Main Sape Jaga Hutan | PELESTARI

Summary

The video script discusses the cultural significance of the 'shape alat', a traditional musical instrument from Kalimantan resembling a guitar, with unique Dayak motifs and messages for future generations. It highlights the connection between the preservation of the forest and the Dayak culture, emphasizing the impact of deforestation on rituals and traditions. The script also touches on the challenges faced by the Dayak diaspora in preserving their heritage, including access to the instrument, learning to play it, and finding a supportive community. It concludes with a call for younger generations, especially the Dayak, to actively participate in safeguarding their rich cultural heritage and the importance of viewing forest conservation and culture as an inseparable unity.

Takeaways

• 🎵 The 'Sape' is a traditional musical instrument from Kalimantan, shaped like a guitar and played by plucking.
• 🌿 The Sape often features unique Dayak carvings and may contain messages intended to be passed down to future generations.
• 💃 It is a characteristic instrument of the Dayak tribe, typically used to accompany welcoming dances or traditional rituals.
• 🔄 Despite not being immediately threatened, the existence of the Sape is concerning due to the diminishing forest areas in Kalimantan.
• 🗿 Some traditional mantras are being forgotten as the necessary forests for rituals are disappearing, leading to a loss of cultural focus.
• 🎶 The creation of modern works and art, like Dodi's, is influenced by the loss of connection to the land, such as deforestation for plantations and mining.
• 🌳 The script emphasizes the inseparable link between culture and the forest, especially for indigenous communities whose traditions are centered around the forest.
• 👣 It discusses the importance of preserving the forest for the sake of maintaining cultural practices and rituals that are deeply intertwined with the natural environment.
• 🎼 The story of 'Utan Along' is highlighted as an example of the deep connection between people and the forest, where the protagonist finds peace and clarity in the woods.
• 📉 The script notes a shift from traditional songs to more commercial ones, which may lose the original cultural significance and awareness of the younger generation.
• 👤 Personal experiences of learning and preserving the Sape are shared, including the challenges of access to the instrument, finding teachers, and the sense of community support.

Q & A

What is the 'shape alat musik' and how is it played?

The 'shape alat musik' is a musical instrument from Kalimantan that resembles a guitar. It is played by plucking and has a unique design with 4/6 strings, often featuring engravings characteristic of the Dayak ethnic group.

What is the significance of the engravings on the 'shape' instrument?

The engravings on the 'shape' instrument are characteristic of the Dayak ethnic group and often contain messages intended to be passed down to future generations.

For what occasions is the 'shape' instrument typically played?

The 'shape' is traditionally played to accompany welcoming dances or customary rituals.

What concerns are there regarding the 'shape' instrument and its cultural significance?

While the 'shape' is not immediately threatened, its existence is of concern due to the diminishing forest areas in Kalimantan, which could impact its cultural relevance and use in rituals.

How are traditional rituals affected by the loss of forests in Kalimantan?

The loss of forests, particularly in Kalimantan, has led to some traditional rituals being forgotten because the forests, which are integral to these rituals, are no longer available.

What is the connection between the preservation of forests and the culture of the Dayak people?

The preservation of forests is crucial to the Dayak culture as many of their traditions and rituals are centered around the forest. The loss of forests can lead to the loss of cultural practices and knowledge.

What is the role of 'shape' in the context of the Dayak diaspora?

For the Dayak diaspora, the 'shape' serves as a means to preserve and pass on their cultural heritage, even when they are not living in their traditional homeland.

What challenges does the speaker face in learning and preserving the 'shape'?

The speaker faces challenges such as limited access to the instrument, finding teachers who can play it, and the lack of a supportive community in their current location compared to living in Kalimantan.

How does the speaker incorporate the 'shape' into modern performances?

The speaker collaborates with other musical instruments and plays modern songs, such as 'Just the Way' by Bruno Mars, alongside traditional pieces to introduce the 'shape' to a wider audience.

What is the significance of the song 'Leleng Leleng Utan Along' in the context of the 'shape'?

The song 'Leleng Leleng Utan Along' tells the story of a young Dayak woman who finds peace and clarity in the forest, reflecting the deep connection between humans and the forest, which is a central theme in the use of the 'shape'.

What is the speaker's hope for the future regarding the 'shape' and Dayak culture?

The speaker hopes that more young people, especially from the Dayak community, will take an interest in preserving their culture, including the 'shape', and that there will be a holistic understanding of the connection between forest preservation and cultural practices.

Outlines

00:00

🎶 Preserving Dayak Culture and Music of Kalimantan

This paragraph discusses the 'shape alat musik', a traditional musical instrument from Kalimantan resembling a guitar, played by plucking and featuring a unique 4/6 rhythm. It highlights the cultural significance of the instrument, which often carries messages from the Dayak people. The script also touches upon the challenges faced by the Dayak culture due to deforestation in the region, which threatens the existence of the 'shape' and the rituals that accompany it. The importance of preserving the forest for cultural continuity is emphasized, with the script mentioning the loss of traditional knowledge and rituals due to the disappearance of forests used in these practices.

05:01

🌲 The Interconnectedness of Culture and Forests in Kalimantan

The second paragraph delves into the relationship between the Dayak people's culture and the forests of Kalimantan. It explores the idea that the culture and the forests are inseparable, with the forests being central to many traditional practices and rituals. The script discusses the impact of commercial activities such as mining and plantations on the local culture and the environment. It also mentions the importance of educating the younger generation about the value of preserving their cultural heritage and the environment, as well as the challenges faced by individuals like the speaker in learning and maintaining traditional music and instruments outside of their native region.

10:02

🎵 The Role of Music in Cultural Preservation and Community

The final paragraph focuses on the role of music, particularly the 'shape' instrument, in preserving the Dayak culture and bringing communities together. It discusses the speaker's personal journey of learning to play the 'shape' and the challenges of finding a community and mentorship in a non-native environment. The script also touches on the importance of introducing traditional music to a wider audience through collaborations with modern music and performances at various events. The speaker expresses a hope for more young Dayak individuals to take an interest in preserving their cultural heritage and for society to recognize the holistic connection between forest conservation, local culture, and community well-being.

Keywords

💡Kalimantan

Kalimantan is the Indonesian part of the island of Borneo, and it is central to the video's theme as it is the home of the Dayak people and the 'shape alat musik' discussed. The script mentions the disappearance of the forest in Kalimantan, which is a significant concern for the local culture and the survival of the 'shape' musical instrument.

💡Dayak

The Dayak is an ethnic group native to Borneo, particularly in the Indonesian part of the island, Kalimantan. They are known for their rich cultural heritage, including traditional music and rituals. The script discusses the importance of preserving Dayak culture and the 'shape' instrument, which is integral to their musical traditions.

💡Shape Alat Musik

The 'shape alat musik' is a traditional musical instrument from Kalimantan that resembles a guitar and is played by plucking. It is featured in the script as an example of cultural heritage that is under threat due to the loss of the forest in Kalimantan. The instrument often carries Dayak motifs and is used in rituals and welcoming dances.

💡Ritual

Rituals are traditional or officially prescribed practices having a symbolic meaning, especially those performed as part of a religious or cultural tradition. In the script, rituals are mentioned as occasions where the 'shape alat musik' is played, indicating their importance in maintaining cultural practices.

💡Cultural Heritage

Cultural heritage refers to the legacy of physical artifacts, traditions, and intangible aspects of a culture that are inherited from past generations. The script emphasizes the importance of preserving the cultural heritage of the Dayak people, including their music, rituals, and connection to the forest.

💡Deforestation

Deforestation is the process of clearing forests, often for the purpose of agriculture, logging, or development. The script discusses the impact of deforestation in Kalimantan on the Dayak culture and the survival of the 'shape alat musik', as the loss of the forest threatens the cultural practices and the materials needed for traditional instruments.

💡Diaspora

A diaspora refers to a community of people who have left their homeland and spread to other parts of the world but retain cultural ties with their homeland. The script mentions the Dayak diaspora and their efforts to preserve their cultural heritage, including the 'shape alat musik', even when living away from Kalimantan.

💡Preservation

Preservation in this context refers to the act of maintaining or protecting something from damage, loss, or decay. The script discusses the efforts to preserve the Dayak culture and the 'shape alat musik', highlighting the challenges faced in doing so, such as the lack of access to the instrument and the need for community support.

💡Musical Collaboration

Musical collaboration involves different musicians or musical elements working together to create a unified musical performance. The script mentions the 'shape alat musik' being played in collaboration with modern instruments, such as the keyboard and saxophone, as a way to introduce the traditional instrument to a wider audience.

💡Cultural Sustainability

Cultural sustainability refers to the ability of a culture to maintain its vitality and continue to evolve while preserving its core values and traditions. The script discusses the importance of cultural sustainability, emphasizing that the preservation of the Dayak culture and the 'shape alat musik' is not just about maintaining traditions but also about adapting and evolving.

💡Community

A community is a social group of people sharing a common culture, interest, or place of residence. The script highlights the sense of community among the Dayak people and the diaspora, and the importance of community support in preserving their cultural heritage, including the 'shape alat musik'.

Highlights

Shape alat musik is a traditional musical instrument from Kalimantan, similar in shape to a guitar, played by plucking.

Shape has unique carvings representing the Dayak ethnic group and often contains messages to be passed down to future generations.

The existence of shape is threatened due to the disappearance of forest areas in Kalimantan.

Some traditional rituals in Central Kalimantan have been forgotten as the necessary forest for rituals no longer exists.

The connection between the preservation of forests and culture is emphasized, as many traditional practices are centered around the forest.

The song 'Leleng Leleng Utan Along' tells the story of a young Dayak woman who finds peace and clarity in the forest, reflecting the deep relationship between humans and the forest.

Many traditional songs have been replaced by commercial music, but efforts are being made to use music as a medium to raise awareness and transform attitudes towards the environment.

The speaker, as a member of the Dayak diaspora, faces challenges in accessing shape instruments and learning to play them due to their limited availability outside of Kalimantan.

Finding a community with shared cultural interests and appreciation for the Dayak tradition can be difficult away from Kalimantan.

The speaker collaborates with other musicians and instruments to perform shape, blending traditional and modern music.

There is a hope for more young people, especially from the Dayak community, to take an interest in preserving their culture and traditions.

A holistic view of the relationship between forest conservation, culture, and local communities is advocated for, rather than treating them as separate issues.

The speaker's personal journey of learning to play shape and becoming an ambassador for this traditional instrument is highlighted.

The importance of passing down knowledge and understanding of traditional culture to future generations is emphasized.

Commercial music often lacks the depth and meaning of traditional songs, which carry important cultural values and messages.

The speaker discusses the challenges of maintaining cultural practices and traditions while living away from the community and environment they are connected to.

The role of the forest in providing a peaceful and inspiring environment for cultural expression and personal growth is highlighted.

The need for a collective effort to protect forests, preserve cultural heritage, and support local communities is stressed.

Transcripts

I

[Musik]

[Musik]

Heart by heart

[Musik]

[Musik]

shape alat musik dari Kalimantan

alat musik ini berbentuk mirip gitar

dimainkan dengan cara dipetik dan

dilengkapi variasi 4/6 Hai di badannya

terdapat ukiran khas suku Dayak dan

tidak jarang mengandung pesan yang coba

disebarkan ke generasi selanjutnya

[Musik]

shape menjadi alat musik khas suku Dayak

dan biasanya dimainkan untuk mengiringi

tarian penyambutan atau ritual adat

[Musik]

Hai

walau tidak terancam secara nyata

eksistensi save cukup dikhawatirkan

seiring dengan semakin hilangnya kawasan

hutan khususnya di Kalimantan

hai

[Musik]

[Musik]

lalu apa kaitanya Kawasan hutan dengan

budaya

di Kalimantan Tengah beberapa mantir

adat sudah lupa dengan mantra mereka

saat akan melakukan ritual Hal ini

disebabkan sudah tidak ada hutan yang

biasa dipakai untuk ritual

jadi nanti ralat

lupa soalnya kan nggak fokus

kadang timbul

Hai Riko

salah terus-terusan ditato budaya ada

tuh kita ingat dengan menentukan jalur

tujuan Tuhan sekarang nih banyak hilang

ada sebab atau ada kondisi dimana karya

seni Dodi diciptakannya kalau kita lihat

misalnya sekarang yang paling banyak

diajar oleh korporasi tanah adalah belok

masyarakat di sekitar hutan ya ataupun

itu ya nge-dc perkebunan pertambangan ke

kset dan kalau misalnya teman-teman

nanti bisa mencari sisanya berapa data

statistiknya Lebih Detail maka kita bisa

membayangkan sebanyak itulah kekayaan

budaya anti Tata kilap dan itu pasti

hilang karena ke

nilai-nilai dari harga itu pasti akan

selalu berhubungan dengan konteks ruang

hidup Dimana mereka Jumat Jumat kita

beraktivitas

Hai aku wawasan itu juga dipahami oleh

belay perempuan diaspora keturunan Dayak

yang melestarikan save beriringan dengan

edukasi Pentingnya menjaga hutan Kalau

mungkin sekilas kita ngomongin soal

lingkungan dan juga budaya terlihatnya

ada gitu ya engko nek si tapi semakin

banyak saya kenal dengan masyarakat

lokal dan adat di Kalimantan semakin

saya sadar kalau budaya dan hutan adalah

dua hal yang tidak bisa dipisahkan gitu

jadi untuk banyak sekali masyarakat adat

terutama yang memang memiliki tradisi

budaya mereka itu sangat berpusat kepada

hutan Nah kalau misalnya masuk ke

pelestarian save sendiri secara tidak

kasat mata itu kan berkaitan gitu Ya

baik tradisi kita menari bermain night

Om Tato atau bermain sampai itu pasti

terkait dengan eksistensi hutan gitu

karena memang itu semua berkaitan dengan

bagaimana kita bisa hidup seimbang

dengan alam dan menikmati apa yang alam

berikan ke kita jadi kita enggak bisa

Hai sebagai satu hal yang berbeda antara

faktor-faktor material faktor-faktor

produksi faktor-faktor Bagaimana cara

mereka memenuhi kebutuhan hidupnya lebih

itulah juga yang menentu mobil

menentukan Bagaimana kebudayaan

terbentuk dan sekaligus bagaimana

kemudian kebudayaan juga akan

mempengaruhi keberlanjutan secara mereka

menentukan cara hidupnya itu setan

gubungan Tapi menurut saya itu memang

rela eh adalah satu kesatuan yang tidak

bisa dilihat secara terpisah

[Musik]

Hai

ruang Kalau mungkin salah satu lagu yang

saya pelajari dan saya sendiri makna itu

ada namanya Leleng Leleng Utan Along

jadi lagu itu menceritakan tentang

seorang anak muda namanya Utan Along

perempuan muda dan dia perempuan Dayak

yang waktu itu dipaksa untuk menikah

tetapi karena dia tidak mau dan juga

tidak bahagia akhirnya dia memutuskan

untuk kabur dan lari ke hutan itu dan di

hutan itu dia beleleng gitu mundar

mandir jalan gitu tetapi katanya ketika

dia berada di hutan disitu dia menemukan

piece of Mind itu dia menemukan

ketenangan dia bisa berpikir lebih

jernih dan akhirnya Dari situ dia bisa

apa menentukan gitu pilihan hidup

berikutnya Gimana Dan itu karena

keberadaan hutan yang menenangkan dia

Jadi mungkin itu salah satu lagu yang

artinya apa mencerminkan hubungan antara

manusia dengan hutan yang sebenarnya itu

harus dirawat gitu tuh Aku khawatir Oh

ya Sekarang banyak lagu-lagu farisshana

bukan lagu-lagu lagu-lagu tradisional

yang komersil ya candi lagu-lagu atau

Bentar ya karyaku karya-karya mereka itu

kan sebenarnya adalah kesan-kesannya

menjadi

sampaikan sangat-sangat official

pesan-pesan untuk Bagaimana melanjutkan

berhenti tangan uang ke hutan lingkungan

itu menjadi medium untuk mentransformasi

apa Mentransfer pengetahuan kepada

generasi berikutnya nah problemnya

adalah itu ketika itu juga Fit medium

itu sudah tidak ada lagi artinya juga

kesadaran generasi akan datang juga kata

juga tidak punya pemahaman 4 itu

[Musik]

awalnya tahu itu saya pergi ke atau

rumah tante saya tersedia memiliki ini

apa nih kayak alat musik kayu terus ada

empat senar ada motif dayaknya yang saya

memang tahu Oni motif Dayak tapi kok

enggak pernah tahunya apa dan akhirnya

saya tanya ini apa Tante kalau dibaca

aku bilangnya Mina ini apa Mina rusaknya

dibilangin capek karena Minaku dia

penari jadi dia waktu itu sekalian

koleksi alat musik yang bisa dipakai

untuk menemani Orang menarik akan terus

akhirnya waktu itu pernah nyoba tapi

ngejual karena belum tahu cara mainnya

harus akhirnya dari situ di tahun 2018

minta bertemu dengan saudara saya karena

pengen tahu gitu ini sampai tuh apa sih

bencananya Seperti apa Eh ternyata cocok

gitu

[Musik]

sebagai diaspora belain menghadapi

berbagai tantangan dalam upayanya

mempelajari dan melestarikan shape kalau

misalnya saya sebagai orang yang memang

lahir bisa di kota Bogor gitu ya Mencoba

untuk melestarikan shape yang pasti

nomor satu akses ke alat musik sape' itu

sendiri hampir tidak ada itu kalau di

Bogor atau Jakarta

rata-rata semua pembuat shape itu

berdomisili di Kalimantan gitu tantangan

kedua juga dalam belajar sama juga

guru-guru pemain sampai itu rata-rata di

Kalimantan gitu ya yang bisa bermain

gitu dan saya sendiri juga ketika

belajar cara bermain sampai itu banyak

guru saya memang saya temui di

Kalimantan gitu jadi ketika saya di

Bogor mau tidak mau ya saya otodidak itu

coba belajar sendiri coba dengarkan Man

atau melihat orang lain videonya

bermainnya Seperti apa gitu Jadi itu

merupakan tantangan sendirinya gitu dan

yang ketiga mungkin Secara komunitas ya

kalau saya karena memang pernah engkau

tinggal bersama masyarakat lokal dan

adat di Kalimantan Saya merasakan A

gimana sih hidup di komunitas yang

memiliki budaya yang sama I am saya

merasa terdukung saya merasa kita

memiliki ketertarikan yang sama gitu dan

apresiasi budaya yang sama sementara

kalau disini mencari komunitas sesama

Dayak itu kan Nggak nggak semudah itu

untuk mencari diaspora jadi Terkadang

saya merasa kalau main sampai Tuh

jadinya main sendirian gitu enggak

diiringin tarian sama temen-temen atau

enggak diiringi nyanyian gitu seperti

layaknya bermain save di komunitas Devi

Kalimantan gitu sih

Hai

menyentuh

hmm

hmm

untuk memperkenalkan sampai lebih luas

belay sering tampil di beberapa acara

lagu yang dimainkan tak hanya

tradisional Tak jarang belay

berkolaborasi dengan alat musik lainnya

dan memainkan lagu modern saya kalau

misalnya bermain sampai itu mungkin

panggungnya tidak banyak gitu ya tapi

dimana saya punya kesempatan baik itu

sekecil-kecilnya audiensi itu saya tetap

berusaha untuk melestarikan dan

memainkan capek itu karena menurut saya

yang lebih penting adalah apa ada satu

orang aja gitu yang setiap harinya tahu

gitu tentang shape

keturunan suku Dayak ngaju dan

bisnis saya salah satu alat musik

tradisional dari Kalimantan yaitu sampai

setelah memperkenalkan sepeda

menyanyikan Leleng Utan Along belain

menyanyikan lagu milik Bruno Mars yang

berjudul just the way nah berkolaborasi

dengan keyboard dan Saksofon

[Musik]

kalau spesifik tentang sampai mungkin

saya berharap lebih banyak anak muda

terutama anak muda Dayak baik lokal

maupun diaspora itu lebih apa memiliki

semangat gitu untuk melestarikan budaya

mereka karena memang Bude shape dan

budaya Dayak lainnya itu indah banget

gitu dan sangat disayangkan kalau

misalnya kita tidak menjaga dan

melestarikan kemudian kalau dari

kacamata yang lebih besar gitu Ya saya

juga mengharap orang itu bisa lebih

secara holistik melihat apa sih Ada

kaitanya antara perlindungan hutan

dengan budaya gitu yang saat ini masih

sangat terkompak mentalis Cup

compartmentalized gitu masih sangat

terpisah seharusnya kita melihat sebagai

satu kesatuan jadi orang tidak lagi

memisahkan perlindungan hutan dengan

budaya dan masyarakat lokal karena

memang itu am kesatuan gitu yang harus

kita jaga bersama-sama

karena

you

know I

[Musik]

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[Musik]

[Musik]

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