Surah At-Taubah Ayat 1-6 dengan beberapa hukum tajwid yang menjadi senarai utama

radhia abdrzk

11 Jul 202406:06

Summary

TLDRIn this video, Dayang Radiatul Adawiah binti Abang Abdul Rajak, a Bachelor's student in Islamic Management, presents a detailed explanation of the tajwid (pronunciation rules) for Surah At-Taubah, verses 1-6. She highlights various tajwid rules, such as Mad Wajib Muttasil, Mad Silah Thawilah, Ikhfa Hakiki, Izhar Shafawi, and Idgham Bilaghunnah. She also discusses the appropriate recitation methods, emphasizing specific pronunciation nuances. The video serves as a comprehensive guide for accurately reciting and understanding the tajwid rules in these verses of the Quran.

Takeaways

🕌 Introduction by Dayang Radiatul Adawiah binti Abang Abdul Rajak, a student in Bachelor of Islamic Management with Honors, January 2024 semester.
📜 The recitation is from Surah At-Tawbah, verses 1 to 6.
🚫 For Surah At-Tawbah, the Basmalah is not recited; instead, 'Auzubillahiminasyaitanirrajim' is said before beginning the recitation.
📖 Verse 1: Contains the rule of Mad Wajib Muttasil, where a Mad letter meets a Hamzah in the same word, extending the pronunciation by 4 to 5 harakat.
📖 Verse 2: Features Mad Silah Thawilah, where Hamzah follows Ha Damir, requiring the extension of the pronunciation by 4 to 5 harakat.
📖 Verse 3: Includes Ikhfa Hakiki, where Nun meets Ta, causing the sound of Nun to be merged with Ta, and also contains Izhar Shafawi and Idgham Bilaghunnah rules.
📖 Verse 4: Mentions the rule of Izhar Shafawi, where Mim Sukun meets Fa, and Idgham Bilaghunnah, where Tanwin meets Lam.
📖 Verse 5: Explains the rule of Tarqik, where the letter Ra with Kasrah is pronounced lightly.
📖 Verse 6: Highlights the rule of Tafkhim, where the letter Ra with Fathah is pronounced heavily.
📚 Concludes with the explanation of various Tajweed rules applied in the recitation of Surah At-Tawbah.

Q & A

What is the name of the speaker and their academic program?
-The speaker's name is Dayang Radiatul Adawiah binti Abang Abdul Rajak, and they are pursuing a Bachelor's degree in Islamic Management with honors.
Which Surah and verses does the speaker focus on in their explanation?
-The speaker focuses on Surah At-Tawbah, verses 1 to 6.
Why is the Basmalah not recited before reading Surah At-Tawbah?
-The Basmalah is not recited before Surah At-Tawbah because it starts directly with a declaration of dissociation, and it is enough to say 'A'udhu billahi min ash-shaytan ir-rajim' before starting the recitation.
What is 'Mad Wajib Muttasil' and how is it applied in the recitation?
-'Mad Wajib Muttasil' occurs when a Mad letter (long vowel) is followed by a Hamzah (glottal stop) in the same word. It is extended to four or five harakat (vocal counts).
What is 'Mad Silah Thawilah' and how is it applied?
-'Mad Silah Thawilah' occurs when a Hamzah follows a Ha Damir (a pronoun 'ha') and it is extended by four or five harakat.
What is the rule of 'Ikhfa Hakiki' and how is it applied?
-'Ikhfa Hakiki' occurs when a Nun Sakinah (a noon with a sukoon) is followed by a letter of ikhfa, such as 'ta'. The sound of the Nun is partially hidden or merged with the following letter.
What is 'Izhar Shafawi' and how is it applied?
-'Izhar Shafawi' occurs when a Mim Sakinah (a meem with a sukoon) is followed by a letter of izhar, such as 'fa'. The Mim is pronounced clearly without merging.
What is 'Idgham Bilaghunnah' and how is it applied?
-'Idgham Bilaghunnah' occurs when Tanween (two vowels) or Nun Sakinah is followed by one of the letters of Idgham Bilaghunnah, such as 'lam'. The sound is merged smoothly without nasalization.
What is 'Tafkhim' and how is it applied in the recitation?
-'Tafkhim' refers to the thickening of the sound, applied to the letter 'ra' when it is accompanied by a Fatha (a vowel mark) or a Dammah.
What is 'Tarqiq' and how is it applied in the recitation?
-'Tarqiq' refers to the thinning of the sound, applied to the letter 'ra' when it is accompanied by a Kasrah (a vowel mark).

Outlines

00:00

📖 Introduction and Surah At-Tawbah Recitation

The speaker, Dayang Radiatul Adawiah binti Abang Abdul Rajak, introduces herself and her credentials. She recites Surah At-Tawbah, Ayat 1 to 6, explaining various Tajwid rules such as Mad Wajib Muttasil, Mad Silah Thawilah, and others. She emphasizes the proper pronunciation and rules for reading the verses, noting specific instances like the presence of Mad Wajib Muttasil and Ikfa Hakiki.

05:01

🕌 Detailed Tajwid Explanation and Conclusion

The speaker continues with the Tajwid rules, specifically focusing on Ayat 3 and the Tajwid rules associated with it, such as Ikfa Hakiki and Idgham Bilaguna. She highlights the importance of proper pronunciation and mentions additional rules like Tarqik and Tafkhin in subsequent verses. The explanation aims to provide a thorough understanding of the recitation rules in Surah At-Tawbah.

Mindmap

Keywords

💡tajwid

Tajwid refers to the set of rules for the correct pronunciation of the letters with all their qualities and applying the various traditional methods of recitation of the Quran. In the video, tajwid rules are applied to the recitation of Surah At-Taubah, emphasizing the proper pronunciation of letters and words.

💡Surah At-Taubah

Surah At-Taubah is the ninth chapter of the Quran, known for its unique structure as it does not begin with 'Bismillah'. In the video, the speaker recites and analyzes the tajwid rules within the first six verses of this Surah.

💡mad wajib muttasil

Mad Wajib Muttasil is a tajwid rule where a letter of elongation (mad) is followed by a hamzah in the same word, requiring the elongation to be extended to four or five harakats. This rule is highlighted in the video during the recitation of the first verse.

💡mad silah thawilah

Mad Silah Thawilah refers to the elongation that occurs when a ha damir (connected pronoun) is followed by a hamzah, extending the pronunciation by four or five harakats. The video illustrates this rule in the recitation of the phrase 'rasulihi ilanasi'.

💡ikhfa' haqiqi

Ikhfa' Haqiqi is a tajwid rule where a nun sakinah or tanwin is followed by one of the 15 letters of ikhfa', requiring the sound to be partially hidden. The speaker discusses this rule using the example of 'annallaha' from the third verse.

💡idgham bilaghunnah

Idgham Bilaghunnah is a tajwid rule where tanwin or nun sakinah is followed by one of the letters of idgham without nasalization (ghunnah). In the video, this rule is explained with the example 'musyrikin'.

💡izzhar syafawi

Izzhar Syafawi is a tajwid rule that applies when a meem sakinah is followed by any letter except ba or meem, pronounced clearly without nasalization. The speaker demonstrates this with 'fahuairakum' in the recitation.

💡tarqik

Tarqik is the light pronunciation of the letter ra when it has a kasrah (a short vowel sound 'i'). The video mentions this rule in the recitation of the word 'musyrikin' in the sixth verse.

💡tafkheem

Tafkheem is the thick pronunciation of the letter ra when it has a fatha (a short vowel sound 'a') or dhamma (a short vowel sound 'u'). The rule is explained in the context of the word 'faqtulul' in the sixth verse.

💡basmalah

Basmalah refers to the phrase 'Bismillahir Rahmanir Rahim', traditionally recited at the beginning of Quranic chapters. The video highlights that Surah At-Taubah is unique in that it begins without the Basmalah, starting instead with 'Auzubillah'.

Highlights

Introduction of Dayang Radiatul Adawiah binti Abang Abdul Rajak with her matriculation number and program details.

Recitation begins with the Surah At-Taubah, highlighting the omission of Basmalah and starting with Auzubillahim minasyaitanirrajim.

Explanation of Mad Wajib Muttasil in the first verse, where a letter of mad meets a hamzah in the same word, requiring an extended pronunciation.

Identification of Mad Silah Thawilah in the phrase, which occurs when a hamzah follows the ha damir and requires a lengthened pronunciation.

Discussion of Ikfa Hakiki in the third verse, where a nun meets the letter ta, necessitating a slight nasal sound.

Explanation of Izhar Syafawi, where a mim sukun meets the letter fa, requiring a clear pronunciation.

Description of Idgham Bilaghunnah, where tanwin meets the letter lam, creating a nasal sound insertion.

Analysis of the use of the term 'Hatta' indicating a requirement to continue until a certain point is reached.

Identification of Tarqik in the sixth verse, where the letter ra with a kasrah is pronounced lightly.

Explanation of Tafkhim, where the letter ra with a fatḥah is pronounced heavily.

Highlighting the importance of clear Tajwid rules to ensure correct and beautiful recitation of the Quran.

Detailed explanation of how different rules of Tajwid apply to specific letters and sounds in the Quran.

Emphasis on the significance of the rules in preserving the original pronunciation and meaning of the Quranic text.

Discussion on the importance of learning and practicing Tajwid to enhance the spiritual experience of recitation.

Conclusion stressing the necessity of adhering to Tajwid rules for every Muslim reciting the Quran.