Materi 25: Struktur Teks Profil Tokoh Kanggo Kelas 7
Summary
TLDRThe video script discusses the life and contributions of Ki Manteb Sudarsono, a renowned Indonesian Wayang Kulit puppet master and cultural figure. It highlights his background, achievements, and his impact on Indonesian culture, particularly his innovations in Wayang Kulit performances. The script covers key aspects of his life, including his upbringing, artistic skills, and his influence on future generations. The structure follows a biographical narrative, breaking down his journey from childhood to becoming a respected artist and role model for the younger generation.
Takeaways
- đ Ki Manteb Sudarsono is a renowned Wayang Kulit puppeteer and cultural figure from Sukoharjo, Central Java.
- đ He was born on August 31, 1948, in the village of Jatimalang, Palur, Mojolaban, Sukoharjo, Central Java.
- đšâđ©âđ§âđŠ He came from a family of traditional puppeteers, with his father being a famous puppeteer named Harjo Brahim Harjowiryono.
- đ Ki Manteb was trained from a young age by his father to become a highly skilled puppeteer.
- đ His formal training in puppetry was influenced by the well-known puppeteer Ki Nartosabdho, whom he studied under.
- âïž His interest in kung fu films, especially those featuring Bruce Lee, inspired his unique acrobatic puppetry techniques.
- đ Ki Manteb became famous for his expertise in the 'sabet' (sword movement) technique, which he mastered and innovated.
- đ His work gained international recognition, and his performances contributed to the preservation and modernization of Wayang Kulit.
- đš He introduced innovations in puppetry, blending traditional and modern styles, and made the performances appealing to both local and global audiences.
- âïž The structure of Ki Manteb's profile consists of an orientation, significant life events (Prastowo), and a reorientation where his influence and contributions are summarized.
Q & A
What is the main topic discussed in the script?
-The script discusses the structure of a biographical text about Ki Manteb Sudarsono, a renowned Wayang Kulit puppeteer, and the importance of profiling historical figures.
Who is Ki Manteb Sudarsono?
-Ki Manteb Sudarsono is a famous Indonesian Wayang Kulit puppeteer (dalang) and cultural figure known for his exceptional skills in the traditional art of shadow puppetry.
What are the three main parts of a biographical text structure mentioned in the script?
-The three main parts are: orientation, events (Prastowo), and reorientation (conclusion).
What is the purpose of the 'orientation' section in a biographical text?
-The orientation introduces the subject of the biography, including their name, place of birth, and family background.
What kind of information is provided in the 'events' (Prastowo) section of a biographical text?
-The 'events' section describes significant moments and achievements in the subject's life, detailing important events and experiences.
What is the 'reorientation' section of a biographical text?
-The 'reorientation' serves as the conclusion, summarizing the writer's opinions or reflections on the subject's life and legacy.
How is Ki Manteb Sudarsono described in the orientation section of his biography?
-Ki Manteb Sudarsono is introduced as being born on August 31, 1948, in Sukoharjo, Central Java, as the son of a traditional puppeteer family.
What were some of Ki Manteb Sudarsono's notable achievements in the 'events' section?
-He is recognized for his mastery in puppetry, learning from his father and other renowned dalangs, and innovating Wayang Kulit performances, particularly with his acrobatic and fast-paced puppetry techniques inspired by Bruce Lee's films.
What role did Ki Manteb Sudarsono's family play in his career as a dalang?
-His father, Ki Harjo Brahim Harjowiryono, was instrumental in shaping his puppetry skills by taking him to performances and mentoring him from a young age.
What message does the conclusion of Ki Manteb Sudarsono's biography aim to convey?
-The conclusion emphasizes Ki Manteb Sudarsono's lasting influence on the younger generation and his role in preserving the cultural heritage of Wayang Kulit for future generations.
Outlines
đ Introduction to the Legacy of Ki Manteb Sudarsono
This paragraph introduces Ki Manteb Sudarsono, a renowned Indonesian wayang kulit puppeteer and cultural figure. It begins by explaining the importance of his contributions and emphasizes the need for younger generations to appreciate and follow in his footsteps. The paragraph also discusses the structure of a biographical text and introduces the format of the upcoming sections, which will focus on Sudarsono's life, including his birth details, family background, and his journey as a puppeteer.
đ¶ Early Life and Family Background
This section provides detailed information on Ki Manteb Sudarsonoâs early life. Born on August 31, 1948, in Jatimalang, Sukoharjo, Central Java, he was raised in a family of traditional puppeteers. His father, Harjowiryono, was also a puppeteer, and his mother was named Teti. The text highlights Sudarsono's early influences, particularly from his family, and mentions his siblings, emphasizing the strong cultural and artistic environment he grew up in.
Mindmap
Keywords
đĄTeks Profil Tokoh
đĄKi Manteb Sudarsono
đĄWayang Kulit
đĄOrientasi
đĄPrastowo
đĄReorientasi
đĄDalang
đĄSabet
đĄInovasi
đĄBruce Lee
Highlights
Introduction begins with a greeting in Indonesian, emphasizing respect and setting a formal tone.
The speaker explains the importance of understanding biographical texts, specifically in the context of Indonesian historical figures.
Ki Manteb Sudarsono, a renowned Wayang Kulit puppeteer and cultural figure, is introduced as the primary subject of study.
Born on August 31, 1948, in Jatimalang, Sukoharjo, Ki Manteb Sudarsono is a central figure in Indonesian art and culture.
He inherited his talent from his father, Ki Harjo Brahim Harjowiryono, a traditional Wayang Kulit puppeteer.
The structure of a biographical text is broken down into three main parts: orientation, sequence of events, and reorientation.
The orientation phase covers the introduction of Ki Manteb Sudarsono's background, including his birth and family details.
Ki Manteb Sudarsono's early life is marked by rigorous training under his father, shaping him into a skilled Wayang puppeteer.
He began his formal education in Wayang performance under the guidance of Ki Nartosabdho, a famous puppeteer.
In the 1970s, Ki Manteb Sudarsono introduced acrobatic and dynamic puppeteering techniques influenced by Bruce Lee's Kung Fu films.
His innovative styles, like his 'sabet' (movement of the puppet), brought a fresh approach to the art of Wayang Kulit.
The middle sections of the biographical text, known as sequence of events, emphasize Ki Manteb's career highlights and his contributions to the evolution of Wayang.
Ki Manteb Sudarsono's influence extended internationally, earning him recognition beyond Indonesia's borders.
The reorientation section offers a reflection on Ki Manteb Sudarsonoâs legacy, emphasizing his importance as a cultural icon.
His ability to merge tradition with modern innovation made Wayang Kulit more accessible and appealing to younger generations.
Transcripts
Halo
assalamualaikum warahmatullahi
wabarakatuh porosilmu atau manekin pas
02 esok cukup tinggal jalan kita
membentuk make it Apakah teks profil
tokoh
[Musik]
Hai porosis workshop oseng Tokoh
nasional yang gede lelabuhane Malangbong
shalat negoro Indonesia waktu itu sempet
ditempuh kanggo materi yuk with profil
tokoh Ki Manteb Sudarsono
gimana tetap Sudarsono klebus salah siji
ne Tokoh seniman dalang Wayang Kulit Lan
budayawan lelabuhane pantas diapresiasi
lanjut diteladani dinding Poro generasi
muda
Ya udah sakdurunge mlebu marang struktur
teks profil tokoh Ki Manteb Sudarsono
mayo disinau wdc
Hai pangerten teks profil tokoh
teks profil tokoh iku Ugo diarani teks
biografi
Hai teks profil tokoh kalebu jenise teks
narasi dan gambar raket toko Holland
kejadian sing tahu dialami dening tokoh
tersebut
struktur teks profil tokoh
kuwi ono telu siji
orientasi floro Prastowo telu
reorientasi
saiki Ayo disinau siji Mbak posisi Deni
materi Kang digunakake
ya klip teks profil tokoh anti rataan di
Manteb Sudarsono
Hai para siswa struktur teks profil
tokoh mau cuwi orientasi
Hai orientasi Yoi nepungake tokoh umum
ngandharake jeneng papan kelahiran plan
kluarga ane
coba saiki di semak
di Manteb Sudarsono Ki Manteb Sudarsono
Mi saeng tanggal telung puluh siji
Agustus tahun Sewu sangat us patangpuluh
wolu chengdu Kung Jatimalang Kelurahan
Palur Kecamatan Mojolaban Kabupaten
Sukoharjo Propinsi Jawa Tengah
Hai
panjenengan ing sawijining Putro Soko
seniman dalang tulen y Cookie Harjo
brahim harjowiryono on ibune Kang Asmoro
Demy Teti
gimana top Sudarsono Putro Kang pambar
pegunungan adineue yogma RSI memantau
mudo Tersono two no maryono meraih
Saputro darmadi plank Suprapti
the paragraph gigi Kalau Bu
orientasi dapat tinggi nih ngandharake
jeneng papan kelahiran Lan keluargane
tokoh sing di cerita akeh Israel yo
Hai sabanjure seng keloro
Jokowi Prastowo
plestosin di carport kykuit kedadean
Wigati utowo peristiwa penting
ndak bagian Prastowo kykuu bagian kangen
darake kahanan kejadian per oseng tahu
dialami dering toko kangen jilo LAN bisa
tidak ada kaget tepo tulodo
Hai jadi
pekerja Dian yang menonjol dan berkesan
mempunyai kesan
m2 dan edubot Isma
Wiwit Timur Ki Manteb Sudarsono
digembleng dening wong tuwane supoyo
Dadi dalang Kang mumpuni
diharjo brahim harjowiryono Kerep ngajak
dalam Malik ono tanggapan saking lari
seanggun dalam anjalari anggone sinau
ing bangku sekolah orang nanti tutup
Hai minongko dalang Ki Manteb Sudarsono
Dwi bakat menjila ing babagan sabet
yaiku keterampilan yoake wayang Hai
kangkung asah bakat e panjenengane ing
tahun Sewu sangat USB tumpuk loro meguru
marang dalam misuwur Ki nartosabdho
Waning tahun Sewu sangat
bitung-balikpapan hubungan soekarwo
marang dalam alisabet Ki Sudarman Gondo
Darsono
kesenengane ndelok film kungfu Kang
diparagake denning bruslee Dadi
inspirasi anggone gawe teknik sabet
akrobatik Caca and Pak liran kan
Tigaraksa petiku mau tanya Tanda tidak
ciri khas klan bisa narik kawigaten
masyarakat pandemen wayang musannan e
ping tahun Wulung puluhan gimana tab
Sudarsono kawan ntar memang Koda Langsa
bet malah keporo saking trampil yang
guenya lagi wayang Bennington demeni
diwarnai tenger dalang setan
Hai ndak paragraf loro iki mujzak e
perangan Prastowo go mangkono paragraf
telu Lan paragraf 4 jangkepe mengko bisa
disimak ono ing link
deskripsi di
yo wes terang yo Babakan Prastowo
sabanjure
singkong ko telu yoiku pre orientasi
Hai reorientasi yeku bagian panutup
plang andharake pandangan Lan pamawase
penulis marang toko sing dicerita
Hai teladan
Hai coba di semak-semak
Hai panggung seni wayang kulit Twiki sih
remboko ing satengahing masyarakat Jowo
keporo kawentar nganti tekan monconegoro
bapikir awal sekolah gua Nike Manteb
Sudarsono kangor agenda Tanggo nindakake
inovasi gaya part liran ide gagasan e
gegayuhane langsung semangat tekim
Manteb Sudarsono tidak ada ke inspirasi
Landy tulodo dinding port dalam mode
satemah pagelaran wayang kulit bisa
Lestari minongko tuntunan ganti tatanan
Kang biso Dadi tuntunan
Hai lagi peranan
reorientasi utowo penutup
Hai proses Wow cuboh di semak-semak
Hai sajroning
teks profil tokoh Ki Manteb Sudarsono
Manawa dijingglengi paragraf siji
Hai fanwar No ijo iku minongko
orientasi
sabanjure paragraf loro telu papat iku
mujudake
Hai Prastowo Holland font sing warna
biru Sing pungkasan iku mujudake
struktur teks profil tokoh pirangan
reorientasi
Hai percaya
Hai James jelas saiki coba gladen
gule hot teks profil tokoh ono ing
internet buku utowo Kalau Wati banjur
pilah-pilah and miturut structure wenno
tenger ketondo Ndi sing kalebu orientasi
kalebu Prastowo reorientasi
[Musik]
Voir Plus de Vidéos Connexes
5.0 / 5 (0 votes)