22 Tips To Level Up Your Music Production
Summary
TLDRJosh Baker, a Manchester DJ and producer, shares 22 crucial tips for aspiring music producers in this YouTube video, derived from his eBook. He emphasizes patience, the importance of mentors, and the value of practice. Josh advises against over-EQing and over-reliance on sample packs, highlighting the benefits of using loops and plugins. He also discusses technical aspects like referencing, sending returns, and mastering. The video encourages producers to trust their ears, experiment, and invest in hardware and software to improve their music production skills.
Takeaways
- π§ Be patient in your music career; it often takes time to achieve success.
- π§βπ« Find a mentor to guide you and help avoid common mistakes.
- πΈ Practice consistently; frequent short sessions are more effective than infrequent long ones.
- π« Don't compare yourself negatively to others; use their progress as inspiration.
- π Check your mixes on different speakers to ensure they sound good in various environments.
- π½ Classic drum machines are often better than over-processed sample packs.
- πΆ Using loops is not cheating; they can help fill out grooves and add movement to your tracks.
- π Invest in quality plugins to enhance your production; they offer better sounds and are easier to use.
- π Trust your ears when mixing; over-EQing can thin out your sound.
- π Utilize send and return tracks for effects to save CPU and maintain consistency in your mix.
Q & A
What is the main purpose of the video presented by Josh Baker?
-The main purpose of the video is to share 22 insights and lessons that Josh Baker wishes he had known earlier in his career as a DJ and music producer, to help others who want to take their music to the next level.
What does Josh Baker emphasize as the first point in his presentation?
-Josh Baker emphasizes the importance of being patient in the music industry, noting that success often comes to those who are not in a rush and enjoy the process.
Why does Josh Baker suggest finding a mentor in the music industry?
-Josh suggests finding a mentor to learn from their experiences and mistakes, which can significantly shorten the learning curve and help avoid common pitfalls in the music industry.
What does Josh mean by 'practice makes permanent'?
-This phrase means that consistent practice is key to improvement. The more one practices, the more ingrained the skills become, leading to better performance over time.
Why is Josh Baker against the idea of buying numerous sample packs?
-Josh believes that having too many sample packs can lead to over-reliance on pre-made sounds and can hinder the development of one's unique sound and creativity.
What is Josh Baker's stance on using loops in music production?
-Josh supports the use of loops as a tool to fill out grooves and ideas quickly. He argues that they are not cheating but can be beneficial when used appropriately.
Why does Josh Baker recommend investing in plugins for music production?
-Josh recommends investing in plugins because they offer better sound quality and are easier to work with when finding good sounds, which can significantly improve the production process.
What is the significance of 'Kickstart' plugin mentioned by Josh Baker?
-The 'Kickstart' plugin is significant because it simplifies the process of side-chaining, allowing producers to make sounds duck under the kick drum, making the kick sound fatter and more prominent in the mix.
What advice does Josh Baker give regarding the use of EQ in music production?
-Josh advises against over-EQing, as it can make tracks sound thin and harsh. He suggests using EQ to clean up the mix by addressing resonant frequencies and removing unwanted sounds rather than over-processing.
How does Josh Baker view the role of sending returns in music production?
-Josh views sending returns as a powerful tool for applying effects to multiple sounds in a mix, such as reverb and delay. It helps to save CPU usage, keep everything in the same space, and improve the overall sound quality.
What is the importance of trusting one's ears in music production according to Josh Baker?
-Trusting one's ears is crucial because it allows producers to make decisions based on how the music sounds rather than solely relying on visual cues from the equipment, leading to a more authentic and pleasing mix.
Why does Josh Baker recommend using hardware in music production?
-Josh recommends using hardware because it can make the production process more tangible and enjoyable, and it can also inspire creativity beyond what software alone can offer.
What is the final point that Josh Baker makes in his presentation?
-The final point Josh makes is about the importance of investing in one's music production journey, whether it's through software, hardware, or other resources, as it demonstrates commitment and can lead to better results.
Outlines
πΆ Embracing the Music Journey: Patience and Passion
Josh Baker, the Manchester-based DJ and producer, introduces his video on the 22 things he wishes he knew earlier in his music career. He emphasizes the importance of patience in the music industry, noting that many successful DJs are not young and that it's a gradual process. He shares his personal journey, starting eight years ago, and how he's learned to enjoy the process rather than rushing for success. Josh also stresses the significance of having a genuine passion for music, as it's a driving force that can't be outworked.
π Learning from Experience: Finding a Mentor and the Value of Practice
In this paragraph, Josh discusses the benefits of finding a mentor in the music industry to learn from their experiences and avoid common pitfalls. He also touches on the principle that 'practice makes permanent,' highlighting the necessity of consistent practice to improve skills. Josh suggests that frequent short sessions are more effective for beginners than irregular long sessions and warns against comparing oneself to others, as music is subjective and everyone progresses at their own pace.
π Technical Tips: Checking Speakers and the Myth of Classic Drum Machines
Josh provides technical advice on the importance of checking music on different speakers to understand how it translates across various listening environments. He also criticizes the oversaturation of 'classic drum machine' sample packs, suggesting that they often lack originality and quality. Instead, he recommends using high-quality samples and processing them personally for a unique sound. Additionally, he advises against over-reliance on sample packs and the misconception that using loops is cheating, arguing that loops can be a valuable tool for creating grooves and filling out tracks.
π οΈ The Power of Plugins and the Pitfalls of Over-EQing
This paragraph focuses on the advantages of using plugins for improving sound quality and ease of finding good sounds. Josh recommends specific bundles for those starting out and emphasizes the progress he made once he began using plugins. He also warns against the overuse of EQ, explaining how it can lead to thin and harsh mixes, and suggests that corrective EQing should be used to address problematic frequencies rather than stripping away the natural sound of the music.
π Trusting Your Ears and the Benefits of Sending Returns
Josh encourages producers to trust their ears during the mixing process, rather than solely relying on visual cues from EQ meters. He explains that over-EQing can result in a loss of warmth and character in the mix. Additionally, he extols the virtues of using sending returns for applying effects to multiple tracks, which can save CPU and create a more cohesive soundstage. Josh also mentions his personal preference for Ableton's return tracks and the benefits of watching his tutorials on the subject.
π΅ Melodies and Music Theory: Enhancing Tracks with Depth
In this paragraph, Josh discusses the importance of incorporating melodies into tracks to create depth and stand out in the music scene. He advises against being shy of melodies and suggests using music theory as a tool to understand scales and harmonies. Josh shares a practical tip for using Google to find notes in a scale and even marking them on a MIDI keyboard for ease of use. He emphasizes that understanding and applying music theory can significantly enhance the quality of a track.
π° Investing in Your Craft: Hardware, Mixing, and Mastering
Josh concludes the video script by advocating for investing in one's music production journey. He talks about his initial hesitation to buy hardware but eventually realizing its simplicity and benefits. He suggests that buying hardware and software can lead to a more professional sound. Additionally, he discusses the importance of mixing and mastering, sharing his experience with professional mixing engineers and the transformative effect it had on his music. Josh also touches on the value of spending money on music production tools as a form of commitment to one's craft.
Mindmap
Keywords
π‘Syntho
π‘Music Production
π‘Mentor
π‘Practice Makes Permanent
π‘Subjective
π‘Sample Packs
π‘Loops
π‘Plugins
π‘Sidechain
π‘EQ (Equalization)
π‘Mastering
π‘Music Theory
π‘Hardware
π‘Investment
Highlights
Josh Baker introduces himself as a DJ, producer, and owner of Yumi Records and Hide and Seek.
The importance of being patient in the music industry and understanding that success takes time.
Finding a mentor to learn from others' mistakes and shorten the learning curve.
Practicing consistently to improve skills, with frequent short sessions being more effective than irregular long sessions.
Not comparing oneself to others and using peers' success as inspiration instead.
Checking tracks on different speakers to ensure a good mix.
Using classic drum machine samples for better quality rather than over-processed sample packs.
Using loops is not cheating; they can help quickly fill out grooves and improve tracks.
Investing in quality plugins to significantly improve sound production.
The Kickstart plugin by Nicki Romero for simple and effective sidechaining.
Avoiding over-equalizing to prevent tracks from sounding thin and harsh.
The importance of corrective EQing to clean up mixes by removing resonant frequencies.
Utilizing send and return tracks in Ableton to save CPU and maintain consistency in effects.
Trusting one's ears during mixing rather than relying solely on visual feedback from software.
Experimenting and being ruthless with arrangements to find what works best.
The power of referencing tracks to understand what makes them appealing and improve one's own music.
Getting professional help with mixing if needed to achieve a polished sound.
Ensuring tracks are mastered for better quality when sending demos.
Using music theory by Googling notes in a scale to aid in writing melodies.
Not being shy of incorporating melodies to add depth and stand out in music production.
Buying hardware as soon as possible to enhance music production capabilities.
Investing financially in music production to increase commitment and accountability.
Encouraging feedback and engagement from viewers for future content.
Transcripts
hello guys welcome back to the syntho
YouTube channel today I am sharing with
you 22 things I wish I knew sooner this
is an ebook that I created and then I
decided to turn it into a video and
expand on all the points
everything inside of this will be useful
if you make music and you want to take
it to the next level enjoy the video and
if you've got any questions or any
topics you'd like me to cover just pop
them below don't forget to like comment
subscribe and I will hand you over to
the presentation
hey guys
welcome back to syntho my name is Josh
Baker and today we are going through a
lot of presentation it's 22 things I was
showing you sooner I've had some great
feedback from a lot of these
presentations that I've done people say
they want some more and I'll put some
work in and created this cool ebook
which I think you'll be able to download
after this via a link attach the video
and yeah
let's go so to begin with Let me give a
bit of an intro about myself if you're
new here my name is Josh baker
Manchester DJ producer I own Yumi
records and hide and seek and you now
also know me for syntho I began my
journey eight years ago
I've been producing DJing partying
marketing myself online ever since and
I've learned a lot of skills I've
released onto big labels I've dated all
over the world
um and yeah I launched this platform sit
though in June 2020 and it's been an
amazing experience
and I've been reflecting recently on the
things I wish I knew sooner so let's
talk about them today
the first thing is being patient
there is not a race when it comes to
making music and if you look at DJs who
have made it a lot of them
are not young I'm 25 while recording
this video that is incredibly young in
this scene I don't know many DJs who are
younger than me who have actually
got a breakthrough there are a few
exceptions
um and a lot of them that you think
you're gonna make are actually older
than me as well
um
most of them are like 28 well not the
same most of them same people I know
that young they're still like 28
um no rush I think maybe because you're
being Guided by me you can start to feel
old because I'm young but honestly
it takes a long time and when you start
to think things can happen for you I
kept saying every year next year is my
year next year's me and next year's Mia
now I think my time is starting to come
in terms of DJing but man I thought this
was gonna happen like what's happening
now like three years ago honestly
just be patient and you need to enjoy
the process because if you're not happy
now and you think that when you start
getting gigs every weekend you're going
to be happy
that's not the case nothing really
changes apart from your super tired
after the weekend things like that uh
instead of partying on the other side of
the decks you're not just playing the
tunes and honestly
um the way you live your life in the
week Still Remains the Same so you need
to make sure you enjoy the week
um
but yeah if you don't drink now it's
gonna be very hard to make a career out
of it and if you're generally not
passionate now
about making music and you just do it
because you think this is what you want
to do
again
passion is always like the biggest
Advantage you can have with people
because
you can't really outwork someone who has
got
an incredible passion so
make sure you really want to do this
and next is find a mentor you're in the
right place for that
you don't do it alone and to get good at
anything in life you want to find
someone else who's been on the same
Journey because they will often teach
you their mistakes and I'm doing that
right now I'm kind of explaining
um a lot of the mistakes I made and put
this presentation and you guys are
already watching this so you're already
on that tip of finding a mentor but
doing it yourself
can take a long long time it's taken me
the nine years to get her and so many
mistakes if I'd been told at the start
wouldn't have taken me nearly as long to
do this
practice makes permanent this is
something which is transferable to
everything in life
and it's the key to getting better
really
if you practice over and over again you
will get good
and there is no real quick fix and when
people say how long does it take to go
to making music
there's not really a time scale because
it depends how frequently you do things
and practicing more often
it's going to get you better and I find
that if I take gaps
from producing even if it's just two
weeks say I get caught up in the
business side of things I'm focusing on
other things writing the c book
um
spending time
planning hide and seek things like that
I get a bit sloppy on the old uh music
making things aren't as quick things
like that so you want to keep practicing
especially at the start I think doing
frequent short sessions is better than
doing irregular long sessions I think it
just keeps you in a
better mindset to be honest
and don't compare yourself to others
music is subjective and everyone's at
different pace
Instagram is the devil for everyone I
think because we're looking around we're
seeing what the people are doing and we
think that
oh no we're not making progress quick
enough
but in reality
everyone is at their own pace and there
is no need to rush which comes back to
the very first point
and yeah just be inspired by the pills
progress
my motivation comes from the people
around me all the time when local dub
make a great track Alpha makes a great
track I think
instead of thinking oh no they
doing that and I can't do that or
whatever I think that is a 6-6 tune I
want to make some as good as that let's
go you know and flipping things on its
head
if you see a mate who's got the
promotion got the whatever look at that
and think
that is energy right there
I think people call it Big Dick Energy
in it you know like come on let's get
this
um
and yeah being able to channel that
internet positive is
probably it's a bit of a skill for sure
but it takes practice as well but don't
compare yourself to others in a negative
way just use other people to inspire you
and this is an absolute
belter
checking on different speakers is so
important this is getting a bit more
technical now
we've all been now in export track it
just doesn't sound quite right
and the thing is you just check with the
speakers check it in your car check out
your laptop check on your headphones
check out a Bose speaker
and when you start checking different
places you'll then start to realize
what is working and what isn't working
and things like that and it can be a
great way to learn how to mix properly
because then you'll start to realize
like hmm doesn't sound quite right that
for me I know my klk rocket H really
well I used to always check my tracks on
them and
yeah even when you check out the
speakers you're not guaranteed to get it
perfect
but
it's going to increase your chances
little bows while the speaker is great
to do it
a pair of earpods but if you just do
that all the time you'll get a much more
accurate mix and I'm still guilty of
just doing up my speakers sometimes and
not checking my headphones properly but
when I do the mix is always
significantly better
and here we go you may have seen this on
social media but classic drum machines
are the best
this is another
Tech One
Ensemble packs
there's hundreds of them now artists are
making them everyone's making
them but guess what
they're just getting a 909 or an 808
sample then putting effects on it
usually losing a bit of Sonic quality on
the way and then they just bash all
these sounds together and put a Samo
pack out to make some money I've done
one under a different name trust me you
just bash out really quite quickly and
then the Distributors of the summer
packs are making a fortune we won't go
too far into this one but
I would recommend going for the goal
baby or samples from Mars or Thomas
Penton they are great sample packs and
then process them yourself if they need
processing I wouldn't recommend buying
the beatport number ones latest sample
pack that everyone's probably gonna buy
and you can't really process them
because they're already kind of over
processed and you kind of stuck with a
flat sound
I'd get some nice 998 weights and do
your own thing
and number seven buying more sun packs
isn't the answer if you're stuck in a
rut buying more samples probably isn't
going to get you where you want to be
you probably already have the samples
however if you don't have enough samples
or you've got none then you probably do
want to buy some summer packs
but buying a new summer pack probably
isn't going to make you right
a Club Banger
and here's an interesting one I wish I
knew this sooner using Loops is not
cheating Yes you heard that right Loops
get a bad rap and much of rap that kind
of rap is spelled like rap or wrap we're
spelling it like a food wrap there
yes they're unoriginal but they can help
you fill out grooves quick link ideas
if your drum's quite poor and they're
missing stuff just whack Some Loops in
there you know put some phases put a
filter on it put a flanger you have some
really cool effects and it can give you
some movement and it can get you track
grooving don't get me wrong I wouldn't
use Loops all the time but as a tool to
fill your truck out they can be really
good and I think I think if more people
use them the tracks would get better
quickly and they'd also realize what
they were missing in their drum Groove
and also don't forget you can recycle
different parts of Loops you could use
them as a one shot in a simpler and
recycle them
on plugins exist I spent two three years
with no plugins
I don't want you to start buying every
plug Under the Sun but if you've got no
plugins then you need plugins because
they sound significantly better and they
are easier to find good sounds with I've
linked the cork bundle there on the
right Korg is a really good bundle for
the value for money and it sounds super
organic if you're after this kind of 90s
house sound the cork bundle is ideal for
you
um I was actually making really good
tracks without any plugins but then when
I started to use plugins
it was another ball game and I made so
much more progress if you've got no
plugins now have a look around you can
go Native Instruments
called artoria
d16s tons tons of tons and it's all
about just finding the ones that work
for you and then experimenting but you
need to invest really in these things
and they will pay dividends in the long
run
kickstart
my favorite plugin it's a side chain
and it's used in a wide variety of music
genres where an effect is activated by
an audio track in other words it's using
Alternative Audio source to trigger a
processor yeah it sounds complicated
right
but Nick your mouse
Nicki Romero's Kickstart plugin makes it
super simple and you can manipulate a
sound volume to 4x4 B by turning a knob
so basically it stops sounds getting in
the way of the kick it dips by a
percentage and then your kick drum
sounds nice and fat because you put the
Kickstart on other elements in the track
so your kick can come through nicely
and yeah it's nine euros so go and get
it
don't over EQ everything I did this for
a bit and my track started to sound
really thin and I couldn't quite figure
out why and it was when I started trying
to make these older sounding 90s tracks
I realized that hmm my snares are being
way too thinned out as they say
and things like percussion
and I was finding that my drums were
just sounding really like digitally thin
crap and I was killing the mix
essentially and yes you want to clear up
the mud and the low end but anything
past like 200 Hertz you don't have to be
as clinical with it and even with
hiatals over EQ in them and they sounded
tinny you know and thin and harsh I
think this is quite a giveaway of
bedroom beats when we all know that
you're meant to EQ but then because
bedroom beat producers do it they then
overeq everything really really
aggressively and it just ends up
your track up essentially so bear that
in mind whenever eq'ing and keep a nice
amount of the sound in there obviously
you want to get rid of the mud but yeah
and then finding resonant frequencies is
kind of counter-intuitive to what I've
just said
but correct eqing is what you want to do
let's go back
um
how do we go but there we go so
corrective eqing you want to do is when
there are horrible frequencies in a
certain sounds you see there if we boost
an EQ we can find the horrible frequency
then we dip it the other way
so yeah I've explained it to do this you
can create a bell with your EQ and then
boost the volume on different
frequencies to found the resonate
frequencies lie once you find them you
can dip a few DB to clean up the mix it
may seem a significant one half but if
you'll have horrible frequencies all the
way through your channels accumulate and
make a mess in your Final Mix
I wish I knew this sooner because
even on snares things like that pads
um
it's really nice to just clean them all
up and it'll make you mix sound much
better
the power of sending returns anyone
who's been a member of synth though
since the beginning
will know
that Josh baker loves sending returns
and quite rightly so they are when you
can run multiple sounds for the same
effect in your mix
so you'd like to put Reverb on every
channel basically
and on Ableton you can right click
insert return track and add any effect
onto this if using reverbs and delays
it's really good to use on there because
you only have to load the plugin twice
and you send the audio signal to that
channel and it comes back
you want to uh use these to say CPU as
well and if using Reverb it keeps
everything in the same space and sounds
much better
and in general if you want to know more
about these go and watch some of the
synthetic videos as I'm using them all
the time I think I've got a specific
tutorial on these if not I will maybe do
one as I know I speak about them a lot
but maybe we could do something more
specific
and this is an interesting one that I've
really taken on board myself in the last
two years or so trust your ears
your ears are powerful
for a while I would EQ stuff
and it would sound worse but that's what
I thought was supposed to do this is
about the subtractive EQ and things like
that so it sounds good it sounds good
ripping up the robot can Resort into
amazing things there's been so many
times where I've made a track and it
sounds meant then I've actually released
it and it didn't sound as good because
then I mixed it down and I took out too
many frequencies I made things too thin
turned things up turn things down
because I thought that's what they
should be by looking at the screen and
seeing where the volume was peaking but
then I realized
um yeah trusting Euros is the way to go
uh it's good to reference between the
two but trust your ears if you think
your ears are right just just go with
them
and be ruthless and experiment
arranging in session View
to begin with I was jamming in
Arrangement View
s and yeah Brandon actually arranges an
arrangement view so this is just me but
for me doing it in session view as you
can see on the right is so much better I
can work quicker I write ideas down
quicker and in general I just have much
more fun when producing
and yeah bonus tip drink iron Brew extra
if you're uh
trying to cook calories because there is
only
three calories and iron Brew
it's a diet one probably melts your
brain though
so the one that we all know I love
referencing
this was the biggest thing I think of
everything
and it still makes me laugh it doesn't
make me laugh but people underestimate
the power of it and how it can really
give you insights into your music of
what you're missing and all that kind of
jazz
one implementary referencing to my
production process I made a massive
breakthrough the principle of
referencing his final track you like and
directing the elements from the track
and replicating the bits you like in
your own project not only is it great
for overcoming creative barriers also
makes you understand what it is you
actually like about that truck whether
it be the drums or the synths or even
the arranger and the average I can make
I'll always have a reference track
inside it until you'll see countless
videos and explaining a detail how to do
this
honestly
the videos instant though on referencing
are just gold because
literally you're getting shown every
part of the process
and you can ask for help mixing down
we all not mixed downtime now it's the
final bit of your of the process of
optimizing combining mudshot recording
to a final mix basically just tidying up
your track so then it's ready to play
out
it takes a lot of time practice to
really achieve good mixes but what I
didn't know was it's actually a really
common feat to pay an engineer to mix
your music for you it's especially good
if you've got something better than you
and yeah if professional mixed Engineers
are gonna be better than you it
obviously isn't cheap but you want to do
this when
you're releasing music on good labels
things like that and yeah people just
mix days you can pay for someone's time
and sitting within the studio I did that
in the years gone by
um
but yeah if I can get a mix 90 right and
I know you don't need help so what I do
most I mixes myself but I've got no
shame in getting help with the mixes I
can't quite get how I want to be and if
you're making really good grooves it's
really good to try and maybe get one
trap mix down by some professionally
oops just to see how good it is when the
mix is pro and then you might realize
that actually my tracks aren't that good
or you might realize they're actually
really good I actually
my tracks weren't sounding great then I
got the sort of mixed down and then they
started sound really good and that's
when I signed for straight to Rich next
label got it mixed down by Justin Drake
and that was an absolute game changer
for me
and then I realized how important mixing
was
and make mastering make sure I'm using
much louder when seeing demos out
mastering is another area which you hear
a lot mastering is the final process
taking audio track and pairing for
distribution
base just means louder okay
I was just sending demos out for a long
time without anything on the master
chain and they were dead quiet and I was
like no one's interested in my music it
must be blah blah blah one day I
decided to send it to a Master engineer
paid 20 quid for a master at the time I
was super skinned as well so I couldn't
really afford anything
um
and it came back and I was like
that is an amazing truck and then I
realized it was because I hadn't been
get my trucks mastered they were
designing flat and quiet and when I got
it mastered it sounded amazing and that
was the track explore actually which
came out on
C double Loop because I was able and
yeah you can get your tracks Mastered by
Rob small for 12.50 so I'll advise going
to do that
Googling notes in scale on music theory
is something people get quite fixated
when it comes to writing Melodies it
scares in a way and that from writing
Melodies as they believe they need to
have on Sunday music theory to some
musical like I found was choosing a
scale to work in for example C minor
then he Googled the notes and you can
write the notes down the piece of paper
and if you've got a midi keyboard in
front of you you can Google notes on a
midi keyboard and you can even write
down in a marker on your keyboard the
notes and that way you can start to
figure out which notes you can play in
the scale and then they'll harmonize
it's a real life hack it makes things
much easier and yeah you need to use
musical elements otherwise your tracks
are just going to sound like beats and
bass
and yeah that leads me to don't be shy
of melodies
a lot of people just make beats and bass
if you want to stand out go for some
melodies
I want to make music standard test at a
time so I think it's really important to
have depth in there and Melodies are
important for that
21
buy Hardware ASAP I was put up buying
any hardware for ages I thought it was
rocket science in at my depth I
eventually bought the call of monologue
with a USB connection and I caught a
jack cable into a sound card
which could then be used like a software
instrument I can just send notes to the
Korg it's so easy and I use this to
write the PVP
if you're wondering about Hardware to
get I'll be doing another ebook on that
soon
and the last point is put some skin in
the game parting with your cash is
serious and that's why when you do it
you're more invested in whatever it is I
know people love to crack plug into the
light jazz
but when you actually spend money you
commit yourself to the cause way more I
advise everyone purchasing Ableton
buying a few packs getting a couple vsts
you don't need to spend a fortune but if
you're serious about it I think you
should make sacrifice and be prepared to
invest in your future
a lot of things you can get in opposite
Finance these days which is Handy but
trust me when I say it gives you a
different level of accountability once
you've invested
guys I hope that was useful that is just
a bit of information about 22 things I
wish you sooner if you like this kind of
video let me know because we can do some
more of them I've got some more kind of
ebook style things in the works and I'll
be able to explain them to you
in more detail
any questions as always just hit me up
directly catch you soon thank you very
much for watching guys do not forget to
check out the synthet app all the links
will be below like comment subscribe All
That Jazz peace
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