Sony ZV-E10 II - Great BUT WITH ONE BIG PROBLEM!

Summary

このビデオスクリプトでは、ソニーの新モデル「zb1 Mark II」のレビューが行われています。特にビデオブロガー向けに設計されたこのカメラは、軽量でグリップが深く、新しい16-50mmキットレンズとの組み合わせが好評です。しかし、ボディ内イメージスタビライゼーション（IIS）が搭載されていないことが大きな欠点と指摘されています。また、ビデオ機能は充実しており、4K60fps、10bit 422レコーディングに対応。価格はボディのみで999ドル、キットレンズ付きで1,099ドルと、前モデルよりも高価になっています。

Takeaways

• 📷 ソニーの新モデル「ZV-E10 Mark II」は、ビデオブロガー向けにデザインされたカメラです。
• 🔄 カメラはよりプラスチックベースのコンポーネントを使用しており、グリップが太く深くなっており、持っているのに心地がいいです。
• 🔋 Z電池を使用することで、バッテリー寿命が向上しています。
• 👎 カメラのハンドル性は、大きな手を持つ人や大きなレンズを装着する場合、若干不満を買うことがあります。
• 🎥 背景ぼけモードと商品ショーケース機能は、ビデオ制作者にとって便利な機能ですが、いくつかの欠点もあります。
• 🔧 ズームローカーは、誤操作しやすく、ビデオ撮影中に望ましくないズームインを引き起こす可能性があります。
• 🖼️ カメラのディスプレイは、明るい外でも鮮明でカラーが良くなりました。
• 📱 タッチスクリーンでメニューを操作できるようになり、多くの設定がタッチで変更できるようになっています。
• 🎞️ 4K 60fpsのサポートがあり、5.6Kオーバーサンプリングで高画質のビデオが撮影可能です。
• 😠 主要な不満点として、ボディ内蔵のイメージスタビライザー（IIS）が搭載されていない点が挙げられます。
• 📸 写真撮影機能は2600万画素のRAWとJPEGをサポートしていますが、電子シャッターのみでメカニカルシャッターはなくなっています。
• 𓀀 価格は、ボディのみで999ドル、キットレンズ付きで1,099ドルと、前モデルよりも大幅な値上げが行われています。

Q & A

ソニーのZV-E10 Mark IIはどのようなタイプのカメラですか？

ZV-E10 Mark IIは、ビデオログ（vlogging）向けに設計されたソニーのコンパクトデジタルカメラです。

ZV-E10 Mark IIのボディーはどのくらい重いですか？

ZV-E10 Mark IIは非常に軽量で、特に新しい16-50mmキットレンズと組み合わせた際に手持ちの軽さが特徴です。

ZV-E10 Mark IIのグリップはどのように改良されていますか？

ZV-E10 Mark IIのグリップはより大きなサイズで深まり、より簡単に握ることができます。

ZV-E10 Mark IIのバッテリーは前モデルと比べてどう変わっていますか？

ZV-E10 Mark IIはより大きなZバッテリーを使用しており、より長い撮影時間を提供します。

ZV-E10 Mark IIの背景ぼけボタンはどのような機能を持っていますか？

背景ぼけボタンは、背景をぼやけさせるためのショートカット機能で、特に明るい絞り（大きな光圈）のレンズで効果的に機能します。

ZV-E10 Mark IIの製品ショーケース機能はどのように使いますか？

製品ショーケース機能は、顔と目のオートフォーカスを無効にして、製品を紹介する際に顔を邪魔にならないで撮影できるようにする機能です。

ZV-E10 Mark IIのズームローカーはどのような問題がありますか？

ズームローカーは誤って押されやすいため、望ましくないズームインビューが录制されることがあります。

ZV-E10 Mark IIの画面はどのような改良が施されていますか？

ZV-E10 Mark IIは新しい2.0ソニーメニューシステムを使用しており、明るい天気でも画面を明るく保ちながらカラーを維持できます。

ZV-E10 Mark IIは体内イメージスタビライザー（IIS）を搭載していますか？

いいえ、ZV-E10 Mark IIは体内イメージスタビライザー（IIS）を搭載していません。

ZV-E10 Mark IIの価格はどのくらいで、前モデルと比べてどうですか？

ZV-E10 Mark IIはボディのみで999ドル、新しいキットレンズ付きで1,099ドルで販売されており、前モデルの699ドルと比べて価格が大幅に上昇しています。

ZV-E10 Mark IIの写真撮影能力はどうですか？

ZV-E10 Mark IIは2600万画素のRAWおよびJPEGの写真撮影に対応していますが、前モデルと比べて機械式シャッターがなくなっています。

ZV-E10 Mark IIのビデオ機能にはどのような新機能が追加されていますか？

ZV-E10 Mark IIは4K 60fpsの記録に対応し、5.6Kオーバーサンプリングを利用して高画質の映像を提供します。

ZV-E10 Mark IIのオートフォーカス性能はどの程度ですか？

ZV-E10 Mark IIは顔と目のオートフォーカスが非常に迅速で、ビデオと写真の両方で優れた性能を発揮します。

ZV-E10 Mark IIのマイクはどのような種類があり、どれを使用することがおすすめですか？

ZV-E10 Mark IIには複数のマイクダイレクトivityがあり、しかし最も高品質の音声を得るためには、専用のショットガンマイクやL形マイクを使用することが推奨されます。

Outlines

00:00

📷 ソニーZV-E10 Mark IIのレビュー開始

ビデオスクリプトの第1段落では、ソニーの新しいブドウログカメラZV-E10 Mark IIについて紹介しています。このカメラは、前モデルと比較して多くの改良点があり、特にビデオロガーにとって魅力的です。レビューでは、カメラの外観、持ちやすさ、新しい16-50mmキットレンズとの組み合わせについて触れています。また、Z電池使用やグリップの向上、そしてボタンと操作性の詳細についても説明されています。

05:00

🔧 ZV-E10 Mark IIの操作性と改良点

第2段落では、カメラの操作性に関する詳細が説明されています。背景ぼけモードと商品ショーケースモードのボタン機能、ズームロッカーの問題、およびビデオユーザーにとってのクリアイメージズームの利点と欠点について触れられています。また、カメラのサイドに配置された周辺機器ポートや、新しい2.0のSonyメニューシステムによる表示の明るさの調整、垂直UIの導入など、改善された点が挙げられます。

10:03

🎥 自動フォーカスとビデオ能力の評価

第3段落では、カメラの自動フォーカス性能とビデオ機能について詳述されています。ソニーの顔認識と目の追跡機能の優れさ、新しいAIサブジェクト認識フォーカスが搭載されていないこと、そしてビデオモードでの動物や鳥の追跡機能について説明しています。さらに、4K60fpsのサポート、5.6Kオーバーサンプリング、10ビット422の記録フォーマット、S-Log3のサポートなど、ビデオ能力の向上についても触れられています。

15:04

📹 ボディ内イメージスタビライゼーションの欠如

第4段落では、ZV-E10 Mark IIがボディ内イメージスタビライゼーション（IIS）を搭載していないことが批判的に取り上げられています。代わりにアクティブな電子式イメージスタビライゼーションが使用されていること、それに伴うズームの縮小とその影響について説明されています。また、OSS（オプティカルステディショット）を持つレンズの選択肢や、その欠如によるビデオロガーへの影響についても触れられています。

20:07

💬 マイクと写真機能、価格設定の考察

最終段落では、カメラの組み込みマイクの機能、写真撮影能力、そして価格設定について考察されています。組み込みマイクの代替手段として、専用マイクの使用が推奨されています。また、電子シャッターのみの使用による帯域の現れや、価格の増加についても言及されています。最後に、Sony a6700との比較と、そのボディ内イメージスタビライゼーションの重要性が強調されています。

Keywords

💡Sony zb1 Mark II

これはビデオの中心となるカメラモデルです。Sonyの新しいモデルで、ビデオブログやビデオ制作に特化しています。ビデオではこのカメラの軽量さや新しい16-50mmキットレンズとの組み合わせが強調されています。

💡ビデオブログ

ビデオブログは、個人がビデオ形式でコンテンツを提供する活動です。このビデオでは、Sony zb1 Mark IIがビデオブログ向けに設計されていることが示されており、特に垂直ビデオの制作に適していることが重点的に取り上げられています。

💡Z電池

Z電池はSonyのカメラで使用されるより大きなバッテリーであり、より長い撮影時間を提供します。ビデオでは、新しいSony zb1 Mark IIがZ電池を使用し、より多くのバッテリー寿命を持つことが紹介されています。

💡背景ぼかし

背景ぼかしは、カメラの被写界深度を調整して背景を柔焦にすることで、主体を強調する技法です。ビデオでは、背景ぼかしボタンの機能とその使用方法について説明されています。

💡製品ショーケース

製品ショーケース機能は、ビデオ制作者が製品紹介の際に顔や顔の追尾をオフにして、製品に焦点を当てるためのカメラ機能です。ビデオでは、この機能がどのように動作し、その利点と欠点について議論されています。

💡クリア画像ズーム

クリア画像ズームはデジタルズームを超えた機能で、ズーム時に画像の鮮明さを保持します。ビデオでは、この機能がビデオユーザーにどのように役立ち、また操作方法に関する注意点が説明されています。

💡S-log3

S-log3はビデオ制作において使用される、広いダイナミックレンジを持つカラープロファイルです。ビデオでは、S-log3でのビデオ制作の利点と、LUT（Lookup Table）をインポートして使用する方法について紹介されています。

💡内蔵型画像スタビライザー（IIS）

内蔵型画像スタビライザー、略してIISは、カメラ本体に組み込まれた画像の振動を抑制する機能です。ビデオでは、Sony zb1 Mark IIがIISを搭載していないことと、その欠如がビデオ制作に与える影響について触れられています。

💡光学式手ぶれ補正（OSS）

光学式手ぶれ補正は、レンズに組み込まれた手ぶれ補正機能です。ビデオでは、OSSレンズの利便性と、Sony zb1 Mark IIがIISを搭載していないことから、OSSレンズの選択がより重要になる理由について説明されています。

💡4K 60fps

4K 60fpsは、ビデオの解像度とフレームレートを示す指標で、高解像度かつスムーズなビデオを提供します。ビデオでは、Sony zb1 Mark IIがこの規格に対応しており、その利点が強調されています。

💡10ビット422

10ビット422はビデオのカラープロファイルとビット深度を表す指標で、より豊かなカラー表現と細かいグレースケールの表現力を持っています。ビデオでは、この規格でのビデオ制作が可能であることが紹介されています。

Highlights

Sony zv1 Mark II是备受好评的预算vlogging相机的第二版，作者将对这款相机进行更为严格的评测。

相机手感轻便，尤其是搭配新的16-50mm套头镜头，尽管使用了更多塑料组件，但整体握感良好。

相机手柄部分更厚实，便于握持，且因使用更大的Z型电池而增加了握持感。

相机的背景虚化和产品展示功能按钮回归，背景虚化功能帮助用户模糊背景，但并非软件模糊效果。

产品展示功能禁用面部和眼部自动对焦，避免在展示产品时尴尬地挡住面部。

相机的变焦摇杆设计存在问题，容易意外触碰导致画面放大，影响拍摄体验。

相机的菜单系统升级为2.0版本，改善了在明亮环境下的显示效果，提升了色彩表现。

相机的LCD屏幕为翻转屏，使用新的菜单系统后，用户界面(UI)可以更亮，适合户外使用。

相机支持触摸操作，包括在智能自动模式下通过触摸滑动调整图像风格。

相机增加了垂直UI，适应越来越多的垂直视频录制需求。

相机的自动对焦性能出色，尤其是面部和眼部自动对焦，快速准确。

相机支持4K 60fps视频录制，提供超采样5.6K，画质清晰。

相机在录制视频时，最高ISO限制为6400，可能对低光环境下的拍摄造成影响。

相机没有内置图像稳定系统(IIS)，依赖于电子图像稳定，导致在启用时画面裁剪严重。

相机的套头镜头虽然支持光学防抖(OSS)，但市场上缺乏新的OSS镜头选择。

相机的价格相比第一版有所上涨，但提供了许多现代化的升级，如更新的菜单、更亮的屏幕、更好的触摸支持等。

尽管相机在照片拍摄上有所限制，如缺少机械快门，但在视频录制方面表现出色，适合vlogger和视频创作者。

作者推荐如果预算允许，可以选择索尼a6700，它提供了电子取景器、机械快门和内置图像稳定系统等更多功能。

Transcripts

ah I'll say this now if you're hardcore

about photography you hate vlogging you

hate vertical videos and you're

celebrating the ban of Tik Tok then just

ignore this camera all right Gramps it's

5:00 p.m. and it's way past your bedtime

you don't need to get angry over this

for the rest of you this is the brand

new Sony zb1 Mark II and this being the

second version of the highly praised

budget vlogging camera I'm going to have

to be a lot more critical towards this

and boy do we have a r coming up two to

be exact but just to get this out of the

way this is a laner unit from Sony I do

not get to keep it I'm not getting paid

nor have I ever gotten paid for any

camera reviews and like you they are

seeing my vong opinion for the first

time look and feel I'll start off by

saying this camera fuse really light in

the hands especially when you pair it

with the new 16 to 50 mm kit lens see

there's a two right here too although

it's made with more plastic based

components this old overall packages

feels so good to hold the grip here is

chunkier and deeper making it easier to

latch onto and the increase in grip here

is also because it is now using the

bigger Z batteries can I get a hell yeah

more juice for more shoots oh hell yeah

now I definitely don't want to be

overselling this if you've always have a

grip problem with small Sony cameras um

Michael with your big ass hands always

complain the lack of a pinky grip then

you're still not going to like this and

of course the moment you start adding

bigger and longer lenses your handling

experience would definitely go down keep

the lenses small and light and you'll

have a good time and thankfully there

are plenty of small and light apsc

lenses that exists buttons and

ergonomics background defocus and

product showcase the two exclusive zv

button features are back background

defocus background defocus is a shortcut

that helps you blur and debr the

background but as always it's not

software blurring like you would get

from smartphones so in order to see an

obvious difference you would want to use

a lens with a fast aperture like this 15

mm f1.4 here and product showcase just

disables face and eye autofocus so you

don't have to awkwardly block your face

when you're trying to show off your

product eh is it working you see the

camera not my face right but the same

problem also returns you cannot enable

and disable product showcase while

you're recording which in my opinion

deats the whole purpose of this shortcut

right like I'm talking right now I want

to show you this product I would have to

turn off recording turn on product

showcase hit the record button again

show you the product turn off recording

turn off product showcase hit the record

button back it just breaks the flow of

recording which then you might as well

just have covered your face just to make

this whole process a lot

smoother and while we're being critical

here I hate this Zoom Rocker with a

passion my favorite camera of all time

and the bigger sibling to this camera

the zv1 are also has this rocker that we

would always accidentally nudge and have

a more zoomed in view than we would want

okay let me just backtrack a little bit

and explain with some examples and

context because this issue pertains more

for video users and consider this the

first rant it's not the main rant but

the first rant you see both cameras are

defaulted to using clear image zoom and

clear image Zoom is like a digital Zoom

but more enhanced by Sony's secret

algorithm and it provides better Clarity

and detail essentially no quality loss

it's amazing because it gives you an

extra Bit Of Reach with any lenses Sony

video users for the past decade have

really enjoyed this feature for example

this new power Zoom 16 to 50 mm once you

zoom up to 50 mm optically with clear

image Zoom you get up to an extra 1 and

1 half times reach in 4k giving you a 75

mm feudo view equivalent this works with

prime lenses and this works with your

standard Barrel twisting zoom lenses

again with no huge quality loss however

with where the positioning of this Zoom

rocker is you can easily nudge it let's

say for example I have this 24 mm f1.8

Prime on without turning on any

stabilization I have all my 24 mm view

but without knowing we nudge this rocker

by accident so when we start filming we

wouldn't realize we just made this lens

into a 35 mm view while there are no

huge quality loss I still lost some of

my framing when I didn't want or have to

and this happens way more often than I

would like to admit on my

zv1 there are no visible warning signs

that youve triggered clear image Zoom

other than this small magnifying symbol

here at the top which is easily missable

and you would get this warning right

here on the right depending on how you

cycle through your onscreen display info

you see with older Sony cameras you have

these dotted borders around that

warrants you when you're using clear

image Zoom I don't know why they took

that away but now we have this potential

easily replicable issue for anyone so

the only solution here is to change this

option to optical zoom and avoid using

clear image Zoom all together which

sucks because it's a great feature to

use but this Zoom rocker here is poorly

implemented so please Sony please let us

disable this Zoom rocker anyways rant

over until the next one one on the other

hand the greatest area of improvement is

this moo right here with the first

version is just a bun to cycle through

photo video and slow and quick that's

the slow motion and time-lapse function

now the biggest complaint was that

people would accident hit that button

and then they go and record a video

thinking they're recording a regular

video with sound but it turns out that

they're recording in

slow

mo with

oh now you don't have to worry about

that again this ticker has a lot of

frictions so hopefully less accidental

operations but here's a suggestion to

Sony you know how you can enable red

borders when you record videos well

maybe we could do a blue or green or

even purple border when you're in snq

mode just any type of more obvious

indicator that you're in a different

mode but that's just more on the

software side of

things we have all the same peripherals

on the side including USBC handy because

I doubt this camera comes with a

dedicated charger but the SD card slot

now has been moved from being close to

the battery to now being on the left

side which is very nice so I'm not going

to list out every peripherals on the

side but uh we we'll probably throw it

up on the screen LCD screen we of course

have the articulating flipout screen

nothing new and because this uses the

new 2.0 Sony menu system we can now make

our display even brighter with sunny

weather and still have great colors even

while shooting in 4k huge improvement

over the last version but while it does

help out slightly in bright conditions

nothing compares to having an electronic

viewfinder but that's just one of the

main factors that really distinguishes

the zv series from the regular Alpha

Series so I won't ding them too hard on

that as a matter of fact a lot of camera

nerds will probably be very critical

about this camera for not having enough

custom buttons a front di or even a

joystick but they tend to forget that

this is Sony's lower-end Baseline MTO so

I think it's okay for them to miss a few

knickknacks and a lot of it actually is

made up by having a fully operable touch

functioning screen menu so now you can

navigate the main menu via touch if you

want if you're using Focus points you

can move the focus block by touch as

well so no need for joystick you can

also change your shutter aperture

exposure comp ISO and white balance via

touch so no need for extra dial and if

you're a complete beginner in

intelligent auto mode the bottom right

corner right here you have a feature

called my image style much like

operating your camera on a smartphone

you can adjust the blur the brightness

the temperature and filter all via touch

sliders and like most smartphone cameras

the parameters you adjust would

disappear when you close out of it you

now have an onscreen UI that features a

variety of shortcuts here on the side

sadly these are not customizable as far

as I know because there are a handful of

shortcuts that are redundant here like

the record button the zoom the playback

and product showcase but good thing the

physical buttons here themselves are

reprogrammable and if you find these

onscreen UI to be too cluttering you can

swipe them away just make sure to swipe

closer to the edge of the screen or you

can of course disable them entirely via

the

menu and guys check this out Vero UI

about time right now there going to be a

flood of comments by users with the

other models asking Sony vertical UI

firmware when and yes I very much agree

because I would like this on my other

cameras when I make my Instagram Rios

but now that vertical UI is finally a

thing means Sony is embracing the fact

that people recording more vertical

videos these days which begs the

question when are camera companies

implementing the quarter inch 20 screw

hole here on the side as well where I

think it makes the most sense would be

the grip side right here that way the

screen and the peripherals here are not

obstructed I'm sure there are way more

engineering that needs to be involved

but I'm just talking with my dumb

consumer mind and they just need to make

this happen the customer is always right

of course some would say just buy a cage

or an L bracket but more casual folks

would not want to make their cameras

more bulkier than it needs to be so I'll

leave that problem for the engineers to

solve but yes buy a cage or an L bracket

but overall a huge Improvement in terms

of

ergonomics

autofocus uh honestly not much for me to

go over here Sony autofocus is

notoriously goated face and eye

autofocus is incredibly Snappy and

that's all you really need in fact I

just published my Essential guide to

mastering Sony autofocus so click right

here to queue it up however it does not

have the new AI subject recognition

autofocus found in the more recent mods

from the other series like the a6700 A7

C2 a7c so no bug car train and plane

autofocus not that we really need it it

does have human animal and bird which is

planty enough and it works great in both

photo and video

mode video capability so there are lots

to be excited about and one big thing to

be disappointed about again rant coming

up so this camera does have 4K 60 frames

per second yes good happy to see it

becoming a standard no 4K 120 but that's

okay I don't think this camera really

needs it now the 4K is over sampling for

5.6k which means the sensor is

technically shooting in 5.6k but jammed

up in a 4K box so the visuals look extra

crispy there is no crop from 4K 24p to

4K 30p but there is a slight crop when

you're filming in 4k 60p just some info

to keep in mind and if you're planning

on color grading heavily we can record

in 10 bit 422 in a variety of different

formats even SN Q are going to look so

much better with the new 10bit all right

a lot of technical mumbo jumbo right

there if you're just filming videos

casually though don't worry about it

stick with xavc s4k or HD 8bit

420 those nerdy numbers only mean

something to the serious cinematic video

makers that want to color

grade Cog but if you do want to dabble

in making some cinematic movies Sony

does have the Cog feature which is a

more casual experience that gives you

that cinematic look right away they

automatically put black bars on the top

and bottom of your footage giving you

the 23 5x1 cinematic aspect ratio

essentially a very Ultra wide looking

screen it does lock you in 24 frames per

second automatically but that is the

Cinematic movie frame rate if the

footage is looking choppy here that's

why we're mixing frame rates we here at

Jason vong Hollywood Studios have

transitioned over to 30 frames per

second videos but if you edit an export

in 24 frames per second it should look

pretty good there are a few cinematic

looks for you to choose from with

different color tones but you can also

import your own look via Luts and this

mode honestly is really fun if you want

the Cinematic feeling footage easy slog

3 workflow now for folks who are looking

for a more advanced cinematic workflow

slock 3 has never been easier to work

with very similar to the zv1 a6700 and

some of their FX cameras you can import

and preview the Luts while filming an

slog 3 to ensure you have the correct

white balance color and exposure and you

can import up to 16 Lots that's nuts you

have to try these nuts and I know some

of you are going to ask but no you still

can't take photos in s log 3 with these

Luts recording test and overheating so

let's go ahead and run some long

recording tests starting off with 4K 24

P10 bit 422 in the xavc HS format we

nearly filled up a 128 GB SD card

capturing over 2 hours of footage before

the battery Juiced out on us with 4K 30p

10bit 422 in the xavc SI format we fill

up the same 120 GB card with roughly 55

minutes of footage with no heat warning

or over Heating and the same goes for 4K

60p 10 bit 422 in both the HS and Si

format card filled with no heat problems

now keep in mind this is done in a room

temperature controlled environment your

experience will vary depending on where

you shoot however it has been humid in

Tokyo these days and I've done plenty of

intermittent 4K recording outside with

no heat warning or overheating the

camera did get warm but was never forced

shut off and I would consider this

pretty amazing for a small but powerful

camera IIs all right here comes my

second rant the main rant the zve E10

Mark I does not have inbody image

stabilization wait there's no

Ibis so inbody image stabilization or

IIs for short is when there is

stabilization mechanism built into the

camera which really helps smooth out

video footage when you're handholding

the camera the a6700 has it the fx30 has

it but not the zv E10 Mark I which I

would argue would have been a massive

Improvement that it needed from The Mark

1 instead it's opting to rely only on

active electronic image stabilization so

software not Hardware

stabilization so let me review this

really quick and I'll get into why that

is a problem so active electronic image

stabilization is actually pretty good

I've tested lenses with no Optical

steady shot built-in and OSS is just a

fancy acronym for lenses with built-in

stabilization 9 mm with stabilization

off so here's me walking and talking

with the LA 9mm manual focus lens as any

vlogger would do from 2016 9 mm with

active stabilization even with active

stabilization turned on it's still wide

enough to fit my whole face in and it

looks pretty

smooth here's one demo with the Sony 15

mm F1 .4g lens and I'll give you a

second to

watch also fairly decent and here's a

stress test with the new 16 to 50 mm kit

lens zoomed into 50 mm in telephoto view

the shakes become a lot more

apparent but the footage on the right

with active stabilization is noticeably

less

shaky very nice so I'll give this camera

that active image stabilization is

pretty good but here's here's the

problem close I'm sure you've noticed

the cropping is absolutely atrocious

when you enable active stabilization

it's almost a 1.4 times crop on top of

that you also suffer a bit of a crop

when you shoot in 4k 60p this is 4K 60

with active stabilization so combine

that with active stabilization and

you're seeing an upwards of 1.5 times

crop in total hopefully around the same

arm distance too and while I praise how

good the active electronic image

stabilization is it doesn't matter when

you have to lose so much of your framing

just to compensate for the shakes you

won't lose much image quality though

because of that 6K down sampling but

still this new kit lens here is already

not fit for selfie vlogging and for

years we've been saying 16 mm on apsc is

not wide enough for vlogging and now the

active stabilization crop will make it

much worse thankfully the new kit lens

does have OSS so you don't have to use

active

stabilization now you can go out and buy

a wider lens like a 10 to 20 mm G or the

11 mm f1.8 but it defeats the purpose of

owning an ultra wide angle lens just to

only use it with that egregious crop not

to say I won't or can't recommend the zv

E10 Mark II people are still going to

buy this camera but for lens choices I'm

going to have to make different

recommendations so you'll need to find

lenses with Optical steady shot but the

problem problem is Sony and even

thirdparty lens companies haven't

developed any new lenses with OSS in a

very long time for example the famous

Sigma 1850mm f2.8 highly recommended

across the board no OSS sat reacts only

with active stabilization in 4k 60p this

lens becomes about a 27 to 75 mm or 40.5

to 112.5 mm fullframe Feud of view

equivalent which at the starting end of

it is way too close for a versatile

mid-range zoom lens like this now don't

get me wrong there are still a good

selection of OSS lenses they're a bit

old but optically they're still decent

and you'll find a ton of great deals in

the secondhand market for a super ultra

wide angle lens try to find the old Sony

10 to 18 mm F4 OSS still a very goated

lens in standard stabilization you can

still enjoy all that 10 mm goodness with

no cropping compromises compromises for

mid-range zooms you actually don't have

to setle for an old lens the Tamron 17

to 70 mm f2.8 which came out a few years

ago is nice albeit a bit big for

something smaller I highly recommend the

Zeiss 16 to 7 mm F4 but others have also

really enjoyed the 18 to 105 mm F4 both

OSS for fast primes there are the 35 and

50 mm f1.8 OSS

but anyways I'd rather Sony give us

inbody image stabilization in this

camera so we wouldn't have to worry

about getting specific lenses or worry

about the immense active stabilization

crop I don't know maybe Sony wants to

keep a gap between this and the a6700

and the fx30 which is fine I get it but

they should have updated osss lenses at

the very least bottom line no Ibis makes

me angry but mainly just

sad load light and I'll tack this on

right here while the zv1 Mark II can go

up to as high as ISO 32,000 if you have

active stabilization turned on your max

ISO and video will be capped at 6400

this may not necessarily be a bad thing

as I would generally not go past ISO

6400 for apsc cameras but just something

to keep in mind built-in microphone like

the zv1 there are several mic dir

activities that you can choose from all

right I'm recording to get the best on

board M quality microphone dirity do you

have it on oh right now I

auto all around and rear but since we're

keeping the section short I've always

recommended using a more dedicated

microphone like a shotgun mic or a l mic

to get the best audio quality possible

but of course the best audio is always

going to come from a dedicated

microphone like this LOF mic right here

can you hear me from over here probably

not photo capabilities and yes the zv

E10 Mark II can take photos 26 Maps raw

and JPEG but sadly compared to the zv

E10 this second version does not have a

mechanical shutter just electronic this

can be considered a downgrade since the

first zve E10 had it now I'm not going

to be too hard on this fact because I've

always felt the zv series have always

been intended for video only but here's

why not having mechanical shutter can be

a bad thing the zve 10 Mark II uses

electronic only shutter which is

equivalent is shooting in silent mode on

the other Sony camera models and so in

certain LED lighting conditions you will

see dark lines or what we would call

banding in your photos and it has

happened to me when I was using this

camera specifically C exhibit a and

exhibit B as we toggle it back and forth

It's subtle but the banding is there and

if you're using Flash the shutter speed

won't go past 130 but in natural light

it's fine

[Music]

I've shot plenty of photos with my zb1

which is the exact same thing in regards

to photos and haven't noticed anything

too drastic at least casually but for

Pro work I would definitely go for

something else in the Alpha Series like

the

a6700 price and what Jason recommended

so it's going to be

$999 body only

$1,099 with the new kit lens o o that is

a huge price increase compared to the

launch of the first version which is

only $6.99 USD now I'm not going to

pretend I understand the current

economic state of the market right now

but what I do know is that there has

been price increases in the camera

industry in general so take that as you

will but man the pricing is pretty steep

for no inbody image stabilization and

it's really hard for me to recommend

this camera without also recommending

specific lenses with Optical steady shot

because otherwi wise it's a fantastic

camera with all the modern upgrades that

it needs updated menu brighter screen

better touch support increased battery

life and more enhanced video workflow

between the Mark 1 and the Mark I Nob

brainer I go for the mark I just for all

the quality of life improvements and if

this is just going to be on tripods for

life even better however I would highly

highly highly recommend the Sony

a6700 for $400 more you get an

electronic View finder a mechanical

shutter 4K 120 frames per second and

most importantly inbody image

stabilization and that alone you will

never have to worry about buying a lens

without Optical steady shot and the

a6700 offers a much better user

experience take my word for it you can't

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peace there's no IIs