Apple Motion: Advanced Glitch Tutorial

Summary

このビデオスクリプトでは、Apple Motionを使った高度なグリッチ効果のチュートリアルが紹介されています。反射のある床やテキストのグリッチ効果を含むシーンを通じて、視聴者が創造的な視覚表現を学ぶことができます。スクリプトでは、クラウドジェネレーターの設定から、フィルタの追加、カラーチャネルミキサーの使用、そして3D空間でのレイアウト設定まで、詳細に手順が説明されています。最終的には、テキストの消失や反射効果の追加を含む、全体的なシーンの完成に向けたアニメーションの追加もカバーされています。

Takeaways

• 🎬 このチュートリアルでは、Apple Motionを使って高度なグリッチ効果を作成する方法が紹介されています。
• 🌟 グリッチ効果は反射的な床など興味深いシーンと組み合わせて使用されています。
• 📐 プロジェクトの設定は1920x1080、24fps、10秒間の長さです。
• 🌧️ グリッチ効果の基礎となるエレメントとして、クラウドジェネレーターが使用されています。
• 🔑 グラデーションエディターを使って白と黒のタブの位置をキーフレームで制御し、効果を作成しています。
• 🖼️ フィルタのGaussian BlurとStylized Pixelateを用いて、エッジを柔らかくし、ブロック状のグリッチ効果を作り出しています。
• 🔄 クラウドスケールを変更することで、グリッチエレメントのバリエーションを加えています。
• 🎨 カラーチャネルミキサーを使用して、クラウドのアルファチャネルを透過性に変換して重ね合わせを行います。
• 📝 テキストツールを使って「glitch」と入力し、グリッチ効果を適用するオブジェクトを作成します。
• 🔄 フィルタのBump Mapを用いて、テキストにグリッチ効果を適用し、さらに複雑な効果を作成しています。
• 🖼️ 反射効果を作成するために、床スラブのタイルを使ってイメージマスクを適用し、反射を模しています。
• 💡 3D効果を強化するために、ライトとカメラの設定を調整し、シーンに深度とリアル感を加えています。
• 🌌 グリッチ効果に加えて、テキストに輝きや光の反射を追加して、より魅力的な視覚効果を実現しています。
• 🔧 最後に、グリッチ効果が終了する際のアニメーションを調整し、テキストが消える過程をスムーズに見せるように設定しています。

Q & A

Apple motionで紹介された高度なグリッチ効果とは何ですか？

Apple motionで紹介された高度なグリッチ効果とは、映像に不規則なブロック状の模様やノイズを加えることで、エフェクトを作り出す技法です。

チュートリアルで使用された基本の要素は何ですか？

チュートリアルで使用された基本の要素は、cloudsジェネレーターを使用したグリッチ効果です。

プロジェクトの解像度とフレームレートは何ですか？

プロジェクトの解像度は1920x1080で、フレームレートは24フレーム毎秒です。

グリッチ効果を作成するために使用されたカラーマスクの設定方法を教えてください。

カラーマスクは、カラーチャネルミキサーを使用してAlphaをゼロに設定し、赤チャネルをAlphaとして使用することで作成されました。

テキストレイヤーにグリッチ効果を適用するために使用されたフィルタは何ですか？

テキストレイヤーにグリッチ効果を適用するために使用されたフィルタは、Gaussian BlurとStylized Pixelateです。

反射効果を作成するために使用されたテクニックを説明してください。

反射効果を作成するために、floor slabを2Dグループに配置し、タイリングコライダーを使用してタイル状の模様を作り、それを反射レイヤーに適用しました。

テキストの不透明度を制御するための追加のエレメントは何ですか？

テキストの不透明度を制御するために、Bezierツールを使用して青い光の効果を作成しました。

最終的にテキストがグリッチ効果で消える方法を説明してください。

最終的にテキストがグリッチ効果で消えるために、displace sourceグループのコピーを作り、カラーネガティブと不透明度キーフレームを追加しました。

シーンに追加された壁と棚のエレメントはどのように配置されていますか？

壁のエレメントはシーンの奥に、shelvingエレメントは3x3x3の配置でシーンの少し奥に配置されています。

最終的なシーンに加えられたライトとカメラの調整について説明してください。

ライトの色と強さを調整し、カメラの視点と位置を変更して、よりドラマチックなシーンを作成しました。

Outlines

00:00

🎨 Apple Motionの高度なグリッチ効果

Simon AbdallahがApple Motionを使ったチュートリアルを開始。反射的な床面を含むシーンで、高度なグリッチ効果を作成する方法を解説。プロジェクト設定は1920x1080、24fps、10秒。グリッチ効果の生成に使用するエレメントとして、クラウドジェネレーターを設定。カラースケール、レイヤーストレNGTH、グラデーションエディターを調整し、エッジをソフトに。さらに、Gaussian blurとstylized pixelateフィルタを適用して、ブロック状のグリッチ効果を作り出す。

05:00

🖼️ グリッチ効果のバリエーションと合成

クラウドスケールを変更し、グリッチエレメントのバリエーションを追加。カラーチャンネルミキサーを使用して、αチャンネルを作成し、透過性を利用してレイヤーを合成。Pixelate値を変更し、さらに細かい調整を行い、グリッチ効果を微調整。オブジェクトジェネレーターを使用して、最初と最後に白と黒に安全に遷移する設定を行う。

10:03

🌐 テキストレイヤーへのグリッチ効果の適用

新しいグループを作成し、「glitch」というテキストを追加。テキストレイヤーにbump mapフィルタを適用し、displace sourceを利用してグリッチ効果を適用。方向と量を調整して、より興味深い効果を作る。さらに、イメージマスクとluminanceを用いて、テキストへのグリッチ効果を適応。

15:04

🌈 テキストへのカラーグローの追加

テキストにカラーグローを追加し、channel blurフィルタを用いて青色の効果を作り出し、その強度を調整。グロー効果をさらに強めるために、同じフィルタを複製して量を増やし、混合モードを調整。

20:04

🏙️ 3D空間と反射効果の作成

3D空間を作成し、床スラブを配置。タイリングコライダーを用いて床をタイル化。光源を追加し、反射効果を作成。reflectionグループを作成し、イメージマスクとレベルズ調整を用いて、床面に反射効果を適用。カメラを追加し、反射の視覚効果を向上。

25:07

🌟 反射とシーンの完成

反射グループの調整を行い、床面のタイル効果をより明確に。光源をアニメーション化し、反射効果を強調。壁や棚のような背景要素を追加し、シーンに奥行きと動かを与える。グリッチ効果が床面に反映される様子を微調整。

🎉 グリッチアニメーションの最終調整

グリッチアニメーションを最終調整し、テキストの消滅方法を設定。displace sourceグループにglitter textureを追加し、追加のグリッチ効果を作り出す。カメラの角度と位置を調整し、シーンにドラマチックな感覚を与える。最後に、光源のアニメーションと床面の調整を行い、シーン全体の統一感を高める。

Keywords

💡glitching effect

「glitching effect」とは、映像やアニメーションにおいて意図的に生成されるエラーや不規則なビジュアル効果を指します。このビデオでは、そのようなエフェクトをApple motionという映像編集ソフトウェアを用いて作成する方法が説明されています。ビデオのテーマは、テクノロジーとアートの融合を通じて視覚的な刺激を提供することにあります。

💡Apple motion

「Apple motion」は、Apple社が開発したモーショングラフィックス編集ソフトウェアです。ビデオ制作者がアニメーションや視覚効果を作成するために使用されます。このビデオでは、その高度な機能を用いてglitching effectを作り出す方法が詳述されています。

💡generators

「generators」とは、Apple motionにおいて背景やパターンを生成するためのツールです。このビデオでは、clouds（雲）ジェネレーターを使用してglitching effectの基盤となるビジュアル要素を作り出しています。ジェネレーターは、ビデオのビジュアル言語を豊かにする重要な要素です。

💡gradient editor

「gradient editor」とは、色や明度のグラデーションを編集するためのApple motionの機能です。ビデオでは、このツールを使用してジェネレーターの色を徐々に変化させることで、エフェクトのダイナミズムを高めています。

💡Gaussian blur

「Gaussian blur」は、画像のエッジをぼやけて輪郭を柔らかくするフィルタの一種です。ビデオでは、このフィルタを用いてglitching effectのエッジをソフトにし、視覚的な滑らかさを提供しています。

💡stylized pixelate

「stylized pixelate」は、画像をピクセル単位でブロック状に分割し、デジタルアーティファクトを模倣するフィルタです。このビデオでは、このフィルタを通じてglitching effectのブロック状のビジュアルを表現しています。

💡color channel mixer

「color channel mixer」は、画像の色チャンネルを組み合わせて新しい色を作成するフィルタです。ビデオでは、このフィルタを使用して、透明度を制御し、レイヤーの合成方法を変更しています。

💡displacement mapping

「displacement mapping」とは、画像の表面を他の画像の高さ情報に基づいて変形する技術です。ビデオでは、この技術を用いてテキストにglitching effectを適用し、立体的な視覚効果を実現しています。

💡image mask

「image mask」とは、レイヤーの透明度を制御するためのマスクです。ビデオでは、このマスクを用いてテキストレイヤーのglitching effectの遷移をスムーズに表現しています。

💡reflection

「reflection」とは、物体表面に映る映像を指します。ビデオでは、3D空間の中での反射を再現し、シーンのリアルさと深さを増しています。特に、glitching effectが反射面上でどのように表現されるかがポイントです。

Highlights

Simon Abdallah 介绍了一个高级的故障效果教程，使用 Apple Motion。

教程中使用了反射地板等有趣场景，增加了视觉效果。

首先设置项目参数为 1920x1080，24 帧每秒，10 秒长。

添加了云层生成器来驱动故障效果。

通过调整云层的缩放和速度，创建基础故障效果。

使用渐变编辑器和关键帧来控制故障效果的变化。

添加高斯模糊和像素化滤镜来增强故障效果。

通过调整云层的 X 缩放，创建拉伸的块状效果。

复制云层并使用 Alpha 混合来增加效果的变化。

使用颜色通道混合器和反射地板的亮度来创建透明度。

调整像素化滤镜的值来改变故障效果的强度。

通过添加文字和使用位移图滤镜来创建文本的故障效果。

使用图像遮罩和亮度信息来控制文本的显示和过渡。

创建彩色光晕效果，增强视觉效果。

设置 3D 背景和反射效果，增加场景深度。

使用 Collider Tile 滤镜来创建地板的瓷砖效果。

添加灯光效果并调整其颜色和强度，以匹配文本的亮度。

创建反射效果，通过反转图像遮罩和调整级别来增强细节。

使用贝塞尔工具和图像遮罩来创建额外的光线效果。

调整相机角度和位置，以增强场景的戏剧性。

添加墙壁和架子元素，创建场景的深度和立体感。

调整故障效果的参数，以同步与文本动画。

使用不饱和和调整颜色，以改变故障效果的色调。

动画化光线和结构元素，以增加场景的动态感。

通过调整故障效果的不透明度，控制文本的消失。

教程结束时，Simon Abdallah 鼓励观众期待下一个教程。

Transcripts

hi this is Simon Abdallah hope you're

all safe and well and welcome to another

tutorial for Apple motion and today

we're going to be taking a look at this

advanced glitching effect

so the glitching is interesting in its

own right but we've also got this quite

interesting scene with the reflective

floor and so on so and I hope you're

going to enjoy this one so let's get

started so let's just look at our

project here 1920 1080 24 frames a

second 10 seconds long so first of all I

want to set up the element that is going

to drive the glitching over the set of

elements so what I'm going to do is I'm

going to add updated generators urn

we're going to use our good ol friend

clouds so let's just set this up let's

have a horizontal scale of 64 and let's

reduce the speed to 0 down here with the

layer strength so I want to set both

those first two to 0 and the second 2 to

1 then I want to open up the gradient

editor so first of all let's come to one

second on the timeline and then I want

to select the white tab here I want to

hit keyframe for its location and I'm

gonna set that value to 5% then I'm

going to set step forward to 3 seconds

and I'll set that location up to 100%

now let's also select the black tab it's

already got a keyframe for its first

position and what we're going to do is

set its final location to 90% so now

we've got this effect so then what I

want to do is I want to add a little bit

more gray to this so it's the edges are

softer so I'm going to use filters blur

Gaussian blur and I'm gonna set the

amount to 64 and then what when to do is

add the filter that's going to turn this

into a glitch element and that is

stylized pixelate so let's increase the

pixelate value to something like 27 you

can see we've got this blockiness and

that's what we want and we've got white

blocks a lot of white blocks a lot of

black blocks and quite a few gray ones

as well the gray ones are really

important so then what I'm going to do

is come to the clouds

scale and I'm going to increase that X

scale to 300% and you see we've got

these stretched out blocks so then what

we can do is we can duplicate this to

add some variation to it so I'm going to

right click duplicate now the way I want

to composite these elements is using

alpha but there is no built in alpha to

the clads so what we're going to do is

we're going to add filters color channel

mixer and I'm going to set the Alpha off

to zero and I'm going to use red for the

Alpha and we don't see anything at the

moment but as soon as we start making a

change to this for example coming over

to the generators offset you'll see that

we can offset that and work when we're

layering these up using the transparency

from the luminance so then we want to

change up the pixelate value so instead

of fit 27 I'm going to go for these 63

and I think that's quite good let's

let's table light on and off yes I think

that's going to be good so let's have

another one right click duplicate let's

again just change up that pixel H value

gonna hide that charming so let's go for

a scale of I don't know 13 let's have

some small ones and again let's just

adjust that Y offset on the generator

and we can also me even just stretch it

out on X a lot more like maybe go for

450 so now we've got pretty interesting

results and we can always adjust some of

these values later if we want to

depending on how our glitch works out so

I just want to make sure that it's

completely white at the start and it's

completely black at the end so what I'm

going to do is go and take this group

and I'm going to add object generators

add a color solid I'm going to make this

one white I'll do another one and make

it black and then just turn them both

off the white one I'll select the white

one I'm just going to come to the point

at which I want

it were to all still to be white sir

says 107 I think hit o on the keyboard

and then where do we want it to be black

around about there 301 selects the black

color solid and hit I on the keyboard

and if we turn those both back on again

when safely to black for the duration of

the end and we're safely in white for

the beginning and and no matter how we

change these up that'll that'll always

be the case

so let's now call this group displace

source and let's think about putting it

to work so let's close it up and let's

make a new group let's turn off the

display scroop and let's select our text

tool and let's type the word glitch and

let's make it about 400 pixels and let's

bring it down a bit let's also choose

centre alignment and properties just

Center it up let's just adjust that

baseline a little bit more okay so the

next thing we want to do is we want to

make this group fixed resolution and we

also want to make a displace source

group fixed resolution but I'm not going

to do that because I just want to show

you the difference that it makes so to

this new group I'm going to add filters

distortion bump map and then I'm going

to use our displace source as the source

I'm going to set the direction to 90 and

I'm gonna set that amount to 4 now it's

not looking good at all and that's

because the displace source is being

scaled to fit the size of that text

layer this is the text layer is its own

dimensions not the dimensions of the

project so if we now make the displace

source fixed resolution it's looking

good so we're getting that effect so

we're well on our way so what I would

then going to do is I'm going to

duplicate that bomb map right click

duplicate and let's adjust some of these

amounts let's set the first one to 3 I

think the next one to 6 and then let's

duplicate it one more time and let's set

this one to 8 now what I'm going to do

is

I'm going to set one of these directions

to the opposite direction so this middle

one I'm going to set the direction to

270 that's kind of a lot more

interesting

you see that's 90 it's all just coming

in from the left but with 270 that's

also coming in from the right a little

bit and it's quite like that maybe let's

reduce that amount of five so I think

we've got a fairly good result at this

point and we can move on so the other

thing I want to do is I want to add an

image mask to this text layer so

right-click that image mask and I'm

going to use the displace source and we

want to set the source channel to

luminance and then we want to invert it

and so what this is going to do if I

turn off those bump maps is it's going

to fade on this text layer and that's

going to allow us to create our

transition from our other piece of text

so let's make a new group trips a new

group and I'm just going to copy that

glitch text into it so alt drag it into

that group there and let's give this a

different word let's call it fantasy and

what we do here is we're going to

uninvite the image mask so now our text

is changing like so now you'll notice

that it's not quite right because we're

getting a little bit of transparency

before we want our glitch effect to

happen and we can sort that out if you

remember we added a white solid

we just need to extend that white solid

to this point so I'm going to hit 0 on

the keyboard so that it stays solid it

only fades once the glitching happens so

let's do a bit of tidy up here this

group here I'm going to call text V

because it's going to be the second one

we see top one is going to be text a

because it's going to be the first one

we see and close those two groups up

let's make another new group and let's

put those two into it now I want to do

something fancy with a colored glow for

this so what I'm going to do is take

that group

and I'm going to make a clone of it so

with a clone selected I'm going to come

to filters blur I'm not going to use a

fancy blur called channel blur and what

I'm going to do is let's set this amount

initially to 64 I want to turn off red

green and just be left with blue and I

think you can see now we've got this

really nice effect and we can make it

even more intense by just duplicating

that a couple of times right click

duplicate and just increasing this

amount progressively so one to eight for

the next one and two five six for the

last one and then just adjust these mix

values so 30% for the top one and 60%

for the middle one so now I think that's

looking really rather nice so let's

close this group and call it glows which

is what it is let's call this group

master text let's make yet another new

group and let's add those two groups to

it and then what we can do is make this

group 3d now I want to add a background

in order to be able to do our reflection

and all the rest of it so let's make yet

another new group and into that group

I'm going to import the element called

floor slab that in I'm good rotate this

group through 90 degrees on X and I'm

going to bring it down let's say

negative 200 so inside this 3d group

with the floor in it I want to make

another group and this one I want to be

2d and I'm going to put the floor slab

into it and I'm going to select the

group and I'm going to make a fixed

resolution and let's go for a width of

6000 and a height of 8000 and then to

this group I'm you to add filters tiling

Collider tile and I'm just going to

increase that with till we start to see

the edges of this tile

so around about 1620 seems to be doing

it and the same thing with the height

increase that till we just see the gap

roundabout there so that's 1070 now we

can add a light I think just to make

this look a bit more interesting already

more dramatic but the problem with the

light is that it's affected our text

which we want to be very very bright so

I'm going to select this group here

which is the sort of master everything

group for the text and I'm going to come

to lighting and I'm going to turn the

lighting off and what I need and I need

to put this floor group behind the rest

of it so I'm going to move it right to

the back so I'm going to call this group

floor let's just sort out this light

here I'm going to set its color to be a

little bit cooler I think just to match

the the light from the text let's set

its intense let's first of all set its

fall-off to 20 that set its intensity up

to a thousand and perhaps just move it

up a little bit on why let's go for 200

Oh 200 mm so now it looks like it's

being it's costing the light onto the

floor from the text okay so let's have a

look at doing this reflection which is

the fun part first of all I'm going to

come into this group here that's got the

collider tile with our floor slab and

that I want to actually make use of

these nice divisions in the floor so I

think I'm going to set that scale to

about 60 and then we'll be able to see

these divisions and I think they're

gonna look really rather nice so let's

call this group here main and then what

we're going to do is we're going to make

a clone of it and let's call this one

reflection and we're just going to come

over here and turn on the layer order

button so now what we're going to do is

when to rotate it through 180 degrees on

X and then just bring it down on Y to

around there so the cunning trick to

making this look like a reflection is to

select this clone layer

and add an image mask and we've come in

and select this group here that is in

that floor group and it's got a Collider

tile on it so we're going to add that

we're going to switch the source channel

to luminance and we need to turn that

group back on again now what we need to

do is we need to select that image mask

and add a levels to it and we're going

to take that black value and we're going

to crunch it like this so we've got lots

of detail in there and then what we're

going to do is just take that clone and

add a Gaussian blur to it and let's set

that value to around one to eight

and now if I add a camera and we add a

sweep and let's just set that value to

about 15 you'll see that we've got a

reflection on our floor here now I don't

much like what's happening with our

floor so I just want to fix that I'm

going to come to that floor slab and

adjust its scale to 20% and then I'm

just going to adjust that Collider tile

and let's go for 735 by 475 and it's

giving us a lot more tiles and I think

that's a lot more interesting now and

you can see that effect I was talking

about it's really nice to be able to see

the reflection being broken up by those

those tiled elements now you're probably

noticed you won't notice but some there

is some speck Ling going on here and

what you'll need to do is to make sure

that when you render this you select

best quality otherwise you'll get some

really nasty results on the floor now I

want to give it more of a sense that

this is lighting up the floor and I'm

going to do that with an extra element

in this reflection group so I'm just

going to turn off the camera at the time

being just while I set this up and I'm

going to select the Bezier tool and I'm

going to come from around here

down here

there and there it doesn't have to be

too accurate but just something roughly

like this so what I'm gonna do is set

its color to be something like that

this should do and I'm going to feather

it in so negative 100 I'm going to set

its blend modes to add and then I'm

going to copy the image mask from this

reflection layer so alt drag that onto

the bezzie a like that and I think you

can see that that's given us a nice sort

of to the camera back on again this sort

of blue wash and we can play with

exactly how that works pretty maybe

bring these out just a little bit just

to give us the feel that we want so we

can we can we can play with that with

that light path as much as we like so

that's going to help with the overall

effect so I think my camera is a bit

boring so what I'm going to do is

increase its angle of view to 75 and

then let's come and adjust its position

let's pull out to 600 and I think that's

that's looking you're not more dramatic

I think so let's also build a little bit

more of the rest of the scene so let's

make a new group I'll make it at the top

and I'm going to call this wall because

we need a back wall and I'm going to

import its wall JPEG I'm going to set it

scale to 500% and it's said position to

negative 3000 negative 3000 not 300

there we go and I need to put this right

at the back of the scene so now although

we're not really seeing it it's filling

up that back and once we add the rest of

our lights is going to work I'm going to

make another new group and I'm going to

call this Gerda's and I'm going to

import the element called shelving let's

come to properties let's rotate it

through 90 degrees on said and then

let's come to object replicate so first

of all I want to switch to 3d and then I

want to select box I want to open up the

size let's have a width of

13:15 and a height of 360 and a depth of

1500 so let's sort these rows and ranks

out so three columns three rows and

three ranks and then let's adjust its

position I'm going to go for 500 on Y

and 500 on Z and we need to put this

almost at the back of the scene so I'm

going to come to object send to back and

actually we really can stick and stay

there that's that's actually working it

doesn't have to be in front of the wall

but so now we've got this really nice

parallax and we got that nice glitch

happening and obviously the glitch is is

being reflected in the floor which is

which is a really cool thing I'm just

going to push in a bit on that camera

because I think we're a little bit too

far out let's go for 400 or maybe even

300 and there's a few more things I want

to do one of which is to desaturate this

blue glow a bit so what I'm going to do

is I'm going to select that glows group

and add a color hue/saturation I'm going

to set the hue angle to be 300 and then

I'm going to increase the saturation to

around 0.3 and the value up to two and I

think that's a much nicer result so you

also see it's giving us much hotter

reflection on the floor and I think

that's going to be good too and let's

just make a little bit of an adjustment

to our floor I think I like it more when

I can see one of these cracks in the

light so I'm going to set the Y value to

negative 200 and I really like it when

we see that light just hitting that gap

there I think he looks that looks really

nice okay just a few more things before

we finish I'm just going to turn off

this reflection group because it's

slowing us down a bit just for the time

being and I want to just briefly turn

off the camera and then I want to come

to my displace source group I'm going to

move that right at the top so we can

easily find it so in

this displaced group I'm going to import

this thing that I've made for you called

glitter texture and immediately you'll

see we've got this additional layer of

continuous glitching or other

intermission glitching and we can dial

that in whenever we feel like we want

some extra in interesting little

glitches so it actually it's times to

happen more or less with the the main

animation so what we can do is just

literally just effect its opacity

whenever we want to see it and when we

don't we want a to disappear so I

quite like that to that point there

hit'em an opacity keyframe Steph Ward

one frame set it down to zero let's come

forward a bit let's set an opacity

keyframe Steph Ward 1 frame set it up to

a hundred step forward a few frames

another keyframe there for another down

to a hundred again few frames forward

another keyframe step forward up to a

hundred few frames more forward another

keyframe one frame forward down to a

hundred and so altogether that's going

to look like that with a nice glitch

there no one there another one there you

know as many of those as you want so

with our camera back on again

that sweep is much too much let's adjust

that camera sweep let's go for about

negative four to five or something and I

think there's a really nice those just

those little extra intermittent glitches

so just one final detail let me just

turn off the camera and while we do it I

want to add some texture to the text so

inside this master text group I'm going

to make a new group object new group and

I'm going to put those two text groups

inside it so with the master text group

selected I'm going to import the text

texture I'm going to right click add

image mask and I'm going to use this

group that I've made with the text

groups in it as the source then let's

add a levels color

levels and let's just bring the black in

quite a bit so you want to start seeing

that texture like that and then there's

just adjust the texture scale so I'm

going to go for about 100 percent on X

and leave it as it was so I think that's

improve things a bit and there's just

one final thing I'm sure you're going to

want to know about and that's how to

make the text disappear at the end so

glitching off at the end so I'm coming

into my displace group here I've got my

three clouds elements there just above

them I'm going to make a new group and

put the three of them inside it and then

I'm going to make a clone of that group

right click make clone there I'm going

to move that up to the top and then I

want to move that to seven seconds on

the timeline so I've come to seven seven

seconds on the timeline and then what I

can do is with that clone selected I can

come to mark move selected to end point

and what we need to do with this clone

is to add a color negative so we're

swapping it around and now you'll see

that that's glitching off but we're

seeing the old text underneath so we

just need to make sure that we come into

our master text layer and right inside

here that we need to make sure that text

a is finished well before seven seconds

even at seven seconds if we're going to

precise

I'm going to hit oo on the keyboard and

that won't be apparent once we've

glitched off so there you go it's

glitching off like that as it as its

glitching off we should really think

about animating the light so let's do

that let's come to the inspector let's

set an intensity keyframe at that point

and then once it's completely

disappeared there 9 15 let's set that

intensity down to zero and now we get

well what I did was I added a few more

lights just so that

there would be little there will be

something left at the end so they're

very very low intensity making them a

little bit blue just so there's

something left to the scene after we've

we've faded and the final thing that I

did which is pretty cool and I'm not

going to go into a lot of detail about

this so I'll leave you to animate it is

that I animated the position of the

girders so right at the first frame I'm

set a position for those girders of

negative 3/10 on Y and then we can move

forward to I don't know about second 1/2

or something and keep throwing that

sorry I should have keep from that set

that to zero come back to the start

negative 3/10 and so then the girders

will well lift up like that but what I

actually did I did it with an overshoot

behavior so it had little bounce at the

end which is which is a nicer way of

doing it and then I also just animated

them down at the end so around about

there and then I set that again back to

negative 3/10 and with a nice sound

effect that's you know that's going to

be pretty cool

okay so I have that's been interesting

thanks very much indeed for watching see

you again soon