Get Alive Percussions Easy In Ableton Live 12

Summary

In this video, the creator shares a technique for adding life to percussions in Ableton by using a rain recording, looping, and syncing them through delays. They demonstrate how to manipulate pitch, utilize filters, and apply effects like Redux and phaser to create an organic, evolving sound, ultimately achieving a unique, rhythmic track.

Takeaways

• 🎶 The video is about creating percussions in Ableton and syncing them through delays.
• 🌧️ The creator uses a rain recording as the base for the percussions.
• 🔄 They loop the rain recording and select all the audio for further manipulation.
• 🎵 The creator suggests playing with the pitch to find the desired percussion sounds.
• 🌐 An auto-filter and L4 are used to morph the sound and adjust the timing.
• 🎛️ The Redux device is used to adjust the sun (possibly a typo for 'synth') and add variation.
• 🔄 An LFO (Low Frequency Oscillator) is used to add movement and randomness to the sound.
• 🔊 A phaser effect is added before the filter to blend and deepen the sound.
• 🔄 The delay effect is introduced, with adjustments made to the filter's frequency and range.
• 🔗 The entire setup is side-chained to the kick drum to ensure synchronization.
• 🎉 The final result is described as organic and moving, achieving a non-typical drum machine sound.

Q & A

What is the main issue the speaker is addressing in the video?

The speaker is addressing the issue of creating life-like percussions in Ableton and syncing them through delays while maintaining a sense of randomness in the initial part of the sound.

What is the first step the speaker takes in their Ableton session?

The first step the speaker takes is to enable a rain recording, loop it, and use command+A to select all elements.

What is the significance of the 'Beats 16s' mentioned in the script?

The 'Beats 16s' likely refers to a specific beat or rhythm pattern that the speaker is using in their Ableton project, possibly indicating a 16-beat cycle.

How does the speaker suggest modifying the pitch of the percussions?

The speaker suggests playing with the pitch to find the desired percussion sound, implying the use of pitch manipulation tools in Ableton.

What is the role of the 'auto filter' in the speaker's process?

The auto filter is used to add a dynamic effect to the percussions, with the speaker suggesting to put it on the morph function and adjust the settings for a better sound.

Why does the speaker mention the L4 and the morph function in the context of the auto filter?

The L4 and morph function are likely used to control the modulation of the auto filter, allowing for more dynamic and evolving sounds in the percussions.

What is the purpose of using the Redux and phaser effects before the filter in the speaker's setup?

The Redux and phaser effects are used to add depth and character to the sound before it is processed by the filter, enhancing the overall texture and feel of the percussions.

How does the speaker plan to sync the percussions with the delay effect?

The speaker plans to sync the percussions with the delay effect by copying LFOs (Low Frequency Oscillators) and mapping them to control the frequency of the filter, thus creating a rhythmic relationship between the percussions and the delay.

What is the purpose of side chaining in the speaker's setup?

Side chaining is used to make the delay effect react to the kick drum, creating a rhythmic compression effect that ties the percussions and the kick drum together in the mix.

How does the speaker describe the final outcome of their process?

The speaker describes the final outcome as an organic, moving element that is not typical of a drum machine sound, indicating a successful creation of life-like percussions.

What is the speaker's closing remark about their process?

The speaker concludes by acknowledging the effectiveness of their process and looks forward to continuing the exploration in the next session.