The Best Music Release Strategy In 2024 (Single Vs Album)

Damian Keyes
13 May 202410:06

Summary

TLDRThe video script discusses the significance of timing in releasing music, comparing it to the timing of a joke. It explores the evolution of the concept of an album from vinyl to digital formats and questions its relevance today. The speaker advocates for singles to build an artist's momentum and audience before releasing an album, which can be a more strategic move for monetization. The script addresses common concerns about genre expectations, storytelling through albums, and the desire for physical copies, suggesting alternative strategies like releasing singles regularly and offering pre-album sales. It concludes by emphasizing that the decision to release an album should be based on when and why, rather than a blanket yes or no.

Takeaways

  • 🎢 The difference between a good joke and a bad one is timing, and the same applies to releasing music; timing is crucial.
  • πŸ“€ Traditional album lengths were dictated by vinyl (45 minutes) and CD formats (74 minutes), but digital formats have removed these restrictions.
  • πŸ”„ The terms EP, B-side, and double album have become irrelevant in today's music release cycles due to format flexibility.
  • 🎧 Singles allow for speed and agility in music release, making them ideal for building momentum and discovery for up-and-coming artists.
  • πŸ’Έ Albums are more expensive and time-consuming to produce and promote, and they risk exhausting creative opportunities more quickly.
  • πŸ“ˆ Singles offer the chance for testing and optimization, whereas albums are a complete work released with less room for adjustment.
  • πŸ“ˆ Releasing singles can lead to increased monthly listeners and spins on platforms like Spotify, potentially leading to significant streaming revenue.
  • 🎀 Singles are effective for promoting the artist, while the artist's established audience can be leveraged to promote an album.
  • 🚫 Releasing an album and then promoting its songs one at a time lacks the impact of a cohesive release and can diminish excitement.
  • 🎫 Physical copies like CDs and vinyl can coexist with a singles strategy, offering fans a complete collection before the album's official release.
  • 🌟 The decision to release an album should be based on when and why, not just a desire to create an album, and should align with an artist's momentum and audience engagement.

Q & A

  • What is the significance of timing in releasing music, as discussed in the script?

    -Timing is crucial in releasing music because it affects how quickly and effectively an artist can build momentum and reach their audience. It also influences the artist's ability to adapt and optimize their strategy based on the reception of their music.

  • What was the traditional length of an album as influenced by vinyl records?

    -Traditionally, an album was about 44 minutes long, which was dictated by the format of vinyl records, allowing 22 minutes per side.

  • How did the introduction of CDs change the typical length of an album?

    -The introduction of CDs increased the typical length of an album to 74 minutes, enabling more music to be included on a single disc and leading to more experimental music.

  • What are the advantages of releasing singles over albums according to the script?

    -Releasing singles allows for speed and agility, enabling artists to pivot and change strategies quickly. Singles also facilitate building momentum, are less expensive, and offer opportunities for testing and optimization.

  • What challenges does the script highlight with promoting an album compared to singles?

    -Promoting an album is more expensive and time-consuming, and it can lead to exhausting creative opportunities. Albums also offer less flexibility for testing and optimization, and they may not generate as much excitement as new singles.

  • At what point should an artist consider releasing an album, as suggested in the script?

    -An artist should consider releasing an album when they have a significant and engaged audience, such as one million monthly listeners on Spotify, to capitalize on the momentum and traction they have built.

  • Why might an artist's preference for telling stories be a reason to release an album, as mentioned in the script?

    -Artists who prefer to tell stories might opt for an album because it allows them to present a cohesive narrative or theme across multiple tracks, which can be more challenging to achieve with singles.

  • What is the script's perspective on the importance of audience expectations in deciding to release an album?

    -The script suggests that while audience expectations can influence an artist's decision to release an album, it is ultimately up to the artist to dictate the pace and strategy. The focus should be on building momentum and audience engagement rather than solely on expectations.

  • How does the script address the concern about the need for music for touring purposes?

    -The script argues that there is no rule on how fast an artist can release singles, and that releasing music regularly can still support touring. It suggests that artists can release singles frequently to keep the momentum for touring.

  • What alternative does the script propose for artists who want to sell physical copies like CDs or vinyls?

    -The script proposes that artists can sell physical copies like CDs or vinyls of singles or upcoming albums, creating a sense of exclusivity and demand, which can be a powerful marketing tool.

  • What conclusion does the script draw about the decision to release an album?

    -The script concludes that the decision to release an album is not a simple yes or no but depends on when and why it is done. It should be based on the artist's momentum, audience size, and the potential for monetization and success.

Outlines

00:00

🎡 The Evolution and Impact of Album Releases

This paragraph discusses the historical context of album lengths, influenced by vinyl and CD formats, and how the modern music industry has moved away from these constraints. It introduces the debate on the relevance of albums in today's music landscape, where artists like Taylor Swift can release extensive albums or multiple singles. The speaker emphasizes the importance of timing in music releases, drawing a parallel between joke timing and the strategic release of music. The paragraph also touches on the shift from physical media limitations to digital freedom, leading to a reevaluation of terms like EP, B-side, and double album.

05:01

πŸš€ Singles vs. Albums: Strategies for Artist Growth

The second paragraph delves into the pros and cons of releasing singles versus albums. It argues that singles offer speed and agility, allowing new artists to quickly build momentum and optimize their strategies based on performance. The speaker suggests that singles are better for discovery and artist promotion, while albums are more challenging to promote and can lead to creative exhaustion. The paragraph also addresses the misconception that audiences expect albums and the idea that albums are necessary for storytelling, countering that good music is what audiences truly seek. It suggests that artists should focus on building traction and momentum before releasing an album to avoid frustration and ensure a return on their investment.

10:01

🌟 The Optimal Time to Release an Album

The final paragraph summarizes the discussion by stressing that the decision to release an album should be based on when and why, rather than a blanket yes or no. It suggests that artists should have a substantial audience and momentum before releasing an album to maximize its impact and monetization potential. The speaker also addresses common concerns about genre expectations, the desire to tell stories through albums, and the need for music for touring purposes. The paragraph concludes by encouraging artists to consider their goals and the market dynamics before deciding on an album release, highlighting that for some, the desire to create an album may outweigh commercial considerations.

Mindmap

Keywords

πŸ’‘Album

An album in the context of the video refers to a collection of audio recordings issued as a single item on CD, record, audio tape, or another medium. The video discusses the historical significance of albums, their evolution from vinyl to digital formats, and the strategic considerations for releasing an album in the modern music industry. The script mentions that albums used to be dictated by physical format limitations, such as vinyl's 22-minute per side, but now artists have the freedom to release as many tracks as they wish, as demonstrated by Taylor Swift's 31-track album.

πŸ’‘Single

A single, as used in the video, is a type of release, typically a song recording of fewer tracks than an album due to its shorter length. The video highlights the advantages of releasing singles, such as the ability to quickly respond to market trends and build momentum for an artist's career. Singles are portrayed as a strategic tool for new artists to gain exposure and test audience reactions before committing to a full album release.

πŸ’‘Timing

Timing in the video script is a critical factor in the success of a music release. It is likened to the timing of a joke, suggesting that the right moment to release music can significantly impact its reception and popularity. The video emphasizes that whether an artist chooses to release a single or an album, the timing of that release in relation to their career trajectory and audience engagement is crucial.

πŸ’‘Momentum

Momentum, as discussed in the video, refers to the building force or driving force that an artist can create through consistent and strategic music releases. The video suggests that releasing singles can help build momentum for an artist, as each new release can generate buzz and increase anticipation for future work. This concept is central to the video's argument for the strategic use of singles over albums in certain stages of an artist's career.

πŸ’‘Format

Format in the video refers to the physical medium on which music is released, such as vinyl, CD, or digital platforms. The script explains how the format historically dictated the length and number of tracks on an album, but with the advent of digital music, these limitations have been removed. This change has led to a reevaluation of what constitutes an album and how artists should approach releasing music.

πŸ’‘EP

An EP, or extended play, is a term mentioned in the video that traditionally refers to a recording that is longer than a single but shorter than an album. The video notes that with the changes in music release formats, terms like EP have become less relevant, as artists can now release music in a variety of configurations without being constrained by traditional definitions.

πŸ’‘Streaming

Streaming in the video pertains to the digital distribution of music where listeners can access music over the internet without downloading it. The video discusses how streaming platforms like Spotify have changed the dynamics of music consumption and the potential revenue streams for artists, particularly when they have a large number of monthly listeners.

πŸ’‘Monetization

Monetization in the video refers to the process of turning an artist's music into revenue. The script suggests that while singles can help build an audience and artist recognition, albums can be a way to monetize an established fan base, as they offer a more comprehensive collection of an artist's work that can generate income through streaming, sales, and other channels.

πŸ’‘Creative Exhaustion

Creative exhaustion is a concept discussed in the video that refers to the potential depletion of an artist's promotional opportunities and public interest when releasing an album. The video argues that singles can be promoted multiple times, offering more chances for media coverage and public engagement, whereas an album might not generate the same level of sustained interest, leading to a quicker exhaustion of promotional opportunities.

πŸ’‘Genre Expectations

Genre expectations mentioned in the video refer to the perceived norms or traditions within a particular style of music that might influence how and when an artist releases music. The video challenges the idea that genre dictates the format of music release, arguing that artists should focus on building momentum and audience engagement rather than adhering to genre-specific expectations.

Highlights

The importance of timing in releasing music, akin to telling a joke, is emphasized.

Taylor Swift's new album release strategy is critiqued for its ambiguity.

The historical context of album lengths, from vinyl to CDs, is discussed.

The relevance of traditional music release formats like EPs and double albums in today's digital age is questioned.

The debate between releasing singles versus albums is introduced.

The author expresses a personal preference for albums but acknowledges the importance of timing in their release.

Advantages of releasing singles include speed, agility, and the ability to build momentum.

The concept of 'exhausting the creative' in album promotion is introduced.

The financial implications of releasing albums versus singles are touched upon.

The idea that singles promote the artist while the artist promotes the album is presented.

The author suggests that artists should release an album when they have a substantial and engaged audience.

The misconception that genres inherently demand albums is challenged.

The role of storytelling in album creation and its impact on the decision to release an album is discussed.

The practicality of releasing singles frequently to maintain momentum and engagement is suggested.

The potential of physical copies like CDs and vinyls to coexist with a singles release strategy is explored.

The video concludes with a call to action for viewers to share their thoughts on the album versus singles debate.

Transcripts

play00:00

what's the difference between a good

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joke and a bad joke timing and the same

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can be said for releasing music timing

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is everything now Taylor Swift has just

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released her new 31 track album or maybe

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it was one track released 31 times I

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couldn't really tell but this prompts

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the question what even is an album and

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does that even matter and more

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importantly when should you put out an

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album now an album used to be 44 minutes

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that was dictated by The Format of vinyl

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22 minutes per side then when CDs were

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introduced it was 74 minutes so you

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could get more music on so you got more

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experimental music happening but it

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would roughly stick to around about 12

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Songs per album but now the format

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doesn't dictate the length or how much

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music you can release in one go so

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phrases like EP or bside or double album

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these are irrelevant phrases in today's

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release Cycles but the single versus the

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album debate now this is very relevant

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now if you've been watching my channel

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for some time you might think that I am

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not a fan of the album and that's

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actually not true I'm a massive fan of

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albums and of artists releasing albums

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but as we found out from the start of

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this video timing is everything you see

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there are pros and cons with releasing

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both singles and albums and before we go

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into those pros and cons let me just say

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before I get a lot of stuff in the

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comments saying this is about art and

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you should do what you want to do for

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your art I agree if the purpose is for

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you to make art then well done congrat

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congratulations you've already done it

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but if the purpose here is to get people

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to listen and consume your art then this

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becomes very relevant and for everyone

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who says just put your music out and if

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it's good enough it will get through

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yeah maybe but that's also like me

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saying go for a run let's see how fast

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you can run 100 m maybe you can do it in

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sub 11 seconds but the chances are if

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you want to get to a sub 11 seconds

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you'll probably going to need to work on

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everything from diet and strategy and a

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lot of practice to be able to hit that

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achievement so without out of the way

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let's look at Singles now when it comes

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to releasing a single you have Speed and

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Agility on your side you can pivot you

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can change your strategy as you are

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going which leaves you light on your

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feet and for me this is a very good

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strategy when you are an upand cominging

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artist now with single releases you can

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get your music out quickly and then you

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can build momentum a single builds the

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artist not vice versa then you can

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promote for free you can get good

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discovery which builds momentum and then

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you can find Opportunities off the back

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of that momentum now where we are at

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with music promotion you can promote for

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free you can get free discovery which

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builds momentum and that allows you to

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build opportunities off the back of the

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momentum and then you can optimize

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because if you're putting a single out

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you can see what it's doing and you can

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react when it comes to writing or

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recording your next single or the

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promotion of your next single now

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comparing singles with albums albums are

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expensive and timeconsuming assuming

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they're also harder to promote you get a

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thing called exhausting the creative now

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what that means is if you're putting a

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single out how many times can you get on

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radio or blogs or podcasts or interviews

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or TV Etc the answer is maybe a few

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maybe you'll get 30 40 50 opportunities

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from that single now if you put an album

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out will you get more opportunities than

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you did with a single the answer is no

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probably the same but when you're doing

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single after single after single you can

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repeat the process the exting the

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creatives the creatives will grow single

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after single whereas with an album

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you're trying to go back in time yes

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I've put the album out but now I'm

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promoting this song which has already

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come out and that isn't as exciting for

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most people who want to help you push

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your music you also have no testing or

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optimization when it comes to album with

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a single you put something out you say

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I'm not sure that worked let's try

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something else and go again with an

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album you put out the entire piece of

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work hoping for the best and if it

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doesn't work what are you going to do

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now this all sounds very very negative

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for albums and it shouldn't be because

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there is a time when you should release

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an album let's say for example you have

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one million monthly listeners on Spotify

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which let's say probably will be about 3

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to 4 million spins across tracks

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depending on how many tracks you have on

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Spotify maybe a million maybe three or

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four million now if you put out an album

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of let's say 12 tracks that million

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monthly listeners will probably start to

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expand but more importantly the the

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monthly spins will expand because you

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have a bigger Library if that starts to

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expand by say two or even three times

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your three or 4 million spins a month is

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now 8 n 10 million spins a month you

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start getting up into the tens of

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millions of spins and you're dealing

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with $40

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$50,000 per month just from streaming on

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one platform alone so for me singles and

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albums have a different purpose singles

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are fantastic for discovery for building

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momentum for building you as an artist

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and getting opportunities and as you do

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that and start to grow this audience and

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start to get people who know who you are

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and want to listen to your music and

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give you those opportunities that's the

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time to drop the album because at this

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point you've got the traction you've got

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the momentum and now you can collect the

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reward you can start to monetize off the

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back of what you've already built in

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very simple terms singles promote the

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artist but the artist promotes the album

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so therefore you need to have the

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audience to be able to promote the album

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otherwise you're going to exhaust the

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creative very very quickly and be very

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frustrated that all of your hard work

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and effort and money that's gone into it

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isn't going to get the payback that you

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deserve now I have had this conversation

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with many many artists about releasing

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singles versus albums and I know what

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comes back when it comes to statements

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and questions one of those is you don't

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really understand my genre in my genre

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the audience does expect an album no

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they don't they don't expect expect an

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album they expect good music they expect

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to enjoy the music that's coming out but

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you are in charge of dictating the pace

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it's up to you whether you give people a

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single or an album and if it's working

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and you've got that momentum putting an

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album out is fine but until that point

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this is not about the audience expecting

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anything this is about you building up

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traction and momentum by giving people

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something that is good that they will

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want more of another statement is when

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people say hey but I can still put out

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the album and promote the Les one at a

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time why can't I just do that well you

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can but it doesn't have the same punch

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when it comes to pitching when it comes

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to excitement people don't have the same

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excitement for music that has been

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released already people really like the

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anticipation and they really like new

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things new shinies so therefore why

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would we say it's already out but now

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I'm going to promote something that you

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can already have at any moment a lot of

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artists like to tell stories so many

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artists will say I can't really tell a

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story with a single but I can tell

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stories with albums and that's why I

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prefer an album great but you're

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releasing it for you you're not

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releasing it for anybody else this is

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Art all of a sudden and if you're making

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something which is for you and it's

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artistic that's fine the problem only

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occurs if you are unhappy with the

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results if you're saying why aren't

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people listening to my art then this is

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the issue now what about touring

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opportunities artists say well hang on

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if I want to go on tour I need music out

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in the world before I can go on tour

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well yeah great well put more music out

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I don't understand the correlation

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because there's no rule on how fast you

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can release singles you can release

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singles every week or every two weeks

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and still get all of the stuff we're

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talking about still put out music

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quickly still get into some kind of

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routine whilst you're getting the

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benefits of putting singles over an

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album Now imagine if you are releasing

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music with a routine every week I'm

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going to put out a new song well for a

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start you are really going to benefit

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Spotify the data and your release radar

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because people are going to get used to

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it they're going to say hang on if I'm

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going to get another one every week I

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don't want to miss out so I'm going to

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hit the follow button on Spotify which

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is a very very difficult thing to do

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that's a big benefit same thing goes for

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socials all of a sudden there's more new

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stuff coming maybe I should hit the

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follow button cuz new stuff is coming

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same thing for playlists you're starting

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to build relationships I'll have another

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one next week if you don't like this one

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you'll like the one next week all of a

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sudden you are building momentum now

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another thing I hear artists say is

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about physical copies my audience likes

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physical copies and so therefore I need

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an album out so I can sell a CD or a

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vinyl but I don't see how the two uh

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can't coexist exist why can't you put a

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single out you could still promote an

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album and say hey if you want the album

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before it's even been released then you

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can buy the CD or the vinyl that way you

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are now monetizing and you've got the

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supply and demand you've got something

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even more powerful it's not even out and

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you've heard that single imagine if you

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buy the next album with 12 songs on it

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to me that's much more powerful you

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don't necessarily in this day and age

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have to release the album to print a

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th000 or 2,000 or five 5,000 CDs to me

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all of these statements and questions

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are more excuses to deal with someone's

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ego yeah I really want to put out an

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album and if that's the case put an

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album that's great if you want to put an

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album out and you love working with

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albums and more importantly you can

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afford it and you're not going to worry

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so much about the numbers then the

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album's the right thing to do for you

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the issue only arises if you're putting

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an album out and saying this isn't

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working and that's the bit setting those

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expectations Taylor Swift has shown with

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this release that if you get enough

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momentum and speed you can do whatever

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you want you can be as self-indulgent as

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you want you can put out as many songs

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as you want and you are monetizing off

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the back of it the issue here is it

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takes a long time to get that much

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momentum in order to monetize off the

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back of it so the answer to releasing an

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album is not yes or no it's when and why

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so leave your comments below I will try

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and comment back as much as possible and

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I love this topic because I am not

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against albums and I am quite happy to

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debate this until the cows come home so

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whatever your thoughts are leave them in

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the comments below thank you for

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watching and I'll see you again soon

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Related Tags
Music ReleaseAlbum StrategySingle PromotionArtist GrowthStreaming ImpactCreative ExhaustionMomentum BuildingMusic MonetizationIndustry InsightsArtist Development