Tan Malaka, Revolusi dan Sejarah yang hilang di One Piece

Summary

This script critiques the Indonesian government's response to the One Piece flag controversy, drawing parallels to historical suppression of dissent. The speaker highlights how the One Piece narrative, with its themes of hidden history and power manipulation, mirrors real-world government tactics, particularly in Indonesia. By using the example of Tan Malaka, a suppressed figure in Indonesian history, the script explores the dangers of rewriting history for political legitimacy and the consequences of stifling intellectual freedom. It calls for awareness and resistance against manipulation of both history and culture, urging a more critical engagement with the past.

Takeaways

• 😀 The One Piece flag has been banned by the government, despite no legal violations in its display, leading to a political controversy.
• 😀 High-profile political figures, including Mr. Sumi Dasko, Ahmad, Budi Gunawan, and Titi Suwarto, have commented on the One Piece flag issue, showing its widespread attention.
• 😀 The government has been criticized for overreacting to a pop culture phenomenon, with fans raising the flag in defiance of authorities.
• 😀 The Indonesian government has been compared to the oppressive world government in One Piece, which hides a century of lost history.
• 😀 The 'Void Century' in One Piece is a period of history hidden by the world government, similar to how certain historical events in Indonesia are suppressed.
• 😀 In One Piece, anyone who seeks the truth about the lost history is persecuted, just as individuals in Indonesia faced persecution for studying or discussing certain ideologies in the past.
• 😀 The story of One Piece parallels Indonesia's history, particularly in the case of the banned leftist ideologies and the suppression of figures like Tan Malaka.
• 😀 The Indonesian government has been accused of rewriting history and suppressing the leftist movement, including the brutal treatment of suspected PKI sympathizers in the 1960s.
• 😀 The One Piece world government uses military force and propaganda to maintain control, similar to how Indonesian authorities used historical manipulation to control narratives and legitimize power.
• 😀 The speaker argues that the government should focus on more pressing issues related to One Piece and the Indonesian political landscape rather than obsessing over flags, urging citizens to challenge the manipulation of history and fight for true freedom.

Q & A

Why is the One Piece flag controversial in the context of the script?

The One Piece flag is considered controversial because it is perceived by the government as a symbol of rebellion, separatism, and treason. Despite this, the speaker argues that there is no violation of rules in flying the flag, as long as it doesn't surpass the national flag in height.

What is the significance of the 'Void Century' in One Piece, and how is it connected to real-world politics?

In One Piece, the 'Void Century' is a lost period of history that the world government is desperate to keep hidden. The government executes anyone who tries to uncover or spread knowledge about this century. The speaker draws a parallel with Indonesia's history, where certain aspects of the past have been intentionally erased or suppressed for political reasons.

What parallels does the speaker draw between the One Piece world government and the Indonesian government?

The speaker compares the world government in One Piece, which hides its illegitimate rise to power and rewrites history, to the Indonesian government, which suppressed the history of leftist movements and figures such as Tan Malaka. The suppression of history in both cases is seen as a way to maintain control and power.

Who is Tan Malaka, and why is his legacy controversial in Indonesia?

Tan Malaka was a national hero and an influential figure in Indonesia's independence movement. However, after the New Order regime came to power, his legacy was erased, and mentioning his name or reading his works became dangerous. This suppression mirrors the One Piece world government's efforts to eliminate figures who challenge its authority.

How does the speaker describe the government's reaction to the One Piece flag and its fans?

The speaker describes the government's reaction to the One Piece flag as excessive and absurd, with authorities raiding those who sell or raise the flag. Despite the flag being tied to an anime, the government’s overreaction has turned it into a symbol of resistance, intensifying the enthusiasm of fans.

What role does propaganda play in the speaker’s critique of Indonesia's historical narrative?

The speaker criticizes the government's use of propaganda to manipulate public opinion and erase leftist history. The consistent portrayal of leftist movements and figures as villains, through films like the G30S/PKI propaganda, has shaped the public's perception and limited critical engagement with Indonesia's past.

What is the 'G30S/PKI propaganda film,' and why is it significant in the context of Indonesian history?

The G30S/PKI propaganda film is a key piece of government propaganda that depicts the 1965 coup attempt and portrays the Indonesian Communist Party (PKI) as the main instigators. The film has been shown for decades, and it plays a critical role in shaping how Indonesian society views the leftist movements and the events of 1965.

How does the speaker compare the treatment of Tan Malaka to figures in One Piece like Monkey D. Luffy?

The speaker compares the suppression of Tan Malaka’s legacy to how certain figures in One Piece, such as Monkey D. Luffy, who are descendants of the lost history, still manage to rise to prominence. The comparison highlights the stark contrast between Indonesia's suppression of its leftist history and the more egalitarian, merit-based opportunities seen in One Piece.

What is the message behind the quote from Dr. Hiluluk in One Piece, as referenced in the script?

The quote from Dr. Hiluluk emphasizes the idea that true heroes and change-makers often face persecution in their lifetimes. The message is that even if someone is erased from history, their legacy can inspire future generations. This is used to highlight the enduring impact of figures like Tan Malaka, whose ideas continue to resonate despite attempts to erase them.

How does the speaker suggest Indonesia should handle its history moving forward?

The speaker argues that Indonesia should allow its history to be transparent and open to critical examination, instead of being manipulated for political gain. The past should belong to humanity, not the state, and the speaker urges that history should not be rewritten to legitimize current power structures.