Light Metering Basics: Using an Incident Meter

Robert Machado
10 Dec 201811:36

Summary

TLDRIn this video, the presenter introduces incident metering, a fundamental technique in photography and videography for measuring light. The video explains how the lumisphere, an unbiased light meter, works by measuring the light falling onto its dome. The presenter demonstrates how to use the meter to set lighting ratios, crucial for creating different lighting effects. They adjust key and fill lights to achieve a two-to-one ratio, showcasing the process with a model. The video also covers the concept of f-stops, explaining how they quantify light and are used to calculate lighting ratios. The presenter's practical examples and tips make incident metering accessible, even for those unfamiliar with the concept.

Takeaways

  • 🌟 Incident metering is a basic form of light metering that measures the light falling onto a white dome called a lumisphere.
  • 🔍 The incident meter is unbiased as it does not consider reflectance or the color of the subject, only the amount of light falling on the dome.
  • 📏 The meter provides an f-stop reading that indicates the amount of light available for a given scene.
  • 💡 Adjusting the light source's intensity can change the f-stop reading, allowing for precise control over lighting ratios.
  • 🎥 Lighting ratios are crucial in cinematography and describe how much brighter or darker one light source is compared to another.
  • 🔧 The incident meter can be used to set up lighting ratios by measuring the key light and adjusting the fill light accordingly.
  • 📉 When retracting the lumisphere, it can isolate a single light source, allowing for more accurate readings of that specific light.
  • 📸 The script discusses butterfly lighting, a technique that creates a subtle shadow under the nose, often used for beauty shots.
  • 📈 Understanding f-stops is essential for quantifying light and calculating lighting ratios; each f-stop represents a doubling or halving of light.
  • 🤔 Memorizing the f-stop scale can be aided by recognizing that each stop is either double or half the previous amount of light.
  • 🎬 The incident meter is a practical tool for filmmakers to set lighting ratios and ensure consistent lighting across different shots.

Q & A

  • What is incident metering?

    -Incident metering is a method of measuring light that involves using a device, like a lumisphere, to measure the amount of light falling onto its dome. It is unbiased because it doesn't care about the subject's reflectance or color; it only measures the light that reaches the meter.

  • What is a lumisphere?

    -A lumisphere is a small white dome used in incident light meters to measure the light falling onto it. It is designed to provide an unbiased measurement of light.

  • How does incident metering help in setting lighting ratios?

    -Incident metering helps in setting lighting ratios by allowing the user to measure the amount of light falling on the subject and then adjust the light sources to achieve the desired ratio. For example, if the key light measures at f/2.8 and the fill light at f/2, that's a 2:1 ratio, with the key light being twice as bright as the fill.

  • What is an f-stop and how does it relate to light measurement?

    -An f-stop is a unit used in photography to describe the amount of light that reaches the camera sensor. Each f-stop represents a halving or doubling of light, with a lower f-number allowing more light and a higher f-number allowing less light.

  • How can you remember the relationship between f-stops and the amount of light?

    -The relationship between f-stops and light can be remembered by knowing that each stop represents a halving or doubling of light. For example, going from f/2 to f/4 halves the light, while going from f/4 to f/2 doubles it. The scale can be memorized by starting with f/1 and f/1.4 and then doubling the previous number to get the next f-stop.

  • What is the difference between a key light and a fill light?

    -The key light is the primary light source that defines the subject's appearance and establishes the overall lighting mood. The fill light is a secondary light source used to soften shadows created by the key light, providing more even lighting.

  • What is a lighting ratio and why is it important?

    -A lighting ratio is the relative measurement of the brightness between the key light and the fill light. It is important because it helps to create depth and dimension in a scene, as well as to set the mood and style of the lighting.

  • How can you adjust the incident meter to measure a single light source?

    -To measure a single light source with an incident meter, you can retract the dome and cover the head of the meter, then point it towards the light source you want to measure. This isolates the light from other sources.

  • What is butterfly lighting and how is it achieved?

    -Butterfly lighting, also known as Paramount lighting, is a style where the key light is positioned high and slightly in front of the subject, casting a shadow under the nose that resembles the outline of a butterfly. It is typically achieved with a soft light source and is flattering as it creates a soft shadow and even lighting.

  • How can you use incident metering to create menacing or dramatic lighting?

    -To create menacing or dramatic lighting with incident metering, you can turn off the key light and measure the light levels with the fill light only. This can create a darker, more dramatic scene by reducing the overall light and increasing the contrast.

  • What is the significance of the number 5 in the context of stops and light measurement?

    -In the context of stops and light measurement, a difference of 5 stops means that one light source is either 32 times brighter or 32 times dimmer than another. This is because each stop represents a doubling or halving of light, and 2 raised to the power of 5 equals 32.

Outlines

00:00

📸 Introduction to Incident Metering

The speaker introduces incident metering, explaining that it is the most basic form of light metering. They describe the lumisphere, a small white dome that measures light falling onto it, providing an unbiased reading of light intensity. The speaker demonstrates how to use the incident meter by taking readings in different lighting conditions and adjusting the light sources accordingly. They also discuss how incident meters can be used to set lighting ratios, which is the relative brightness or darkness of lights compared to one another. The concept of f-stops is introduced as a way to quantify light, with a detailed explanation of how changes in f-stops relate to doubling or halving the amount of light.

05:01

💡 Understanding Lighting Ratios and F-Stops

The speaker elaborates on lighting ratios, explaining how they determine the relative brightness of key and fill lights. They provide examples of different lighting ratios and how they affect the look of a subject in a scene. The concept of butterfly lighting is introduced, which is a type of lighting that creates a subtle shadow under the nose, often used in beauty or portrait photography. The speaker demonstrates how to adjust the fill light to achieve a flat but flattering look. They also discuss the importance of memorizing the f-stop scale and provide a method for doing so by counting backwards from higher f-stops to lower ones.

10:02

🎥 Practical Applications of Incident Metering

The speaker shares practical tips on using incident metering, such as turning off lights to isolate a single light source for measurement. They demonstrate how to adjust the light levels using a dimmer and explain the concept of stops in relation to light intensity. The speaker also addresses the difficulty some people have with memorizing f-stop values and suggests using a light meter as an alternative. They conclude by inviting viewers to ask questions and share their thoughts in the comments.

Mindmap

Keywords

💡Incident Metering

Incident metering is a method of measuring light that involves pointing a light meter at the subject to determine the amount of light falling on them. In the video, the instructor uses a device called a 'lumisphere' to demonstrate incident metering, which is crucial for understanding how much light is available for a shot. This technique is fundamental to achieving the desired exposure and is used to set up lighting ratios.

💡Lumisphere

The lumisphere is a specific type of light meter that measures incident light. It is described as a 'little white dome' in the script. The device is unbiased as it measures the light falling onto its dome without considering the subject's reflectance or color. The instructor uses the lumisphere to take readings and adjust the lighting setup, emphasizing its importance in achieving balanced lighting.

💡F-stop

An f-stop is a term used in photography and videography to describe the aperture setting on a camera, which controls the amount of light that enters the camera. The script mentions that an f-stop is a measure of light quantity, with each stop representing a doubling or halving of light. The instructor uses f-stop values to communicate the lighting levels and to adjust the camera settings accordingly.

💡Lighting Ratios

Lighting ratios refer to the relative brightness between different light sources in a scene. The video discusses how the instructor sets up lighting ratios using the incident meter. For example, a key light might be set to an f/2.8, while a fill light is adjusted to an f/2, creating a 2:1 ratio, meaning the key light is twice as bright as the fill light. This concept is essential for creating depth and mood in visual storytelling.

💡Key Light

The key light is the primary light source in a scene, responsible for illuminating the subject and providing the main illumination. In the script, the key light is set above the subject, and its intensity is measured using the lumisphere. The instructor adjusts the key light to create a specific look and to establish the desired lighting ratio.

💡Fill Light

Fill light is used to soften shadows created by the key light, providing a more even illumination. The video script describes how the instructor turns on a fill light and adjusts its intensity to achieve a 2:1 ratio with the key light. The fill light helps to create a more flattering and balanced look on the subject.

💡Butterfly Lighting

Butterfly lighting, also known as Paramount lighting, is a classic lighting setup where the key light is placed high and slightly in front of the subject, casting a shadow under the nose that resembles the outline of a butterfly. The script mentions this technique as a form of beauty lighting, which is flattering and even, making it suitable for portraiture.

💡Reflectance

Reflectance is the property of a surface that determines how much light it reflects. The lumisphere, as mentioned in the video, is unbiased and does not care about reflectance, meaning it measures the light falling on it without being influenced by the color or shininess of the subject. This is important for achieving accurate light readings regardless of the subject's characteristics.

💡Dimmer

A dimmer is a device used to control the intensity of light emitted by a light source. In the script, the instructor uses a dimmer to adjust the brightness of the key light and fill light. Dimmers are essential tools in lighting setups as they allow for precise control over the amount of light reaching the subject.

💡ND Filter

An ND (Neutral Density) filter is a type of optical filter used to reduce the amount of light entering the camera without affecting the color. The script briefly mentions adjusting an ND filter when changing the lighting setup. ND filters are used to control exposure, especially in situations where a wide aperture is desired but too much light is present.

💡Beauty Lighting

Beauty lighting is a specific style of lighting that is designed to enhance the subject's appearance, often used in fashion, portrait, and beauty photography. The video script describes butterfly lighting as a form of beauty lighting because it creates soft, even light that is flattering to the subject's features.

Highlights

Introduction to incident metering, the basic form of light metering.

Explanation of the lumisphere, a device that measures light falling onto its dome.

Demonstration of taking a light reading with an incident meter.

Discussion on the unbiased nature of incident metering.

How to set lighting ratios using an incident meter.

Explanation of lighting ratios and their significance in photography and videography.

Practical demonstration of adjusting key light using a Kino dimmer.

Use of the incident meter to measure the intensity of a single light source.

Adjusting fill light to achieve a specific lighting ratio.

The concept of f-stops and how they quantify light.

Explanation of how f-stops relate to the amount of light.

Practical demonstration of adjusting f-stops to achieve different lighting effects.

Discussion on the concept of butterfly lighting and its origin.

Explanation of how butterfly lighting creates a flattering effect.

Practical demonstration of adjusting fill light to achieve a flat and flattering look.

Advice on memorizing the f-stop scale for quick calculations.

Practical tips for using incident metering to set up lighting ratios.

Discussion on the importance of understanding stops for lighting calculations.

Transcripts

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[Music]

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[Applause]

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alright y'all so this is a basically

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intro to incident metering this is like

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the most basic form of light metering

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it's this little white dome it's called

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the lumisphere basically this measures

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whatever is falling onto the dome so if

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I take a measure if I just take any

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reading like for example I just take a

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meeting right here right now I'm getting

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an F 8 if that means I have an F 8 worth

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of light falling onto the dome and the

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incident meter is truly I guess

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non-partisan is a good it's it's

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unbiased is what I'm trying to say it's

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a truly it's a truly unbiased because it

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doesn't care what you're looking at it

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doesn't care about reflectance it

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doesn't care about what shade of

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anything any of this is it just cares

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about how much light is falling onto

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this dome so basically the way it works

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is that you can put your eye so you can

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put your how many forms per second and

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it'll spit out the third kind of number

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for you so right now I'm getting an

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effect so if we get hop on the Kino

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dimmer and if we can give me a two eight

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if we can I might be a little touchy

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thanks for actually scribble four nine -

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eight seven - what that's yeah four and

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one so Tyler let's open up to a four on

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FS 7 close down I don't know yeah

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this is a four actually let me have in

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there really quick chick oh yeah what's

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on the wrong nd let's see what a two-way

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it looks like one more step yeah nope

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almost too much one four oh that's

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really touchy you're a two eight and a

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half oh let's call it the right there

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that's two a yes so now we have this

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image and actually so basically the good

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thing the nice thing about the the

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incident meter is that it's basically

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how I set my ratios yeah I'm sure you

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guys have all heard of lighting ratios

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so lighting ratios are basically how

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much brighter how much darker lights are

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relative to one another so right now we

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only have the single key right above

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Savannah that's giving us a two eighths

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worth of light basically and so now

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let's let's get on this fill this 300d

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let's turn that on it's probably gonna

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be really hot so much guys cool and if

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we can actually just adjust the beam

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angle so it illuminates kind of more of

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the center yeah ideally we'd use a

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little bit of a kind of a wider a more

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broader source I think you said that's

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full flood right yeah that's all good so

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then what you can do is you can actually

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this lumisphere actually retracts and

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comes out so you basically want to

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retract it if you're trying to isolate a

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single light source like now that we

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have two light sources and I want to

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measure this one only I can retract it

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and and kind of cover the head and then

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just take a reading so that'll give me

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what was that say about a two eight and

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a half so it's actually coming in

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brighter than this so let's what uh

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what's the 300d set to you right now

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forty-four let's come down to 20

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let's come down 5 more points so right

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now that's a 2 so right now keys at 2 8

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fills at 2 so that's a one stop

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difference which means it's a two to one

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ratio so that means that's my key is

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twice as bright as my fill and you guys

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know how stops work are you guys

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familiar with how stops any questions so

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an f-stop is basically a it's that's how

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we as filmmakers quantify light so

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stopping relative to one another a stop

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of light is either double the amount of

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light or half the amount of light so if

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something is one stop brighter then that

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means I have double the amount of light

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if it's two times brighter then 2 times

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2 it's 4 times brighter if it's 3/2 if

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it's if it's three stops higher what is

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that can anyone tell me so basically you

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want to times that number by 2 so 2

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times 2 4 times 2 8 so how much brighter

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is 4 steps

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16 cool exactly there's a lot of them 16

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times brighter there you go so you just

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use those numbers and so that's where

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your lighting ratio comes from so if I

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have a two to one ratio

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light my key is two times brighter than

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my fill if I have a four to one it is

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four times rather than my film and so on

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and so forth so right now we're at a two

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to one ratio in this classic butterfly

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lighting and right now we're just

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getting some nice fill let's see if we

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can so what's it what's it out right now

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15 let's go to like five let's see what

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that gets us the only goes to 10 all

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right let's try let's try that try 10

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yeah so basically butterfly lighting it

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comes from like a Paramount Studios used

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to do this a lot though they called it

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kind of paramount lighting basically the

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lights coming very from the center kind

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of top-down E and it basically kind of

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let's turn this Phil off really quick if

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we can if we check out like the no

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shadow there's just like the slightest

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shadow right here coming right out of

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the note under the nose and usually it's

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a lot more pronounced when you use

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smaller sources and it's a little bit

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higher you get more for pronounced edge

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but since we have such a soft source and

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so this is more commonly known as beauty

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lighting butterfly lighting because it

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just kind of it's kind of very even and

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so let's throw on this fill once again

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so if yeah and then so basically that

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fill just kind of fills in everything

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else and it's it's it's it's very flat

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but it also makes it's like if you're

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doing any kind of beauty shots with

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anybody that'll make them yeah it's very

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flattering like it's a very flat light

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but it is also very flattering it's flat

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let's see what are we over yet ten on

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the let's go back up to 15 okay

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and then tie let me step in here just

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this really quick yep

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so yeah that's basically incident

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metering is really simple point out a

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source you'll get and sometimes I'll

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even go as far as turning off sources so

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if we could turn off this key no really

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quick it's just another way of isolating

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lights yeah so now it's just totally off

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if you want to get really menacing

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there's your look so if I take a meter

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reading I'm still at f/2 right around my

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fill and then we can turn the Kino back

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on you might need a ramp it cuz it's on

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the dimmer and so if I want to bring

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that back up bring get a for right now

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once - yeah - 8 - too much right you see

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it can you see it yeah hey so yeah

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instant metering really simple point out

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somewhere it'll give you that much

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amount of light so and this is a great

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way to set your ratios and yeah yeah do

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you guys have any questions

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[Music]

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was the easiest way to think of like

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your stops like you said times by two so

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it's like you know the immediately basic

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and it's always the same yeah so like

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what do you mean like memorizing them

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yeah cuz like I feel like I'm like

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terrible on that so I'm like yes I like

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you talked about in these earlier yeah

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so a lot of that comes down to

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memorizing that f-stop scale and that

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and you just have to memorize the whole

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and one really easy way to do it is you

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only have to remember is f1 and 1.4 and

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then what you can do is double the

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previous number so 1 and the 2 and then

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2 wait

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yeah it's a really a really great way

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that it was described to me is if you

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draw them all out linearly yeah then you

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just draw a little like yeah like hooks

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times like under under under just skip

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the next number and then you can just go

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oh I know that that's like yeah basic

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and I can't I'm really bad at math so

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what I'll do is I'll just count so if

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I'm trying to think of a ratio that I

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want or whatever I'll go all right so

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what how many stops is f11 from a - all

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right let's count backwards f11 8 5 6 4

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- 8 - that's 5 stops and so once you

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start working with stops more you just

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need to memorize that scale and then and

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then just count literally come with your

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fingers okay that's five stops and then

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if you're trying to figure out how much

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darker that is or brighter 5 stops

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that's 64 or 32 see I don't even know -

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4 8 16 32 32 so would be 32 times

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brighter or darker to being on which way

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you're going

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each number in desktop scale is like

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either double the mentally or

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or you can get a light meter just make

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sure that your tattoo artist open-face

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out of five and a six what are we

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shooting average you're not five or six

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today mm did you in the comments hit me

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hit me in the comments below I'll be

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looking for your questions by my percent

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laughs all right

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check out my DJI Ronin s review

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featuring savanna cameras

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[Laughter]

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