How To Get Started Learning How To Draw Comics

Summary

В этом видео-скрипте рассматривается процесс изучения рисования комиксов. Автор рекомендует начать с оснований, изучая книгу 'Как рисовать комиксы на манер Marvel'. Основываясь на гестарном рисовании, рекомендуется создавать фигуры, затем изучать пропорции и анатомию, используя упрощенные схемы, такие как те, что представлены в работе Барта Сира. Далее подчёркивается важность практики, включая гестарные рисунки из комиксов, для освоения анатомии на рисунке и развития собственного стиля. В заключение, подчёркивается необходимость терпения и систематичности в изучении.

Takeaways

• 📚 Начните изучение рисования комиксов с фундаментальных знаний, рекомендуется книжка 'Как рисовать комиксы по-марвелевски' от Станли и Джона БМА.
• 🤔 Игнорируйте сложные аспекты, такие как перспектива, рассказ, композиция и освещение в начале.
• 👉 Сфокусировавшись на первоначальных шагах, вы должны научиться делать гестурные фигуры для быстрого определения фигуры в пространстве.
• 🔍 Гестурные рисунки могут быть сложными вначале, но со временем станут более естественными и плавными.
• ⏱️ Для начала выделите два часа на практику гестурного рисования.
• 🧍 Пропорции в комиксов обычно отражают фигуры, состоящие из 8,5 головных высот.
• 📏 Используйте ощущение пропорций, вместо точного измерения, для быстрых проверок ваших фигур.
• 💪 Постепенно добавляйте анатомию на свою фигуру, используя упрощенные формы, такие как шары и футболки.
• 🎨 Изучайте анатомию, не углубляясь в слишком детальную информацию, для простоты и понимания основ.
• 🔗 Соединяйте свои знания об анатомии с гестурным рисованием для улучшения понимания и применения на фигурах.
• 🔄 Практикуйте анатомическое рисование на различных позициях фигур, не допуская утомления и перегрузку.
• 👀 Изучайте работы других художников, создавая гестурные рисунки с их фигурами, для развития собственного стиля и понимания.

Q & A

Какой подход к изучению рисования комиксов рекомендуется в скрипте?

В скрипте рекомендуется подходить к изучению рисования комиксов постепенно, начиная с основных шагов и не переживая о перспективе, рассказе, компоновке панелей или освещении вначале.

Какую книгу по рисованию комиксов автор рекомендует для начала?

Автор рекомендует книгу 'How to Draw Comics the Marvel Way' от Станли и Джона БМА, которая охватывает все аспекты рисования комиксов, начиная с основ и заканчивая более сложными концепциями.

Что такое гестурный рисунок и почему он важен для изучения рисования?

Гестурный рисунок - это способ быстрого определения фигуры, которую можно двигать в пространстве и экспериментировать. Он является наиболее важным фундаментальным шагом в изучении рисования, так как дает основу для дальнейших изысканий.

Какую технику автор предлагает для изучения анатомии фигуры?

Автор предлагает технику БАРТ Сизерса, которая сводится к изучению анатомии через простые, объединяющиеся формы, что делает процесс изучения более понятным и доступным.

Каковы основные пропорции, которые следует знать при рисовании комиксов?

Стандартная комиксовая фигура составляет 8,5 головных высот, хотя и можно идти до 9,5 в зависимости от стиля. Однако рекомендуется не уходить ниже 8,5, чтобы поддерживать героический характер фигуры.

Каким образом автор предложил избежать излишней детализации при изучении анатомии?

Автор рекомендует избегать излишней детализации, вместо этого предлагая использовать простые формы и схемы, такие как шары и футболки, для быстрого определения основных анатомических элементов на фигуре.

Чем автор занимается на протяжении своего карьеры?

Автор, Дэвид Финч, является художником комиксов и занимается этим почти 30 лет, работая в основном с Marvel на проектах таких как X-Men, Avengers и Moon Knight.

Какую книгу автор выпустил, чтобы представить свои работы?

Автор выпустил книгу под названием 'The Marvel Art of David Finch', в которой представлен ряд его работ, включая работы над X-Men, Avengers, Moon Knight и другими.

Чему автор посвящает следующий этап изучения после освоения основ анатомии?

Следующим этапом после освоения основ анатомии автор предлагает изучать анатомические учения других художников и более высокие порядки концепций, разрабатывая способность применять их к своим собственным рисункам.

Какую рекомендацию автор дает для улучшения понимания анатомии на практике?

Автор рекомендует проводить гестурные рисунки фигур из комиксов, которые по его мнению работают хорошо на странице, чтобы развивать навыки применения анатомии к динамически разнообразным фигурам.

Какую технику автор использует для избегания излишней детализации при изучении анатомии?

Автор использует технику, основанную на простой схеме, где анатомические части фигуры представлены в виде простых форм, таких как шары и футболки, чтобы избежать излишней детализации и сконцентрироваться на основных структурах.

Outlines

00:00

📚 Начало изучения комиксов

В этом параграфе автор обсуждает, как начать изучать рисование комиксов, предоставляя рекомендации по структурированному подходу. Он предлагает игнорировать многие аспекты, такие как перспектива, рассказ и расстановка панелей, сосредоточившись на первоначальных шагах. Рекомендуется прочитать 'Как рисовать комиксы по-марвелью', чтобы получить основные знания. Автор подчёркивает важность изучения гестурального рисунка фигуры, который позволяет быстро определить фигуру в пространстве. Также он делится своими советами по изучению пропорций в рисунке, используя примеры из книги и собственные примеры.

05:00

🤔 Основы пропорций и анатомии

Второй параграф посвящён изучению пропорций и базовой анатомии для рисования комиксов. Автор рассматривает стандартные пропорции комиксов, такие как 8,5 головного высоты, и дает советы по определению пропорций без использования линейки. Он также вводит технику Барта Сиара для изучения анатомии, используя простые формы для обозначения мускулов и костей. В заключение автор подчёркивает важность практики и советует изучать анатомию, изучая рисунки других художников.

10:02

🎨 Применение анатомии в рисунке

Третий параграф фокусируется на применении анатомии к рисованию фигур. Автор демонстрирует, как использовать простые геометрические формы для изображения мускулов и других частей тела, следуя методу Барта Сиара. Он подчёркивает, что важным является не только понимание анатомии, но и умение применять её к рисованию динамичных фигур. Автор рекомендует постоянно изучать анатомию, путём создания гестуральных рисунков из комиксов, что поможет развить навыки и понимание.

15:02

🌟 Развитие навыков и изучение анатомии

В заключительном параграфе автор подводит итоги процесса изучения рисования комиксов, подчёркивая важность практики и изучения анатомии. Он дает советы о том, как постепенно развивать свои навыки, начиная с гестуральных рисунков и переходя к более сложным анатомическим структурам. Автор также делится своими личными источниками вдохновения и опытом, подчёркивая, что основы, которые заложены в этом уроке, являются ключевыми для дальнейшего развития в области комиксов.

Keywords

💡Комиксы

Комиксы - это жанр изображений, который включает в себя иллюстрации, часто с текстом, рассказывающим историю. В контексте видео, это означает, что основной темой является создание иллюстраций для комиксов. Примеры в скрипте включают рекомендации по изучению оснований рисования для комиксов и обсуждение техники рисования персонажей в стиле Marvel.

💡Структурный подход

Структурный подход в видео подразумевает последовательный и систематический метод изучения рисования комиксов, начиная с основ и постепенно добавляя новые элементы. Это важно для предотвращения путаницы и для эффективного освоения навыков, как показано в начале видео, рекомендуя игнорировать некоторые аспекты, такие как перспектива и расстановка панелей, для сосредоточения на первоначальных шагах.

💡Гестурный рисунок

Гестурный рисунок - это техника, которая позволяет быстро и свободно набросать фигуру, передавая движение и позу без подробностей. В видео это технология, которую рекомендуется изучить первоначально для того, чтобы разработать способность быстро устанавливать фигуры в пространстве, что является фундаментальным шагом в изучении рисования.

💡Пропорции

Пропорции - это отношение размеров частей фигуры друг к другу. В видео упоминается, что стандартная комиксовая фигура имеет высоту в 8,5 голов, что является основой для измерения пропорций тела и является ключевым элементом в создании реалистичных или героических фигур.

💡Анатомия

Анатомия в контексте видео - это изучение структуры человеческого тела для более реалистичного и точного изображения фигур. Автор рекомендует использовать упрощенные анатомические формы, такие как шары и футболки, для обозначения мускулов и костей, что упрощает процесс изучения и применения анатомии к рисованию фигур.

💡Барт Сейрс

Барт Сейрс - автор техники анатомического рисования, которая упоминается в видео как эффективный метод обучения основам анатомии для рисования. Его техника включает упрощенные геометрические формы для представления мускульной системы, что делает изучение более доступным и менее сложным.

💡Гестурные рисунки из комиксов

Это практика создания гестурных рисунков, основанных на фигурах из существующих комиксов, для улучшения понимания динамики и позы. В видео рекомендуется изучать и повторять действующие работы других художников, чтобы развить свои собственные навыки рисования фигур.

💡Дэвид Финч

Дэвид Финч - профессиональный художник комиксов, упоминается в видео как автор, имеющий богатый опыт работы в индустрии. Он приводится как пример того, как изучение основ и последующая практика могут привести к карьере в области комиксов.

💡Художественная практика

Художественная практика в видео подразумевает процесс непрерывного рисования и повторения фигур и анатомии для развития навыков. Это включает в себя создание большого количества гестурных рисунков и изучение анатомии на практике, что позволит художнику улучшить свои работы с течением времени.

💡Аннотации

Аннотации в видео используются как способ добавления подробностей и разработки анатомии на фигурах. Это включает в себя обозначение мускульной системы и костей на гестурных рисунках для лучшего понимания их взаимосвязи и влияния на общую форму фигуры.

Highlights

The importance of a structured approach to learning comic drawing to avoid unnecessary roadblocks.

Recommendation to start with foundational steps rather than advanced techniques like perspective, storytelling, or lighting.

Suggestion to begin with 'How to Draw Comics the Marvel Way' by Stanley and John Buscema as a comprehensive guide for beginners.

The necessity of learning to draw a gestural figure as the most fundamental step in comic drawing.

The challenge of drawing gestural figures and the natural progression towards a more fluid style.

The advice to practice gesture drawing for two hours on the first day to establish a basic understanding.

The significance of proportion in comic drawing with the standard figure being 8 and 1/2 heads tall.

The method of estimating proportions by eye rather than using diagrams or rulers for a more natural approach.

The process of checking figure proportions quickly for consistency without precise measurements.

The recommendation to focus on the first stages of drawing for at least two to three days to solidify the foundational skills.

Introduction to Bart Sears' technique for simplifying anatomy in comic drawing.

The approach of using simple shapes to understand and draw basic anatomy on figures.

The importance of not overcomplicating the anatomy of the pelvis area in comic drawing to avoid distraction.

The method of connecting simple shapes to form muscle groups and anatomical landmarks.

The practice of doing gesture drawings from comics to understand and replicate dynamic figures.

The emphasis on learning basic anatomy and applying it to different figures to gain proficiency in comic drawing.

Transcripts

so you've decided that you want to learn

how to draw Comics but it's incredibly

daunting and you can waste countless

hours skipping around and running into

roadblocks that really aren't necessary

if you take a slow structured approach

so in order to start we're going to

ignore a lot of things we're not going

to worry about perspective or

storytelling or panel layout or even

lighting at this point what we're going

to do is just focus on the initial steps

that you need to start you're sitting

down and you want to start drawing and

so what I recommend is that you get

yourself a copy of how to draw Comics

the Marvel Way by Stanley and John BMA

it really covers the entire business

from start to finish in not great detail

but it's all foundational it has all the

information you need to get started but

we want to start putting our pencil to

paper and so what's the first thing that

we need to do what we need to do first

is learn how to draw a gestural figure

and we could worry about proportions but

we need to just be able to quickly

establish a figure that we can start to

move around in space and start to play

with without this we really have nowhere

to go and this really is the most

important fundamental foundational step

that you can take in your drawing and

I'm kind of looking at a a drawing by

John bemma in the how to draw comics of

Marvel way book and you're going to find

when you do this yourself if you haven't

done these at all or not much they're

going to be a little bit difficult and

they're going to be a little stiff but

that's all right because it gets much

more natural and flowing as you go along

I'm not going to go into a huge amount

of detail about what all this is I've

got videos that really cover how to do

uh gesture drawing well and it goes

really kind of in depth and so we're not

going to do that here what I want to do

is really just show you a way to kind of

get started and so I'm going to go ahead

and draw this figure this is straight

from the how to draw Comics the Marvel

way book I'm not being 100% accurate

with it probably but it's really not the

point right now the point is to just get

started drawing figures I don't want to

worry about any kind of detail any kind

of anatomy what I want to do is just

start putting a figure on the page and

so there's one this isn't anywhere near

as effective as JN bema's figure uh it's

much better but the more you do these

the better you'll get at it and I've

been doing these for years so you'd

think I'd be a little bit better at this

but there you go there's my attempt at

jum bmus figure uh here and what you

need to do from here is is spend the

first couple hours I'm going to say two

hours of your first day just doing these

and so let's go ahead and just do one

more quickly here's another figure from

his book and I really recommend copying

these figures specifically because he

does it really really well these are a

really great starting point for drawing

figures and if you go right into figure

drawing from life if that's the way you

choose to go or you look at other Comics

uh none of these figures are broken down

in this way they're all drawn with a lot

of detail and that can be very very

confusing when you're trying to just

learn how to put a figure together so I

really recommend you play with these

figures before you move on and try to

draw from other Comics or from life this

takes away everything but what you

essentially need to know at this stage

and so now after I've drawn a whole

whack of these the next stage that I

need to worry about and let's call this

hour three of day one is going to be

proportion I don't recommend that you

draw figures and you measure them out

and do all the proportions in a measured

way like some kind of diagram maybe that

can be helpful I don't personally like

to learn that way it's very very dry and

when things get too dry I really lose

interest but what you need to know is

that a standard comic book figure is 8

and 1/2 heads tall and you can go a

little bit higher you can go more

towards 9 and 1 half even and it can

really work and you'll see artists that

do that I really don't recommend that

you go less than 8 and 1/2 heads tall

because these are heroic figures and and

when figures start to get too short or

the head's too large for the figure it

really stands out in a negative way and

so the way that I'm going to use

proportion instead of having to draw

these diagrams and do all this stuff

what I'm going to do is I'm going to

measure my head is just about that big

I'm going to do this all by

eye so my neck is going to be a half a

head tall right there and then my chest

down to the bottom of the chest should

be about the same height as the head and

I think that's about right and then

we've got another division about a head

height here which is just about the

waist we've got another one that should

be at about the crotch another one

halfway down the legs and then the

bottom of the knees should be another

one and look at this I'm starting my

natural figures and I said I was making

the legs too short I tend to draw a

little bit more like N9 a heads tall so

you'll have to bear with me a little bit

so I'm here I think I went a little bit

High there and that's going to be about

8 heads High here and all this is a bit

of an estimate and it's just a really

good way for you to be able to check all

of your figures quickly you don't want

to be you don't need to be breaking out

a ruler and measuring these all

accurately what you need is a good

General sense about halfway down your

legs should be another division then

your ankles is one more division again

none of these are perfect but I'm not

entirely worried about that what I want

is a good General sense and then and

also my legs are are spread out so it's

going to affect maybe the length or

maybe I'm just telling myself that and

then the feet are your other half and

that's where you get the half so these

two together that's a quarter that's a

quarter that represents a half here so

eight eight and 1 half heads tall

approximately we're going to do the same

thing with this figure here so here's my

head here my neck will be a quarter down

to the bottom of my chest there's

another head the top of my waist is

another head bottom of the crotch is

another head halfway down the legs will

be another head bottom of the knees is

another head this figure is working out

a little bit better and you can see how

much variation I have for my own figures

here's another another and then the feet

is another quarter which represents 8

and 1/2 heads tall and you should be

able to do this with all of your figures

and you can see how quickly and easily I

was able to get those divisions without

having to do this diagram and do all

this nonsense do this with all of your

figures you've got a bunch of them on

the page hopefully it gets tougher when

they're in more unusual or seated

positions but really I wouldn't worry

about that right now what you want to do

is just make sure in general your

figures are proportional another thing

to bear in mind I'm going to lower my

arm here my elbow should be right about

at this line here and my hand should be

just below the crotch and so that really

kind of gives you all the measurements

that you need to get started drawing

these kinds of figures and by now after

having done all this drawing all these

figures measure them out you should be a

good you should be a good 3 or 4 hours

into your first day if you're young and

have no responsibilities you can do this

all day and you have all the time in the

world if you don't what you want to do

is really use your time strategically as

possible so you might have to take this

first step and use just an hour and then

this next step and take a half an hour

and just space it out over more

[Music]

[Music]

days

I'm David Finch I've been a comic book

artist for almost 30 years been with

Marvel for years and years my first

Marvel project was X-Men and X-Men is

really the stuff that got me into Comics

that was the book that I I first saw and

just made me a big comic fan uh all of

the old classic X-Men stuff with John

burn and Chris Claremont uh then I did

Avengers which is another classic Marvel

comic and it was a huge thrill to do I

did moonnight a character that I think

more people know about now than did when

I did the book they had a great TV show

so that was a big one for me the Marvel

art of David Finch has a range of the

different work that I did over 10 years

at Marvel and then over the years since

I've done a lot of covers and some

different things um it's got X-Men and

Avengers and moonnight and some Hulk

pictures a huge Hulk fan basically every

character you can think of practically

I'm sure you can beat me on that one but

I've got a lot in there and uh yeah it's

it's some of my favorite work some of

the work that I'm most proud of uh we

tried to keep it down to the work that

that I think really represents uh that

period of my career the most I'm very

very excited about this it has so much

work that I'm incredibly proud of and uh

a bunch of other things a lot of other

things and it's all in the book thank

you to all of you for your support for

this project and really for my career I

love what I do I wake up every morning

and I get to draw pictures and it's

because of you so thank you very very

[Music]

much the next step from here and this

could be later in the same day after you

grab some coffee and some lunch or it

can be the next day really depends on

just how quickly you want to try and

internalize all this but you do need to

bear in mind that there is only so much

that you can taken in one day your

figures are probably going to look stiff

and that's slowly something that will

get better as you go along and so for

the first 2 days at least and I really

recommend that you should do more like

three this is all you should be doing

don't worry about anything else there's

just so much to take in and you will

burn yourself out you want to just focus

on getting this stage down it's the most

important stage in drawing drawing

Comics or really any kind of

illustration where you're having to

create figures everything else branches

from this so here we are it's day three

already and we have our simple figures

kind of worked in and we're going to

start with that today because everything

that we do is based on this and this is

why it was so important to really just

focus on this for the first couple of

days and I'm just going to get this

drawn in you'll find that these shapes

get easier and easier for you to create

on your own uh as you go and so there's

my basic figure I've got everything I

need to get started but what I want to

do now is start to establish Anatomy you

think but wait I don't know any Anatomy

I'm really not ready to do that and you

have two options you can either start

pouring through anatomy books and get it

all into detail with all of these no

skin anatomical drawings that that can

really widely vary from each other from

from drawing to drawing it can be a real

hassle what I really recommend you do is

go with the BART seers technique I'm

looking at a Bart's drawing right now

Bart's Anatomy is very very good and

it's very clear there and so I'm going

to go ahead and I'm going to draw my

chest that's going to be but just about

a head high right here and I'm looking

at B ears and drawing in the the basic

shapes that he's got and he is very good

at being able to break a figure down

just in terms of a very very simple

connecting shapes and this is all you

need right now now he gets much more

into detail with it in his own work and

it's absolutely beautiful but in its

basic level I think it's really the

greatest way to start getting

comfortable with anatomy and using it on

a figure so my deltoid is a three muscle

bit and I'm just going to draw that in

just like that it connects into my chest

just like this and you can see it in his

drawings he does it so accurately you

can really start to get a sense of it

just like this and after this stage you

can start to go into much more detail

about how all of this works really get a

great understanding but what we want

right now is just to be able to throw

some Anatomy on a figure and make it

work well I've got my rib cage here and

that's an important Landmark because so

much is going to attach to it my stomach

is going to come down through here just

like this nice and simple I've got just

some simple shapes drawn in here I'm not

worried about giving them a nice shape

and making them really beautiful to look

at I'm just getting all of my basic

anatomical shapes blocked

in just with simple balls and connecting

essentially footballs uh something I

learned from from Jim Lee there another

shape here connecting

in I've got my pelvis here uh as a comic

artist I highly recommend you don't go

into a great deal of detail in that area

because it can start to be very

distracting so we keep it very

simple so on my leg I've got this

connecting shape I've got my central one

here I've got a long tendon kind of a

muscle here uh I've got this muscle here

and you see I'm just connecting these

kind of football shapes you'll need to

learn where these go but this is how you

do it there's really no shortcut to this

except for finding somebody that does it

like Barts and a really really simple

easy way to understand here's my knee

here I've got this part here another

part here again I'm going going with

just really simple shapes to describe

these as to the other leg I've got this

shape here we're looking at more of the

side of the leg and you can see it I'm

looking at Bart's drawing he shows it

very very well so that's a real help

that shape

there that connects in like this I've

got a shape

here and I'm making sure all of my

muscles essentially connect in and I'm

creating a diagram for myself of all the

muscles on the body

really simply I don't want to be worried

about any kind of flow or anything I

just want everything to connect and this

is an initial stage of your learning and

it's a really simple way to start

getting all of your Anatomy working on a

figure without driving yourself crazy

with with a lot of needless detail so

it's just simple sketched in

shapes got a muscle shape

here another one here I'm just going to

draw this as a simple shape coming out

to here and you can see I really have

very little detail there but I'm not

looking for anything that looks great

what I'm looking for is just a really

simple Anatomy to get me started my

tricep was going to connect here my

bicep is here there's a central muscle

that connects just in like that I've got

this muscle shape

here another one here very simple I've

got all these striations and everything

here but we're going to make it as

simple as we can I'm going to connect

down to the the hand there's a bone

there and there's all the different

details none of that's really important

right now we just want something that's

going to work

as simplified

anatomy and so there we go that's really

the next step in your learning being

able to start getting figures working

like this let's make sure to connect

this up and so there we go what I

recommend you do now my assumption this

should take you quite a bit longer so

you're going to struggle with it you'll

have to really be looking back and forth

at the reference and really get all of

these connections and you'll slowly

start to get a feel for it but the way

you really get a feel for it is to start

really connecting this stage with the

first stage and so this leads naturally

into our next stage which I highly

recommend that you do your whole career

and that is to go through comics and do

gesture drawings constantly of figures

that you think work really really well

on the page if they're very dynamic or

just have a lot of character and anyway

whatever it is that appeals to you you

want to be able to recreate that in your

own art and so for my example here I'm

going to find uh a figure in this

Daredevil book by Lee weeks from 91 a

long long time ago and let's just flip

to something just kind of random I want

to find something relatively simple and

here we go this is a more of a simple

figure I don't want to stretch myself

too much at this stage while we're

really kind of learning and try and do

figures that are really heavily bent

over and require a lot of additional

things we want to keep this as simple

for ourselves as we can starting out and

so I'm going to use this as my basis for

a really simplified figure and you can

see already why I really wanted you to

just focus on just copying simple

gesture drawings instead of copying

something like this because it's very

easy to get lost in some of the detail

in the anatomy I'm definitely going to

end up with um some variations in what I

draw from the uh original reference and

that's totally okay for you to you

really don't need to worry about about

copying it accurately that's not the

point of what we're trying to do here

don't skimp too much on the hands

because it will become a weakness for

you for years to come if you just draw

simple balls you really want to at least

make an attempt to kind of get that hand

in there and so it's pretty simple it's

not much there but it's at least better

than just going ah and skipping it there

we go and there are so many nuances to

Anatomy for instance this muscle here is

lower than this muscle and then your

ankles are really the opposite way and

this is all stuff that you'll have to

learn as you go along but we're not

there yet and so from here I'm going to

lighten this down to give myself a

framework so I can start to put my

Anatomy on there and I've got this

picture here but I'm really not going to

be using that because what I want to do

is try to make the basic anatomy that I

learned work on different figures and so

so I've got my three tricep or my three

deltoid muscles here just like

that my colar bone here I've got this

muscle here my central muscle my tricep

muscle I've got a muscle here coming out

into this

[Music]

here this gets a little bit confusing

some of the the way these connect but

this is why I want to keep it as simple

as possible I've got a muscle here got a

little bone here and I draw that as a

ball my elbow and then I've got a few

pieces coming out through here it really

doesn't need to be great and so here's

my deltoid on the other side I've got my

three muscles connecting in here my head

let's just get that kind of redrawn in

here my neck is going to connect

here my chest is going to be just about

there just like this

and these muscles are going to stri down

in through

here from my shoulder from my uh deltoid

just about like that rib cage I'm going

to draw balls for my seratus and just

connect it really simply again I'm not

worried about detail not worry about

making it pretty my stomach is going to

connect down through here draw these

just as simple balls again just keep it

really

simple I've got my pelvis here again I'm

not going to really be putting a lot

into that uh it's just going to be about

like that and now I've got my leg

muscles and I've already Lish this here

and you should have been drawing this

quite a few times by now so it should be

fairly easy for you to just take your

muscles and start connecting them

through where they go and again you can

see how quickly I'm doing this uh it

needs to be something that you can just

sketch in very very quickly because

you'll be doing this countless

times and the better you are at doing

this eventually you'll get to the point

where you really don't need to do this

stage you can kind of see the anatomy

there and you can just start to draw it

but that takes years and until you get

to that point you really want a way to

be able to get your Anatomy draped on a

figure

easily and so there we go I've got my

figure drawn in it's not incredibly

pretty but I've got all the anatomy

working on it and what you need to do is

do a lot of these until you really

really start to get comfortable getting

all of the basic anatomy working on a

figure so much more effective than

trying to go through Anatomy magazines

or anatomy books and all of the little

intricate detail that can bog you down

for years so that really covers the next

step of our learning in the next video

we're going to take everything that

we've learned so far and start to

develop it further by looking at other

artists anatomical studies and and some

higher order Concepts and we'll break

down exactly how to structure that but

in the meantime thank you so much for

watching and I will see you in the next

video