MUSIK MELAYU

Uswatul Hakim
15 Oct 202012:45

Summary

TLDRThis lecture explores the rich world of Malay music, focusing on its rhythmic structures, ornamentation techniques, and key instruments like the accordion. The speaker discusses the categorization of Malay music into different styles, such as Inang and Zakin rhythms, and highlights ornamentation methods like Jengkok and Grand Canyon grades. Practical playing techniques, including fingerings and dynamics, are also covered, emphasizing how these elements contribute to the distinctive sound of Malay music. The lecture provides insight into how Malay music can be applied creatively and appreciated in various contexts.

Takeaways

  • 😀 The lecture introduces the structure of traditional Malay music, categorizing it into three main types: general Malay music, rhythm-based music (e.g., Inang), and rice paddy rhythms influenced by Middle Eastern culture.
  • 😀 Malay music is characterized by five main categories, including a diverse range of instruments like drums and gongs, each creating different sound textures.
  • 😀 The use of two/4 time signatures in Malay dance music is prevalent, with specific emphasis on rhythmic patterns and how they influence the melody and dance styles.
  • 😀 The accordion is introduced as a key instrument in Malay music, with an explanation of its two main parts: the right (piano-style) side and the left (bass) side, each requiring distinct finger techniques.
  • 😀 Playing the accordion involves using different fingers on the right side to play octaves and melodies, and the left side for bass and chord progression.
  • 😀 The lecture touches on specific musical ornamentation techniques, including broken ornamentation (Jengkok Jengkok) and Grand Canyon grade, which are common in Malay music.
  • 😀 Ornamentation is used to add dynamics and emphasis to music, with variations such as long and short melodic phrases or intervals between notes.
  • 😀 The lecturer demonstrates ornamentation in a typical Malay music song, showing how subtle changes in note emphasis can impact the melody and rhythm.
  • 😀 The influence of other music styles, like Inang and Senandung, are mentioned as part of the broader Malay musical culture and tradition.
  • 😀 The importance of learning and appreciating Malay music is highlighted, with a goal for students to apply the knowledge creatively in their own musical practices and final exams.

Q & A

  • What are the three main categories of Malay music mentioned in the transcript?

    -The three main categories of Malay music are: 1) The traditional Malay music, 2) The modern Malay music, which includes keyboard-based styles, and 3) The rhythmic style influenced by Middle Eastern culture known as 'Irama Zakin'.

  • What is the significance of 'Irama Zakin' in Malay music?

    -Irama Zakin refers to the rhythm associated with rice paddy cultivation, and it has a strong influence from Middle Eastern culture, which gives it a unique rhythmic quality in Malay music.

  • What are some common dance rhythms in Malay music?

    -Some common dance rhythms in Malay music include those that use 2/4 time signatures, and the music often features five types of rhythm, such as the Gong sound, Pak, and Bigfoot, which are characterized by unique beats like 'tung tung tung tak tung'.

  • What is the role of the accordion in Malay music, as mentioned in the script?

    -The accordion is used to play melodic music in Malay music, with the right-hand side (the piano keys) playing melodies and the left-hand side used for bass notes. The right-hand fingering follows a pattern, using octaves to produce harmonic sounds.

  • What types of ornamentations are commonly used in Malay music?

    -There are three types of ornamentations commonly used in Malay music: 1) Jengkok Jengkok, which involves rapid note alternations, 2) Grand Canyon grade, which involves two notes played close together, and 3) Broken ornamentation, which is used to emphasize dynamics and can involve fragmented melodies.

  • How does the concept of 'broken ornamentation' enhance Malay music?

    -Broken ornamentation is used to emphasize dynamics within a melody, often involving brief, fragmented musical phrases. It adds expressiveness and allows performers to highlight specific emotional moments in the music.

  • What role does the 'Gong' sound play in the context of Malay music rhythms?

    -The Gong sound is one of the key rhythmic elements in Malay music. It contributes to the distinctive sound of the rhythm section and plays a significant role in establishing the time signature and beat structure of the music.

  • What does 'Pak' refer to in the context of Malay music rhythms?

    -'Pak' refers to a type of sound or beat used in Malay music, which contributes to the overall rhythm. It is one of the rhythmic elements alongside others like Gong and Bigfoot that form the traditional Malay musical framework.

  • What is the difference between major and minor chords as applied in Malay music?

    -In Malay music, major and minor chords are used to create different emotional effects. Major chords typically sound more upbeat and positive, while minor chords evoke a more melancholic or somber feeling. These chords are fundamental in the harmonic structure of the music.

  • What is the importance of the 'intro' in the song 'Selayang Pandang' in relation to ornamentation?

    -In the intro of 'Selayang Pandang', ornamentations are used to embellish the melody. These include broken ornamentation, which enhances the dynamics of the piece, adding complexity and emotional depth to the musical introduction.

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Transcripts

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Étiquettes Connexes
Malay MusicTraditional DanceAccordion TutorialMusic EducationCultural HeritageRhythm PatternsOrnamentationMusic TheoryStudent LearningSoutheast AsiaInstrument TechniquesFolk Music
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