How I Successfully Taught Myself Perfect Pitch (It Wasn't Really That Hard)
Summary
TLDRDieses Video skizziert eine Methode, die Entwicklung einer perfekten relativen Musikwahrnehmung ohne das Talent für perfektes Pitch vorstellt. Der Sprecher teilt seine Entdeckung, wie man mit nur einer bekannten Note alle anderen Töne identifizieren kann, und erläutert die Rolle des auditory Cortex im Vergleich von Tönen. Durch das Erinnern an eine Referenznote und das Anwenden von Intervallen könnten alle Menschen theoretisch die Tonhöhe schnell und präzise erkennen. Der Sprecher glaubt, dass diese Technik die Art und Weise, wie Menschen Musik wahrnehmen, revolutionieren könnte, wenn sie in den pädagogischen Standard aufgenommen würde.
Takeaways
- 🎶 Der Sprecher glaubt, dass seine Entdeckung die Wahrnehmung der Musik für die Menschheit verändern könnte.
- 🎵 Er möchte zeigen, wie man eine relativ gute Tonhöhe entwickeln kann, die wie perfekte Tonhöhe funktioniert, ohne diese zu haben.
- 🎹 Das Hauptaugenmerk liegt auf der Verwendung einer einzigen bekannten Tonhöhe, um andere zu identifizieren.
- 👂 Die Wichtigkeit des auditiven Kortex, der die Tonhöhen wahrnimmt und die Unterschiede zwischen ihnen erkennt.
- 🧠 Der auditive Kortex vergleicht ständig die aktuelle Tonhöhe mit der zuvor gehörten, um die Informationen zu verstehen.
- 🪗 Musiker haben oft eine Art von relativer Tonhöhe entwickelt, die durch bestimmte Instrumente oder Musikstile interniert wurde.
- 🎸 Der Sprecher verwendet B-Flat und C-Major als Hauptreferenzpunkte für seine Methode, um Tonhöhen zu identifizieren.
- 📚 Musiktheorie und das Singen von Skalen helfen, die auditive Wahrnehmung und das Verständnis von Tonhöhen zu verbessern.
- 🔍 Durch das systematische Üben und das试验(这里应该是一个打字错误,应该是“Üben”而不是“试验”) kann man die Fähigkeit, Tonhöhen schnell zu identifizieren, verbessern.
- 🚀 Der Sprecher glaubt, dass seine Methode die Musikwahrnehmung revolutionieren könnte, wenn sie in den modernen musikalischen Lehrplänen standardisiert wird.
- 🌐 Er ermutigt die Zuschauer, seine Methode auszuprobieren und im Kommentarbereich Feedback zu geben.
Q & A
Was ist das Hauptthema des Videos?
-Das Hauptthema des Videos ist die Entwicklung einer Funktionsweise ähnlich der perfekten Tonhöhe, die man durch das Wissen einer einzigen Note erreichen kann.
Was ist die Bedeutung von 'perfekter Tonhöhe' im Kontext des Videos?
-Perfekte Tonhöhe ist die Fähigkeit, eine Tonhöhe anhören und sofort den Namen dieser Tonhöhe im Kopf zu haben, ohne nachzudenken. Dies geschieht unterbewusst und ist eine natürliche Gabe.
Wie kann man, ohne natürliche perfekte Tonhöhe, eine ähnliche Fähigkeit entwickeln?
-Man kann durch das Wissen einer einzigen Tonhöhe und das Verständnis von Musikintervallen eine ähnliche Fähigkeit entwickeln, indem man seine relative Tonhöhe verbessert.
Welche Rolle spielt die auditive Kortex in der Wahrnehmung von Tonhöhen?
-Die auditive Kortex ist der Teil des Gehirns, der Tonhöhen wahrnimmt und die Unterschiede zwischen ihnen erkennt. Sie vergleicht ständig die aktuelle Tonhöhe mit der zuvor gehörten, um die Informationen zu verarbeiten.
Was ist der Zweck der in dem Video vorgestellten Methode?
-Der Zweck der Methode ist es, die Fähigkeit, Tonhöhen schnell und präzise zu identifizieren, zu verbessern, indem man sie als eine Art 'quadratischer Ausdruck' für relative Tonhöhe verwendet.
Wie kann man die Methode effektiv nutzen, um Tonhöhen zu identifizieren?
-Man kann die Methode nutzen, indem man eine Referenztonhöhe wie B kennt und dann die angegebenen Intervalle intern durchsingt, um zu anderen Tonhöhen zu navigieren.
Was sind die Vorteile der in dem Video vorgeschlagenen Technik?
-Die Technik kann helfen, die Tonhöhe schneller und präziser zu identifizieren, ähnlich wie bei der perfekten Tonhöhe, und könnte die Art und Weise, wie Menschen Musik wahrnehmen, verändern.
Was ist der Hauptvorschlag des Videos für die Musikpädagogik?
-Der Hauptvorschlag ist, diese Technik in den modernen Musikcurriculum zu integrieren, um die Fähigkeit, Tonhöhen zu navigieren, zu verbessern und zu standardisieren.
Wie kann man die Intervalle zwischen den Tonhöhen internisieren?
-Man kann die Intervalle internisieren, indem man sie durch interne Singen und das Verständnis von Musiktheorie lernt, ohne dass es notwendig ist, die Töne laut zu singen.
Wie kann diese Technik die Musikerfahrung verbessern?
-Diese Technik kann die Musikerfahrung verbessern, indem sie Musikern hilft, Tonhöhen schneller und präziser zu identifizieren, was ihre Fähigkeit, Musik zu spielen und zu verstehen, erhöht.
Outlines
🎼 Entdeckung einer neuen Methode zur Entwicklung von relativer Tonhöhe
Der Sprecher teilt eine neue Methode mit, die es ermöglicht, relative Tonhöhe so gut zu entwickeln, dass sie wie perfekte Tonhöhe funktioniert, selbst ohne diese zu besitzen. Er betont, dass man lediglich eine einzige Note kennt, um dieses System anzuwenden. Er diskutiert die Rolle des auditiven Kortex und wie man durch das Erinnern an eine Referenznote und das Verständnis von Skalen und Intervallen, die Tonhöhe eines Stücks ermitteln kann. Er schildert seine persönliche Erfahrung und wie er durch das Üben und das Anwenden von Musiktheorie in Kombination mit seiner internen Ohrenentwicklung, zu einer präzisen Tonhöhenangabe gekommen ist.
🤔 Der Prozess der internen Tonhöhennavigation
In diesem Abschnitt reflektiert der Sprecher über die Herausforderungen, die mit der internen Navigation zwischen Tonintervallen verbunden sind. Er beschreibt, wie die Fähigkeit, schnell zwischen Noten zu wechseln, viel Hirnleistung erfordert und wie dies die Fähigkeit zur Echtzeit-Tonhöhenerkennung beeinträchtigen kann. Der Sprecher entwickelt dann eine Methode, die es ermöglicht, von einer Referenznote aus, in der Regel B, zu jedem anderen Ton in der westlichen Musik zu navigieren, und diskutiert die Vor- und Nachteile dieser Methode.
🎹 Die Systematik der Tonhöhennavigation und ihre Anwendung
Der Sprecher erklärt die Logik hinter seinem System, das auf der internen Verwendung der Intervalle basiert, um von einer Referenznote schnell zu anderen zu gelangen. Er betont die Wichtigkeit, die Intervalle zu memorieren und wie man durch das Internieren dieser Intervalle und die Verwendung von Major- und Minor-Skalen, sowie die Anwendung von Musiktheorie, zu einer effizienten Tonhöhenbestimmung gelangen kann. Er diskutiert auch die Schwierigkeiten, die mit dem Erlernen dieser Fähigkeit verbunden sind und wie man sie überwinden kann.
🌟 Die potenzielle Revolutionierung der Musikwahrnehmung
Schließlich stellt der Sprecher seine Überzeugung dar, dass seine Methode die Art und Weise, wie Menschen Musik wahrnehmen, revolutionieren könnte. Er vergleicht die Einfachheit der Musik mit anderen Sprachen und argumentiert, dass die Fähigkeit zur Tonhöhenbestimmung für jeden erlernbar ist, wenn sie in den modernen musikalischen Lehrplänen standardisiert wird. Er fordert Feedback und Diskussionen zu seiner Methode und teilt seine Hoffnung aus, dass sie die Zukunft der Musikwahrnehmung der Menschheit verändern kann.
Mindmap
Keywords
💡Relative Pitch
💡Perfect Pitch
💡Auditory Cortex
💡Music Theory
💡Intervals
💡Tonicize
💡Brass Instruments
💡Guitar
💡Major Scale
💡Diagram
Highlights
Entdeckung, die die Wahrnehmung der Musik für die Menschheit verändern könnte
Entwicklung von relativer Tonhöhe als Ersatz für perfekte Tonhöhe
Einzig notwendiges Wissen: Eine einzige Note
Musiktheorie und Ohrtraining zur Identifikation von Intervallen
Systemchart zur Erklärung des Verfahrens
Gedanken umfassendes Training zur Entwicklung von neuralen Verbindungen
Erfolgreiche Anwendung des Verfahrens zur Tonhöhenbestimmung
Gespräch mit Freund Preston über perfekte Tonhöhe
Autonome Assoziation der Tonhöhe mit den ersten Erinnerungen
Forschung zur Funktion des auditiven Cortex
Interneisierung von Tonhöhen durch Musikinstrumente
Theorieunterricht zur Entwicklung des internen Ohres
Möglichkeit, Tonhöhen ohne verbale Ausdrücke zu internalisieren
Entwicklung eines Systems zur effizienten Bestimmung von Tonhöhen
Optimierung des Systems durch algebraisches Denken und Eliminierung
Verwendung von C-Moll und C-Dur zur Abdeckung aller 12 Noten
Visualisierung des Systems zur internen Navigation der Tonhöhen
Test des Systems durch einen zweiten Menschen mit perfekter Tonhöhe
Potenzielle Verbesserung der Gesangs- und Tonhöhenbestimmungsfähigkeit
Kommentar zur Anwendbarkeit des Systems auf die moderne Musiklehre
Aussicht auf eine Veränderung der musikalischen Wahrnehmung durch die Menschheit
Aufruf an die Zuschauer, das System zu testen und Feedback zu geben
Transcripts
i think i made a discovery that could
change the way humans perceive music for
the rest of history and that's a really
big deal so let me explain i'm going to
show you how you can develop relative
pitch so well that it functions as
perfect pitch even if you don't have it
except the crazy thing is all you need
to know is one single note if you have
prior knowledge of music theory and have
a pretty good ear and can figure out the
intervals between notes skip to this
time there's a chart that explains this
system and you're probably going to
understand it if you just look at the
chart if not let me explain what i'm
even trying to say here and how i got to
this conclusion and try and think about
all of this stuff from a different
perspective i'm going to be introducing
different parts of the brain as we go
through this and in order for this trick
to work you need to be thinking about
using all of the parts at the same time
in conjunction that way your brain will
figure out how to make these neural
connections and make these leaps by
itself as you go through with trial and
error and it will work i've been doing
this for the past day and today alone
i've guessed the key of every song that
i've listened to and i've only gotten
two of them wrong every other guess that
i've made has landed within a half step
or less which just proves that this
works so let me explain so the other day
i'm talking to my friend preston preston
has perfect pitch if you don't know this
already some people have the natural
ability to hear a note and have the
letter name of that note pop into their
head they don't need to do any thinking
it all happens subconsciously and it is
a natural gift you can't learn
subconscious perfect pitch and you'll
know whether or not you have it i think
by like age six i go to a music college
so it's super common for people to have
perfect pitch and my friend preston
happens to have it one day i started a
conversation with him about it just
because i was curious and i was
wondering how it even really works he
explained that the way he understood it
every time he heard a specific note that
he was trying to identify his brain
would automatically think back to the
first memory of the time he heard that
note and was able to identify it so for
example if the note was a c preston's
brain is most likely jumping back to the
internal memory of sitting down behind a
piano playing a c for the first time and
understanding that that note was a c he
said it had to do with being able to
recall the memory of that note really
well and his brain was just able to
subconsciously do that because preston
described it in a very logical linear
perspective i was able to start thinking
about notes like that however i didn't
have all the pieces so i started doing
some more research and this is what i
found so the auditory cortex is the part
of the brain that perceives pitch and
the differences between them one thing
that i didn't know going into this is
that your auditory cortex is constantly
checking back to the last pitch you
heard to understand what information is
coming in if you don't have any sort of
comparison how are you going to know
whether a note is high or low your brain
is automatically filtering through this
information this is super important
because that proves that every human
being's brain works like this more on
that in a minute i don't have perfect
pitch but i have a pretty good sense of
relative pitch i play a few instruments
and i've had a lot of notes internalized
through pretty weird things throughout
the years when preston was explaining
all this stuff to me i thought back to
the notes i had internalized from
certain things for me i grew up playing
brass instruments in a concert band
setting so a note that we tuned to a lot
was b-flat because of that any time i'd
played trombone euphonium the first note
i was playing was always b-flat i also
play guitar and some of my favorite
metalcore bands will tune to a sharp
which is the n-harmonic equivalent to
b-flat another tuning i use pretty
frequently is e-flat so it's really easy
for me to pick out an e-flat whenever i
hear a guitar string plucking it through
thinking about this i was able to
realize that every person that plays
music probably has some sort of sense of
relative pitch that's already
internalized so there's probably a home
base every musician has whether they
know it or not they just need to be able
to identify it for me one of those notes
is b flat since coming to a music
college and taking theory courses and
being able to tonicize notes and working
on developing my internal ear as well as
singing through major and minor scales
learning intervals and having a basic
grasp of how western music works and why
it sounds the way it does as well as the
general rules with scales and what notes
and intervals work well together with
each other i've come to realize through
trial and error and just practicing on
my own that my personal auditory cortex
is the part of my brain that's getting
developed by going through these theory
classes and learning how to tonicize
notes and learning how to sing major and
minor scales but i've also realized this
part of the brain can work without any
sort of verbalization or noises coming
out of your mouth you can think about it
and have these pitches internalized if
you're able to recall the memory of a
reference note with the prior knowledge
of major and minor scales and being able
to tonicize notes if you have just one
reference pitch you technically should
be able to navigate from that reference
pitch to whatever you're hearing because
you have a knowledge of the 12 intervals
the main problem with this is that it
takes a lot of brain power to switch
between these intervals internally and
after a while you're gonna spend 30
seconds thinking about how do i get from
a b-flat to an f rather than what note
am i hearing because chances are you're
not going to be listening to a note for
30 seconds at that point the ability
isn't even real anymore this got me
thinking even more about how i
personally could develop a functional
sense of relative pitch so well
it would function as perfect pitch with
this knowledge of being able to navigate
from any interval technically speaking i
could be able to figure out all the
fastest ways to jump between notes just
by having a single internal reference
point once i came to this realization it
was time for me to go to my 9 30 a.m
theory 3 class as we sit there learning
about not any of this stuff i'm dozing
off thinking about what's the fastest
way that you can get to any given note
and what note would be the best starting
point i'm looking at a piece of staff
paper and the thing we're working on is
in c major now in western music there
are 12 notes and in the c major scale
there are eight of those 12 notes to
fill in the other four notes the other
key that you would need would be b major
with just the keys c major and b major
you've covered all 12 notes c covers all
the white keys on the piano b major
covers all the black keys on the piano
after organizing all that information on
a sheet of paper in front of me i
thought okay it's easiest to tonicize c
no it's b here's why most people think
of c as their musical starting point
since it's usually the first scale you
learn there are no accidentals it's all
the white keys on the piano it's the
most approachable even watching this now
most musicians with a sense of relative
pitch would probably be able to give you
something pretty close to a c if it's
not c it's most likely going to be b
flat because of brass instruments again
brass instruments tune to b flat and
concert band covers a lot of instruments
the next most popular instrument would
probably be guitar but even then guitar
players tune to an e and an e is a major
third above a c so it would make the
most sense for them to use c as the
reference point e falls directly in
between both of those keys and if you
shift a half step up or down you're able
to tonicize either b flat or c from b
now here's where this system gets really
crazy but after drawing out a diagram
and explaining it on paper it actually
makes a ton of sense and it's really
easy i've drawn out a system for as of
right now what i believe is the easiest
and most efficient way to get to every
single note from in the fastest way
possible the craziest part about this
whole system is that it works internally
if you have b memorized well enough you
should be able to navigate through these
pitches with the steps outlined in this
system it's essentially the quadratic
formula for relative pitch now from this
point on in the video we're gonna start
thinking algebraically in terms of
process of elimination there are 12
notes in western music and we want to
figure out how to get from b
to every other note as efficiently as
possible all while listening to whatever
notes coming into our ear and relating
it to that note as such to really test
this hypothesis i got a second person
that i knew with perfect pitch to
explain his to me he described it as a
natural ability that he thought that
everybody had but he did mention that
one flaw he noticed was that he was
every now and then a half step off he
also mentioned that he was a naturally
flat singer so if his voice was his
reference point realistically that's
what would be causing it to go flat by a
half step he also mentioned that if he
hears a tone and isn't thinking about
identifying the pitch but then somebody
asks him what note that was he'll think
back to hearing that note and then cross
referencing it with whatever note he
heard before that based off of his
internalization of each note this is a
pretty bold claim but i'm pretty sure
the system that i've drawn out with this
chart is the same path that people with
perfect pitches brains follows
subconsciously now it might not
necessarily start on the note b
but it would make most sense that the
human brain follows this path in a
logical linear order eliminating any
unnecessary information
allowing the function to be subconscious
now i personally have been testing out
this system for the past 24 hours and
i've already noticed i've not only
gotten better at singing i've gotten
better at internalizing pitches and
within the past day i've only gotten two
guesses completely wrong every other
guess i've made has fallen within a half
step because i'm also a naturally flat
singer and i gravitate towards b flat as
my reference pitch my internal b
sometimes slips between a b and a b flat
and because of that my ear will relate
it to the notes that i'm hearing in
western music if i'm halfway in between
two notes i'm probably gonna fall either
a half step down or a half step up just
to relate it back i don't know if that
made any sense now if you don't have
perfect pitch this struggle comes in
where you need to consciously identify
how you're thinking most people do not
go through life like that so you really
need to take a step back and think what
am i thinking about if you're trying to
identify a note as quickly as possible
you need to be thinking about pulling a
your long term memory you need to be
thinking about navigating these pitches
internally without singing out loud you
need to be thinking about how your prior
knowledge allows you to relate notes to
one another you need to think about what
pitch you're hearing and how that
relates to your internal reference point
and i'm kind of being redundant at this
point but basically you just need to be
thinking about all of these things at
the same time if you're successful then
your brain will make these connections
between the parts that don't normally
communicate this skill involves relating
parts of the brain that don't
communicate with each other very often
but the more time you spend doing it the
quicker you'll pick up on it in the past
day alone this is already start to
become completely instinctual for me and
i'm actually able to identify keys
whenever i was even able to identify the
key of a song successfully without even
hearing it i was able to use my
knowledge of the song's melody and
cross-reference that with my prior
knowledge of the note through that i was
able to get to the conclusion that the
song was an e flat and i honestly
believe that any human being can learn
how to do this music is a language and
it is by far the most simple language in
western music there are 12 sounds that
all have individual distinctive labels
the english language has 26 letters and
they have different sounds so that's
already exponentially more complicated
and the only reason people really avoid
creating music to begin with is because
they feel like they don't have a sense
of pitch or a sense of rhythm rhythm is
a discussion for a different day but
with this system theoretically i think
any human being could learn how to
navigate pitch and have a completely
different understanding and appreciation
for music as a whole almost in the exact
same way that the world's most
passionate musicians do if this is
standardized within the modern musical
curriculum it could change the way the
entire future of humanity is able to
perceive music if this becomes the new
standard for how you're able to navigate
relative pitch and it's a skill you're
just able to learn and it becomes
something that's just as trivial as
scales or chords or intervals it could
literally change human history forever
okay this has been a really long ramble
but i hope you understand what i'm
trying to communicate here here's a
diagram of the system and how it works
so we're gonna start at the note b i've
added symbols and some color coding as
well as arrows with intervals so at
first this looks really confusing but i
promise i'll explain it all to make as
much sense as possible if you sing a b
from there it's very easy to internally
sing a major seventh arpeggio if you can
internally sing through a b major seven
arpeggio while listening for your
reference pitch you have already
successfully a b four of the twelve
notes in western music if you hear the
same note your brain will tell you and
you'll be able to figure out what the
note you're listening to is if not from
a b you can transpose up to c from here
you will internally sing through a c
major 7 arpeggio
if it's not any of these notes you're
back at a b and you've a b seven of the
twelve notes in western music from here
there are some interesting intervals
that you'll just need to memorize in
order to learn effectively but i think
if memorized you'll be able to whip them
out at any given moment to get to a from
b you just need to sing a whole step
down or a major seventh up to get to a c
sharp from b you need to sing a major
second up or just sing one step up the
major scale
that's two more notes gone now i know
with music if you just start saying
letters your brain doesn't interpret
those as notes and it gets really
confusing so just bear with me here
follow the visual chart to get to an f
from b you need to sing a diminished
fifth i don't want to get copyright
claimed but there's a very popular
cartoon theme where the melody is a
diminished fifth interval followed by a
half step up coincidentally these notes
are also b f and f
so technically speaking you could use
this cartoon's theme as your internal
reference point for a b to get to a d
you just need to go a whole step up from
c so just saying one note up the c major
scale the most difficult note for this
system to reach is g sharp to get to a g
sharp you can sing an augmented fifth
from c
but that's really difficult to navigate
internally so it would just make more
sense for you to memorize the interval c
to g
at this point we've trial and error
every single note in western music so
you'll have figured out what key the
song you're listening to is in or
whatever note you're trying to figure
out with this system if learned
efficiently enough i honestly believe
anyone can learn to do this within about
three seconds if you can identify a note
in that short of a time frame it
functions just as well as perfect pitch
and anybody can learn this i've been
trying this for about a day and it has
been so absolutely mind-blowing that i
am legitimately confident this could
change the world if not anyone that sees
this video and has the drive and
ambition to get it done it's going to
change the way that they perceive music
forever and that's a huge deal this has
already benefited me so much as a
musician and i honestly can't believe
this skill isn't standardized as
something that all musicians should
learn it's really not that difficult and
anyone can do it so let me know in the
comments if this works for you if not we
can have a discussion about it i want to
figure out if i can improve this in any
way if possible i'll probably make an
update on this video but yeah let me
know uh if this helps anybody i'm more
than happy to have been of assistance so
yeah thanks for watching hit subscribe
if you want to see more discussions like
this also if you want to check out any
of my personal stuff you can follow me
on instagram at rhinocon drums or just
subscribe here i'm planning on making
some more long-term discussion videos
like this throughout the year so if
you're interested hit subscribe
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