Blending Modes - Photoshop for Beginners | Lesson 5

PiXimperfect
2 May 202327:09

Summary

TLDRThis tutorial delves into the art of using blend modes in Photoshop, focusing on six essential ones: Normal, Multiply, Screen, Overlay, Soft Light, and Color. It explains how each mode interacts with layers, enhancing or adjusting images non-destructively. Practical examples illustrate darkening with Multiply, brightening with Screen, and adding contrast with Overlay and Soft Light. The Color blend mode is showcased for color correction, while tips on using adjustment layers and masks are provided for creative and precise editing.

Takeaways

  • 🎨 Blend modes control how a layer interacts with other layers in Photoshop, with each mode having unique characteristics.
  • πŸ–ΌοΈ The 'Screen' blend mode can make a black background disappear, combining two images like winter and summer into one scene.
  • πŸ”§ Blend modes are not only for layers but also apply to brush strokes, offering different effects for painting.
  • πŸ”„ The 'Normal' blend mode is the default and behaves like placing one picture on top of another, with opacity as the only adjustable setting.
  • ⚫️βšͺ️ The 'Multiply' blend mode darkens images, hiding white and keeping black, making it useful for creative darkening effects.
  • πŸ”… The 'Screen' blend mode brightens images, hiding black and keeping white, and can be used for adding elements like smoke or light leaks.
  • πŸŒ„ The 'Overlay' and 'Soft Light' blend modes increase contrast by brightening highlights and darkening shadows, with 'Overlay' being more intense than 'Soft Light'.
  • 🎨 The 'Color' blend mode changes the color of an element without affecting its brightness, useful for color correction.
  • πŸ”„ Understanding blend modes is crucial for beginners, as most Photoshop work involves primarily these modes, with 27 blend modes available for more advanced techniques.
  • πŸ“š The video provides practical examples and tips, such as using blend modes for non-destructive editing and creative effects like adding texture or adjusting color casts.

Q & A

  • What are blend modes in Photoshop and how do they function?

    -Blend modes in Photoshop control how a layer interacts with other layers. They determine how the colors of one layer blend with the colors of layers beneath it, allowing for various effects such as brightening, darkening, or adding contrast.

  • How can changing the blend mode of a video layer affect the background?

    -Changing the blend mode of a video layer to 'Screen' can make the black background transparent, revealing layers beneath it. This is useful for compositing elements together without the need for complex masking.

  • What is the default blend mode for layers in Photoshop?

    -The default blend mode for layers in Photoshop is 'Normal'. It simply places one image on top of another without any interaction between their colors.

  • How can blend modes be previewed in Photoshop?

    -In Photoshop, you can hover over different blend modes to get a preview of what each mode will do to the layer, allowing you to see the effect before committing to it.

  • What is the difference between 'Normal' and 'Pass Through' blend modes for a group in Photoshop?

    -The 'Normal' blend mode for a group prevents adjustments from affecting layers outside the group, while 'Pass Through' allows adjustments to affect all layers beneath the group, regardless of whether they are part of the group or not.

  • How does the 'Multiply' blend mode affect the appearance of an image?

    -The 'Multiply' blend mode darkens the image by multiplying the color values of the top layer with those of the layers below. It hides white and keeps black, resulting in an overall darker effect.

  • What is the opposite effect of the 'Multiply' blend mode?

    -The 'Screen' blend mode is the opposite of 'Multiply'. It brightens the image by screening the color values of the top layer with those of the layers below, hiding black and keeping white.

  • How can blend modes be used to adjust the exposure of an image non-destructively?

    -By creating an adjustment layer like 'Curves' or 'Levels' and changing its blend mode to 'Multiply' or 'Screen', you can adjust the exposure of an image without permanently altering the original layer, allowing for non-destructive editing.

  • What is the purpose of the 'Overlay' and 'Soft Light' blend modes?

    -The 'Overlay' and 'Soft Light' blend modes are used to increase contrast in an image. 'Overlay' is a higher intensity version, making bright areas brighter and dark areas darker, while 'Soft Light' provides a subtler effect.

  • How can the 'Color' blend mode be used to correct color casts in an image?

    -The 'Color' blend mode can be used to change the color of specific areas in an image without affecting the brightness levels. By painting over color casts with a sampled color on a new layer set to 'Color' blend mode, you can neutralize unwanted color tints.

  • What are some practical applications of blend modes demonstrated in the script?

    -The script demonstrates practical applications of blend modes such as adding texture to a wall, removing color casts from skin tones, brightening or darkening images, and compositing elements like birds or smoke into a scene.

Outlines

00:00

🎨 Understanding Blend Modes in Photoshop

This paragraph introduces the concept of blend modes in Photoshop, explaining how they control the interaction between layers. The video demonstrates the 'Screen' blend mode, which removes black backgrounds and merges different elements like winter and summer scenes. The instructor emphasizes the importance of blend modes for layer interaction and mentions that brushes also have blend modes, a topic for another video. The paragraph also covers the 'Normal' blend mode, its default behavior, and its special use in groups to limit adjustments to the group elements. The video provides a free course with practice files and encourages viewers to access the playlist for further learning.

05:01

πŸ–ŒοΈ Mastering Multiply and Screen Blend Modes

The paragraph delves into the 'Multiply' blend mode, which darkens images by preserving black and hiding white areas, and the 'Screen' blend mode, which brightens images by doing the opposite. Practical applications are shown, such as darkening or brightening an image non-destructively using adjustment layers with blend modes. The instructor also discusses issues with using blend modes on stretched or moved images and provides a solution using adjustment layers to avoid discrepancies. The paragraph concludes with a real-world example of adding birds to a scene using the 'Multiply' blend mode and curves adjustment for transparency.

10:02

🌁 Creative Effects with Blend Modes

This section explores creative uses of blend modes, specifically 'Screen' for adding dramatic effects like smoke to a singer's performance. The video shows how to use 'Screen' blend mode to make black backgrounds transparent and adjust the opacity for desired effects. It also covers using layer masks to remove certain elements, like smoke from a subject, and colorizing the smoke using 'Hue/Saturation' adjustment layers. The paragraph concludes with a discussion on using blend modes for creative overlays, such as adding different variations of smoke to a subject for a realistic effect.

15:04

πŸ”„ Overlay and Soft Light Blend Modes for Contrast

The paragraph discusses the 'Overlay' and 'Soft Light' blend modes, which increase contrast by brightening bright areas and darkening dark areas, while hiding 50% gray. The 'Overlay' mode is described as a higher intensity version of 'Soft Light'. The video demonstrates how to use these blend modes to add texture to a wall in a painting and adjust the intensity for a more natural look. It also explains how to use these modes for overlays to enhance the appearance of elements in an image, such as making a wall texture more prominent.

20:04

🎨 Color Blend Mode and Adjusting Skin Tones

This paragraph focuses on the 'Color' blend mode, which changes the hue of an image without affecting brightness levels. The video provides a method to remove color casts on skin tones using this mode, by sampling good skin color areas and painting over the problematic areas to neutralize the unwanted color. It also mentions an alternative approach using 'Hue/Saturation' adjustment layers for more precise control. The instructor shows before-and-after comparisons to illustrate the effectiveness of the 'Color' blend mode in removing unwanted color casts.

25:05

🌟 Recap of Essential Blend Modes

The final paragraph recaps the essential blend modes covered in the lesson. It summarizes the functions of 'Normal', 'Screen', 'Multiply', 'Overlay', 'Soft Light', and 'Color' blend modes, providing a quick reference for their primary uses. The video encourages viewers to subscribe and stay tuned for more lessons, and thanks supporters on Patreon for making the series possible. It ends with a reminder to keep creating and a sign-off until the next video.

Mindmap

Keywords

πŸ’‘Blend Modes

Blend modes in the context of the video refer to the various methods used in photo editing software like Photoshop to determine how a layer interacts with the layers beneath it. They are essential for adjusting the appearance of images by controlling the transparency, brightness, and color interactions. In the script, blend modes such as 'Screen', 'Multiply', 'Overlay', 'Soft Light', and 'Color' are discussed to demonstrate their effects on images, such as making backgrounds transparent or changing the overall brightness and contrast.

πŸ’‘Opacity

Opacity is the measure of the transparency of a layer in an image. A layer with 100% opacity is fully opaque, while 0% opacity makes it completely transparent. In the video, adjusting the opacity of layers is shown as a way to fine-tune the intensity of blend mode effects, such as making a gradient more subtle or adjusting the darkness of a multiply blend mode without affecting the overall image structure.

πŸ’‘Adjustment Layers

Adjustment layers in photo editing are layers that allow for non-destructive editing of an image. They do not alter the original image but instead apply changes to how the image is displayed. In the script, adjustment layers like 'Curves' and 'Hue/Saturation' are used to modify the brightness, contrast, and color of images, with the blend mode of these layers being changed to apply effects like darkening or color correction selectively.

πŸ’‘Clipping Mask

A clipping mask is a layer or set of layers that restricts the visibility of other layers to the shape of the base layer. In the video, the concept of a clipping mask is introduced to limit the effects of adjustment layers to specific parts of an image, such as darkening only the subject of a photo without affecting the background.

πŸ’‘Normal Blend Mode

The 'Normal' blend mode is the default setting in most photo editing software, which places one image directly on top of another without any interaction between their pixel values. However, the video explains that within a group of layers, the 'Normal' blend mode can prevent adjustments from affecting layers outside the group, as opposed to the 'Pass Through' mode, which allows adjustments to be visible outside the group.

πŸ’‘Multiply Blend Mode

The 'Multiply' blend mode is used to darken an image by multiplying the color values of the pixels in the top layer with those of the bottom layer. In the video, this mode is illustrated to be effective for creating darker moods in photos or for blending images with a black background into a scene, as white areas become transparent and black areas remain visible.

πŸ’‘Screen Blend Mode

The 'Screen' blend mode is the opposite of 'Multiply', as it lightens an image by inverting the color values and multiplying them, effectively brightening the overall appearance. The script demonstrates using the 'Screen' blend mode to add elements like smoke to an image, making black areas transparent and leaving the brighter areas more visible.

πŸ’‘Overlay and Soft Light Blend Modes

Both 'Overlay' and 'Soft Light' blend modes are used to adjust the contrast of an image by brightening the highlights and darkening the shadows, but they do so with different intensities. 'Overlay' is more intense, while 'Soft Light' is subtler. The video uses these modes to add texture and depth to images, such as applying a texture to a wall in a painting.

πŸ’‘Color Blend Mode

The 'Color' blend mode is used specifically for changing the color of an image while leaving its luminance values untouched. In the video, this mode is shown to be effective for color correction tasks, such as removing unwanted color casts from skin tones by painting over them with the desired color.

πŸ’‘Blend If

Blend If is a feature that allows for greater control over the blending of layers by adjusting which tonal ranges of the layer are affected by the blend mode. The script mentions using Blend If to limit the effects of the 'Multiply' and 'Screen' blend modes to specific brightness levels, preventing over-darkening or over-brightening of certain areas.

Highlights

Blend modes control the interaction between layers in Photoshop.

Changing a layer's blend mode can alter the appearance of both the layer and underlying layers.

The 'Screen' blend mode removes black backgrounds and brightens images.

Blend modes can be previewed by hovering over options for visual guidance.

Opacity adjustment allows for fine-tuning the effect of blend modes.

The 'Normal' blend mode acts like placing one picture on top of another, with opacity as the only control.

Groups in Photoshop have a 'Pass Through' blend mode by default, affecting layers outside the group.

The 'Multiply' blend mode darkens images, hiding white and showing black.

Adjustment layers with 'Multiply' blend mode can be used for non-destructive darkening.

Blend If allows for selective application of blend modes, avoiding unwanted areas.

The 'Screen' blend mode is used for brightening images, opposite to 'Multiply'.

Adjustment layers can be used with 'Screen' blend mode for brightening without duplication.

The 'Overlay' and 'Soft Light' blend modes increase contrast by brightening highlights and darkening shadows.

The 'Color' blend mode changes the hue of pixels without affecting brightness.

Hue/Saturation adjustment layers can be used to correct color casts on skin tones.

Blend modes have practical applications in photo editing for creative effects and corrections.

A comprehensive guide to blend modes is available for further learning.

The video provides a free course with practice files for hands-on learning.

Transcripts

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so right here on my left hand side there

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is no falling with a black background if

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I change the blend mode of this video

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right here to screen what happens the

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black background goes away and now there

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is winter and summer so that is what

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blend modes are blend modes control the

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way a layer interacts with other layers

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and keep in mind we are talking about a

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layer blend mode brushes also have blend

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modes and that's for a separate video so

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here we have an image on top of that we

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have a beautiful gradient and texture

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layer right now the blend mode is normal

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if you change the blend mode as you

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hover through it it gives you a preview

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of what each blend mode will do and you

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can go through each one of them

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see what they do let's say we like

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screen we can stop at that it's creating

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a wonderful look and then you can

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decrease the opacity to your liking you

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see what is happening right now what is

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blend mode again blend modes simply

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control the way a layer interacts with

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the other layer so right here as you can

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see the screen blend mode is making

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things brighter on the other hand the

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multiplied blend mode makes things

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darker here's the before here's the

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after each blend mode has its own

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characteristics we have lots of easy and

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fun projects to do today so make sure to

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download the practice files also just

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wanted to let you know again this is a

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free course and you can access the

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entire playlist by going to learn

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photoshopfree.com or simply click the

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link in the description you can also go

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to my YouTube channel and access the

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playlist from there I regularly try to

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upload videos there in this lesson we'll

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dive deep into the six most important

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blend modes that we're gonna use in our

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95 to 99 of our Photoshop life and if we

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are beginners these are most of the only

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blend modes that we're gonna use however

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if you are interested in other blend

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modes we got it covered too towards the

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end of the video let us start with the

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normal blend mode turns out it is not as

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normal the normal blend mode right here

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is usually the default blend mode and I

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underline the word usually but not

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always the normal blend mode is like

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keeping a picture on top of the picture

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that's it a picture over a picture

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that's the normal blend mode so right

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here we have a green circle on top of

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that we have a yellow circle and the

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blend mode is normal the only control

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you have over the interaction of both of

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these is decreasing the opacity that's

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it and now it's a Venn diagram however

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there are situations where the normal

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blend mode is not normal let us take a

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look at this composite this is the

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background by the way I blurred it here

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was the before here was the after to

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make the subject stand out on top of

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that we have our subject now the light

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is coming from behind I know it's snow

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there's a little bit of fill light on

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her face but she needs to be a little

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darker so right now at the top if we

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create a curves adjustment layer so

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select the subject layer click on the

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adjustment layer icon and then choose

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curves we learned the basics of it the

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right hand side is for the bright areas

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the left hand side is for the dark areas

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if you create a point and take it up it

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makes it brighter if you create a point

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and take it down it makes it darker so

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right now let's say I want to make the

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highlights in the subject a little

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darker so I create a point right about

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here and take it down but at the same

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time the Shadows are getting too dark so

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let's make the Shadows brighter by

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creating a point on the left hand side

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and make it brighter like this but

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whatever we are doing right now it is

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also affecting the background we don't

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want that to happen so here's the before

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here's the after we wanted this curve

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only on the subject now yes you can hold

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the ALT key or the option key click on

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the line between these two layers to

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create a clipping mask to limit it just

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to the subject however let's go back to

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how it was if we put both of them in a

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group so select the curves adjustment

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layer hold the controller command select

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the subject layer press Ctrl or command

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G to put them in a group even though the

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curves adjustment layer and the subject

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layer are inside a group the effect of

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the curves adjustment layer goes outside

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of the group into the background so if I

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turn it off and on it is falling in the

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background but have a look at the blend

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mode of the group it is not normal and

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this time whenever you create a group

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the default blend mode is not normal it

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is pass through which means the

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adjustments will pass through and the

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effect will be outside of the group as

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well if you change it back from pass

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through to normal it won't get outside

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of the group whatever adjustment you

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have so here's the before here's the

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after have a look the normal blend mode

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right here is stopping the adjustment

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from getting outside of the group so

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again the normal blend mode is the

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default blend mode in most cases it is

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just like keeping a picture on top of a

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picture that's it the only control you

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have is the opacity now there's a

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situation when the normal blend mode is

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not as normal it has some special use

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cases and that is when you create a

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group the default blend mode of a group

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is passed through which lets all of the

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adjustments inside of the group pass

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through to the outside however if you

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change the blend mode of the group from

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pass through to normal it will keep the

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adjustments limited to the elements of

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the group let's talk about the multiply

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blend mode the multiply blend mode is

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very easy to understand if there's one

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phrase you need to keep in mind to

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remember it it is this multiply Dawkins

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that's it so here we have a beautiful

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scenery and on top of that we have some

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brightness levels this is zero percent

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absolute black this is 25 50 which means

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50 Gray This is 75 brightness this is

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100 right absolute white so absolute

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white right here absolute black right

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here if we change the blend mode from

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normal to multiply see what happens

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whatever area that was 100 black stays

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right and whatever area which was

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hundred percent white hides so here's

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the before here's the after this area

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stays the same which means absolute

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white hides and absolute black 100 shows

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and the rest of the colors they only

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darken that's it let's solidify this

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concept we're gonna be using it a lot so

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this is the normal blend mode here's 100

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white here's 100 black so now if I

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change the blend mode to multiply

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absolute white hides and the rest of the

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things show and the only thing this

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blend mode does is darkening let's take

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a look at some real world examples now

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we know we do have exposure sliders for

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darkening we have curves for darkening

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but if you want a flat out easy

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darkening where you don't have to worry

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about the values a lot here's the way to

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do it using blend modes so we know

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multiply darkens so you can simply make

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a copy of this layer press Ctrl or

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command J to make a duplicate make sure

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the background layer was selected and

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then you can simply change the blend

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mode to multiply it darkens the overall

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thing but it's too much on the Shadows

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so double click on the right hand side

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of the layer and take it away from the

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dark areas of the underlying layer or

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the current layer will do to its the

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same image will the alt carry the option

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key click on the slider to break it

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apart and take it all apart like that so

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that way it is darkening the bright

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areas here's the before here's the after

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not too much of a highlight now there is

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a major problem with this method let us

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go back to blend if let's return to how

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it was so that you can see the problem

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let's say we unlock the background layer

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we move things around we stretch it

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let's say we make it larger or we

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stretch it a little bit now there is an

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issue right here because the position of

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this one is different and this one is

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different every time we stretch

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something move something around we also

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so have to move this one we have to

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worry about the effects that we apply to

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it so instead of doing it this way the

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right way to do it is this way let us

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delete it let's keep it the way it was

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so we want to darken with the multiplied

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blend mode but we also want it to be

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non-destructive for it simply create any

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adjustment layer that at a default

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position doesn't make any change for

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example if you create a curves

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adjustment layer by default unless you

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do anything it doesn't do anything to

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the image or if you create a levels

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adjustment layer let's go right here

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unless you do anything it doesn't do

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anything right let's reset it you can

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click on this button to reset so

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whenever you move something here and

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there you can always click on this

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button alright now just create one of

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those adjustment layers it doesn't

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matter what by default it shouldn't do

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anything and then change its blend mode

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to multiply that way you can select this

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move it around if you like do anything

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and you don't have to worry about having

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the same image at the top and having

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discrepancies the way adjustment layers

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work is that they keep a virtual copy of

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everything that they're seeing

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underneath it so that is why it doesn't

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have an issue now of course you can

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apply blend if here as well double click

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on the right hand side of the layer and

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take it away from the dark areas like

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this and this works too so multiply

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darkens easy way to remember that now we

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also learned that multiply keeps the

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black and hides the white let's say you

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want to bring some birds into this image

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now we have some birds the birds are

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close to Black we can make it black if

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we wanted to but the sky is blue so how

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do we deal with this first of all let's

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bring the birds first let's choose any

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of the selection tools we're gonna go

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for the lasso tool it just is a basic

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tool to make a selection and make a

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selection of the birds right here of all

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the birds that you want to bring over

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all right now once the selection is

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active we can press Ctrl or command C e

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to copy and then get back to this image

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and paste it Ctrl or command V there you

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go now for flexibility or

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non-destructive abilities because we're

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going to be resizing it do not forget to

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convert this layer into a smart object

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by right clicking on the layer and

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choose convert to Smart object so that

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when you resize you don't lose details

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press Ctrl or command D for transform

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let's make it smaller let's place it

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right here

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looks bad but if we change the blend

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mode from normal to multiply the sky

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kind of becomes transparent but not

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fully transparent so what becomes

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transparent with the multiply blend mode

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white right so if we can find a way to

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make the sky white it would work I'm

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gonna change the blend mode back to

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normal so you can see what is happening

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on top of it let's create a curves

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adjustment layer click on the adjustment

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layer icon and then choose curves we're

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going to be using a lot of Curves in

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Photoshop and if you want to learn more

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about curves this is the video to watch

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but for right now we just want to Target

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the birds so click on this button it

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also creates a clipping mask so we want

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to make the bright areas which is the

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sky brighter for it take the slider on

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the right hand side and bring it to the

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left so at this point the sky becomes

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absolutely White now if you go back to

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the bird's layer let's name it that way

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and change the blend mode from normal to

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multiply have a look the sky goes away

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but not completely we need to go back to

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the curves adjustment layer click on

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right here to open up the properties and

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then let's take it even further and now

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it completely goes away now if you want

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the birds to have a little warmer color

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you can do this click on the adjustment

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layer icon and then choose Hue

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saturation you want to limit it just to

play11:36

the buds so click on this button to

play11:38

create a clipping mask both of them have

play11:41

arrows towards the bits and we want to

play11:43

colorize the whole thing so just check

play11:46

color wise and there you go this is the

play11:48

color we wanted of course you can change

play11:50

the Hue to whatever you want but this is

play11:53

what we wanted and it just works

play11:56

perfectly now you can take the birds

play11:58

controller command T resize it do

play12:00

whatever you want this just looks

play12:02

awesome let's talk about the screen

play12:03

blend mode and it's the opposite of the

play12:05

multiply blend mode the only thing you

play12:07

need to keep in mind is that screen

play12:09

brightens and it does exactly the

play12:12

opposite of what multiply does so here

play12:14

we have again this beautiful scenery and

play12:17

on top of that we have the various

play12:18

brightness levels zero percent fifty

play12:22

percent hundred percent okay if I change

play12:25

the blend mode from normal to screen

play12:28

have a look what happens white stays all

play12:31

right and everything that was hundred

play12:35

percent absolute black Heights so black

play12:38

Heights and all of the other colors are

play12:41

just brightening the image so the screen

play12:43

blend mode only brightens and it keeps

play12:46

the white right here if I change the

play12:48

blend mode to multiply have a look it

play12:49

does exactly the opposite it keeps the

play12:51

black hides the white and makes

play12:54

everything darker on the other hand the

play12:57

screen blend mode keeps the white hides

play13:00

the black and makes everything brighter

play13:02

now just as you can darken with multiply

play13:04

you can use the screen blend mode for

play13:06

flat out brightening now of course we

play13:08

can make a duplicate and change its pen

play13:10

and move the screen to brighten but then

play13:12

again it will be destructive so instead

play13:14

we will create a levels or a curves

play13:16

adjustment layer something that by

play13:18

default doesn't change the image unless

play13:21

we do anything let's just close the

play13:23

properties and change its blend mode

play13:25

from normal to let's say screen and

play13:29

there you go it brightens up the entire

play13:31

image but then again it makes the sky

play13:33

too bright so how do we take the

play13:35

brightness away from the bright areas

play13:37

simple use blendif double click on the

play13:39

right hand side of the layer and take it

play13:41

away from the bright areas of the

play13:43

underlying layer and this time you can

play13:45

also use current layer because it's the

play13:47

same image so take the slider of the

play13:49

underlying left from right to left of

play13:51

course to make it smoother hold the ALT

play13:53

key of the option key click on the

play13:54

slider to break it apart and I would

play13:56

take it all the way apart hit OK it just

play14:00

adds life to this image here's the

play14:02

before here's the after now let's take a

play14:04

look at some real world examples so here

play14:06

we have a singer we want to add some

play14:07

drama to her singing let's add some

play14:10

smoke to it so let's go to our finder

play14:13

here I have a smoke image with black

play14:15

background let's drag it and drop it

play14:18

over the canvas like this let's make it

play14:21

larger

play14:22

hit enter or return now which is the

play14:26

band mode which hides everything that is

play14:27

hundred percent black and only

play14:29

brightness screen because we are talking

play14:31

about it change the blend mode from

play14:33

normal to screen and just as we do that

play14:36

have a look at it this is amazing now of

play14:39

course we would take it a little down

play14:41

like this maybe make it a little larger

play14:44

it's up to you that looks nice and for

play14:47

added effect you can try this you can

play14:49

select the subject layer

play14:51

click on any of these three tools select

play14:54

any of these three tools at the top

play14:55

click on select subject and then we

play14:58

learned about it in the layer masks

play14:59

lesson which you can watch right here

play15:01

after this video and then you can select

play15:03

the smoke layer and create a negative

play15:06

mask we want to take this away from the

play15:09

subject hold the ALT key or the option

play15:11

key and then click on the mask button

play15:14

if you do that whatever area is selected

play15:16

that will be black and the rest of the

play15:18

areas would be white if you don't hold

play15:20

that that would be the opposite now this

play15:22

looks interesting on top of that we can

play15:24

make another copy press Ctrl or command

play15:26

J to make a duplicate and in this one

play15:29

let's turn off the mask how do we turn

play15:31

off masks hold the shift key and click

play15:33

on the mask to turn it off and then you

play15:35

can move it slightly probably or make it

play15:38

slightly larger

play15:40

like this and decrease the overall

play15:43

opacity

play15:45

now here's one more creative thing you

play15:46

can do you can select smoke press Ctrl

play15:49

or command d right click on it and then

play15:51

choose flip horizontal so that it

play15:53

becomes a little different and have a

play15:55

look at this now we have smoke behind

play15:57

the subject a different variation of the

play15:59

same smoke on top of the subject making

play16:01

it more realistic now of course you can

play16:03

make it even larger to differentiate it

play16:06

like this now if you really want a

play16:08

nitpick you can also color the smoke so

play16:10

let's choose the smoke behind the

play16:12

subject on top of it click on the

play16:14

adjustment layer icon and then choose

play16:15

Hue saturation we use the same

play16:18

adjustment before limited to the Smoke

play16:21

by clicking on this button and just

play16:23

colorize the entire thing and there you

play16:25

go you can color it whatever you want so

play16:27

yellow red purple you can go with this

play16:31

one you can go with the red one it's all

play16:33

up to you let's say I'm going with this

play16:35

one for this one and for the smoke on

play16:38

top you can go with a slightly different

play16:39

shade so let's create one more Hue

play16:42

saturation adjustment layer and limited

play16:45

to the Smoke in front by clicking this

play16:47

button check color wise and then you can

play16:50

have a slightly different shade for

play16:52

example the screen this blue it creates

play16:54

a wonderful combination

play16:56

and then you can control the saturation

play16:58

to your liking so that's how you color

play17:00

the smoke now just as we did with the

play17:02

snowflakes in the beginning you can also

play17:04

apply light leaks as well or any kind of

play17:07

overlay that has a black background

play17:09

using the screen blend mode you can buy

play17:12

a collection of these overlays all over

play17:13

the Internet you can look for them in

play17:15

envato elements or many other places we

play17:18

in fact used one of them in our previous

play17:19

lesson about layers I think now let's

play17:21

learn about overlay and soft light why

play17:24

are we talking about them together

play17:25

because they're very much related and do

play17:27

exactly the same thing however with

play17:29

different intensities so right here we

play17:32

have the same brightness levels over the

play17:34

scenery here we have 50 gray black white

play17:37

25 brightness level 75 brightness level

play17:41

you get the whole gist of it now if we

play17:44

change the blend mode from normal to

play17:46

Overlay Watch What Happens all of the

play17:49

areas that was 50 Gray neutral gray that

play17:54

hides remember we talked about it when

play17:55

we were creating film Green in the

play17:57

previous lesson it is the exact same

play17:59

concept right here anything that is

play18:01

brighter than 50 Gray that area

play18:04

brightens so here's the before here's

play18:07

the after amazingly brightens anything

play18:09

that is darker than 50 Gray that area

play18:12

darkens and that's what's happening all

play18:15

throughout the image so here's the

play18:17

before here's the after brighter areas

play18:20

brighter than 50 crepe brightens darker

play18:23

areas darker than 50 Gray darkens and 50

play18:27

Gray Heights or keeps the layer

play18:30

underneath the same but then what is

play18:32

soft light you might ask well this was

play18:34

overlay right if I change it to soft

play18:37

light right here have a look it is the

play18:39

same thing but with a lower intensity so

play18:42

here with soft light here is overlay

play18:44

overlay is a little harsher version of

play18:47

soft light again

play18:49

soft light

play18:51

overlay in both the cases 50 Gray hides

play18:54

an easy way to remember it is overlay

play18:57

and soft light are blend modes where

play18:59

overlay is of the higher intensity and

play19:01

soft light is of a lower intensity than

play19:04

overlay they increase contrast because

play19:07

they make the bright areas brighter dark

play19:10

areas darker and they hide anything that

play19:13

is 50 Gray let's take a look at some

play19:15

real world example so here we have a

play19:17

painting which is a little faded out

play19:19

similarly just as we did with screen and

play19:22

multiply you can create any adjustment

play19:24

layer that by default doesn't affect the

play19:27

image unless you do anything and change

play19:29

its blend mode to Overlay and there you

play19:32

have the pop right in there it increases

play19:35

contrast if you think it's too much you

play19:38

can change it to soft light I think that

play19:41

looks better to me again on top of all

play19:43

of this you of course have control over

play19:45

the opacity but just the way it is it

play19:48

just works out works great now the

play19:50

overlay blend mode of course can be used

play19:52

for overlays let's say you want to add

play19:53

some texture to the wall right here

play19:55

let's open up some texture so I'm going

play19:57

to go to my finder or Explorer I have a

play19:59

texture right here let's drag it and

play20:01

drop it over the canvas so that it adds

play20:04

as a layer and then let's rotate it by

play20:06

the way here's the tip if you hold the

play20:08

shift key and then rotate it rotates by

play20:10

15 degrees at a time so that it's

play20:13

straight otherwise if you have a

play20:15

rotating freehand it wouldn't be as

play20:17

straight so right now we are rotating it

play20:20

may be a little bit tilted one degree

play20:22

here and there so to be sure always hold

play20:25

the shift key and then rotate and let's

play20:27

make it

play20:28

larger like this place it like this and

play20:32

then you can change the blend mode but

play20:33

before we do that select the subject

play20:35

layer select any of these three tools at

play20:38

the top click on select subject to make

play20:40

a selection and then select the texture

play20:43

layer if you want to hide the subject

play20:44

area in other words that area inside of

play20:47

the Mask needs to be black so hold the

play20:49

ALT key of the option key and then click

play20:51

on the mask button to create the

play20:53

opposite mask now let us change the

play20:55

blend mode from normal to Overlay this

play20:58

looks pretty amazing now at the bottom

play21:02

does it look okay yes it fits right in

play21:04

there wow that is pretty good now again

play21:07

if you think it is too much change the

play21:10

blend mode from overlay to soft light

play21:13

that is more natural again up to you you

play21:16

are the artist your style go for what

play21:18

looks good to you now let's learn the

play21:19

color blend mode and for Simplicity it

play21:21

just changes color that's it so here we

play21:24

have a green apple or do we if we create

play21:26

a new layer and take the brush take red

play21:30

color right here and if we start

play21:32

painting it is just flat out painting

play21:34

however if we change the blend mode from

play21:37

normal to color

play21:39

it paints it in that color but in this

play21:42

case I wouldn't be using the color blend

play21:44

mode because Hue saturation works better

play21:46

but that is how basically the color

play21:47

blend mode works it does not change the

play21:50

brightness levels just changes the color

play21:52

in this case a better solution would be

play21:54

this sorry for side tracking so just

play21:57

create a hue saturation adjustment layer

play21:59

and then Target the greens select the

play22:01

hand right here so you can click and

play22:04

drag it to the right to change the

play22:06

saturation but if you hold the control

play22:07

and then click and drag it changes the

play22:10

Hue so here we have juicy red now there

play22:15

are some areas not selected properly you

play22:17

can easily expand the range so let's

play22:20

expand the range to the right by the way

play22:22

if you want a master class on Hue

play22:24

saturation here's the video and now we

play22:26

have the juicy red now of course we

play22:29

didn't want it on the leaves so you can

play22:31

select the mask take the brush black as

play22:34

the foreground color press X to toggle

play22:36

between the foreground and the

play22:37

background and then take it away from

play22:39

the leaves and this place as well

play22:43

A Rod or I don't know what to call it

play22:45

but you get the idea

play22:47

there you go

play22:49

that's nice now let's take a look at a

play22:51

real world example of the color blend

play22:52

mode as you can notice there's a lot of

play22:55

Color cast on the skin there's green

play22:57

right here green right here how do we

play23:00

make them go away simply create a new

play23:02

layer change the blend mode from normal

play23:04

to color now keep in mind there are

play23:06

other ways of doing it just this is one

play23:09

of the ways change it to color now take

play23:11

the brush all right now we need to

play23:13

sample the good skin color areas for it

play23:16

first make sure that when you choose the

play23:19

eyedropper tool right here sample size

play23:21

should be three by three and you're

play23:23

sampling the current layer and the layer

play23:26

beneath it take back the brush the brush

play23:28

tool right here and then when you hold

play23:30

the ALT key or the option key the

play23:32

eyedropper tool will show up momentarily

play23:35

and then you can click to sample

play23:36

whatever color you want and that color

play23:38

would be in your foreground color box

play23:40

and then you can paint that color so

play23:43

let's paint to it this particular color

play23:46

right here

play23:48

now since the blend mode is color we are

play23:50

absolutely changing and removing that

play23:52

green color cast let's sample from here

play23:54

paint right here if the blend mode was

play23:57

normal this would be just simple fills

play23:59

change it to color right here as well

play24:02

there's this green cast so I'm going to

play24:04

sample this one and fill it up right

play24:06

here the green just goes away you can

play24:08

also sample this color from here and try

play24:11

painting no that's not looking nice also

play24:13

there are red patches on the skin so you

play24:15

can sample this color fill it up right

play24:16

here or sample a warmer color and remove

play24:19

these pale areas so I'm going to paint

play24:21

all over it

play24:23

we definitely need to decrease the

play24:26

opacity so let's decrease the opacity to

play24:28

about 50 percent now can you see the

play24:31

change look at the color cast that was

play24:33

here before so here's the before you see

play24:35

the greenish tinge there here's the

play24:37

after that goes away right here it was

play24:39

greenish too so here's the before see

play24:41

the green patches right here here's the

play24:44

after that has gone away right here next

play24:46

to the eyes we have greens so we can

play24:48

take a sample and paint right here to

play24:51

take that away as well similarly take a

play24:53

sample paint right there to take that

play24:54

away and then of course you can brighten

play24:56

the entire thing create a curves

play24:58

adjustment layer click on the adjustment

play25:00

layer icon and then choose curves and

play25:03

I'm going to take the right slider to

play25:04

the left like this

play25:06

and we only want the brightening on the

play25:08

face so select the mask press Ctrl or

play25:10

command I to invert the mask makes it

play25:13

black take the brush white as the

play25:15

foreground color make the brush larger

play25:17

and paint over the face there you go now

play25:19

without the color layer if I turn this

play25:21

color layer off let's name it if this

play25:24

was off you could see all kinds of green

play25:26

right here right there now once we turn

play25:30

it on all of that goes away so here's

play25:32

the before see the greens

play25:35

here hit the after so that's all the

play25:37

blend modes you're going to need in most

play25:38

of the cases however if you want to

play25:40

learn the science of all 27 blend modes

play25:43

yes there are 27 of them you can watch

play25:45

this video right here just as a quick

play25:48

recap all you need to remember is this

play25:50

you have the normal blend mode which is

play25:52

default blend mode in most cases but

play25:54

with groups if you change the blend mode

play25:56

from pass through to normal it doesn't

play25:59

let the adjustments get out of the group

play26:01

number two we have the screen blend mode

play26:03

screen brightens multiply darkens

play26:07

overlay and soft light increases

play26:09

contrast hides everything that is 50

play26:12

Gray multiply hides everything that is

play26:14

hundred percent wide screen hides

play26:16

everything that is 100 black and finally

play26:19

the color blend mode changes the color

play26:21

so that's all for this lesson I hope you

play26:23

enjoyed it and if you did make sure to

play26:25

give us a like and also don't forget to

play26:26

subscribe and not just subscribe ring

play26:28

the bell so that you my friend don't

play26:29

miss any other future tips tricks or

play26:31

tutorials don't forget to catch all the

play26:33

lessons of this course by using this

play26:36

link right here new lessons will be

play26:37

added regularly I would also like to

play26:39

take this moment to thank all of these

play26:41

nice and amazing people for supporting

play26:43

piximperfect on patreon and making this

play26:45

series possible thank you for watching

play26:47

I'll see you in my next one till then

play26:49

stay tuned and make sure that you keep

play26:50

creating

play26:52

[Music]

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Related Tags
Photoshop TutorialBlend ModesImage EditingCreative EffectsLayer InteractionAdjustment LayersNon-Destructive EditingPhoto EnhancementDesign TechniquesGraphic Art