Cinematic Color in Storytelling | Tomorrow's Filmmakers
Summary
TLDRThis video from TomorrowsFilmmakers.com focuses on how color can enhance storytelling in film. The host explains how filmmakers can use specific colors to evoke emotions, establish symbolism, and guide the audience subconsciously. By setting color schemes early on, such as associating blue with safety or red with danger, directors can subtly communicate moods and key plot points. The video also references popular films like 'The Village,' 'Chernobyl,' and 'Blade Runner 2049' to demonstrate how color influences perception and supports narrative development. Additionally, the video promotes a comprehensive film course offering advanced filmmaking techniques.
Takeaways
- 🎥 Cinematic color is an essential storytelling tool that influences audience emotions without being overtly noticed.
- 🟡 Establishing color significance at the start of a film helps communicate subconscious feelings to the audience (e.g., yellow represents danger, blue represents safety).
- 🔴 M. Night Shyamalan uses red in his films to signify important or supernatural events, while avoiding its casual use throughout the rest of his films.
- 🧪 In films like *Contagion*, color helps establish disease and safety: yellow signifies illness and danger, while blue signifies health and safety.
- ☢️ In *Chernobyl*, green is used to represent radiation and danger, while blue indicates safety, with transitions between these colors subtly communicating the severity of situations.
- ⚔️ Color battles are a key visual element in films, such as *Star Wars*, where red and blue are used to signify good and evil, especially during Kylo Ren's struggle.
- 🍊 In *The Godfather*, orange is associated with death, symbolically foreshadowing upcoming death or danger.
- 🧥 Character evolution can be shown through color, as in *Breaking Bad*, where Walt's clothing darkens as he becomes more morally corrupted.
- ❤️ In *Her*, the color red is tied to the relationship between Theodore and Samantha, with red fading from the film as their relationship ends.
- 🎨 Filmmakers should establish a consistent color scheme and use it throughout to communicate themes, emotions, and character journeys without the audience being consciously aware.
Q & A
What is the main focus of the video?
-The video focuses on the use of color in cinematography and how it can be used to convey emotions and tell a story in films.
Why is color important in film storytelling?
-Color can make an audience feel a certain way without them being consciously aware of it. Filmmakers use color to establish mood, emotions, and even symbolism, helping to tell a story more effectively.
How can filmmakers use color to influence an audience's feelings?
-Filmmakers can establish colors at the beginning of a film to represent certain emotions or concepts, which then subconsciously influence how the audience feels when those colors reappear later in the film.
What example does the video provide about M. Night Shyamalan’s use of color?
-M. Night Shyamalan uses the color red in his films to signify something significant or foreboding. For instance, in his films like 'The Sixth Sense,' red objects indicate an interaction with the supernatural.
How does the movie 'Contagion' use color to represent danger?
-'Contagion' uses the color yellow to represent danger and disease. Whenever a character is infected or exposed to the virus, the scenes are washed in sickly yellow tones.
How does the TV series 'Chernobyl' use color to communicate safety and danger?
-In 'Chernobyl,' green is used to represent danger and radiation, while blue is used to signify safety. This color distinction helps viewers understand the risk level in different scenes.
What is the significance of color in 'Star Wars: The Force Awakens' during Kylo Ren’s inner struggle?
-In 'The Force Awakens,' red and blue are used to visually represent Kylo Ren's internal struggle between the dark side and the light. As he makes his final decision, the blue light fades away, leaving only red, symbolizing his choice for the dark side.
What role does the color orange play in 'The Godfather'?
-In 'The Godfather,' the color orange is consistently associated with death. Before major characters die, the presence of oranges or an orange hue foreshadows their impending demise.
How does 'Breaking Bad' use color to reflect Walter White’s character transformation?
-As Walter White's character darkens over the course of 'Breaking Bad,' his wardrobe changes from bright colors at the start to darker shades, reflecting his moral decline and transformation into a more sinister figure.
How can filmmakers apply the concept of color palettes to their own projects?
-Filmmakers can apply color palettes by first establishing good and bad colors or symbolic colors at the beginning of the film and maintaining consistency throughout. This can also include using saturation or desaturation to further convey emotional or narrative shifts.
Outlines
🎬 Introduction to Cinematic Color and Storytelling
In this introductory segment, the speaker, Justice from TomorrowsFilmmakers.com, highlights the importance of color in storytelling. He introduces the concept of cinematic color and explains how colors can influence an audience's emotions, whether it's through the color of lights, objects, or the overall atmosphere. He encourages viewers to explore previous lessons on cinematic composition, lighting, and movement and promotes the academy’s filmmaking course, currently available at a discounted price. The segment sets up the premise that color is an essential but often overlooked aspect of film that can be used to convey subconscious messages to the audience.
🎨 How Color Shapes Audience Perception
This section delves deeper into how colors in a film can be used to create emotional associations. It explains that, while certain colors (like orange or blue) may evoke common feelings, the key is to establish a color’s meaning early in a film. By doing this, filmmakers can evoke feelings such as unease or safety without explicitly explaining why, as seen in the use of warm and cool tones. The section references how directors like M. Night Shyamalan use color purposefully, such as the recurring use of red to signify significant moments, subtly guiding the audience’s emotions without them consciously noticing the cues.
⚠️ Color as a Subtle Indicator of Danger and Safety
This part focuses on how two specific productions—*Contagion* and *Chernobyl*—use color to signify danger and safety. In *Contagion*, yellow represents danger (disease) while blue symbolizes safety, with even subtle cues like wristbands and environment colors playing into this theme. Similarly, in *Chernobyl*, green is used to signify radiation and danger, while blue indicates safety. By establishing these color codes early, both productions use them consistently to communicate risk and security without the audience needing overt explanations. This discussion emphasizes the importance of consistency in color schemes to subconsciously influence the audience’s emotions.
💀 Symbolic Use of Colors in Iconic Films
This section explores how color has been used symbolically in various films. *Star Wars* is cited as an obvious example of the battle between red (evil) and blue (good). In *The Force Awakens*, colors are used to show Kylo Ren’s inner turmoil. In *The Godfather*, orange symbolizes death, appearing before significant characters die. *Breaking Bad* uses darker clothing to reflect the moral decline of its protagonist, and in *Her*, red symbolizes the protagonist’s emotional attachment to an AI. These examples highlight how different directors use color to symbolize character journeys or impending doom, enriching the storytelling experience.
💡 The Absence of Color as a Narrative Tool
In this paragraph, the absence of color or de-saturation in film is discussed as a way to represent emotional voids or tension. Using *Secret Window* as an example, the faded, colorless clothing of the main character and his wife mirrors their joyless lives, contrasted with more colorful scenes to convey happiness. The discussion further references *Blade Runner 2049*, where yellow represents the truth, and the frequency of yellow increases as the protagonist nears the truth, visually emphasizing the narrative’s progression. These examples show how filmmakers can also use the absence of color or specific hues to convey deeper meanings.
🎨 Practical Tips for Using Color in Filmmaking
In the final section, Justice provides practical advice for filmmakers on how to establish and use color schemes in their projects. He emphasizes the importance of setting a color palette early on, associating certain colors with specific characters or events. He advises maintaining consistency throughout a film to guide the audience’s emotional responses without them consciously noticing. Justice encourages viewers to experiment with color, whether by enhancing the mood with a specific hue or using the absence of color to communicate emotional depth. The section concludes by reiterating the value of color in subconscious storytelling.
Mindmap
Keywords
💡Cinematic Color
💡Subconscious Messaging
💡Color Palette
💡Establishing Color Significance
💡Color Contrast
💡Character Color Association
💡Absence of Color
💡Emotional Tone
💡Visual Storytelling
💡Color Psychology
Highlights
Introduction to cinematic color and its importance in storytelling.
Using color to evoke emotions and how even small elements like the color of a jacket, light, or car can communicate a message.
Color establishes emotional cues without being noticed directly by the audience.
M. Night Shyamalan uses red to signify important events in his films, such as in 'The Sixth Sense' and 'The Village'.
Color symbolism can vary, but once established in a film, it consistently guides the audience's feelings, such as warm colors being unsettling or blue being safe.
Examples of color use in 'Contagion', where yellow represents sickness and danger, and blue symbolizes safety.
'Chernobyl' establishes green as a dangerous color representing radiation, while blue is used for safety.
Directors can visually signify danger or safety simply by the presence of a specific color, as seen with hazmat suits or hospital curtains in 'Chernobyl'.
Color can communicate danger or safety subconsciously without explicit recognition from the audience.
The color battle between red and blue in 'Star Wars' visually communicates the struggle between good and evil.
In 'The Force Awakens', the red and blue lights on Kylo Ren’s face visually represent his internal conflict.
In 'The Godfather', the color orange symbolizes death, subtly woven throughout the film.
Color change in characters, such as Walt's clothing in 'Breaking Bad', reflects their transformation over time.
The relationship in 'Her' is represented by the color red, showing how it influences the protagonist's life.
Directors can remove color saturation in costumes or props, as in 'Secret Window', to represent emotional voids or lifelessness.
Transcripts
[Music]
hey guys justice here with
tomorrowsfilmmakers.com the largest
online film academy in the world
and today we're going to be talking
about cinematic color
now if you haven't seen our other videos
on cinematic composition
cinematic lighting and cinematic
movement definitely go check those out
because i think those would be really
helpful for you guys to watch
and understand more about cinematography
but today i want to talk about something
that
isn't talked about nearly as much as it
should
and that is cinematic color in your
storytelling
now did you know that you can make an
audience feel a certain way
just by showing a color it could be the
color of a light the color of a jacket a
car
even the atmosphere around them all of
these can communicate
a message so in this lesson we're going
to show you how they use
color in hollywood today and also how
you can use color in your
projects but if you enjoy these lessons
and you'd like to learn even more you
can check out our full academy at
tomorrowsfilmmakers.com
we have over a thousand training videos
and over a hundred hours of content
on every single filmmaking subject you
can imagine just like this
we have had over 10 000 students join
our academy and they
are loving it and right now we are doing
something we have
never done before and we are running an
insane sale of only 97
for our lifetime membership to our
award-winning
online film course so if you want to
take your filmmaking to an entirely new
level and learn
all about filmmaking from professionals
in the industry
click the link in the description and
head on over to tomorrowsfilmmakers.com
to learn more but with that being said
how can color tell a story or more
importantly
what is the purpose of color in your
films
you would think that every single color
would have a specific feeling
that is universally used that way orange
is nice and warm and gives a homey kind
of feel
while blue is very cool and can be used
to show danger
or some other emotion and while that may
be true to a degree
if you establish a color to mean
something at the beginning of a film
the audience will subconsciously feel
that way
when you show the color again so if we
establish that warm is bad and blue is
good
when warm color comes on the screen the
audience will start to feel uneasy
without knowing exactly why and that's
the beauty of
color in a film it's not supposed to be
noticed
the color in your films is purposeful
but should
never be noticed now what do i mean by
this
so let's just take a color that has
importance in a film
now like him or not im night shyamalan
is a master of color
in film and has always used the color
red to show something significant in his
films
if something major is about to happen
the color red is always
present a red doorknob a red shirt red
balloon
there is significance in the color red
you would notice that there were little
clues along the way and one of them was
with the color red
we used the color red to
indicate anything in the real world that
has been tainted by
the other world so since he's
established that color as significant
the rest of the films are surprisingly
absent of the color red
why is that because the color red is
only used for something significant
if it was just throughout the rest of
the movie the audience would be confused
anytime there was red by mistake i was
like get it out
get it out now in his fourth film the
village he uses the color
red to an extreme there are creatures in
the woods that are attracted to the
color
red so everyone always wears the color
yellow
when you see red you automatically feel
scared and concerned because they're
holding the bad
color this color attracts those we don't
speak of you must bury it
now this is an obvious example because
even in the film they bring attention
to a certain color being bad but what
about a film that
doesn't bring attention to itself let's
take
two projects about plagues and disease
and see how they handle
color contagion versus chernobyl
one is a movie and one is a mini-series
but they both deal with sickness illness
and disease and i absolutely love
both of them but if we look at contagion
we can see right at the beginning
that anytime someone has the disease
it's a
strong yellow color and not just a nice
yellow but a sick
caution tape kind of yellow if
scientists handle the disease
the suits are yellow if it shows someone
coughing there's a yellow environment
the director establishes right from the
beginning that yellow is a bad
color but when someone doesn't have the
sickness
it's bluer than anything you've ever
seen before
and why is there such a contrast because
the movie establishes right at the
beginning that
yellow is dangerous and blue is safe and
once you establish that
you can let the audience know if
something is safe or not
just by making it a certain color when
the vaccine comes out
the wrist strap that everyone gets after
you take the shot
is blue signifying that the vaccine here
is safe if the wrist strap was yellow we
would automatically feel like the
vaccine might not work
or was even some sort of fake and all of
this emotion is just by the color
of the wrist strap the color of the
wrist strap gives you all these emotions
because we have established the color
from the very beginning if we take
chernobyl they establish right at the
beginning
that green is bad anytime radiation is
present there is a green
tint throughout the entire scene when
our main character thinks everything is
fine
it's normal colors and whenever he reads
about the radiation leak the color
immediately
turns green a sickly gross green
so green is dangerous and blue is safe
and again once we establish those colors
we can continue to show the audience
what is safe and what is not
the hazmat suits are green signifying
radiation
when she visits her husband in the
hospital the curtains are a nice white
but whenever he is dying of radiation
the curtain becomes an
eerie green the sanitation trucks that
clean the radiation they are blue
signifying that this is safe the captain
who wears green for the entire run time
has to convince a group of men to move
radioactive rocks from the roof
while he's doing that he's wearing green
when the job is finished
all of a sudden he's wearing blue this
shows the audience that the job they're
about to do
is dangerous and then whenever it is
done the danger is now
over and it is safe three men are tasked
with disposing of radioactive animals
and the truck they drive
is blue which is safe yet the truck bed
with all the radioactive animals
is green this two-tone color of this
truck
was not by accident it's showing us that
in the cab
is safe and whatever is in the back is
not
both of these films communicate danger
and safety to the audience
by establishing dangerous and safe
colors at the beginning
and using them throughout the entire run
time but like i said at the beginning
the thing i love about color and film
is that yes i'm bringing attention to it
but when you watch it
this is not something that you ever
notice this is a
subconscious message communicated to the
audience so when the audience sees
someone
walk into a green room in chernobyl they
don't think
there's green in this room he should get
out of there instead
they think it's dangerous he should get
out of there and the audience doesn't
know exactly
why they know there is danger in this
room but they just know it isn't safe
and we know it's because the director
has established a good and bad color
and we are showing the audience the bad
color in this room
this is not something the audience is
aware of but subconsciously this
information is fed to the audience
and determines exactly how they feel now
a franchise like star wars is an obvious
example of the battle of colors
red versus blue and we always know who
is good and who is bad
in the force awakens jj abrams uses
these two colors to visually show the
inner struggle
of kylo ren as kylo is trying to figure
out what he should do
and the decision he needs to make we as
the audience see the struggle visually
with red and blue on either side of his
face
when he finally makes his decision we
know what decision has been made before
anything happens because the blue light
fades away and we are left with nothing
but
red again subconsciously giving the
audience the information they need
without the audience knowing and color
and film doesn't just have to be
good or bad color you can have a
character associated with a color
this character is associated with blue
and this character is always associated
with orange
when you see the two mix you know that
these two characters paths are about to
cross
in the godfather the color orange is
always used to associate
death not red not blue but orange
so before someone dies the color orange
is always present
and sometimes it's an overall hue to the
scene and sometimes it's more subtle
like actual oranges spilling across the
frame
whenever someone dies in breaking bad
our main character walt is always
wearing bright colors at the beginning
of the show
but towards the end of the show as walt
starts to become more and more
wicked his colors start to get darker
and darker
and in a very famous scene where he
reveals the true nature to his wife and
how dangerous he really is
he removes his red over shirt to reveal
an even
darker red undershirt a visual
representation of the darkness hiding
underneath
his already dark exterior and all we
have done
is change the color of his clothing in
the movie her when our main character
falls in love with an operating system
named samantha the color red
is always used to represent their
relationship samantha is the color red
and when theodore is around her or
falling in love with her
he is wearing red or there is red around
him
this represents that this operating
system that he is in love with
is affecting every part of his life and
he's not able to get away from it
when he finally realizes that many
people are also experiencing what he is
experiencing
we start to see others with that same
red in their clothing
and when theodore finally does get rid
of samantha red
is now absent from his life and not only
does he feel free
but we as the audience feels free red
represents samantha and when their
character is free from her
red is gone but what about not just a
certain color in clothing
but the absence of color or more the
absence of saturation in clothing
in secret window our main character and
his wife are going through a terrible
divorce
and they have lost all joy in life so
every piece of clothing that they have
is
faded and void of color when they stand
next to someone else
they stand out because their clothes are
so faded
and this was done on purpose of
working with the color the mid-tone
color
kind of color that they were very strong
but they fade down
like under the sun it's a kind of
twilight zone everything is loose
everything is fade and
compared to the flashback and compared
to the other character
where the color is more bright more
colorful
more happy you can even take color a
step further and have a certain color
represent
something our main character is
searching for a well-known example is in
blade runner 2049
denis valeno has stated that the color
yellow represents the truth our main
character is looking for
and the color yellow becomes more and
more frequent as our character comes
closer to the truth
from a yellow flower to a small light in
another room
or a small yellow light in the room
where he is discovering more truth
and towards the end of the film when he
finally finds what he's looking for
the entire scene is yellow representing
that he has finally found the truth he
was searching for throughout the entire
film
so as you can see color is used in
storytelling all the time
and it doesn't just need to be an
overall wash of the image
it can be a specific item a light
through a window an article of clothing
or even the
absence of color in clothing and to use
color in your films is very
simple just establish the color scheme
at the beginning of the film
and carry that throughout the entire
project if you choose
blue as a bad color then have your
villain wear some sort of blue
or maybe when something bad happens
there's a blue light in the background
establish the color at the beginning of
the film and then you are able to
subconsciously make the audience feel a
certain way
without saying anything and without the
audience even
knowing about it so i hope that you guys
have really enjoyed this video and has
helped you guys out on how to use color
in your films to communicate to the
audience
if you'd like to learn every single
aspect of filmmaking you could check out
our full academy
at tomorrowsfilmmakers.com we have over
a thousand training videos and over a
hundred hours
of content on every single filmmaking
subject that you can imagine
if you want to go into the production
side with weddings real estate music
videos commercials
we teach all about that and if you want
to go more into the narrative side with
directing storyboarding acting
we teach all about that as well and like
i said at the beginning we have been
successfully selling this course with an
800
price tag for years but for a limited
time we are offering it to you guys
for only 97 bucks our award-winning
800 online film course is yours for only
97
so as you're making your projects and as
you're making your films
choose a color palette that you would
like to follow
and establish good and bad colors or
even just
significant colors or even communicate
to the audience
by removing saturation in your color
just determine all of this beforehand
and you'll be shocked
how you can subconsciously send messages
to the audience
just by color so i hope this video has
really helped you guys out
to learn more click the link in the
description below and learn all the
skills that you need
to succeed
5.0 / 5 (0 votes)