Why Ian Fennelly chooses these colors in his Wild West Urban Sketching Course
Summary
TLDRIn this watercolor workshop, the artist introduces the materials used for painting a ranch scene. The brushes include a variety of flats and riggers, suitable for different painting techniques. The artist will use Winsor & Newton paints, with a color palette consisting of warm and cool blues, cobalt turquoise, burnt sienna, and raw umber. The focus is on balancing color temperature and achieving a range of tones through the use of water, emphasizing the importance of water in creating dynamic effects and textures in watercolor painting.
Takeaways
- π¨ The workshop is focused on watercolor painting with a specific theme of a ranch.
- ποΈ The artist uses a variety of brushes including large, medium, and small flats, as well as big and small riggers.
- π΅ The color palette includes a warm blue (ultramarine), a cold blue (cerulean), cobalt turquoise, burnt sienna, and raw umber.
- π‘οΈ The colors are balanced in temperature with three cool and two warm colors, allowing for a range of tones.
- βοΈ Ultramarine and burnt sienna are complementary colors, which can be mixed to create neutral gray values.
- π The gray values are particularly useful for depicting the corrugated iron roof of the ranch.
- π³ Burnt sienna and raw umber are suggested for the tree, with the potential addition of cobalt turquoise for green hues.
- π§ The importance of water is emphasized for mixing colors and creating various shades and effects.
- π The artist plans to demonstrate the use of water to push color around the surface, suggesting a dynamic painting process.
- π The artist intends to avoid overly green colors, preferring to keep the palette in line with the 'Wild West' theme.
- π The audience is encouraged to observe the frequency of brush dipping in water as a key technique in the demonstration.
Q & A
What is the main focus of the workshop being described in the transcript?
-The main focus of the workshop is watercolor painting, specifically painting a scene of a ranch.
What types of brushes does the instructor mention using in the workshop?
-The instructor mentions using a range of brushes including large, medium, and small flats, as well as big and small riggers.
What is the purpose of using different sizes of flat brushes?
-Different sizes of flat brushes are used for various purposes: large flats for broad expanses of color, medium flats for moderate areas, and small flats for detailed work.
What are the specific types of rigger brushes mentioned, and what are they typically used for?
-The instructor mentions using a big rigger and two small riggers, which are typically used for drawing and detailing.
What are the paint colors the instructor plans to use for the ranch scene?
-The instructor plans to use two blues (warm and cold), cobalt turquoise, burnt sienna, and raw umber.
Why are ultramarine and burnt sienna considered complementary colors?
-Ultramarine and burnt sienna are considered complementary because they are opposite each other on the color wheel, and when mixed, they can create neutral gray values.
How does the instructor plan to use the color cobalt turquoise in the painting?
-The instructor plans to use cobalt turquoise for the trees, possibly mixing it with raw umber to achieve green values, but not too much to avoid an overly green appearance.
What is the significance of using water in watercolor painting as demonstrated in the workshop?
-Water is significant in watercolor painting as it allows for the manipulation of pigments to create a range of tones and to push color around the surface, adding to the fluidity and expressiveness of the artwork.
How does the balance of cool and warm colors in the instructor's palette contribute to the painting?
-The balance of cool and warm colors helps to create depth and contrast in the painting, enhancing the visual appeal and realism of the ranch scene.
What is the instructor's approach to mixing colors in the watercolor painting process?
-The instructor's approach involves using the pigments with water to achieve a wide range of tones, and carefully mixing colors like cobalt turquoise with raw umber to create specific color values without overpowering the scene with green.
Why does the instructor emphasize the importance of watching the brush-dipping process in the demonstration?
-The instructor emphasizes the importance of watching the brush-dipping process to understand how water is used to control the application of color and to create various effects on the paper, which is a key technique in watercolor painting.
Outlines
π¨ Watercolor Workshop Introduction
The speaker begins by introducing the watercolor workshop, emphasizing the materials to be used. They present a variety of brushes, including large, medium, and small flats, as well as big and small riggers, explaining their uses for different painting techniques. The speaker also introduces the paints, all from Windsor & Newton, and lists the colors to be used: two blues (warm and cold), cobalt turquoise, burnt sienna, and raw umber. The importance of color balance and temperature is highlighted, with an explanation of how these colors can be mixed to achieve various tones and values, especially for the ranch's corrugated iron roof and the tree. The speaker also hints at the importance of water usage in watercolor painting, promising a demonstration of its application throughout the workshop.
Mindmap
Keywords
π‘Watercolor
π‘Brushes
π‘Washes
π‘Riggers
π‘Flats
π‘Pigments
π‘Complimentary Colors
π‘Cobalt Turquoise
π‘Burnt Sienna
π‘Raw Umber
π‘Use of Water
Highlights
Introduction of watercolor workshop with a range of brushes for different techniques.
Use of large, medium, and small flat brushes for washes and expanses of color.
Utilization of big and small rigger brushes for detailed drawing.
Combination of different brushes for varied painting effects.
Selection of Winsor & Newton paints for their quality.
Inclusion of two blues - warm and cold - for color temperature balance.
Use of ultramarine as the warm blue and cerulean as the cold blue.
Incorporation of cobalt turquoise to represent the trees' color.
Addition of burnt sienna and raw umber for earthy tones.
Explanation of color theory with cool and warm colors for balance.
Mixing ultramarine and burnt sienna to create neutral gray values.
Application of color theory to achieve various tones using water.
Creating green values by mixing cobalt turquoise with raw umber.
Intention to avoid excessive green to differentiate from other workshops.
Emphasis on the importance of water usage in watercolor painting.
Demonstration of brush-dipping technique to manipulate water on canvas.
Encouragement to observe the artist's water usage throughout the demo.
Invitation to enjoy the creative process and have fun with watercolors.
Transcripts
[Applause]
right everybody we have the watercolor
stage coming up now and before we do
that I'd like to explain a few things
about the materials that I'm going to be
using for you today with this Workshop
of the ranch at tank of birie so let me
show you the brushes first of all I've
got a range of brushes the same ones
that I always use but just to remind you
got huge big massive giant Flats got
medium flats and we've got kind of baby
flat these are great for kind of washes
of color and then I've got big rigger
and I've got two small riggers so that's
about a number three and they're zeros
okay and then these are the flats and
I'm going to use a combination of all of
these brushes the riggers are great for
drawing the flats are obviously big
expanses of
color these are the paints that I'm
going to be using they're all kind of
winds Ron okay really well used these
guys come with me all over the colors
for Ranch are as follows we're going to
use two Blues we're going to use a warm
blue and a cold blue so the warm blue is
the ultramarine and then civillian is
the cold blue we're going to use Cobalt
turquoise also cuz there's lots of
cobalt turquoise I'm seeing in the tree
burnt sienna and raw umber now let me
kind of explain the colors for you we've
obviously got three coolish colors and
we got two warm colors we've got a nice
balance in in terms of temperature we
can also by using the pigments and using
the water we can get a great range of
tone as well so ultramarine and burnt
sienna are complimentaries which means
they're opposite sides of the color
wheel so when they mix together with a
little bit of white we can really
neutralize things and get some wonderful
gray values in the corrugated um Iron
Iron roof of of the ranch um the brown
and the um obviously will be great for
the tree the Cobalt turquoise mixing
perhaps with the Raw umber that'll get
give us some nice kind of green values
but I don't want to do too much green on
this the Cobalt turquoise will be fine
but I I don't want it to be too kind of
greeny um because there's lots of green
in other in other kind of workshops that
we're doing with this Wild West series
for you so these are the colors that are
going to come out to play they play
nicely when we use the water and it's
all about the use of water so as you're
watching this demonstration watch how
many times I'm dipping the brush just in
the water and using that water to push
it around the surface and have fun
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