Theories of Emotion

Steven Barnes
23 Aug 201707:25

Summary

TLDRThis script delves into the complexities of emotions, distinguishing them from feelings and moods. It outlines the physiological, cognitive, and behavioral components of emotions, referencing Charles Darwin's work on universal expressions. The summary also explores various theories, including the common-sense view, James-Lange theory, Cannon-Bard theory, and Schacter-Singer two-factor theory, examining how stimuli, physiological arousal, and cognition interplay to produce emotional experiences.

Takeaways

  • 🧠 Emotions, feelings, and moods are distinct: Emotions are immediate responses to stimuli, feelings are the subjective experience of these emotions, and moods are longer-lasting states without a specific trigger.
  • 🌟 Emotions have three components: physiological arousal, cognitive experience, and behavioral expressions, which are observable to others.
  • 📚 Charles Darwin's work highlighted that similar emotional expressions are shared across members of a species, suggesting a genetic basis for emotional expressions.
  • 🤔 The common-sense view posits that a stimulus leads to an emotion, which then causes physiological arousal, but this view has been challenged.
  • 🔄 James-Lange Theory suggests that physiological arousal leads to the experience of emotion, but this theory faces criticism due to inconsistencies and exceptions.
  • 🏗️ Cannon-Bard Theory proposes that emotional experience and physiological arousal occur independently and simultaneously, without one causing the other.
  • 🤓 Schachter-Singer Two-Factor Theory introduces cognition as a mediator between physiological arousal and the experience of emotion, emphasizing the role of interpretation.
  • 🔑 Cognition plays a crucial role in determining the specific emotion felt, as the same physiological arousal can be interpreted differently based on the situation.
  • 🔍 Evidence suggests that physiological feedback is not always necessary for emotion, as seen in patients with spinal cord injuries who still experience emotions.
  • 🔄 The relationship between physiological arousal and emotion is complex, with some theories suggesting causality and others proposing independence or mediation.
  • 🌐 The script explores various theories of emotion, illustrating the ongoing scientific debate and the complexity of understanding emotional responses.

Q & A

  • What is the difference between emotions, feelings, and moods as described in the script?

    -Emotions are immediate and specific responses to internal or external events. Feelings are the subjective experience of these emotions, such as saying 'I feel angry.' Moods, on the other hand, are diffuse, longer-lasting emotional states without a clear identifiable trigger.

  • What are the three components of an emotion as outlined in the script?

    -The three components of an emotion are physiological, cognitive, and behavioral. Physiological involves bodily arousal, cognitive is the conscious experience of emotion, and behavioral involves expressions that others can observe.

  • What did Charles Darwin argue about emotional expressions in his 1872 book?

    -Charles Darwin argued that particular emotional responses tend to accompany the same emotional states in all members of a species, suggesting that the expression of emotion is genetically determined and has evolved over time.

  • What is the common-sense view of how emotions work?

    -The common-sense view posits that a stimulus leads to an emotion, which in turn prompts bodily arousal, such as increased heart rate or sweating.

  • How do the James-Lange theory and the Cannon-Bard theory differ in their explanation of the relationship between emotions and physiological arousal?

    -The James-Lange theory suggests that bodily arousal causes emotions, while the Cannon-Bard theory proposes that physiological arousal and the experience of emotions are separate processes that occur independently of each other.

  • What are the criticisms of the James-Lange theory mentioned in the script?

    -The criticisms include the possibility of physiological arousal without emotion, the slowness of physiological changes compared to the immediate experience of emotion, the association of similar physiological responses with different emotions, and evidence that physiological feedback is not necessary for emotion.

  • What is the Schacter-Singer two-factor theory, and how does it differ from the other theories mentioned?

    -The Schacter-Singer two-factor theory introduces cognition as a factor that interprets the source of physiological arousal, suggesting that a stimulus causes arousal and cognition, which then elicits the emotion. This differs from the other theories by adding a cognitive evaluation step between arousal and emotion.

  • How does the script illustrate the difference in emotional experience based on cognitive evaluation?

    -The script uses the example of feeling one's face flush, where the same physiological arousal can lead to different emotions based on the cognitive evaluation of the situation, such as pride or shyness.

  • What are the four theories of emotion mentioned in the script, and how do they differ?

    -The four theories are the common-sense view, the James-Lange theory, the Cannon-Bard theory, and the Schacter-Singer two-factor theory. They differ in their explanations of the causal relationships between stimuli, physiological arousal, and the experience of emotion.

  • How does the script suggest that physiological stimuli can influence emotions, despite the Cannon-Bard theory?

    -The script mentions reports of physiological stimuli influencing emotions, suggesting that while the Cannon-Bard theory proposes independence between physiological arousal and emotion, there is evidence of a connection between the two.

  • What role does cognition play in the Schacter-Singer two-factor theory?

    -In the Schacter-Singer two-factor theory, cognition plays a crucial role in interpreting the source of physiological arousal, which then leads to the experience of emotion. It is the cognitive evaluation of the stimulus in conjunction with the arousal that determines the emotional response.

Outlines

00:00

🧠 Understanding Emotions and Their Components

This paragraph delves into the complex nature of emotions, distinguishing them from feelings and moods. It explains that emotions are immediate reactions to stimuli, while feelings are the subjective experience of these emotions, and moods are longer-lasting states without a specific trigger. The paragraph also breaks down the components of emotions into physiological (bodily arousal), cognitive (conscious experience), and behavioral (observable expressions). It references Charles Darwin's work on the universality of emotional expressions across species, suggesting a genetic basis for these behaviors.

05:02

🤔 Theories of Emotion: Causality and Interpretation

This paragraph explores various theories that attempt to explain the process of emotion. It starts with the common-sense view that a stimulus leads to an emotion, which then causes physiological arousal. It then discusses the James-Lange theory, which proposes the reverse causality, suggesting that physiological arousal leads to the experience of emotion. The Cannon-Bard theory posits that emotion and arousal are independent responses to a stimulus. Finally, the Schachter-Singer two-factor theory introduces cognition as a mediator between physiological arousal and the experience of emotion, arguing that the interpretation of arousal in context leads to the emotional response. The paragraph reviews these theories, highlighting their key differences and the aspects they emphasize in the emotion process.

Mindmap

Keywords

💡Emotion

Emotion refers to an immediate, specific positive or negative response to internal thoughts or external environmental events. It is a central theme of the video, which delves into the complexity of emotions in both personal experiences and scientific study. The script uses the example of anger as an immediate emotional response to frustration.

💡Feeling

A feeling is the subjective experience of an emotion, which is how we internally perceive and label our emotional states. In the context of the video, feelings are distinguished from emotions and moods, with the script illustrating this by phrases like 'I feel angry' or 'I feel happy'.

💡Mood

Mood is described as a diffuse, longer-lasting emotional state that does not necessarily have an identifiable object or trigger. The video script contrasts mood with emotions, indicating that a mood can persist for days, such as being in a bad mood after a frustrating event.

💡Physiological Component

The physiological component of an emotion encompasses bodily arousal, such as a racing heart or tense muscles, which are physical manifestations of emotional responses. The video script discusses this in relation to the physiological changes that occur when one experiences anger.

💡Cognitive Component

The cognitive component of an emotion is the subjective conscious experience of the emotion itself. It is how we interpret and understand our emotional states, as highlighted in the video script when discussing the cognitive aspect of emotions.

💡Behavioral Component

The behavioral component involves the characteristic overt expressions of emotions that others can observe, such as facial expressions or posture. The video script references Charles Darwin's work on the expression of emotions, suggesting that these behaviors are genetically determined and universal across species.

💡James-Lange Theory

The James-Lange Theory posits that bodily arousal causes emotions, contradicting the common-sense view. The video script provides a critique of this theory, pointing out its vulnerabilities, such as the possibility of physiological arousal without emotion, and the slow pace of physiological changes compared to the immediate experience of emotion.

💡Cannon-Bard Theory

The Cannon-Bard Theory suggests that the physiological arousal of emotions and the experience of emotions are separate processes, both independently triggered by a stimulus. The video script discusses this theory as an alternative to the James-Lange Theory, emphasizing the potential disconnect between physiological responses and emotional experiences.

💡Schachter-Singer Two-Factor Theory

The Schachter-Singer Two-Factor Theory introduces cognition as a key factor in the experience of emotion, alongside physiological arousal. The video script explains that this theory posits that cognition interprets physiological arousal, leading to the experience of an emotion, as demonstrated by the example of different emotional responses to the same physiological arousal based on the cognitive evaluation of the situation.

💡Evolution

Evolution is mentioned in the context of how emotional expressions have evolved and are genetically determined, as per Darwin's argument. The video script suggests that these behaviors have been passed down through generations and are a part of our genetic makeup.

💡Cognitive Evaluation

Cognitive evaluation is the process of interpreting and understanding the stimuli that cause physiological arousal. In the video script, it is a critical part of the Schachter-Singer Two-Factor Theory, where the interpretation of the stimuli in conjunction with arousal leads to the experience of an emotion.

Highlights

Emotions are complex and can be difficult to distinguish from feelings and moods.

Emotions are immediate responses to internal or external events, while feelings are the subjective experience of these emotions.

Moods are diffuse, long-lasting emotional states without a specific trigger.

Emotions consist of physiological, cognitive, and behavioral components.

Physiological arousal includes bodily reactions like a racing heart or tense muscles.

Cognitive components involve the conscious experience of the emotion.

Behavioral components are the outward expressions of emotions, such as facial expressions.

Charles Darwin's work on the expression of emotions in men and animals suggests universal behaviors for specific emotions.

Darwin argued that emotional expressions are genetically determined and have evolved over generations.

The common-sense view posits that a stimulus leads to an emotion, which then causes physiological arousal.

William James and Karl Lang proposed that bodily arousal causes emotions, contradicting the common-sense view.

Criticisms of the James-Lange theory include the possibility of physiological arousal without emotion and the slowness of physiological changes.

The Cannon-Bard theory suggests that physiological arousal and the experience of emotion are independent processes.

Evidence suggests that physiological stimuli can influence emotions, indicating a connection between physiology and emotions.

The Schachter-Singer two-factor theory introduces cognition as a factor influencing the experience of emotion.

According to the Schachter-Singer theory, the interpretation of arousal leads to the experience of a specific emotion.

The theory highlights the importance of cognitive evaluation in determining emotional responses to stimuli.

A review of four major theories of emotion, explaining their differences and implications for understanding emotional experiences.

Transcripts

play00:04

emotions are a tricky subject both in

play00:07

life and in psychology questions like

play00:10

why do you make me feel this way are not

play00:12

only confusing on a personal level but

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also on a scientific level first let's

play00:18

distinguish emotions from feelings and

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moods an emotion is an immediate

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specific positive or negative response

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to internal thoughts or external

play00:27

environmental events a feeling is the

play00:31

subjective experience of an emotion it's

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what we refer to when we say things like

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I feel angry or I feel happy a mood

play00:40

meanwhile is a diffuse longer lasting

play00:43

emotional state that doesn't necessarily

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have an identifiable object or trigger

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so if something frustrating happens to

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you you might immediately feel the

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emotional response of anger and for the

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next few days you might be in a bad mood

play01:01

let's move on to the various components

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of an emotion so we know that emotions

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are immediate and specific responses

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these responses have at least three

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parts physiological cognitive and

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behavioral a physiological component of

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an emotion might be bodily arousal like

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a racing heart or tense muscles the

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cognitive components of an emotion is

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the subjective conscious experience of

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emotion and the behavioral components of

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an emotion is the characteristic overt

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expressions of the emotions behaviors

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that other people can read like

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particular facial expressions or posture

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Charles Darwin studied this third

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component of emotions in his 1872 book

play01:50

the expression of emotions in men and

play01:52

animals in which he argued that

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particular emotional responses tend to

play01:57

accompany the same emotional states in

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all members of the species so according

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to Darwin's argument all of the members

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of the species will display the same

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behavior when they feel a particular

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emotion all cats will display the same

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behavior when they are happy and all

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humans will have the same facial

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expressions in behavioral and skin

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[Applause]

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with this evidence Darwin suggested that

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the expression of emotion is genetically

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determined this behavior has evolved and

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has been passed down through generations

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in our genes now let's look at some

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theories of how emotions work let's

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start with the common-sense view in this

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view a stimulus and emotion which in

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turn prompts some bodily arousal so in

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this case a frightening spectacle and

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Bill's are ruling with fear which makes

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him sweat and makes his heart rate rise

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in the mid-1880s two scholars William

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James and Karl Lang independently came

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up with similar theories that

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contradicted this common-sense view

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James and Lang both suggested that

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instead of emotions causing bodily

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arousal bodily arousal causes emotions

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so to return to our previous example

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that would mean that the site of the

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hero on his threshold makes our villains

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heart beat faster his hands tremble and

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his palms sweat and these physiological

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changes caused him to feel fear but this

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theory is vulnerable to a few criticisms

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first it is possible to have

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physiological arousal without any

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accompanied emotion for instance your

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palms might sweat because it's hot but

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that's what won't make you feel all

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nervous just kind of grow second

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physiological changes can be too slow to

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proceed the conscious experience of

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emotion our villain might feel scared as

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soon as he sees our hero but it might

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take a few seconds for him to start

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sweating third the same set of

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physiological responses are associated

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with very different emotional

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experiences a faster heart rate could

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mean fear but it could also mean anger

play04:00

or surprise or joy finally there is

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evidence that physiological feedback is

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not necessary for emotion for example

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patients with spinal cord injuries who

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have lost most of their physiological

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feedback so experience the same emotions

play04:17

as before

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however in the james-lange theories

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favor there is notably some slight

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evidence of dissipation in their

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emotional reactions as an alternative to

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the james-lange theory two other

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theorists Walter Kenan and

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Philip Bard proposed that the

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physiological arousal of emotions and

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the experience of emotions are entirely

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separate processes that is a stimulus

play04:41

causes the emotion and physiological

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arousal independently neither one causes

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the other

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so the site of our hero causes our

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villain both to feel fear and for his

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palms to sweat and hurt to raise but

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contrary to this theory there has been

play04:59

many reports of physiological stimuli

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influencing emotions so it's unlikely

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that physiology and emotions are

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completely disconnected one suggestion

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of how arousal and the experience of

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emotion may be connected but not causal

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which proposed in the 1960s by Stanley

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Schachter and Jerome singer as the

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Schechter singer two-factor theory which

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introduces the factor of cognition the

play05:25

theory suggests that when a stimulus

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elicits some arousal this arousal elicit

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some cognition which interprets the

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source of the arousal and then this

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interpretation then elicits the

play05:36

experience of emotion

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from the stimulus it takes two different

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factors the arousal and the cognition to

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elicit the emotion hence the name

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Schechter singer two-factor theory for

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example say that you feel your face

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start to flush according to this theory

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you'll automatically use cues from your

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environment to help explain this flush

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you might be mid-workout or someone

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might have just confessed their love to

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you although the arousal is the same the

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cognitive evaluation of the stimulus is

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very different across these two

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scenarios and so the emotions you would

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feel would also be very different say

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pride versus shyness for instance

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to return to our previous example if the

play06:17

sight of our hero makes our bones heart

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beat faster then their cognitive

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evaluation of the situation say

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remembering that the hero is a Secret

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Service agent here to save the world or

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that he is their long-lost love from

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primary school will determine their

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emotional response to the situation

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again with this theory it's about the

play06:35

interpretation of the stimuli in the

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arousal which leads to the emotion so

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let's just quickly review these four

play06:43

theories of emotion top you remember

play06:44

them first the common sense view is that

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a stimulus will cause an emotion which

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causes arousal second the james-lange

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theory reverses emotion and arousal

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suggesting instead that a stimulus

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causes arousal which then causes the

play06:59

motion third the Canon Bard theory

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separates out emotion and arousal as

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independent reactions to the stimulus

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and finally the Schechter singer

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two-factor theory adds another factor to

play07:11

the cause of emotion after a stimulus

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elicits some arousal you called the

play07:16

nobley ESS the stimulus and that

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assessment causes the emotion

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関連タグ
EmotionsPsychologyFeelingsMoodsPhysiologicalCognitiveBehavioralDarwinJames-LangeCannon-BardSchachter-Singer
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