Entrevista a Steve McCurry fotógrafo de Magnum y National Geographic // Interview Steve McCurry

Summary

Este guion de video narra la apasionante carrera de un fotógrafo que comenzó en un pequeño periódico en Filadelfia, buscando explorar el mundo y capturar su diversidad. India, con su riqueza cultural y contrastes, se convierte en su foco principal, donde encuentra influencias en artistas y fotógrafos como Vermier y Cartier-Bresson. El guion destaca la importancia de contar historias humanas y la dificultad de hacerse notar en un mundo saturado de imágenes. La fotografía es vista como un medio para revelar la vida en nuestro planeta, más allá de la belleza de la luz o la composición, y el fotógrafo se considera un narrador de esencias humanas y su legado, una visión honesta y optimista del mundo.

Takeaways

• 🎨 La pasión por la fotografía y el viaje es fundamental para explorar y capturar la diversidad cultural y paisajística del mundo.
• 🌏 La India es vista como un lugar con una profundidad cultural única, con una mezcla de religiones y un contraste entre lo antiguo y lo moderno.
• 📸 La influencia de fotógrafos y artistas como Vermier, Hre Cartier-Bresson, Andre Kertesz y Satyajit Ray ha dejado una huella en su trabajo.
• 👁️ La importancia de la observación y el aprendizaje de obras de granjeros, pintores y escultores para mejorar la técnica y la visión artística.
• 🌟 La captura del momento decisivo y la historia humana en las imágenes es la esencia de la fotografía para este narrador de historias.
• 🌍 La experiencia de viajar y documentar situaciones en diferentes lugares del mundo, como Afganistán, revela la complejidad y la belleza de la vida humana.
• 👥 La identidad y la conexión humana a través de las imágenes, que muestran tanto las similitudes como las diferencias entre las personas.
• 🏞️ La fotografía de calles busca ser lo más invisible posible para preservar la autenticidad del momento y capturar la vida en su estado natural.
• 🌈 Aunque el mundo es en color, la narrativa y la historia son las prioridades, y el color es un elemento secundario que puede complementar la imagen.
• 🔍 La objetividad en la fotografía es cuestionada, ya que siempre se trae la perspectiva del fotógrafo, pero es crucial mantener la honestidad y la integridad en la narrativa.
• 🕊️ La esperanza de dejar un legado que refleje la humanidad, las historias compartidas y la belleza del mundo, a pesar de los desafíos y la complejidad.

Q & A

¿Cómo comenzó su carrera en la fotografía?

Comenzó su carrera en una pequeña periódico en Filadelfia, Pensilvania, con una pasión por la fotografía y el viaje.

¿Por qué eligió India para su viaje de descubrimiento?

Eligió India por su profundidad cultural, diversidad de religiones, mezcla de lo antiguo y lo moderno, y su diversidad geográfica.

¿Cuáles son algunas de las influencias principales en su fotografía?

Sus influencias incluyen a artistas como Vermier, Hre Carte, Pan, Andre Ctez, y fotógrafos como Robert Capa, Eve Arnold, y Walker Evans, entre otros.

¿Cómo describe la importancia de la historia humana en su trabajo fotográfico?

La historia humana es el elemento más importante en su trabajo, buscando capturar la vida en este planeta más allá de la luz o el color.

¿Qué significa para él hacer una 'ensayo fotográfico'?

Un ensayo fotográfico es una narración sobre un lugar, región, personas o tribu, buscando mostrar una visión completa de un tema.

¿Cómo impactó la fotografía de la niña afgana en su carrera?

La fotografía de la niña afgana se convirtió en un ícono reconocido mundialmente, impactando la percepción de la situación en Afganistán.

¿Qué desafíos encontró al trabajar en Afganistán por primera vez?

Se enfrentó a la falta de infraestructura, la guerra civil y la dificultad de comunicarse y moverse por el país.

¿Cómo describe la experiencia de volver a encontrar a la niña afgana después de 17 años?

La experiencia fue como un milagro, emocionante y agradecido por encontrarla viva y tener la oportunidad de ayudarla.

¿Qué piensa sobre la naturaleza de las personas y cómo se relaciona con su trabajo?

Cree que las personas tienen más similitudes que diferencias, y que el respeto, el amor y la búsqueda de la felicidad son universales.

¿Cómo aborda la fotografía de calle y por qué es importante para él?

En la fotografía de calle busca ser invisible para no influir en la escena, capturando el comportamiento humano en su estado más natural.

¿Qué legado le gustaría dejar con su trabajo fotográfico?

Desea dejar un legado de su trabajo que muestre la commonalidad humana y la honestidad y optimismo en su visión del mundo.

Outlines

00:00

🌏 Pasión por la fotografía y el viaje

El narrador comienza su carrera en un periódico de Philadelphia, con una pasión por la fotografía y el deseo de viajar y conocer el mundo. Se enfoca en la India por su riqueza cultural y diversidad religiosa, lo que representa una mezcla de antigüedades y modernidad, y una disparidad entre ricos y pobres. El narrador encuentra influencia en artistas y fotógrafos famosos, destacando a Vermier, Hre Carte, Pan y Andre Ctez, y reconoce la importancia de aprender de una variedad de artistas y fotógrafos para su desarrollo profesional.

05:01

📸 La importancia de contar historias a través de la fotografía

El narrador ve la fotografía como una mezcla de luz, composición y captura del momento decisivo, pero sobre todo como una forma de contar historias humanas. Se considera a sí mismo como un narrador y busca mostrar la vida en el planeta a través de sus imágenes. Cita el trabajo de Eugene Smith en Japón como un ejemplo de cómo la fotografía puede influir y provocar un cambio social. La narrador reflexiona sobre la dificultad de destacar en un mundo lleno de imágenes y la influencia de la tradición Magnum en su trabajo, especialmente la habilidad de contar historias a través de la imagen.

10:06

🌐 La unión más allá de las diferencias

El narrador destaca que, a pesar de las diferencias en religiones, lenguas y costumbres, todos los seres humanos comparten deseos básicos y responden al humor y la comunicación no verbal. Sin embargo, lamenta que la sociedad se obsesione con las diferencias superficiales y predice que, eventualmente, la humanidad superará estas divisiones. La narrador describe su experiencia en Afganistán, donde documentó la destrucción de aldeas y la creación de refugiados, y cómo una imagen particular de una niña refugiada se convirtió en un ícono mundial.

15:09

📷 El poder de una imagen icónica

El narrador reflexiona sobre las cualidades que hacen que una imagen sea inolvidable y cómo una foto tomada en Afganistán de una niña refugiada con una expresión intensa y misteriosa capturó la atención mundial. Describe el proceso de encontrar a la niña años después y el deseo de ayudarla a mejorar su vida. El narrador insiste en la importancia de la conexión emocional y la captura del momento decisivo en la creación de un retrato impactante.

20:10

🏺 La complejidad de Afganistán y la evolución humana

El narrador discute la historia de intentos fallidos de cambiar Afganistán y la naturaleza enigmática del país, comparándolo con la descripción de Churchill sobre la Unión Soviética. Reflexiona sobre la evolución lenta de la humanidad, citando avances en derechos civiles, la integración de la comunidad LGBTQ+ y la mejora de las condiciones de vida para grupos marginados. El narrador mantiene una perspectiva optimista y busca mostrar tanto la belleza como los desafíos del mundo.

25:13

🎨 La elección entre color y blanco y negro en la fotografía

El narrador expresa su preferencia por el blanco y negro en la fotografía, aunque reconoce que el mundo es en color y que拍摄彩色照片 es más natural. Se preocupa por el equilibrio de colores y cómo pueden arruinar una imagen si no están bien balanceados. El narrador enfatiza que su principal motivación es contar una historia o capturar un elemento humano que represente la realidad del mundo, más allá de los aspectos estéticos de la imagen.

🌱 La esperanza y el legado a través de la fotografía

El narrador desea dejar como legado su conjunto de obras, que muestre la humanidad y la belleza en el mundo, y que inspire a la gente a apreciar las similitudes y diferencias entre nosotros. Busca mostrar tanto los aspectos positivos como los desafíos de la humanidad, con la esperanza de que su trabajo contribuya a la mejora continua del mundo.

Keywords

💡Fotografía

La fotografía es el arte de capturar imágenes a través de la luz utilizando una cámara. En el video, el narrador expresa su pasión por la fotografía y cómo esta ha sido una parte integral de su carrera, comenzando en un periódico de Philadelphia y expandiéndose a través de su viaje alrededor del mundo.

💡Viaje

El viaje es un tema central en el video, ya que el narrador busca explorar y capturar la diversidad cultural y geográfica del mundo. El deseo de ver el mundo y su pasión por el viaje lo llevan a visitar lugares como la India, donde encuentra una riqueza cultural y paisajes diversos.

💡India

La India es mencionada como un lugar de gran profundidad cultural y diversidad religiosa. El narrador describe a la India como un lugar con una mezcla de religiones, un lugar antiguo y moderno al mismo tiempo, y como el comienzo de su viaje de descubrimiento.

💡Cultural Depth

La profundidad cultural se refiere a la riqueza y complejidad de las tradiciones, creencias y prácticas sociales de un lugar. El narrador destaca la India por su cultural depth, mencionando la coexistencia de varias religiones y la mezcla de lo antiguo y lo moderno.

💡Diversidad

La diversidad es un concepto clave en el video, ya que el narrador valora la variedad de religiones, geografías y sociedades que encuentra en sus viajes. La India, en particular, es el ejemplo perfecto de este concepto, con su diversidad de religiones y paisajes.

💡Influencia

El narrador menciona a varios fotógrafos y artistas como influencias en su trabajo, lo que demuestra cómo el aprendizaje y la inspiración provienen de una variedad de fuentes creativas. Estas influencias incluyen a figuras como Hre Pan, Andre Kertész y otras personalidades del arte y la fotografía.

💡Momento Decisivo

El 'momento decisivo' es una expresión popularizada por el fotógrafo Henri Cartier-Bresson, que se refiere a la captura de la esencia de un evento en una sola imagen. El narrador menciona este concepto al hablar de la importancia de capturar el momento perfecto en la fotografía.

💡Contraparte

La contraparte se refiere a la representación o narración de una historia desde una perspectiva particular. El narrador ve a sí mismo como un narrador de historias, buscando capturar la esencia de las personas, lugares y culturas a través de su trabajo fotográfico.

💡Humanidad

La humanidad es un tema recurrente en el video, con el narrador enfocándose en la representación de la vida humana en sus imágenes. Busca mostrar lo que la vida es como en nuestro planeta, buscando encontrar la historia humana detrás de cada imagen.

💡Cambio Social

El cambio social es mencionado en relación con la obra de fotógrafos como Eugene Smith, cuya documentación de un pueblo afectado por la contaminación química llevó a un cambio en la percepción y la acción social en Japón. El narrador reflexiona sobre el poder de la fotografía para influir en la sociedad.

💡Objetividad

La objetividad es un principio importante en la fotojournalismo y la fotografía documental, donde el narrador insiste en la importancia de contar historias de manera justa y honesta, a pesar de las propias pasiones y sesgos que cada fotógrafo puede tener.

Highlights

The speaker began their photographic career at a small newspaper in Philadelphia, Pennsylvania.

The speaker's passion for photography and travel led them to explore India, a country with deep cultural diversity and a mix of old and new.

India is described as a place with incredible cultural depth, religious diversity, and a vast variety of landscapes.

The speaker's photography is heavily influenced by renowned artists and photographers such as Vermeer, Henri Cartier-Bresson, and André Kertész.

The speaker emphasizes the importance of drawing inspiration from various sources, including painting, sculpture, and photography.

For the speaker, the most crucial element of a photograph is the human story it conveys, rather than just light or composition.

The speaker identifies as a storyteller, aiming to present comprehensive photographic essays about regions, people, or cultures.

The speaker references the impact of Eugene Smith's essay on a Japanese village affected by mercury poisoning, highlighting photography's power to drive social change.

The speaker reflects on the challenges of standing out in today's media-saturated world, where many voices and images compete for attention.

The speaker discusses the iconic image of the Afghan girl, noting how her expression and background created a universally recognized photograph.

After years of searching, the speaker was able to find the Afghan girl again and help improve her life.

When photographing portraits, the speaker seeks to capture an honest and natural expression that reveals something of the subject's personality.

The speaker expresses skepticism about foreign interventions in Afghanistan, believing that the Afghans will ultimately need to resolve their issues on their own.

The speaker believes that humanity is slowly evolving and making progress in areas such as civil rights, gender equality, and acceptance of different communities.

In street photography, the speaker aims to remain invisible and unobtrusive to capture natural, unposed moments of human behavior.

The speaker strives to maintain credibility and integrity as a documentary photographer by telling honest stories.

The speaker views their work as a legacy that highlights the commonalities and differences among people, promoting an optimistic view of humanity.

Transcripts

[Music]

[Music]

[Music]

lucky

lucky

[Music]

I started my photographic career on a

very small newspaper in Philadelphia

Pennsylvania um my real I I I was I

always had a passion for photography but

I also had a passion for travel I wanted

to see the world I wanted to go to new

places I wanted to see the the whole

world um I went to India because I

thought there was no better place and a

place that had so much uh depth cultural

depth um a mix of religions and and the

old and the new and the rich and the

poor I I just thought this would be a

wonderful place to start this journey

and this sort of Voyage of

Discovery I think there's no place in

the world that has the cultural depth of

India you have this

incredible mix of religions Hindus

Buddhist Muslims Christians this par

parses the siks it's a it's an

incredible variety of different faiths

and you also have an incredible uh

variety of landscape and geography the

deserts and the jungles and the

rainforests and um there's also an

ancient quality to the placees very old

civilization you have people living in

villages probably the same way they did

a thousand years ago uh but you also

have a very kind of

ultramodern society living almost side

by side you have a disparity of rich and

poor it's it's a place that um you could

spend several lifetimes and not really

see all of it and experience all of of

the of

India

I think the main influences on my

photography have been people like uh

vermier the artist vermier um hre carte

Pan the great uh Magnum photographer

Andre ctez a Hungarian photographer

um there's a whole range of American and

European and Japanese and uh even Indian

I think the Great filmmakers said Jet

Ray was a influence uh as well so I I

think um looking at art looking at

painting uh looking at um other

pictures has have been a real impact and

a real kind would say influence on on my

work I I when I think of people who have

left an impression on me professionally

or photographically people like hre C

pan dartha Lang Robert Kaa uh Andre

ctez uh um Eve Arnold uh there's a long

list of Walker Evans Eugene Smith um

there's a range of photographers whose

work I've studied and looked at uh I

think of August Sanders a great German

portrait

photographer uh you know there's an old

news photographer named Ouija who was a

great at capturing moments of uh news

events um there's there's I think you

have to find inspiration and learn from

kind of an array of filmmakers and

artists I think of uh we talked about

vermier and rembrand and

Goya again there's a long list of pic

there's a long list of artists who you

can draw inspiration from and learn how

they worked with light composition uh

form and shapes and all this you can

learn as much from uh

about making pictures from Picasso or or

an

impressionist uh painter um so I think

you you you draw on all these

sources and learn this is part of your

learning process which uh I'm always

amazed at Young photographers who don't

know the work of these uh great Masters

whether they be artists or painters or

sculptors even uh or photographers or U

you know so I think that's essential to

one's

education the beauty of uh the work of

hre kaper son was that he was able to

blend great stories uh great composition

and form and uh and and and capture the

the right moment the peak moment the

decisive moment as he referred to it um

so I mean picture making photography is

is a blend of use of light uh

composition but for me the the most

important element of a picture the thing

that I really look for

first is is a human story is is a

picture that shows what life is like on

this planet that we live on that's

really my first objective not the color

not the light but really the subject of

matter I see myself essentially as as a

Storyteller um I see myself uh in a way

an essay a photographic essay is a story

about a a place region a people a tribe

or whatever um I'd love to show a

complete look uh at at a region or a

subject take for instance the nomads of

India uh to me how they live what they

look like where they travel to their

Customs their culture uh to me the whole

story is is is interesting to me not

just one picture but it's also great to

be able to tell a complete story in one

image that that's sort of the ultimate

goal I

think there's a very famous uh essay by

the American photographer Eugene Smith

where he went to a village in Japan

which had been this company in poisoning

the water with Mercury and and and toxic

chemicals um it had a huge impact on I

would say

uh the the thinking in Japan and and and

how one photographer one body of work

could really affect change and move

people to action uh I I think the point

about uh we we have so many images now

in the world television the internet and

all sorts of that it's really now

there's so many voices and so much noise

that it's hard to to break through all

that and occasionally uh somebody will

have such a a Clarity of of of of vision

that we do stand up and take notice but

it's becoming increasingly more

difficult because of the the kind of the

den the this the noise of all of the

forces with with the you know internet

and and and blogs and websites and you

know reality

TV well I think I think the main

influences on my photography I would go

back to some of the Magnum tradition uh

hre carart personic course being uh the

foremost uh uh I would say Image Maker

uh who was able to kind of blend a

wonderful uh storytelling with great

image uh making uh design and content

and and light and and uh every um there

was also other photographers uh Andre

ctez a great Hungarian

photographer um I I think um darthia

Lang an American photographer who had a

great compassion for people and was able

to capture the the plight of people who

were having to leave their homes and uh

go to another area because they there

was no work and whatnot um um I think uh

I you I think Don McCullen is a great

photographer showed the futility of war

and how how uh you know what a Folly it

is to to basically you know kill one

another and in this kind of really

feudal

actions you know one thing I've noticed

uh traveling around the world for 35

years

is really that as as a race uh humans we

have far more Inc commmon than than

differences if you you know on the

surface we have different religions and

different languages and different

Customs but down deep we all want the

same things we want to be loved we want

to be respected we we want the best for

our family and our friends and and so we

all respect respond to humor and and

nonverbal communication is universal so

I I think um you know there's far more

things we have in common than

differences but somehow we obsess and

somehow we we get too preoccupied with

our differences religion and and and

color of the skin and these kind of

things uh and it's just uh I think

eventually in another

100 years Thousand Years we'll sort

ourselves out but right now we're in

kind of a dark age in that

respect I think a great photograph a

great picture is one that you can't

forget one that in some ways stays with

you and perhaps you learn from it it's

something that you go back to it's a

picture that becomes

iconic in your mind and a picture which

which represents a place or a feeling or

some event

um that that's what a great picture some

one that you can't get out of your

mind going to Afghanistan for the first

time was a bit of a frightening

experience um

I was invited to go in by the Afghan

people to document what was happening

which was their Villages were being

destroyed uh and bombed and and it was

uh refugees were Fling by the literally

by the

millions

um but you know to go into another

country without a passport without any

security there were no police there were

no telones there was no way to

communicate there were no roads uh no

hotels no restaurants I mean and and the

place was under uh basically Civil War

it was it was very kind of I would say

uh frightening for somebody who had

never experienced that before so but

once I crossed over into

Afghanistan I quickly kind of

acclimatized and became very uh I got

very interested in the story and it

became something which I in fact

followed and have followed follow for 30

years uh I was doing a story in

1984 and 85 on Afghan refugees on the

Pakistan Afghan border um it was a

powerful experience and I photographed

one young Refugee girl who as soon as I

saw her I knew she had an incredible

look an incredible beautiful haunted

expression um and I knew it was a

powerful image but I never dreamed that

it would end up being a picture which

was uh would become an icon and a

picture which would be recognized around

the world Ian there's no way of really

anticipating that uh but I did know that

this was an

incredible uh

portrait this Afghan girl I photographed

in 19 actually was

1984 was uh an orphan her parents had

been killed in aerial bombardment by the

Afghan Russian army um and immediately

after that she became a refugee so at a

very young age uh you know she's a

orphan and then a refugee she's had to

flee her Village and then she going from

a kind of a beautiful home to living in

a tent so this had a dramatic I would

say negative effect on her as it would

anybody and to have to grow up under

those circumstances must have been

extremely difficult I think the that

story in indeed was written in her face

I think some of the hardship of her life

was actually you could see it in in in

in in that

expression it's fascinating to speculate

what it is about that image

which has really struck a cord in in

people all over the world

um I think that there's a combination in

that photograph of uh there there

there's a a beauty I mean she's an

extremely attractive little girl uh but

there's a real

genuine authentic quality to the picture

um she

uh there's

um the the the expression is a bit

ambiguous uh but she's not posed she's

looking very honestly at the camera

there's a bit of

curiosity uh she's looking into a camera

which she had never done in her life

this was the first time she was ever

photographed and the first time she met

a foreigner so there must have been a

tremendous amount of curiosity and

bewilderment of you know what is

basically going on here but you have

that also with this whole her life and

her background and the fact that she was

um a refugee and an orphan and and

living in a very awful

situation I had been looking for her in

fact for

probably 10 years uh I was always

inquiring friends uh you know what

happened to her we need to find her but

but after after after September the 11th

we made a very serious there was a lot

of interest in you know who was she you

know we were wondering if she was still

alive people had told us that she had

been you know killed uh so we got very

curious and we wanted to go and make a

very serious search to try and find her

uh so we went back to the same refugee

camp and and we got very lucky uh it was

like a miracle that we were able to

actually find her

and when we actually met her again after

17 years we were so thrilled and so

happy and and grateful that she was

still alive and that we were now uh in a

position to actually do something good

for her to make her life better to um uh

you know to give back to her so this was

a great opportunity for us to um find

her meet her and and actually attempt to

set about uh you know educating her

children and helping her in every

possible

way when I'm making a portrait when I'm

photographing somebody you're looking

for uh an insight you're looking for

them to

reveal something some of something of

their

personality uh you want to show this

person an honest

true uh natural something very natural

something very you know um I think um

it's a question of uh looking for a

particular moment there may be a lot of

moments you may have to take a lot of

pictures to arrive at

one you never quite

know Andre Cardon talked about the

decisive moment that there may be

several decisive moments there may be

more than one but you never know exactly

when you're going to find that Peak

action when the right moment is so you

have to keep uh working keep several

attempts you don't know that the right

picture is happened already or is about

to happen

so uh you also I think uh need to

work I think I think actually the most

important part of making a good portrait

is having a a connection some kind of an

emotional connection being inspired

by that person's face their

personality you have to feel something

inside yourself that kind of motivates

you to try and find that it's it's not

an easy thing always to to to do that

though Afghanistan is a very

particular case

and the the the question question and

the is why have we meaning foreigners

always thought we could go in there and

change the Afghans our way of living our

way of

thinking uh and it's always turned out

bad and it will turn out bad as it's

happening today um this will not end

well the Afghans in the end will sort

themselves out um it's U it's a whole

you know Church Hill talked about the

Soviet Union being um a mystery wrapped

in a riddle inside an enigma and in a

way you can almost think of Afghanistan

as a it's a problem which is can't be

solved by money and by killing people

and by sending in troops from NATO and

America all is it's just not going to

happen I think it's complete folly and

in the end the the Afghans will have to

sort themselves out and will'll look

back on this Venture as as a as a waste

and and a

tragedy civilization and humanity and

our time on this planet I mean I I think

we're evolving slowly I think we've made

progress uh even in the last 50 years

years I think of the Civil Rights

Movement I think of the the the the

Untouchable the dullet in India and how

they're slowly getting their rights I

think of women and how they're slowly

you know they weren't even able to vote

in the United States uh you know 100

years ago and now they become part we

are Secretary of State as a female um I

think of um you know uh the gay

community H uh and and how they're

becoming integrated and becoming

accepted whereas in the past uh wasn't

the case so I think we're making

progress but it's very slow maybe we

can't see it day today but another 100

years another 500 years I think we'll be

at a better place than we are

today when I'm photographing on the

street uh I mean in the in the genre of

street photography you want to be

invisible you want to be unnoticed you

want to be

unobtrusive uh that's so that life can

happen and not you don't you're not

influencing it if there's a couple on a

park bench you want to

photograph that

relationship without disturbing it if

there's somebody playing with a dog on

the street uh you want to photograph it

without disturbing so I think that's you

want to you human behavior or animal

behavior is IS F fascinating and it's

best left in its natural state without

without interjecting

yourself I think there's no such thing

as being totally uh objective you always

bring your own biases and your own

passions but I think that it's important

to be as as a kind of a reporter as a

photojournalist as a documentary

photographer you're obliged you're bound

to to tell honest stories and to present

the facts I think if people feel that

you're not

fair and you're you're uh then it spoils

your integrity and spoils your

credibility as a as a kind of a reporter

you have to have credibility uh you may

feel a certain way but you really have

to

report the event or the situation in a

very honest way

I don't really look at places that I

want to forget let me start over again

so that you can um uh when I think of

places in the world that I want to go

back to or places that I prefer that I

don't have any interest I I'm I really

you know life is too short to go to

places that you're not

absolutely sort of interested and

passionate to go to so there's a lot of

places I've been to that were

interesting and and perhaps uh you know

had but I I don't really feel like I

need to return to those places there are

other places on the other hand that I I

long to go back to and I always look

forward to going back to such as you

know Burma or Tibet or India um most of

the places in the world that I kind of

uh have

really spent a lot of time and and have

really touched me have been in in

Asia you regarding color uh photography

I've

never thought of myself as a color

photographer I've never been that

interested in in

color in in my pictures I've always

tried to avoid the wrong color

palette uh

color can spoil a picture if it's in the

wrong balance and the wrong you know the

wrong ju Theos or so um so I've always

tried to avoid bad color but I've never

there are obviously times when you're

struck by a color scene something in the

but it's not my first objective my the

first thing I'm looking for is really

the story some human element some some

action that really again says something

about uh the world we live in humanity

and uh that's really what I'm after and

that's my first motivation and color is

I mean the world is in color we see the

world in color so

naturally it's more natural to shoot in

color than it would be say in black and

white in in my view I love uh black and

white photographs

but color is more more natural because

the world the world is in color so uh

but uh to me the first mission the first

objective is is really uh a story about

a place a

person I'd like to leave as a legacy my

body of work and

hopefully people would look at it and

see uh you know the commonality we have

and how although at times we're

different we look different on the

surface I think we can

appreciate and and and kind of um uh you

know we can appreciate those

differences uh and and Delight in those

differences and enjoy those differences

but yet have a kind of a human bond that

underneath our different languages and

religions and skin color were were

basically the same so I think uh I I I

think I my view of the world is um is an

honest one but I think it's also uh an

optimistic one in some ways in some way

tried to uh show uh some of the positive

as aspects and some of the beauty in the

world not shying away from the the the

kind of the dark side of humanity but um

is saying you know that that's something

we have to work towards

[Music]

[Music]

[Music]

improving

[Music]

Lu