REAGINDO AO PÓS-REACTER | Cortes do Ian Neves

Ian Neves
21 May 202408:19

Summary

TLDRThe script discusses the concept of 'post-reaction' in the era of postmodernity, touching on various forms of post-genres such as post-rock and post-terror. It humorously suggests a hypothetical movie titled 'Pós Reactor' set to release in 2026, featuring a YouTuber accused of stealing content, played by Ryan Gosling, and his ensuing struggle with privacy invasion. The speaker expresses his disdain for the 'react' format, attributing it to a lack of interest and a preference for more analytical content. He also playfully suggests that Gosling should play a character resembling Casimiro Miguel, a figure who is metaphorically 'post-reacting.' The script is a blend of satire, cultural commentary, and a call for deeper reflection on media consumption and content creation.

Takeaways

  • 🎬 The speaker is discussing the concept of 'post-react' in the context of modernity, where they mention 'post-rock' and 'post-terror' as examples of other 'post' phenomena.
  • 📽️ The script humorously suggests a hypothetical movie plot where a YouTuber, accused of stealing content, ends up in a nightmare where strangers invade his house to react to his routine.
  • 🎥 The speaker expresses a dislike for the 'react' format, stating it's not something they enjoy doing, and they have a 'scientific and materialistic' reason for not engaging in it.
  • 🤔 The speaker questions the boundaries of 'react', asking when it starts and ends, and if historical figures like Engels or contemporary ones like Elon Musk could be considered as part of the 'react' culture.
  • 🎭 The speaker proposes that Ryan Gosling could play the character of Casimiro Miguel in a hypothetical film, suggesting a resemblance between the two.
  • 🎞️ There's a mention of a film script for 'Inus' that the speaker believes is already ready, indicating a possible 'post-scriptwriter' era.
  • 📚 The speaker invites philosophy students to contribute their thoughts, preferably in a paid manner, to a discussion about the nature of 'react'.
  • 🗣️ The script touches on the misapplication of the term 'negationism' in the context of a tragedy in the South, suggesting that the concept is not being correctly applied to explain negligence.
  • 📊 The speaker criticizes the tendency to start African historiography with colonization, emphasizing the importance of acknowledging the history and existence of people before colonization.
  • 👎 The speaker expresses a strong dislike for Hitler, suggesting that people have many reasons to hate him, and also mentions other historical figures like Gorbachev and Reagan.
  • 📢 The speaker appreciates the support from other creators and mentions the frustration of not being able to reach a wider audience due to algorithmic feed issues.

Q & A

  • What is the main topic discussed in the video script?

    -The main topic discussed in the video script is the concept of 'post-reaction' (pós-react) in the context of social media and content creation, with a hypothetical film plot involving a YouTuber accused of stealing content.

  • What is the 'pós-react' mentioned in the script?

    -The 'pós-react' refers to a hypothetical future state where the concept of reacting to content on social media has evolved or transformed, possibly becoming outdated or replaced by new forms of interaction.

  • What is the hypothetical film plot described in the script?

    -The hypothetical film plot involves a YouTuber who is accused of stealing content. After mocking his accusers, he finds himself in a nightmare where strangers invade his home to react to his daily routine.

  • Which actors are mentioned in relation to the hypothetical film?

    -Ryan Gosling, Ian Neves, Thiago Nigro, Brian Kesterson, and Idris Elba are mentioned in relation to the hypothetical film.

  • Why does the speaker say they do not create 'react' content?

    -The speaker explains that they do not create 'react' content because they find it uninteresting and tedious. Their dislike for creating such content is based on a personal preference that has been analyzed and confirmed by Marxists they know.

  • What is the speaker's suggestion for Ryan Gosling's role in the hypothetical film?

    -The speaker suggests that Ryan Gosling should play the role of Casimiro Miguel, as they believe there is a phenotypic resemblance between Ryan Gosling and Casimiro Miguel.

  • What does the speaker imply about the role of 'react' in the era of postmodernity?

    -The speaker implies that 'react' has become a significant part of postmodern culture, with various forms such as 'post-rock' and 'post-terror', and now we are entering the era of 'post-reaction'.

  • What is the speaker's opinion on the importance of the hypothetical film?

    -The speaker believes that the hypothetical film is fundamental and very important for the Zeitgeist of the 20th century, as it would provide social criticism and collective reflection that is necessary for such a film.

  • What is the reference to 'transi' in the script?

    -The reference to 'transi' seems to be a suggestion for a film project that the speaker finds fundamental, possibly related to the political situation during Bolsonaro's presidency in Brazil.

  • What is the speaker's view on the application of the term 'negationism' in the context of the tragedy in the South of Brazil?

    -The speaker believes that the term 'negationism' is being misapplied to explain the phenomenon of negligence in the South of Brazil, suggesting that a more accurate diagnosis is needed.

Outlines

00:00

🎥 Reflections on Post-React Era and Film Concept

The speaker begins by expressing their desire to react to a particular post, highlighting the post-modern era we live in, with references to various 'post' movements such as post-rock and post-terror. They introduce the concept of a 'post-react' era and share a hypothetical scenario of a YouTuber accused of stealing content, leading to a nightmare where strangers invade his home to react to his routine. The speaker humorously suggests a film plot involving actors Ryan Gosling, Ian Neves, Thiago Nigro, and Brian Kesterson, with Idris Elba as Jones Manuel and Dem Demito as 'mamãe'. The film, titled 'Pós Reactor', is set to release in 2026, an election year. The speaker also expresses their dislike for the react format, attributing it to a 'scientific and materialist' reason, and suggests Ryan Gosling to play the role of Casimiro Miguel, noting his phenotypic resemblance. The paragraph concludes with a call for philosophical students to pay for their opinions on the matter, referencing historical figures and philosophical debates.

05:00

🚂 Historical Context and Media Representation

In the second paragraph, the speaker discusses historical narratives, particularly focusing on Africa, and the tendency to start discussions post-colonization, ignoring the rich history and people that existed before. They emphasize the importance of understanding the pre-colonial history of regions like Burkina Faso and the Congo. The speaker also touches on the topic of Adolf Hitler, suggesting that there are more reasons to dislike him than people realize, and criticizes Elon Musk for his actions. They mention a video about the Rio Grande do Sul and the importance of addressing the issue of negacionismo and its misapplication in explaining the negligence in the region. The speaker expresses frustration that despite the effort put into creating content, it is not reaching the intended audience due to algorithmic feed issues, and they mention the support from other creators like Martina Giovanetti on Instagram.

Mindmap

Keywords

💡Postmodernity

Postmodernity refers to a period in cultural history and intellectual development characterized by skepticism, relativism, and a general distrust of grand theories and ideologies. In the video's context, it is used to set the stage for a discussion on the evolution of cultural phenomena like 'post-rock' and 'post-terror,' leading to the concept of 'post-react.' The term is introduced to reflect on the current state of media and societal engagement with content.

💡React

React, in the context of the video, refers to a type of content creation on platforms like YouTube where creators respond to or provide commentary on other content, often in a humorous or critical manner. The script mentions a shift to 'post-react,' suggesting a new phase or evolution in the way content is received and interacted with by audiences.

💡Ryan Gosling

Ryan Gosling is mentioned in the script as a potential actor to play a character in a hypothetical film about the 'post-react' era. His inclusion in the script serves to illustrate the intersection of Hollywood and internet culture, as well as the potential for mainstream actors to embody characters that reflect contemporary online phenomena.

💡Ian Neves

Ian Neves appears to be a fictional character or a persona created for the purposes of the video. The script suggests that Ryan Gosling could interpret this character, indicating a discussion about the representation of online content creators and their impact on society within the narrative of the video.

💡Metaphor

Metaphor is a figure of speech in which a word or phrase is applied to an object or action to which it is not literally applicable, in order to suggest a resemblance. In the script, the term is used to describe the complex and abstract nature of the 'post-react' era, suggesting that the video uses metaphorical language to explore and critique modern cultural and media phenomena.

💡Casimiro Miguel

Casimiro Miguel is suggested as another character that Ryan Gosling could portray, indicating a discussion about the evolution of content creation and the role of influencers or public figures in shaping online discourse. The script implies that Casimiro Miguel is a figure who has adapted to the 'post-react' era, reflecting on the changing nature of media engagement.

💡Negationism

Negationism generally refers to the denial or rejection of established ideas or facts. In the video, it is mentioned in the context of how the term is being misapplied to explain phenomena in the South of Brazil. The script suggests that the concept of negationism is not adequately addressing issues of negligence or denial in the region.

💡Elon Musk

Elon Musk is mentioned in the script as an example of a figure who has been criticized or 'reacted' to by the public. His inclusion serves to highlight the role of public figures in contemporary media discourse and the ways in which their actions can be scrutinized and responded to in the 'post-react' era.

💡Historical Context

The script discusses the importance of providing historical context, particularly when discussing regions like Africa. It criticizes the tendency to start historical narratives at the point of colonization, rather than acknowledging the rich histories and cultures that existed beforehand. This concept is integral to understanding the video's broader themes of representation and the evolution of media and cultural narratives.

💡Content Consumption

Content consumption is the act of engaging with media, such as watching videos, reading articles, or browsing social media. The script touches on the challenges of content visibility in feeds and the frustration of creators when their work is not seen by their intended audience. This concept is central to the video's exploration of the 'post-react' era and the dynamics of online engagement.

Highlights

The speaker begins by expressing their intention to create a 'react' to a post, indicating a meta-commentary on the nature of online reactions and content creation.

They discuss the concept of 'pós-react', suggesting we are entering an era where reactions to reactions are becoming commonplace.

A hypothetical film is proposed, where a YouTuber accused of stealing content finds himself in a nightmare with strangers invading his home to react to his routine.

Ryan Gosling is suggested to play the role of Ian Neves in the hypothetical film, highlighting a personal dislike for the 'react' format but acknowledging its cultural significance.

The speaker shares their reasons for not creating 'react' content, citing a scientific and materialistic analysis influenced by Marxist thought.

A suggestion is made for Ryan Gosling to portray Casimiro Miguel, drawing a parallel between the actor's physical resemblance and the character's relevance to the 'pós-react' era.

The speaker ponders on the philosophical question of when a 'react' begins and ends, drawing on historical and philosophical figures for context.

A call to action for philosophy students to share their opinions, preferably through paid methods like Pix or Super chat, is made to engage the audience.

The transcript includes a humorous take on the idea of being 'formed in camouflage' by the military, likening it to political figures.

A discussion on the importance of understanding African history before colonization, emphasizing the need to recognize the people and cultures that existed.

The speaker critiques the common oversight of starting African historiography with colonization, advocating for a more comprehensive view of history.

The topic of Adolf Hitler is approached with the intention of exploring the reasons behind public hatred, suggesting a deeper analysis beyond common perceptions.

Elon Musk is mentioned in the context of public figures who have caused harm, with a promise to update the video if the situation changes.

The speaker reflects on the challenges of content visibility on social media platforms, expressing frustration that those interested might miss out.

A secondary account for content consumption is mentioned, highlighting the irony of the speaker's own video appearing days later in their feed.

The importance of providing a unique perspective on major news stories is emphasized, particularly those that have significant public impact.

The transcript ends with a note of gratitude towards other creators and individuals who have helped share and appreciate the speaker's work.

Transcripts

play00:00

eu queria antes de começar a responder

play00:01

as perguntas eu queria fazer um react

play00:03

aqui gente queria fazer um react vocês

play00:05

devem estar pensando mas você não faz

play00:07

react faz tipo do anos justamente Mas é

play00:09

uma ocasião especial porque é um react

play00:12

de uma postagem de um print ou melhor um

play00:16

print de uma postagem eu vou mostrar

play00:17

para vocês Será que ainda tá aqui eu eu

play00:19

vou reagir e é importante vocês sabem

play00:21

que a gente tá vivendo na era da

play00:23

pós-modernidade nós temos o pós-rock nós

play00:26

temos o pós-terror E Agora Nós estamos

play00:28

chegando também no pós react né e então

play00:30

eu me deparei hoje com o aralto do P

play00:33

react publicando aqui um print de uma

play00:36

pergunta dele no Insta nas comunidades

play00:39

do YouTube que já é um negócio

play00:40

metafísico né já é uma metalinguística

play00:43

maravilhosa e aí nós vemos aqui né Pensa

play00:45

em fazer um filme algum dia pergunta

play00:47

pergunta genuína aí o pós reac dois

play00:50

pontos vamos lá vamos ler junto um

play00:53

terror onde um youtuber que faz react é

play00:57

acusado de roubar conteúdo alheio para

play01:00

após zombar de seus acusadores ele se vê

play01:03

em meio a um pesadelo onde pessoas

play01:06

estranhas invadem sua casa para reagir à

play01:08

sua rotina neste filme Ryan goslin é Ian

play01:12

Neves e irá se deparar com Thiago Nigro

play01:15

Brian kenston que se torna seu Stalker

play01:19

seu reactor em vida enquanto luta pela

play01:22

sua

play01:23

privacidade idris Elba é Jones Manuel e

play01:26

Dem demito é mamãe falei pós reactor

play01:31

chega aos cinemas em 2026 ano de eleição

play01:34

é eu quero começar dizendo o seguinte eu

play01:37

queria deixar meu repúdio aqui a Ryan

play01:39

Gosling interpreta Ian Neves porque de

play01:43

todos os grandes reacs e pós reac

play01:46

conhecidos eu não sou um deles eu não

play01:49

faço react eu não não costumo ter esse

play01:52

formato e a razão para eu não fazer

play01:54

react ela é bem científica e bem

play01:56

materialista e ela passou por uma

play01:58

depuração analítica de todos os

play02:00

marxistas que eu conheço eu não gosto é

play02:03

essa eu motivo é esse eu não gosto eu

play02:05

acho chato de fazer e essa é a minha

play02:07

razão para não fazer mas dito isso eu

play02:10

acho a ideia do luig fundamental eu já

play02:14

enviei para toda a equipe de criação de

play02:16

um filme que eu acho fundamental também

play02:18

um filme muito importante pro nosso Z

play02:21

geist do século XX que é transi o filme

play02:24

de um trizal na época do bolsonaro eu eu

play02:27

acho que é a equipe mais adequada para

play02:29

fazer o pós reac né que é que vai

play02:32

conseguir inserir toda a veia de crítica

play02:35

social fundamental para reflexão

play02:38

coletiva que a gente precisa para um

play02:39

filme desse né Essa é a primeira coisa

play02:41

outra coisa como eu não faço react por

play02:44

motivos materialistas e dialéticos eu

play02:46

queria sugerir que Ryan Gosling

play02:47

interprete Casimiro Miguel eu acho que

play02:49

Ryan Gosling tem já uma semelhança

play02:52

fenotípica com o Senor Casimiro Miguel

play02:55

eu é a minha sugestão eu acho que o

play02:57

Casimiro Miguel já tá chegando na era do

play02:59

P react também ele já tá fazendo react

play03:01

de react né que é um negócio bastante

play03:04

avançado né só pras mentes que já estão

play03:06

em outro patamar e eu queria trazer a

play03:09

reflexão para vocês né você que é

play03:11

estudante de filosofia que gosta tanto

play03:12

do meu canal inclusive que teste

play03:14

opiniões sobre a minha pessoa muito

play03:16

ponderadas e muito dentro do Tom como

play03:17

diz o camarada Luigi né primeiro deixa a

play03:20

sua opinião de preferência de forma paga

play03:22

no pix ou Super chat né e eu queria

play03:25

trazer a reflexão aqui quando aver ry

play03:28

comentava Aristóteles

play03:30

não era isso um react quando engels

play03:32

escreveu anti durin comentando a

play03:35

filosofia do Senor eugin durin era isso

play03:37

ou não um react quando Katia aiel

play03:42

respondeu ao Bonde das Amantes era ou

play03:45

não era react onde começa o react e onde

play03:49

termina o react eu quero perguntar para

play03:51

todos os estudantes de filosofia do meu

play03:54

chat e espero as respostas de forma paga

play03:56

no pix era isso que eu queria trazer

play03:59

para vocês Eu acho que eu abri uma

play04:00

exceção aqui que era importante quando o

play04:03

dom L fizer roteiro para inus um Eu acho

play04:06

que o roteiro para inus já está pronto

play04:07

eu acho que o donell foi descontinuado

play04:09

como roteirista do Senhor carinha inus

play04:12

raciocínio racional Sou estudante de

play04:14

Filosofia e respondo sim boa excelente

play04:17

resposta sim pós roteirista o é

play04:21

o tá ficando bom isso é o pós roteirista

play04:25

do do álbum do senr donell mentira que

play04:28

esse título é real Mourão formado em

play04:30

camuflagem pelo exército some durante

play04:33

situação no Rio Grande do

play04:36

Sul o o formado o aposto é maravilhoso o

play04:41

aposto é muito bom formado em camuflagem

play04:43

pelo exército Seria tipo bolsonaro

play04:46

formado em para em paraquedismo cai de

play04:49

uma altura de 3 m sabe seria mesmo o

play04:51

mesmo tipo de efeito formado em

play04:53

camuflagem é bom sabe o que que era

play04:55

formado em camuflagem mesmo o exército

play04:57

Paulistano o exército Paulista perdão

play05:00

durante a guerra de 32 porque tinha o

play05:03

fantasmão fantasmão que eraa o trem

play05:05

camuflado que era para não dar para ver

play05:07

o trem chegando Isso é ser formado em

play05:09

camuflagem Michael sira é Ian Neves é

play05:12

uma boa Qual que é o próximo porqu o

play05:13

diamos gorbachov é o próximo porque o

play05:15

Jam porque ele casa muito bem com o

play05:18

Reagan eles têm muito a ver um com o

play05:20

outro empurra o trem tal qual os Norte

play05:22

coreanos né e o trem coreano também é

play05:25

camuflado pra mídia mídia livre a mídia

play05:28

que tá preocupada com a verdade não

play05:29

consegui ver que o os cidadãos estão

play05:31

empurrando o roteiro de Burkina Faso tá

play05:34

maior do que o do Reagan porque a gente

play05:35

pega desde a época dos impérios Mossi

play05:38

até 2012 acho que a suéde escreveu não

play05:41

2018 sei lá tipo é é muito longo mas por

play05:44

que que a gente tá fazendo isso só para

play05:46

explicar né quando se fala de África

play05:47

gente é muito comum a historiografia

play05:50

começar na colonização e não falar de

play05:52

quem eram as pessoas que estavam lá

play05:54

então a gente se preocupou muito em

play05:55

tentar explicar para vocês antes da

play05:58

colonização quem que tava lá sabe quem

play06:00

são essas pessoas Qual que é a história

play06:01

delas que elas existiam o próximo ensaio

play06:04

é do Congo o ensaio no geral é do Congo

play06:06

porque eu diamos Adolf Hitler eu tô

play06:08

achando que só precisa pro para duas

play06:09

pessoas né o monarca e o kin katagiri só

play06:11

precisa para eles dois e agora o

play06:13

restante acho que sabe o que eu acho é

play06:15

que as vezes as pessoas odeiam o Hitler

play06:16

por poucos motivos ele tem mais motivos

play06:19

para ser odiado e as pessoas odeiam por

play06:20

poucos o próprio nesse próprio vídeo que

play06:22

eu tô citando do Monarque A Tabata fala

play06:25

porque o nazismo é contra o povo judaico

play06:27

sim mas isso tá longe de ser o único

play06:29

problema longe de ser o único problema

play06:30

porque odiamos Elon musk eu tendo a

play06:33

fazer mais vídeos sobre pessoas que

play06:35

morreram porque aí deu tempo dele parar

play06:37

de fazer merda então enz Morreu tcher

play06:40

Morreu pinoche Morreu rean Morreu o

play06:42

único que não morreu foi o Color ele

play06:44

tentou mas não conseguiu então o Color

play06:47

eu ele morreu politicamente sabe aí se

play06:49

eu falar do Elon musk uma semana depois

play06:51

eu vou ter que atualizar o vídeo Elon M

play06:54

esse mesmo fala sobre o Rio Grande do

play06:56

Sul falei bastante quinta fiz uma live

play06:58

inclusive seria bom conv com vocês de

play07:00

novo sobre isso porque todas as vezes

play07:02

que eu e a Duda que é a minha roteirista

play07:04

abordamos uma notícia Principalmente uma

play07:06

notícia que teve uma repercussão muito

play07:07

muito grande como a tragédia no Sul a

play07:09

gente tenta pegar um ponto de vista que

play07:11

a gente não viu ser contemplado ainda

play07:13

porque eu tenho certeza absoluta que não

play07:15

tem uma pessoa aí do chat que não viu o

play07:17

que tá acontecendo no sul não tem

play07:19

nenhuma pessoa que não viu sabe então a

play07:21

gente tentou abordar a respeito da

play07:23

maneira como a gente acha que a palavra

play07:25

negacionismo tá sendo mal aplicada a

play07:28

gente acha que o conceito de acionismo

play07:29

não tá sendo bem aplicado para explicar

play07:32

o fenômeno da negligência no sul e isso

play07:35

é uma coisa que eu que eu queria falar

play07:36

de novo eu queria falar de novo porque

play07:39

muitas vezes muitas vezes não né nos

play07:41

portais de esquerda eu vejo as leituras

play07:43

corretas Mas o diagnóstico errado ah é

play07:45

vou falar do vídeo do Reagan ele deu uma

play07:47

engatada agora queria agradecer muito

play07:49

também a outros criadores que

play07:51

compartilharam a Martina Giovanetti que

play07:53

é gigante no Instagram compartilhou

play07:55

também ajudou pra caramba e fico muito

play07:57

feliz que as pessoas tenham gostado do

play07:59

projeto e ajudado a divulgar porque o

play08:02

que mais me frustra dele não ser

play08:03

entregue Não é eu não ganhar o retorno

play08:06

financeiro mas é gente que gostaria de

play08:07

ver não consegui ver porque não viu ele

play08:09

no feed então eu tenho uma conta

play08:11

secundária uma conta que eu uso só para

play08:13

consumir conteúdo que eu gosto e o meu

play08:15

vídeo apareceu para mim mesmo dois dias

play08:17

depois Ah é isso

Rate This

5.0 / 5 (0 votes)

Related Tags
Post-ModernityReactionsSatirePhilosophyMeta-ModernCultural CritiqueSocial CommentaryMedia AnalysisRyan GoslingFilm Concept