Cinematic Color in Storytelling | Tomorrow's Filmmakers

Tomorrows Filmmakers
9 Jun 202114:34

Summary

TLDRThis video from TomorrowsFilmmakers.com focuses on how color can enhance storytelling in film. The host explains how filmmakers can use specific colors to evoke emotions, establish symbolism, and guide the audience subconsciously. By setting color schemes early on, such as associating blue with safety or red with danger, directors can subtly communicate moods and key plot points. The video also references popular films like 'The Village,' 'Chernobyl,' and 'Blade Runner 2049' to demonstrate how color influences perception and supports narrative development. Additionally, the video promotes a comprehensive film course offering advanced filmmaking techniques.

Takeaways

  • 🎥 Cinematic color is an essential storytelling tool that influences audience emotions without being overtly noticed.
  • 🟡 Establishing color significance at the start of a film helps communicate subconscious feelings to the audience (e.g., yellow represents danger, blue represents safety).
  • 🔴 M. Night Shyamalan uses red in his films to signify important or supernatural events, while avoiding its casual use throughout the rest of his films.
  • 🧪 In films like *Contagion*, color helps establish disease and safety: yellow signifies illness and danger, while blue signifies health and safety.
  • ☢️ In *Chernobyl*, green is used to represent radiation and danger, while blue indicates safety, with transitions between these colors subtly communicating the severity of situations.
  • ⚔️ Color battles are a key visual element in films, such as *Star Wars*, where red and blue are used to signify good and evil, especially during Kylo Ren's struggle.
  • 🍊 In *The Godfather*, orange is associated with death, symbolically foreshadowing upcoming death or danger.
  • 🧥 Character evolution can be shown through color, as in *Breaking Bad*, where Walt's clothing darkens as he becomes more morally corrupted.
  • ❤️ In *Her*, the color red is tied to the relationship between Theodore and Samantha, with red fading from the film as their relationship ends.
  • 🎨 Filmmakers should establish a consistent color scheme and use it throughout to communicate themes, emotions, and character journeys without the audience being consciously aware.

Q & A

  • What is the main focus of the video?

    -The video focuses on the use of color in cinematography and how it can be used to convey emotions and tell a story in films.

  • Why is color important in film storytelling?

    -Color can make an audience feel a certain way without them being consciously aware of it. Filmmakers use color to establish mood, emotions, and even symbolism, helping to tell a story more effectively.

  • How can filmmakers use color to influence an audience's feelings?

    -Filmmakers can establish colors at the beginning of a film to represent certain emotions or concepts, which then subconsciously influence how the audience feels when those colors reappear later in the film.

  • What example does the video provide about M. Night Shyamalan’s use of color?

    -M. Night Shyamalan uses the color red in his films to signify something significant or foreboding. For instance, in his films like 'The Sixth Sense,' red objects indicate an interaction with the supernatural.

  • How does the movie 'Contagion' use color to represent danger?

    -'Contagion' uses the color yellow to represent danger and disease. Whenever a character is infected or exposed to the virus, the scenes are washed in sickly yellow tones.

  • How does the TV series 'Chernobyl' use color to communicate safety and danger?

    -In 'Chernobyl,' green is used to represent danger and radiation, while blue is used to signify safety. This color distinction helps viewers understand the risk level in different scenes.

  • What is the significance of color in 'Star Wars: The Force Awakens' during Kylo Ren’s inner struggle?

    -In 'The Force Awakens,' red and blue are used to visually represent Kylo Ren's internal struggle between the dark side and the light. As he makes his final decision, the blue light fades away, leaving only red, symbolizing his choice for the dark side.

  • What role does the color orange play in 'The Godfather'?

    -In 'The Godfather,' the color orange is consistently associated with death. Before major characters die, the presence of oranges or an orange hue foreshadows their impending demise.

  • How does 'Breaking Bad' use color to reflect Walter White’s character transformation?

    -As Walter White's character darkens over the course of 'Breaking Bad,' his wardrobe changes from bright colors at the start to darker shades, reflecting his moral decline and transformation into a more sinister figure.

  • How can filmmakers apply the concept of color palettes to their own projects?

    -Filmmakers can apply color palettes by first establishing good and bad colors or symbolic colors at the beginning of the film and maintaining consistency throughout. This can also include using saturation or desaturation to further convey emotional or narrative shifts.

Outlines

00:00

🎬 Introduction to Cinematic Color and Storytelling

In this introductory segment, the speaker, Justice from TomorrowsFilmmakers.com, highlights the importance of color in storytelling. He introduces the concept of cinematic color and explains how colors can influence an audience's emotions, whether it's through the color of lights, objects, or the overall atmosphere. He encourages viewers to explore previous lessons on cinematic composition, lighting, and movement and promotes the academy’s filmmaking course, currently available at a discounted price. The segment sets up the premise that color is an essential but often overlooked aspect of film that can be used to convey subconscious messages to the audience.

05:00

🎨 How Color Shapes Audience Perception

This section delves deeper into how colors in a film can be used to create emotional associations. It explains that, while certain colors (like orange or blue) may evoke common feelings, the key is to establish a color’s meaning early in a film. By doing this, filmmakers can evoke feelings such as unease or safety without explicitly explaining why, as seen in the use of warm and cool tones. The section references how directors like M. Night Shyamalan use color purposefully, such as the recurring use of red to signify significant moments, subtly guiding the audience’s emotions without them consciously noticing the cues.

10:00

⚠️ Color as a Subtle Indicator of Danger and Safety

This part focuses on how two specific productions—*Contagion* and *Chernobyl*—use color to signify danger and safety. In *Contagion*, yellow represents danger (disease) while blue symbolizes safety, with even subtle cues like wristbands and environment colors playing into this theme. Similarly, in *Chernobyl*, green is used to signify radiation and danger, while blue indicates safety. By establishing these color codes early, both productions use them consistently to communicate risk and security without the audience needing overt explanations. This discussion emphasizes the importance of consistency in color schemes to subconsciously influence the audience’s emotions.

💀 Symbolic Use of Colors in Iconic Films

This section explores how color has been used symbolically in various films. *Star Wars* is cited as an obvious example of the battle between red (evil) and blue (good). In *The Force Awakens*, colors are used to show Kylo Ren’s inner turmoil. In *The Godfather*, orange symbolizes death, appearing before significant characters die. *Breaking Bad* uses darker clothing to reflect the moral decline of its protagonist, and in *Her*, red symbolizes the protagonist’s emotional attachment to an AI. These examples highlight how different directors use color to symbolize character journeys or impending doom, enriching the storytelling experience.

💡 The Absence of Color as a Narrative Tool

In this paragraph, the absence of color or de-saturation in film is discussed as a way to represent emotional voids or tension. Using *Secret Window* as an example, the faded, colorless clothing of the main character and his wife mirrors their joyless lives, contrasted with more colorful scenes to convey happiness. The discussion further references *Blade Runner 2049*, where yellow represents the truth, and the frequency of yellow increases as the protagonist nears the truth, visually emphasizing the narrative’s progression. These examples show how filmmakers can also use the absence of color or specific hues to convey deeper meanings.

🎨 Practical Tips for Using Color in Filmmaking

In the final section, Justice provides practical advice for filmmakers on how to establish and use color schemes in their projects. He emphasizes the importance of setting a color palette early on, associating certain colors with specific characters or events. He advises maintaining consistency throughout a film to guide the audience’s emotional responses without them consciously noticing. Justice encourages viewers to experiment with color, whether by enhancing the mood with a specific hue or using the absence of color to communicate emotional depth. The section concludes by reiterating the value of color in subconscious storytelling.

Mindmap

Keywords

💡Cinematic Color

Cinematic color refers to the deliberate use of color in films to evoke certain emotions and communicate specific messages. In the video, it is discussed how filmmakers use color to influence how the audience feels, often subconsciously, by associating colors with different emotions or themes. For example, a warm color like orange may evoke a homey feeling, while blue might be used to signify danger.

💡Subconscious Messaging

This concept refers to the way filmmakers use color to convey meaning without the audience explicitly noticing. The video explains that the use of certain colors throughout a film can make the audience feel a specific way without them realizing why. For instance, the consistent use of red in M. Night Shyamalan’s films signals something significant, conditioning the audience to expect important events when they see red.

💡Color Palette

A color palette is the selection of colors used throughout a film to create a cohesive visual style. The video stresses the importance of choosing a palette early on to establish themes, moods, and associations with certain colors. For example, 'Contagion' uses a sickly yellow palette to signify danger and illness, while contrasting blue is used to signify safety.

💡Establishing Color Significance

This term refers to the practice of assigning meaning to a specific color early in a film and maintaining that meaning throughout. The video highlights how, by establishing a color as dangerous (like green in 'Chernobyl'), the audience begins to associate that color with danger without it being explicitly stated. Once the association is established, the audience responds to the color accordingly whenever it appears.

💡Color Contrast

Color contrast involves using opposing or different colors to highlight differences between scenes, characters, or emotions. In the video, examples like 'Contagion' and 'Chernobyl' show how yellow (danger) is contrasted with blue (safety) to visually indicate shifts in danger levels. These contrasts create visual cues for the audience.

💡Character Color Association

This refers to the practice of associating a particular color with a specific character, helping to visually represent their emotional journey or role in the story. In the video, an example from 'Breaking Bad' shows how Walter White's colors grow darker as his morality worsens, signifying his transformation through his wardrobe choices.

💡Absence of Color

The absence of color or the use of desaturation in films is another way to tell a story visually. The video discusses how in 'Secret Window,' the faded, desaturated clothing of characters represents their emotional state and bleak circumstances, showing how the lack of vibrant color can communicate a loss of joy or vitality.

💡Emotional Tone

Emotional tone refers to the overall mood or feeling a film conveys, often influenced by its color scheme. The video emphasizes how filmmakers like M. Night Shyamalan use specific tones—like the presence or absence of red in 'The Sixth Sense'—to evoke emotions such as tension, fear, or significance in a subtle way that affects the audience emotionally.

💡Visual Storytelling

This concept refers to using visual elements, such as color, to tell a story without the need for dialogue or explicit narration. The video repeatedly touches on how color can serve as a storytelling tool, guiding the audience through the emotional and thematic undercurrents of a film, such as how yellow in 'Blade Runner 2049' represents the truth the character is searching for.

💡Color Psychology

Color psychology is the study of how colors affect human behavior and emotions. In filmmaking, it plays a crucial role in evoking specific emotional responses from the audience. The video discusses how different colors, like blue and red in 'Star Wars,' are used to represent good and evil, tapping into universally recognized emotional responses to these colors.

Highlights

Introduction to cinematic color and its importance in storytelling.

Using color to evoke emotions and how even small elements like the color of a jacket, light, or car can communicate a message.

Color establishes emotional cues without being noticed directly by the audience.

M. Night Shyamalan uses red to signify important events in his films, such as in 'The Sixth Sense' and 'The Village'.

Color symbolism can vary, but once established in a film, it consistently guides the audience's feelings, such as warm colors being unsettling or blue being safe.

Examples of color use in 'Contagion', where yellow represents sickness and danger, and blue symbolizes safety.

'Chernobyl' establishes green as a dangerous color representing radiation, while blue is used for safety.

Directors can visually signify danger or safety simply by the presence of a specific color, as seen with hazmat suits or hospital curtains in 'Chernobyl'.

Color can communicate danger or safety subconsciously without explicit recognition from the audience.

The color battle between red and blue in 'Star Wars' visually communicates the struggle between good and evil.

In 'The Force Awakens', the red and blue lights on Kylo Ren’s face visually represent his internal conflict.

In 'The Godfather', the color orange symbolizes death, subtly woven throughout the film.

Color change in characters, such as Walt's clothing in 'Breaking Bad', reflects their transformation over time.

The relationship in 'Her' is represented by the color red, showing how it influences the protagonist's life.

Directors can remove color saturation in costumes or props, as in 'Secret Window', to represent emotional voids or lifelessness.

Transcripts

play00:01

[Music]

play00:04

hey guys justice here with

play00:06

tomorrowsfilmmakers.com the largest

play00:08

online film academy in the world

play00:10

and today we're going to be talking

play00:11

about cinematic color

play00:13

now if you haven't seen our other videos

play00:15

on cinematic composition

play00:17

cinematic lighting and cinematic

play00:19

movement definitely go check those out

play00:21

because i think those would be really

play00:22

helpful for you guys to watch

play00:24

and understand more about cinematography

play00:27

but today i want to talk about something

play00:28

that

play00:29

isn't talked about nearly as much as it

play00:31

should

play00:32

and that is cinematic color in your

play00:35

storytelling

play00:36

now did you know that you can make an

play00:38

audience feel a certain way

play00:40

just by showing a color it could be the

play00:42

color of a light the color of a jacket a

play00:45

car

play00:45

even the atmosphere around them all of

play00:48

these can communicate

play00:49

a message so in this lesson we're going

play00:51

to show you how they use

play00:53

color in hollywood today and also how

play00:55

you can use color in your

play00:57

projects but if you enjoy these lessons

play01:00

and you'd like to learn even more you

play01:01

can check out our full academy at

play01:03

tomorrowsfilmmakers.com

play01:05

we have over a thousand training videos

play01:06

and over a hundred hours of content

play01:08

on every single filmmaking subject you

play01:10

can imagine just like this

play01:13

we have had over 10 000 students join

play01:15

our academy and they

play01:16

are loving it and right now we are doing

play01:18

something we have

play01:19

never done before and we are running an

play01:21

insane sale of only 97

play01:25

for our lifetime membership to our

play01:27

award-winning

play01:28

online film course so if you want to

play01:30

take your filmmaking to an entirely new

play01:32

level and learn

play01:33

all about filmmaking from professionals

play01:35

in the industry

play01:36

click the link in the description and

play01:38

head on over to tomorrowsfilmmakers.com

play01:40

to learn more but with that being said

play01:43

how can color tell a story or more

play01:46

importantly

play01:47

what is the purpose of color in your

play01:50

films

play01:51

you would think that every single color

play01:52

would have a specific feeling

play01:54

that is universally used that way orange

play01:57

is nice and warm and gives a homey kind

play01:59

of feel

play02:00

while blue is very cool and can be used

play02:02

to show danger

play02:03

or some other emotion and while that may

play02:05

be true to a degree

play02:06

if you establish a color to mean

play02:09

something at the beginning of a film

play02:11

the audience will subconsciously feel

play02:13

that way

play02:14

when you show the color again so if we

play02:16

establish that warm is bad and blue is

play02:19

good

play02:19

when warm color comes on the screen the

play02:21

audience will start to feel uneasy

play02:23

without knowing exactly why and that's

play02:26

the beauty of

play02:27

color in a film it's not supposed to be

play02:30

noticed

play02:31

the color in your films is purposeful

play02:34

but should

play02:35

never be noticed now what do i mean by

play02:38

this

play02:38

so let's just take a color that has

play02:40

importance in a film

play02:42

now like him or not im night shyamalan

play02:44

is a master of color

play02:46

in film and has always used the color

play02:48

red to show something significant in his

play02:51

films

play02:51

if something major is about to happen

play02:53

the color red is always

play02:55

present a red doorknob a red shirt red

play02:58

balloon

play02:59

there is significance in the color red

play03:01

you would notice that there were little

play03:03

clues along the way and one of them was

play03:05

with the color red

play03:06

we used the color red to

play03:09

indicate anything in the real world that

play03:11

has been tainted by

play03:13

the other world so since he's

play03:14

established that color as significant

play03:17

the rest of the films are surprisingly

play03:19

absent of the color red

play03:21

why is that because the color red is

play03:23

only used for something significant

play03:26

if it was just throughout the rest of

play03:27

the movie the audience would be confused

play03:30

anytime there was red by mistake i was

play03:32

like get it out

play03:33

get it out now in his fourth film the

play03:35

village he uses the color

play03:37

red to an extreme there are creatures in

play03:39

the woods that are attracted to the

play03:41

color

play03:42

red so everyone always wears the color

play03:44

yellow

play03:45

when you see red you automatically feel

play03:48

scared and concerned because they're

play03:49

holding the bad

play03:50

color this color attracts those we don't

play03:53

speak of you must bury it

play03:54

now this is an obvious example because

play03:56

even in the film they bring attention

play03:59

to a certain color being bad but what

play04:01

about a film that

play04:02

doesn't bring attention to itself let's

play04:05

take

play04:06

two projects about plagues and disease

play04:09

and see how they handle

play04:10

color contagion versus chernobyl

play04:14

one is a movie and one is a mini-series

play04:16

but they both deal with sickness illness

play04:18

and disease and i absolutely love

play04:20

both of them but if we look at contagion

play04:23

we can see right at the beginning

play04:24

that anytime someone has the disease

play04:27

it's a

play04:28

strong yellow color and not just a nice

play04:31

yellow but a sick

play04:32

caution tape kind of yellow if

play04:34

scientists handle the disease

play04:36

the suits are yellow if it shows someone

play04:38

coughing there's a yellow environment

play04:40

the director establishes right from the

play04:42

beginning that yellow is a bad

play04:45

color but when someone doesn't have the

play04:47

sickness

play04:48

it's bluer than anything you've ever

play04:50

seen before

play04:51

and why is there such a contrast because

play04:54

the movie establishes right at the

play04:56

beginning that

play04:57

yellow is dangerous and blue is safe and

play05:00

once you establish that

play05:01

you can let the audience know if

play05:03

something is safe or not

play05:04

just by making it a certain color when

play05:07

the vaccine comes out

play05:08

the wrist strap that everyone gets after

play05:10

you take the shot

play05:12

is blue signifying that the vaccine here

play05:15

is safe if the wrist strap was yellow we

play05:17

would automatically feel like the

play05:19

vaccine might not work

play05:20

or was even some sort of fake and all of

play05:23

this emotion is just by the color

play05:25

of the wrist strap the color of the

play05:28

wrist strap gives you all these emotions

play05:30

because we have established the color

play05:32

from the very beginning if we take

play05:34

chernobyl they establish right at the

play05:36

beginning

play05:37

that green is bad anytime radiation is

play05:40

present there is a green

play05:41

tint throughout the entire scene when

play05:44

our main character thinks everything is

play05:45

fine

play05:46

it's normal colors and whenever he reads

play05:48

about the radiation leak the color

play05:51

immediately

play05:51

turns green a sickly gross green

play05:55

so green is dangerous and blue is safe

play05:58

and again once we establish those colors

play06:01

we can continue to show the audience

play06:02

what is safe and what is not

play06:04

the hazmat suits are green signifying

play06:07

radiation

play06:08

when she visits her husband in the

play06:10

hospital the curtains are a nice white

play06:12

but whenever he is dying of radiation

play06:14

the curtain becomes an

play06:15

eerie green the sanitation trucks that

play06:18

clean the radiation they are blue

play06:20

signifying that this is safe the captain

play06:23

who wears green for the entire run time

play06:26

has to convince a group of men to move

play06:28

radioactive rocks from the roof

play06:30

while he's doing that he's wearing green

play06:32

when the job is finished

play06:34

all of a sudden he's wearing blue this

play06:36

shows the audience that the job they're

play06:37

about to do

play06:38

is dangerous and then whenever it is

play06:40

done the danger is now

play06:41

over and it is safe three men are tasked

play06:44

with disposing of radioactive animals

play06:47

and the truck they drive

play06:48

is blue which is safe yet the truck bed

play06:51

with all the radioactive animals

play06:53

is green this two-tone color of this

play06:56

truck

play06:56

was not by accident it's showing us that

play06:59

in the cab

play07:00

is safe and whatever is in the back is

play07:02

not

play07:03

both of these films communicate danger

play07:05

and safety to the audience

play07:07

by establishing dangerous and safe

play07:10

colors at the beginning

play07:11

and using them throughout the entire run

play07:13

time but like i said at the beginning

play07:15

the thing i love about color and film

play07:17

is that yes i'm bringing attention to it

play07:20

but when you watch it

play07:21

this is not something that you ever

play07:24

notice this is a

play07:25

subconscious message communicated to the

play07:28

audience so when the audience sees

play07:29

someone

play07:30

walk into a green room in chernobyl they

play07:32

don't think

play07:33

there's green in this room he should get

play07:35

out of there instead

play07:36

they think it's dangerous he should get

play07:38

out of there and the audience doesn't

play07:40

know exactly

play07:41

why they know there is danger in this

play07:43

room but they just know it isn't safe

play07:46

and we know it's because the director

play07:48

has established a good and bad color

play07:51

and we are showing the audience the bad

play07:53

color in this room

play07:55

this is not something the audience is

play07:57

aware of but subconsciously this

play07:59

information is fed to the audience

play08:01

and determines exactly how they feel now

play08:04

a franchise like star wars is an obvious

play08:06

example of the battle of colors

play08:09

red versus blue and we always know who

play08:11

is good and who is bad

play08:13

in the force awakens jj abrams uses

play08:15

these two colors to visually show the

play08:17

inner struggle

play08:18

of kylo ren as kylo is trying to figure

play08:21

out what he should do

play08:22

and the decision he needs to make we as

play08:24

the audience see the struggle visually

play08:27

with red and blue on either side of his

play08:29

face

play08:30

when he finally makes his decision we

play08:32

know what decision has been made before

play08:34

anything happens because the blue light

play08:36

fades away and we are left with nothing

play08:38

but

play08:38

red again subconsciously giving the

play08:41

audience the information they need

play08:43

without the audience knowing and color

play08:45

and film doesn't just have to be

play08:47

good or bad color you can have a

play08:49

character associated with a color

play08:51

this character is associated with blue

play08:54

and this character is always associated

play08:56

with orange

play08:57

when you see the two mix you know that

play08:59

these two characters paths are about to

play09:01

cross

play09:02

in the godfather the color orange is

play09:04

always used to associate

play09:06

death not red not blue but orange

play09:10

so before someone dies the color orange

play09:12

is always present

play09:13

and sometimes it's an overall hue to the

play09:15

scene and sometimes it's more subtle

play09:18

like actual oranges spilling across the

play09:21

frame

play09:21

whenever someone dies in breaking bad

play09:24

our main character walt is always

play09:26

wearing bright colors at the beginning

play09:28

of the show

play09:29

but towards the end of the show as walt

play09:31

starts to become more and more

play09:32

wicked his colors start to get darker

play09:35

and darker

play09:36

and in a very famous scene where he

play09:38

reveals the true nature to his wife and

play09:40

how dangerous he really is

play09:42

he removes his red over shirt to reveal

play09:45

an even

play09:45

darker red undershirt a visual

play09:48

representation of the darkness hiding

play09:50

underneath

play09:51

his already dark exterior and all we

play09:54

have done

play09:55

is change the color of his clothing in

play09:58

the movie her when our main character

play10:00

falls in love with an operating system

play10:02

named samantha the color red

play10:04

is always used to represent their

play10:05

relationship samantha is the color red

play10:08

and when theodore is around her or

play10:10

falling in love with her

play10:11

he is wearing red or there is red around

play10:14

him

play10:14

this represents that this operating

play10:16

system that he is in love with

play10:18

is affecting every part of his life and

play10:20

he's not able to get away from it

play10:22

when he finally realizes that many

play10:24

people are also experiencing what he is

play10:26

experiencing

play10:27

we start to see others with that same

play10:29

red in their clothing

play10:30

and when theodore finally does get rid

play10:32

of samantha red

play10:34

is now absent from his life and not only

play10:36

does he feel free

play10:38

but we as the audience feels free red

play10:41

represents samantha and when their

play10:43

character is free from her

play10:45

red is gone but what about not just a

play10:47

certain color in clothing

play10:49

but the absence of color or more the

play10:52

absence of saturation in clothing

play10:55

in secret window our main character and

play10:57

his wife are going through a terrible

play10:58

divorce

play10:59

and they have lost all joy in life so

play11:02

every piece of clothing that they have

play11:04

is

play11:04

faded and void of color when they stand

play11:07

next to someone else

play11:08

they stand out because their clothes are

play11:10

so faded

play11:11

and this was done on purpose of

play11:14

working with the color the mid-tone

play11:17

color

play11:18

kind of color that they were very strong

play11:21

but they fade down

play11:22

like under the sun it's a kind of

play11:25

twilight zone everything is loose

play11:27

everything is fade and

play11:30

compared to the flashback and compared

play11:32

to the other character

play11:34

where the color is more bright more

play11:37

colorful

play11:38

more happy you can even take color a

play11:40

step further and have a certain color

play11:42

represent

play11:43

something our main character is

play11:44

searching for a well-known example is in

play11:47

blade runner 2049

play11:49

denis valeno has stated that the color

play11:51

yellow represents the truth our main

play11:53

character is looking for

play11:55

and the color yellow becomes more and

play11:57

more frequent as our character comes

play11:59

closer to the truth

play12:00

from a yellow flower to a small light in

play12:03

another room

play12:03

or a small yellow light in the room

play12:05

where he is discovering more truth

play12:07

and towards the end of the film when he

play12:09

finally finds what he's looking for

play12:11

the entire scene is yellow representing

play12:14

that he has finally found the truth he

play12:16

was searching for throughout the entire

play12:17

film

play12:18

so as you can see color is used in

play12:20

storytelling all the time

play12:22

and it doesn't just need to be an

play12:24

overall wash of the image

play12:26

it can be a specific item a light

play12:28

through a window an article of clothing

play12:30

or even the

play12:31

absence of color in clothing and to use

play12:34

color in your films is very

play12:36

simple just establish the color scheme

play12:38

at the beginning of the film

play12:40

and carry that throughout the entire

play12:42

project if you choose

play12:43

blue as a bad color then have your

play12:46

villain wear some sort of blue

play12:48

or maybe when something bad happens

play12:50

there's a blue light in the background

play12:52

establish the color at the beginning of

play12:54

the film and then you are able to

play12:56

subconsciously make the audience feel a

play12:58

certain way

play12:59

without saying anything and without the

play13:01

audience even

play13:02

knowing about it so i hope that you guys

play13:04

have really enjoyed this video and has

play13:06

helped you guys out on how to use color

play13:08

in your films to communicate to the

play13:09

audience

play13:10

if you'd like to learn every single

play13:12

aspect of filmmaking you could check out

play13:13

our full academy

play13:14

at tomorrowsfilmmakers.com we have over

play13:17

a thousand training videos and over a

play13:19

hundred hours

play13:20

of content on every single filmmaking

play13:22

subject that you can imagine

play13:24

if you want to go into the production

play13:25

side with weddings real estate music

play13:27

videos commercials

play13:28

we teach all about that and if you want

play13:30

to go more into the narrative side with

play13:32

directing storyboarding acting

play13:34

we teach all about that as well and like

play13:37

i said at the beginning we have been

play13:38

successfully selling this course with an

play13:40

800

play13:41

price tag for years but for a limited

play13:43

time we are offering it to you guys

play13:45

for only 97 bucks our award-winning

play13:48

800 online film course is yours for only

play13:52

97

play13:54

so as you're making your projects and as

play13:56

you're making your films

play13:57

choose a color palette that you would

play13:59

like to follow

play14:00

and establish good and bad colors or

play14:03

even just

play14:04

significant colors or even communicate

play14:07

to the audience

play14:08

by removing saturation in your color

play14:11

just determine all of this beforehand

play14:14

and you'll be shocked

play14:15

how you can subconsciously send messages

play14:18

to the audience

play14:19

just by color so i hope this video has

play14:21

really helped you guys out

play14:22

to learn more click the link in the

play14:24

description below and learn all the

play14:26

skills that you need

play14:28

to succeed

Rate This

5.0 / 5 (0 votes)

Related Tags
Cinematic ColorFilm TechniquesStorytellingFilmmaking TipsColor PsychologyVisual StorytellingMovie AnalysisFilm AestheticsHollywood FilmsColor Theory