How to COLOUR Your Art (Beginner Friendly)
Summary
TLDRВ этом видео автор преподает, как окрасить свои рисунки в полуреалистичном стиле, используя упрощенные методы, доступные для всех. Он начинает с определения основного цвета и постепенно добавляет тени и подсветки, обращая внимание на источник света и его влияние на изображение. Автор демонстрирует, как использовать инструменты, такие как 'экранка' и 'тушь для сглаживания', для создания глубины и реалистичности. Он также подчеркивает важность практики и постепенного развития навыков окрашивания, заканчивая примером окрашивания курицы и глаз для демонстрации применения описанных методов.
Takeaways
- 🎨 **Определение стиля:** Прежде всего определите стиль окрашивания, будь то монохром, клетчатый, полуреалистичный или гиперреалистичный.
- 🔍 **Использование инструмента Eye Dropper:** Чтобы определить основные цвета изображения, используйте инструмент Eye Dropper для выбора цветов с рисунка.
- 📐 **Работа от большого к маленькому:** Начните с заливки основной формы персонажа базовым цветом, а затем перейдите к более мелким деталям.
- 🖌️ **Добавление теней:** После определения основных цветов добавьте тени, наблюдая за источником света и его направлением.
- 🌟 **Окраска светлых точек:** Идентифицируйте и наносите светлые точки на лице персонажа, согласно вашему образцу.
- 🔴 **Изменение теней:** Поместите тени на следующий уровень, сделав их более темными и насыщенными, чтобы добавить глубину.
- 🧽 **Смешивание краев:** Используйте сглаживающий кисти для мягкого перехода между светлыми и тьмыми зонами, сохраняя жесткие края.
- 🚫 **Не переусердствуйте:** Не делайте все сразу; постепенно увеличивайте сложность и детализацию.
- 🧠 **Учитесь управлять процессом:** Будьте готовы к тому, что ваш мозг может потребовать упрощения процесса, особенно для начинающих.
- 🔄 **Продолжайте добавлять цвета:** После того, как вы применили основные и теневые цвета, добавьте еще цвета для создания большей глубины и реалистичности.
- 🔄 **Использование разных цветов:** Помните, что можно использовать разные цветовые тона для выделения разных элементов, таких как губы или подсветка.
- 🌈 **Вариации оттенков:** Вместо того чтобы использовать аэрограф, используйте различные оттенки для создания более реалистичной и текстурированной поверхности.
Q & A
Какой основной цвет следует выбрать для окрашивания изображения?
-Основной цвет выбирается на основе того, что является доминирующим цветом в композиции, кроме небесного цвета. В данном случае это цвет кожи персонажа под светом.
Как использовать инструмент 'экранированный оттиск' (eyedropper tool) для определения цвета?
-Инструмент 'экранированный оттиск' используется для выбора цвета из области, где он встречается в изображении. Посмотрите на цвет на спектре оттенков, насыщенности и значения, чтобы определить его.
После определения основного цвета, что следующий шаг в окраске?
-Следующий шаг - это поиск дополнительных цветов для элементов, таких как волосы и рубашка, которые будут окрашены в более мелких областях.
Как определить цвет теней в изображении?
-Цвет теней определяется путем наблюдения за общим цветом теней на изображении, затем выбора одного унифицированного цвета, который будет применяться для теневых областей.
Что такое 'семиреалистичный' стиль окрашивания?
-Семиреалистичный стиль - это стиль окрашивания, который лежит между реалистичным и более упрощенным стилем, используя более простой набор цветов и теневых оттенков.
Как определить источник света в изображении?
-Источник света определяется на основе того, с какой стороны освещение падает на объект. Например, если левый плечо освещено, а тени падают на правое, значит источник света находится слева.
Чем отличается процесс окрашивания в видео от 'плоского' или 'клеточного' окрашивания?
-В видео описан процесс, который включает в себя более реалистичные теневые оттенки и глубину, в отличие от 'плоского' окрашивания, которое использует однородные цвета, или 'клеточного', где используются более мелкие градации для создания объема.
Какие цвета следует использовать для подчеркивания высот и глубины в изображении?
-Для высот используются более яркие и насыщенные цвета, в то время как для глубины - более темные и менее насыщенные цвета, чтобы создать иллюзию объема.
Каким образом можно сделать изображение менее 'искусственным' после добавления теней и световых оттенков?
-Чтобы сделать изображение более естественным, можно использовать смешивательный кисть для сглаживания краев, сохраняя при этом жесткие края, где они должны быть.
Какие дополнительные цвета можно добавить после создания основных теневых и световых оттенков?
-После создания основных цветов можно добавлять дополнительные оттенки, такие как отраженный свет, подсветка и окраска для более мелких деталей, чтобы усилить объем и реализм изображения.
Как видео может помочь новичкам в окраске?
-Видео дает простые и пошаговые инструкции, которые помогут новичкам понять процесс окрашивания, начиная с выбора основных цветов и заканчивая добавлением дополнительных оттенков и сглаживанием краев.
Чем автор видео отличается от профессиональных художников?
-Автор видео утверждает, что у него 'очень маленький мозг', что означает, что он предпочитает упрощать процессы, чтобы любой смог следовать, включая тех, кто только начинает в художественной окраске.
Outlines
🎨 Основы окрашивания изображений в стиле полу-реализма
В этом видео представитель рассматривает основы окрашивания рисунков в полу-реалистичном стиле. Он начинает с выбора основного цвета поверхностного оттенка кожи, используя инструмент 'экранка' для определения тона, насыщенности и значения цвета. Автор рекомендует избегать прямого использования цвета из примера и вместо этого экспериментировать с цветами, чтобы найти подходящий. Далее описывается процесс добавления теней, используя общий цвет для теней, и важность определения источника света для корректного рендера. Автор демонстрирует, как наносить цвета на отдельные участки, сохраняя простые формы и контраст между светом и тенями.
🖌️ Добавление глубины и деталей с помощью теней и выдел
Второй параграф посвящён добавлению глубины и деталей на изображение. Автор объясняет, как после того как основные цвета были применены, следует переходить к созданию теней и выдел, выбирая более мрачные и насыщенные цвета для теневой части. Он подчёркивает важность наблюдения за исходным источником света и применения теней в соответствии с геометрией объекта. Также здесь вводится техника сглаживания краев, сохраняя при этом жесткие края, где это необходимо, для создания более естественного и реалистичного эффекта.
🌈 Расширение цветовой гаммы и создание эффекта трехмерности
В третьем параграфе автор продолжает расширять цветовую гамму, добавляя дополнительные оттенки для выдел и теней, что позволяет создать более трехмерный эффект. Он демонстрирует, как применять более насыщенные цвета для подчёркивания выдел и более мрачные тона для усиления теней. Также здесь рассматривается техника добавления отражений света, подсвечивается важность сглаживания краев выдел и теней для более естественного перехода цветов. Автор использует примеры, включая рисование курицы, для демонстрации применения описанных методов.
🔄 Применение техники окрашивания к различным сценариям освещения
В заключительном параграфе автор подчёркивает, что описанные техники могут быть применены к различным сценариям освещения и объектам. Он демонстрирует, как техника окрашивания может быть адаптирована для мягкого освещения, используя курицу в качестве примера. Автор подробно объясняет процесс добавления отражений, теней и выдел, а также рассматривает особенности работы с глазами и окружающим светом. Наконец, он завершает видео, призывая зрителей попробовать применить описанные техники самостоятельно и подписаться на его канал для получения дополнительных учебных материалов.
Mindmap
Keywords
💡цветование
💡стили рисунка
💡основной цвет
💡тени
💡источник света
💡техника клетчатки
💡техника полуреализма
💡экранирование
💡смешивание краев
💡отражение света
💡освещение
Highlights
Introduction to the process of coloring art in a semi-realistic style.
Using the eye dropper tool to identify and match main colors from a reference image.
The importance of understanding hue, saturation, and value when selecting colors.
Starting with a base color and gradually building up to more complex color layers.
Finding secondary colors like hair and shirt by observing the reference image.
Adding shadows by identifying a unifying shadow color from the reference.
Determining the light source direction to accurately place shadows.
Creating depth by adding shadows and highlights with contrasting colors.
Technique for adding bounce light and subsurface scattering effects.
Using blending brushes to soften edges and create a more natural look.
Maintaining hard edges to preserve the structure of the drawing.
Applying the same coloring process to different subjects like a chicken.
Adding ambient lighting to create a more realistic environment.
Coloring eyes with attention to light reflection and shadow.
Incorporating environmental colors to enhance the realism of the artwork.
Building up from simple shapes to complex color variations.
Encouragement for beginners to practice and gradually improve their coloring skills.
Offering further in-depth tutorials and resources on Patreon for subscribers.
Transcripts
all right you sit right there good boy
all right what's up guys if your
reaction to having to color your
drawings is anything similar to that you
need help and I am here to help please
excuse my appearance I just finished
this tattoo yesterday and I'm trying not
to have anything touch it I'm sorry now
in today's video I'd like to teach you a
little bit about how to color your art
we'll be using some of my favorite
methods working in a semi-realistic
style and just so you guys know I have a
tiny brain it's very small it's very
smooth so I like to break down my
processes and make them as simple as
possible so that absolutely anybody can
follow along even you yes you sitting on
the toilet right now taking a dump don't
think I can't smell you that is
disgusting back so with that being said
let's Dive Right In I've even got notes
for today's video look at that actually
don't look at it it's very messy as
always before you start any drawing make
sure you have a reference for what you
want to draw in today's case Sam does
man first identify the style that you
want do you want to do flat colors do
you want to do cell shading do you want
something semi-realistic or do you want
to do something hyper realistic in that
case I'm sorry but you've lost your mind
and that's coming from someone who
already has no sanity so the first thing
I try to do is I break it down all right
I start from the big to the small I want
you to take a look at this beautiful man
here and ask yourself what is the main
color that you see in this composition
aside from the Blue Sky well for me you
see the first color I would start with
is the color of his skin the skin in
light this color right here so once
you've identified your main color go
through your Hues find that color that
orangish color now I know a lot of you
guys might have a hard time finding the
right colors just like how you have a
hard time finding grass to touch don't
you worry I've got a little trick for
that so you click on this icon here and
bring up this ey dropper tool I want you
to take this ey dropper tool and run it
over some of the areas where you see
that main color now go and visit your
Color Picker couple things to pay
attention to here where does this color
sit on the Hue Spectrum which is this
slider down here where does it sit on
the saturation Spectrum which is this
slider right here and where does that
color sit on the value Spectrum which
means how light or how dark that color
is so going back to the eye dropper tool
with the color on the arm we can observe
that it is an orange color medium
saturation and very light in terms of
value which makes sense cuz he's in
sunlight now when you're working try not
to use that color directly from the
reference from the eyedropper tool try
to find that color yourself play around
with your colors see if it looks right
this will be a great Challenge and a
really good learning opportunity just to
make my life a little bit easier I am
selecting the overall shape of this
character and I'm going to just fill the
whole thing in with my base color now if
you're wondering where are all the
Shadows where are all the soft
transitions patience my son this is Step
number one remember that we are working
from Big to small so now we're going to
get a little bit smaller we're going to
try to look for the other smaller flat
colors that are here which will be the
hair the black hair and the white shirt
I'm going to go with a very dark
desaturated brown color all right so the
next step is we got to look for the
color of that shirt I think we could go
a little bit more towards the Reds and
bring it all the way up in brightness
now you might be asking is it time to
start adding some shadows and you would
be wrong it is time now to start adding
some Shadows so I want you to go back
and observe your reference try to find a
general color for the Shadows one single
flat color now when you zoom in you're
going to see a lot of different Hues
right going to see Blues you're going to
see oranges but don't worry about that
and try to find one unifying color so
for me I think from the light value we
should go a little bit more towards the
Reds we should change this color bring
it down a little bit more and maybe we
can get something like that now again if
you're not sure how to do this process I
was once upon a time in the same boat as
you everybody has to start somewhere so
take your ey dropper tool go back into
the Shadows see if you can find that
shadow color right try to observe where
it is on the Hue Spectrum try to observe
where it is on the saturation Spectrum
but when you actually go to apply that
color don't use the ey dropper now in
this part of the process once we've
escaped from the flat colors we're
starting to add shadows and depth to our
drawing you want to identify where the
light source is coming from this is very
important to anything that you're going
to render in this reference he is being
lit by the sunlight coming in this
direction how do I know this because if
you look at surfaces like his shoulder
for example the Light reaches this
surface and the shadow falls on this
this surface so that means the light
since it travels in a straight line is
going to be coming from here and there's
going to be a fall off of light here as
we venture into the Shadows so I'm going
to start a new layer create a clipping
mask and in this layer we're going to be
adding some Shadows just use a simple
hard Edge brush I'm using a round brush
here okay don't be afraid of contrast
don't be afraid to push the darks and
pull the lights see I'm just applying
these very simple shapes to the areas
where I see Shadow just try to make it
as simple as possible almost like a 2d
animation right only one light value and
one dark value so we're taking this
Shadow color bringing it down to the arm
just doing the same thing that we did on
the face and just like that now you have
a super simplified graphic man now you
can adjust the colors here based on your
personal preferences I personally want
the shadow to be a little bit brighter
maybe a little bit more saturated just
like so again personal style now we're
going to move on to the shirt and the
hair we're going to repeat the exact
same process we're going to take this
hair color I'm going to try to find an
even darker more saturated color and add
that into the areas where I see more
Shadow so I don't know if you guys can
see that but now the hair feels a lot
more three-dimensional and I've only
followed where the shadows and lights
fall on the hair not trying to create
that texture of hair just yet I'm just
trying to apply the right colors to the
right places don't overwhelm yourself
all right don't do too much at once it's
just like starting a new drawing if you
have one drawing going on make sure you
try to finish that drawing before you
start another one
right now I'm going to take a bluish
color here um maybe a little bit lighter
than that and I will apply that into the
shadow for the t-shirt and there you go
if you've been following along with me
you should have something similar to
this and now you know how to color your
drawings for the rest of this video
check out my patreon and I'll see you
guys on the I'm just kidding guys I
won't abandon you like that I'll go to
the grocery store I'll get my milk but
I'll always come back so this is how I
like to work all right now that we have
two colors in each section I like to
start adding more colors so two colors
is going to turn into four and that four
might turn into more oh my God bars
Jesus call me Kendrick Sam does wrap I
want you to look at your reference where
are the glowing highlights on this
beautiful man's face so I'm seeing a
little bit right here on the cheekbone
that's pretty bright I'm seeing a little
bit here on the neck there's certain
areas here on the nose on the mouth area
that also seems a little bit brighter
than the rest maybe a little bit of
highlights on the shoulder a little bit
on the back of the arm so we're going to
take this color all right we're going to
shift the Hue a little bit more towards
the yellow make sure you're Shifting the
Hue according to how you see it in your
reference photo okay don't always go
towards the yellows in some cases you
might be going towards the blues I'm
going to start a new layer and I'm going
to apply this highlight color this third
color onto the areas where I see it in
the reference so for example on the
cheek on parts of the nose it's very
subtle but you might also find yourself
in situations where this highlight color
is a lot more apparent a little bit on
the jaw a little bit on the chin there
you go that's that's beautiful now we're
getting so much more depth in the light
section of his face coming down here now
let's add a streak of highlight onto his
neck now we're going to select the
shadow color and we're going to push it
just one stop lower maybe move it a
little bit more towards the Reds and now
we're going to bring this darker color
into the areas where you see more Shadow
just like so right now look at that look
at that jawline it's got so much depth
it's almost as much depth as the
traumatic backstories of literally every
single one of your OCS got start a
petition for you guys to stop abusing
your OC's man I'm going to add a little
bit more Darkness there onto the
shoulder so now you see there's a lot of
depth right there's depth in the light
there's depth in the dark but it kind of
looks like a paint by numbers painting
right now where the edges are all very
sharp it looks very artificial so we're
going to change that now I want you to
take a blending brush doesn't matter
what it is just make sure it's nice and
smooth this is my personal favorite it's
available on my patreon but it doesn't
have to be this brush as long as it's
smooth it works now we're going to
soften the edges that are soft and
maintain the edges that are hard so for
example here it's soft here it's hard so
just very gently blend out that soft
Edge and preserve that hard Edge just
like so now we can come down here to the
jaw area again looking at the reference
right there's a soft Edge there's a hard
Edge so we're going to blend that out
but maintain some of the hard edges that
you see on the jaw same thing with the
neck right you're going to see this hard
edge here we're not going to blend that
but this Edge is going to be
soft gently blending that out gently
blending this Edge out and maintaining
one hard Edge that's a beautiful neck
that looks delicious so delicious that
maybe Urgo Josh would like to eat it
that's right Josh you filthy man I'm
going to do the exact same thing here
right we're going to blend out the soft
edge here on the shoulder we're going to
blend out the edge here on the bicep and
while you have your blending brush I
want you to also soften up some of these
highlights here just soften up the edges
blend out that edge right there so you
see they almost become invisible but you
do see that Hue shift throughout the arm
still now you might be asking well why
do you use a hard Edge and blend it out
instead of using an airbrush well number
one you would be wrong number two the
airbrush is completely soft it's very
easy for beginners especially to over
rely on the airbrush and end up with
drawings and renderings that are way too
mushy don't rely on the airbrush okay
preserve your hard edges stay hard so
you guys see that was a very simple
process we've just gone from two colors
the four colors we Blended the edges we
have hard and soft edges now you can go
wild you can apply this process to
almost any part of the drawing you can
apply this to the lips right the lips
are a little bit more red but you can
use this same method to color the lips
and once you get really comfortable with
this you know you can start adding even
more variation after the four colors
that you've applied right so for example
I think I see a little bit of Bounce
light a little bit of um subsurface
gathering on the nose so I can select a
more saturated color I can bring that
color in here like so and we're just
going to gently blend that in and you
can see now the nose starts taking out a
more fleshy transparent appearance if
you want more of a flesh tone look you
can even use a redder Hue and apply that
to the cheeks now your character looks
like he's blushing what could he be
blushing for I don't know maybe he just
saw you on the toilet so you see these
very subtle Hue shifts become available
to you as you start adding more
complexity and that's how you color your
drawings or at least that's how I do it
that's it's always worked for me all
right might not work for you can even
start to find some of the ambient light
like for example on his forehead there's
a lot of blue light because the sky is
casting a blue light down on you so
we're going to take a bluish color here
all right and we're going to just glaze
that over the forehead very lightly and
you can get that blue on any surface
that's facing upwards Towards the Sky
because of that ambient lighting see now
we have 1 2 3 4 5 6 maybe seven colors
here now and they're all blending into
each other there's soft transition the
variation of color really starts to pick
up you know you can get some bounce
light here just under the chin like that
with a nice bright orange color again
using a blending brush blend that out
nice and smooth Jesus that's nice oh if
only I look like that and just to wrap
this up I'm going to show you guys that
you can do this with any subject any
lighting scenario doesn't have to be
harsh sunlight okay here is my chicken
chicken just remember what we talked
about okay we're going to start with one
main color okay and then we're going to
go on to the the secondary color which
is the color of the Shadow so it's going
to be a little bit more muted maybe a
little bit warmer Alpha lock that layer
then we're going to come down and apply
that shadow color now even though it is
a very soft Shadow what I'm doing here
is I'm trying to identify the transition
between light and Shadow if you squint
your eyes and take a step back you can
kind of determine that the main
transition occurs here so that's the
break between the shadow side and the
light side so there's the light there's
the Shadow and just for good measure
we're going to add in his little wings
here as well we're going to take that
light color and we're going to start
adding an even lighter color in this
case I'm going to start using an
airbrush and just get that nice soft
color in there in the reference I see
the shadow mostly under the wing and the
eye and maybe a little bit down here
towards the bottom of the chicken a
little dark shadow under the wing a
little bit of Darker Shadow under the
chicken just like that that's a bit too
dark now I'm going to take our blending
brush gently work these colors in nice
and soft like so okay you don't even
have to blend them if you prefer a more
rough looking style now coming back to
this Edge between the light and the
shadow we're just going to soften that
now the wing smooth now the other Wing
smooth and would you look at that right
we started with two colors added two
more colors started blending the edges
and look how three-dimensional that
chicken looks I can practically eat it
you're not safe here see after this
stage you can start adding even more you
can start adding some bounce light right
you want to add some bounce light at the
bottom bottom for the table you can add
some ambient Lighting in the back you
can do the exact same process with the
eyeballs let's get a bluish color for
the light section and a darker warmer
bluish color for this Shadow section
okay and then we're going to Alpha loock
this layer color in your shadows now I'm
going to add an even lighter highlight
just on this side I'm going to blend all
of this out nice and smooth add in his
little Iris you can add in a highlight
just on top of that and would you look
at that what a beautiful eyeball now we
can move this eyeball here we can
duplicate this
eyeball oh my goodness so now let's take
some of that yellow color let's add some
beautiful bounce light to the bottom
side of these eyeballs just like that
look at that get a nice Dark Shadow
ambient occlusion under the eyeballs
just like that blend this out soften it
up and look at these stunning
results simple process that took about
what 5 minutes it's all about going from
Big to small simple y that process for
yourself treat your brain as though it
is the size of a bean and has zero
wrinkle of course practice is the only
way you're going to get better so try
this out for yourself okay go find
yourself a chicken and hopefully after
watching this video you guys are no
longer scared of adding color to your
line art thank you so much for watching
all the way to the end I hope this has
been helpful to you if you want to get
even more in-depth longer tutorials
check on my patreon I upload every
single month in fact just after this I'm
going to be working on our tutorial for
May which is is going to be on all the
essential tools and tips that I use for
my digital art process again a very
beginner friendly video hopefully to get
you guys up off your feet so that if
you're joining the patreon if you're a
new member you're starting off with a
very solid foundation for your digital
art anyways that's pretty much it
subscribe to my channel for more content
like this I will be doing more tutorials
in the future for you guys and um I love
you guys and I'll see you on the next
video did I forget anything I don't
think I forgot anything was that it was
that
it hey buddy how you doing buddy look at
him he's learning how to fly what
amazing
athleticism what Grace such beauty
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