以在此设计3D房间，以及一个预览面板，显示相机所看到的场景。此外，软件还允许用户调整相机的各种设置，如帧率、快门速度等。作者还提到了软件在超高分辨率显示器上有一些缩放问题。

作者在视频中如何验证Set a Light 3D软件的准确性？

作者通过在软件中创建一个基本的拍摄场景，并设置特定的灯光效果，然后将这些设置应用到实际的拍摄环境中，通过比较软件预览和实际拍摄结果的相似度来验证软件的准确性。

作者在视频中提到了哪些关于Set a Light 3D软件的局限性？

作者提到，由于他没有使用软件中列出的确切品牌和型号的灯光设备，所以在实际应用中需要对灯光强度进行一些调整，以接近软件中的预览效果。这表明软件虽然提供了一个很好的起点，但在实际应用中可能需要根据具体设备进行微调。

作者在视频中提到了哪些关于Set a Light 3D软件的优点？

作者认为Set a Light 3D软件的优点在于它能够帮助用户在没有实际移动任何灯光设备的情况下，在电脑上测试和调整灯光效果，这样可以节省时间，减少现场调整的需要，尤其对于有严格时间限制的拍摄项目来说非常有用。

作者在视频中提到了哪些关于Set a Light 3D软件的操作细节？

作者提到了在软件中可以自定义人物模型，设置不同的姿势和表情，以及可以调整灯光的强度、色温和方向。他还提到了软件中的灯光设备库，包括各种常见的灯光和反光设备，用户可以根据需要选择和调整。

作者在视频中提到了哪些关于Set a Light 3D软件的导出功能？

作者提到了Set a Light 3D软件允许用户导出灯光布局，可以打印出来或保存到手机上，以便在现场拍摄时作为参考。但他也提到了导出的文件分辨率不是很高，可能需要调整设置以获得更好的质量。

Outlines

00:00

🎥 介绍新软件Set a Light 3D

视频开头，主持人介绍了他通过Instagram广告发现的新软件Set a Light 3D。这款软件由Elixir Software公司开发，允许用户创建基本的3D场景，设置不同的灯光、反射器、修饰器、相机和演员，以预览实际的照明效果。主持人强调了这款软件对于快速确定照明设置的重要性，尤其是在时间紧迫或需要快速调整灯光的情况下。

05:03

🖥️ 使用Set a Light 3D软件

在第二个段落中，主持人详细展示了如何在Set a Light 3D软件中设置一个独特的照明场景。他提到了软件界面的布局，包括3D房间设计工作区和相机预览面板。他还提到了软件的一些功能，如改变相机角度、控制相机设置、选择不同的灯光和修饰器。主持人通过实际操作展示了如何创建一个具有混合颜色温度的戏剧性场景，并说明了如何导出灯光布局以便在现实中复制。

10:04

📸 将软件设置应用于现实场景

最后一个段落中，主持人将软件中的照明设置应用到了现实拍摄场景中。他首先调整了现实中的灯光设备，以匹配软件中的设置，并对强度进行了微调，以达到与软件预览相近的效果。尽管他没有使用软件中显示的精确灯具型号，但他表示软件仍然非常有用，只需稍作调整即可获得接近的效果。最后，主持人邀请观众分享对这款软件的看法，并预告了下一周将发布的关于Blackmagic Ursa Mini Pro 12K的视频。

Mindmap

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Keywords

💡Ursa Mini Pro 12K

Ursa Mini Pro 12K 是Blackmagic Design公司生产的一款专业级数字电影摄影机，以其高分辨率和优秀的影像质量而闻名。在视频中，提到了作者获得了额外一周的使用时间，这表明该设备对于视频制作者来说是非常有价值的工具。

💡Set a Light 3D

Set a Light 3D 是由Elixir Software开发的一款软件，它允许用户创建一个基础的3D场景，并在其中设置不同的灯光、反射器、修饰器、相机和演员，以便在实际拍摄前预览灯光设置的效果。这个软件对于视频制作者来说非常有用，因为它可以在不实际移动任何灯光设备的情况下，快速测试和调整灯光效果。

💡灯光设置

灯光设置是视频制作中的一个重要环节，它涉及到选择合适的灯光设备、调整灯光的方向和强度，以及使用不同的修饰器来达到理想的拍摄效果。在视频中，作者通过Set a Light 3D软件来模拟和预览不同的灯光设置，以便在实际拍摄时能够快速地达到理想的效果。

💡3D环境

3D环境指的是通过三维建模技术创建的虚拟空间，它可以模拟现实世界中的场所或构建完全虚构的场景。在Set a Light 3D软件中，用户可以在3D环境中布置灯光和相机，预览拍摄效果，这对于视频制作和电影制作来说是一个非常有用的工具。

💡色温

色温是描述光源颜色特性的一个术语，通常以开尔文（K）为单位来衡量。在视频制作中，色温的调整可以影响画面的氛围和情感表达。在视频中，作者提到想要使用不同色温的灯光来创造更具戏剧性的效果。

💡软盒

软盒是一种摄影配件，用于放置在灯光前，使光线散射，从而产生更柔和、更广泛的照明效果。在视频中，作者提到无法直接在软件中的特定灯光上添加软盒，但可以通过其他方式来模拟类似的效果。

💡RGB灯

RGB灯是一种可以产生红、绿、蓝三原色的灯光设备，通过调整这三种颜色的强度，可以产生各种颜色的光。在视频中，作者提到使用RGB灯来创造混合色温的效果，这在创造特定氛围的拍摄场景中非常有用。

💡曝光

曝光是指光线照射到摄影机传感器上的时间长短，它直接影响到图像的明暗程度。在视频中，作者提到调整曝光来控制画面的亮度，这是摄影和视频制作中的基本技术之一。

💡负填充

负填充是一种摄影技术，通过在场景的一侧添加暗色或黑色物体来吸收多余的光线，从而减少阴影部分的亮度，增加画面的对比度。在视频中，作者提到使用负填充来控制背景上的光线溢出。

💡光线强度

光线强度指的是光源发出的光的强弱程度，它可以通过调整灯光的功率或距离物体的远近来控制。在视频中，作者在实际搭建场景时，根据软件中的设置调整了各个灯光的光线强度，以达到与软件预览相近的效果。

💡灯光设备

灯光设备是指用于视频拍摄或摄影中，提供照明的各种工具和配件，包括但不限于聚光灯、泛光灯、软盒、反光板等。在视频中，作者提到了多种灯光设备，如Sky Panels、Light Tubes、Aperture 300D等，这些都是构建拍摄场景时常用的设备。

Highlights

介绍了Blackmagic公司提供的Ursa Mini Pro 12K相机的额外使用时间。

分享了通过Instagram广告发现的新软件Set a Light 3D。

Set a Light 3D软件由Elixir Software公司制作，用于创建基础3D场景和灯光设置。

软件能够预览灯光设置的实际效果，对于时间紧迫的拍摄非常有帮助。

软件允许用户在电脑上测试和调整灯光，无需移动实体灯架。

软件中可以自定义人物模型和姿势，以及设置不同的灯光和修改器。

软件提供了多种灯光选项，包括天空面板、环形灯等。

软件界面在不同分辨率的显示器上可能存在缩放问题。

实际操作中，需要根据实际使用的灯光设备调整软件中的设置。

软件导出的PDF或图像分辨率可能不是很高。

在现实中重现软件中的灯光设置，需要微调以达到最佳效果。

软件帮助理解拍摄风格，但需要根据实际灯光设备进行调整。

作者对Set a Light 3D软件的准确性进行了实际测试。

作者在视频中使用了自己的工作室和设备来模拟软件中的设置。

软件对于快速理解和设置复杂的灯光非常有帮助。

作者将在下周五发布关于Blackmagic 12K的视频。

Transcripts

hey what's going on everybody welcome

back to another video and

just wanted to give you guys an update

blackmagic actually let me have

the ursa mini pro 12k for another week

and so if you have

any remaining questions for this i'm

starting to wrap up

this video to be posted next friday

don't forget to comment down below and

make sure you're subscribed so you get

notified

when this comes out but today i want to

talk about my new

favorite piece of software that i

stumbled upon through

a instagram ad and the spaces software

is called

set a light 3d it's made by a company

called

elixir software now what this software

does is basically

allows you to create a basic 3d set

or 3d environment where you may be

shooting

and it allows you to set up different

lights and reflectors and modifiers and

cameras and actors

and basically give you a realistic

preview

of what that lighting setup is going to

look like

now to me this is huge because one of

the things that i've battled with

over the years is knowing exactly

what lights to set up in which way you

see when i'm filming in my own studio

for my own youtube videos

i'm not really under any too much time

pressure i can pretty much play around

with the lights see what works what

doesn't work what i like what i don't

like but if i'm going to

film with like a client for example and

we have a very strict

deadline and schedule for what that

shoot day looks like and

even if it is a little bit more loose

you still have people waiting around

while you're

trying to figure out where to set up

lights the other logistical issue

with playing around with lights is when

you're by yourself it can just take a

lot of effort

to try something new i mean this new set

that i created here

took quite a few hours of playing around

with different lights

different softbox sizes grid no grid

and so that's where a software like this

comes into play

because you can basically do all of that

testing and playing around

on your computer without having to

physically move any light stands around

and instantly see what sort of final

result you're going to

get so what i want to show you guys real

quick today is how accurate

this software actually is so what i want

to do first is go on the

computer go on the piece of software and

create kind of a basic set that is a

little bit more unique and i want to use

maybe a mix of different color

temperatures or different colors in

general

do something a little bit more dramatic

set everything up and then i'll be able

to actually

save the lighting layout that you can

print out or save to your phone

and then in real life i'm going to

copy the exact settings will be a fun

little test

so let's get to it hey we're on my

computer and lighting's terrible

only said one light so that's going to

look all dramatic

but that's fine we're not here for my

face and it goes to the wrong screen

boom here we go we have uh satellite

all set up here and again i'm not going

to go through the

entire interface but basically the

gist of it is over here is kind of your

work area where you can

completely design the 3d room

and then on the right side here you have

basically a preview pane

of what the camera is seeing and so if i

move this around

can change the angles i can go

tripod up tripod down

and you have all these camera controls

and by the way

if all the buttons look super small to

you it's because we're on my 5k

monitor if you have like a 1080p

or 4k monitor the buttons look a lot

bigger

so the software seems to have a little

bit of a scaling issue

on ultra high res uh monitors

but it's personally fine by me i don't

really care

but yeah you can change between full

frame uh different crop factors

aspect ratios your shutter speed pretty

much the

entire thing right so let's go ahead

and get set up i'm actually going to

delete these lights so let's zoom out

here so what we're going to do is i

actually have

a orange backdrop so what i did is kept

the default backdrop and they have a

bunch of like

actual uh colors here

all right so they have savage which i

believe mine is savage

i got the orange one cool and

that's actually not going to be the main

focus i'm going to move this back here

move our dude and what's cool is you can

totally uh customize everything about

this person

and then if we go into posing mode you

can like

do everything i mean these are like

fully rigged bodies

so you can do some pretty crazy

things with it so across the bottom we

can see all of our different

lights and modifiers again a lot of this

is going to be for still photography

but if you go to permanent lighting

again we can see

our sky panels we can see our different

re lights

uh got some other panels over here looks

like kino flows

and then looks like we have a aperture

300d

yep 300d mark ii we got titan tube

lights

got ring lights all the goods all the

basic necessities and so i don't have

titan tubes but the pavo tubes

should uh give off a pretty similar vibe

so

first things first let's go ahead

and get a 300d because i use

nan light lights but they're cobs

so it should do the trick now can i

add a modifier to this

all right so you can't add like a

softbox onto the light

so what i did in the past is i would

just grab one of these like photography

domes one that would have like the

relative size

of my permanent light and it wouldn't be

exact

but kind of the trick for this one i'm

going to try something different

i'm going to try

all right so i want this kind of to the

side of me

i'm going to put it further back because

under

the helper so i have diffusion panel

first let me get my

framing here i want to be at a

i'm gonna say a 45 and then you can of

course change the

intensity of the light oh nice yep you

can change

the reduction so this is actually three

stops it's actually a quarter of a stop

what

am i at 180 degree oh there's my my f8

so i'm gonna go like f4 there we go

that's starting to

look more normal i really like the

performance of this two you can see when

i start to drag around lights the

preview pane in the right

kind of goes real bad quality for a

second and then when

i let go of everything it kind of goes

back to its

uh 1080p preview i'm actually going to

add a negative fill right here because i

don't want that

spill you can see that when i remove it

spilling onto the background

and i want to light that separately all

right so now we got

basic uh setup going on right there

so i'm not really liking the strength

that this

is putting out here let me yeah

just can't delete that all right so

let's say we just throw another

spotlight on it

and we're going to turn down the

intensity i'm going to say like

and we'll yeah we'll keep the lights

stand in frame i kind of dig it

and then on this side of the face i want

kind of a mixed

color temperature so let's see is there

any like

rgb i'm going to take a sky panel

because this is similar to

a rgb light that i have i'm gonna bring

that

intensity down a bunch and we're gonna

go

off a blue light maybe and then what if

we take

a light tube on this side just out of

frame

if i did red alrighty people we kind of

have

the setup this time what i'm gonna go

for i guess

and so if i go to the export section

here we can see that want to

export is this make like a pdf or

something and yeah

just like we saw it's not super

high res or anything maybe i can adjust

those uh

settings but all right so now time to

see if we do this exact setup in real

life

how close will look to this

alrighty first step we have the black

magic pocket

6k uh setup given the good old 12k

rest we have the irix

millimeter cine lens on top i need time

to

lower this guy

by the way i already know someone's

gonna comment about all the crap on my

shirt just knows that uh it's called

having kids

and i don't really care i'm not changing

it for the video so

deal with it but let's see we're trying

to match

[Music]

this guy right here so we can see part

of the wall

so it's not the entire backdrop so it's

kind of at

an angle so let's move

this to where

oh pretty close

[Music]

so we can see on this graph here that

our main

uh settings here oh man i totally

butchered that

working mistake iso 100

i wasn't thinking it's late well here

goes nothing

we are now at iso 100

and t4 right on the mountain

[Music]

all righty so we have all the basic

lights set up

now the most important thing is to kill

all the other sources kill the over top

lights

have our orange background check a light

shooting onto the background

check i have a tube light with a red

hue boom we have a what would be

sky panel check and we have our source

which technically i know i set this up

to do this going through diffusion and

then

having a bounce but softbox will do

so the very last thing that i did from

the computer is i went around to all the

lights

and put them on the exact

intensity levels that it showed on the

computer

if i were to sit down in front of that

camera

and show the angle hopefully the focus

is pretty decent

uh this isn't looking exactly right

the reason this isn't looking exactly

like it is

in the satellite software is because

as i mentioned before i'm only using

lights that are relatively close to the

ones

in the software and this is where the

lack

of video current equipment list

on there is kind of a con because while

this does

get me very close and that makes me feel

like the software is still

useful you do have to compensate for

the different specifics of the lights

for example

my key light is a 500 watt

not a 300 d a 300 watt

from aperture it's also going through a

soft box and which is a different level

of diffusion

tube light this light this light

they're all different power output

settings and so

i'm gonna have to dial it in more and

kind of just play around with the

intensities of all the lights

in order to get it as close as i can to

the uh one in the software so let me

dial it in and see if i can get it a

little

bit closer with some playing around so

i'd say that i have it locked in

to be as close as i can probably get it

with just around

five extra minutes of playing around

with the intensities

i also changed up the angles a little

bit this i moved

more towards the edge so that way you

can actually

it's catching more of the uh orange

background

the blue light was a little too much in

front of me so now it's more directly

on the side also lower the intensity i

moved

the uh red light here a little bit

further away so it was

a little less intense and honestly it's

almost a little disappeared so i

probably could bring it back or raise

the intensity slightly

and then my big key light is essentially

on like

two percent intensity even that's still

looking

a little bit strong but yeah this is

kind of setup

i definitely think that the satellite

software helped

it allowed me to understand what the

style was going to look like

but because i didn't use the exact make

and models

of the lights in there you do have to

play around with the intensities a bit

but it gets you about ninety percent of

the way there

pretty cool so there you guys have it uh

what do you think about this piece of

software do you think it was pretty

close

do you think it was pretty far off and i

still had to tweak things

like i said before all this stuff will

be linked down in the description below

if you want to check it out don't forget

to come back next week for my big black

magic

12k video thanks so much for watching

i'll see you in the next video