Spotify release strategy 2024

FRDi for Artists
12 Dec 202314:50

Summary

TLDRNick, un artista independiente con aproximadamente 4 millones de oyentes mensuales en Spotify, comparte su estrategia de lanzamiento de música en 2024. Él enfatiza la importancia de lanzar frecuentemente para construir catálogo y aumentar las reproducciones diarias. Nick desafía las preocupaciones de saturar al oyente o el costo de producir música, sugiriendo formas más económicas de lanzar música. Además, desaconseja enfocarse en las listas de reproducción editoriales y recomienda en su lugar aprovechar la función 'Release Radar' de Spotify para llegar a los seguidores existentes. Nick anima a los artistas a no sobrepensar y a lanzar música regularmente para darles a los oyentes más opciones de encontrar contenido que disfruten.

Takeaways

  • 🎙️ El estrategia de lanzamiento en Spotify para el artista independiente Nick es lanzar frecuentemente.
  • 💰 Una objeción común es que no se pueden permitir hacer música con frecuencia debido a los costos.
  • 🎵 Nick argumenta que no se abruma al oyente, ya que con más lanzamientos, las posibilidades de que una canción se haga popular aumentan.
  • 📈 Al lanzar música a menudo, se construye catálogo y se incrementan las reproducciones diarias a lo largo del tiempo.
  • 🚀 Nick ha experimentado un crecimiento constante en su audiencia y reproducciones desde que comenzó a lanzar cada dos semanas o semanalmente.
  • 🤔 Algunos temen que los oyentes se cansen de la frecuencia de los lanzamientos, pero Nick cree que esto no sucede y que los oyentes disfrutan de más opciones.
  • 📚 Nick menciona su libro 'You Don't Want It Bad Enough' donde habla sobre la importancia de escuchar a los oyentes y lanzar más música cuando esta demanda se hace evidente.
  • 💡 Sugiere que los artistas no deben sobrepensar y deben mejorar constantemente a través de la práctica y lanzando más música.
  • 💸 Nick critica la idea de gastar mucho dinero en lanzamientos de música y sugiere que hay maneras más asequibles de hacerlo.
  • 📈 Él enfatiza que las listas de reproducción editoriales no son tan importantes como la mayoría de la gente piensa y que solo el 2% de sus reproducciones provienen de ellas.
  • 🌐 Nick recomienda no depender solo de las listas de reproducción y en su lugar, enfocarse en crear contenido y aumentar la base de seguidores.
  • 🎉 Para artistas que deseen hacer un álbum, Nick sugiere un enfoque de 'lanzamientos en cascada' para mantener el interés y beneficiarse del algoritmo de Spotify.

Q & A

  • ¿Quién es Nick y qué tipo de artista es?

    -Nick es un artista independiente que tiene aproximadamente 4 millones de oyentes mensuales en Spotify.

  • ¿Cuál es la estrategia de lanzamiento de Spotify que Nick recomienda?

    -Nick recomienda lanzar música con frecuencia, a veces cada dos semanas o incluso semanalmente.

  • ¿Por qué Nick cree que es importante lanzar música frecuentemente?

    -Cree que cuanto más se lance, más canciones se acumulan, lo que hace que las transmisiones diarias se acumulen con el tiempo.

  • ¿Qué es una de las preocupaciones que las personas tienen sobre lanzar música frecuentemente?

    -Una de las preocupaciones es que no pueden permitirse hacer música con frecuencia debido al costo involucrado.

  • ¿Cómo responde Nick a la preocupación de abrumar al oyente con lanzamientos frecuentes?

    -Nick dice que él es un ejemplo perfecto de que esto no sucede, ya que ha lanzado música frecuentemente durante cuatro años y sus números solo han aumentado.

  • ¿Qué es una aproximación realista para los artistas según Nick?

    -Nick sugiere que en lugar de tratar de hacer que una canción se haga famosa, es más realista lanzar más música y que esto aumentará las posibilidades de éxito.

  • ¿Qué es 'Release Radar' y cómo ayuda a Nick en su estrategia de lanzamiento?

    -Release Radar es una función de Spotify que notifica a los seguidores sobre las nuevas canciones de los artistas que siguen. Nick lo utiliza para obtener transmisiones sin anunciar previamente sus lanzamientos.

  • ¿Por qué Nick piensa que los artistas no deberían depender demasiado de las listas de reproducción editoriales?

    -Nick cree que las listas de reproducción editoriales solo contribuyen al 2% de sus transmisiones diarias y que muchos artistas están intentando demasiado en entrar en ellas.

  • ¿Qué otro medio Nick menciona para ayudar a que las canciones se hagan virales además de las listas de reproducción?

    -Nick menciona que el contenido en TikTok, junto con las listas de reproducción, puede ayudar a que las canciones se hagan virales.

  • ¿Qué tipo de lanzamientos Nick sugiere para los artistas que desean hacer un álbum?

    -Para los artistas que desean hacer un álbum, Nick sugiere hacer lanzamientos en cascada, lanzando sencillos y luego otros sencillos relacionados para construir hacia el álbum completo.

  • ¿Qué libro escribió Nick y qué trata?

    -Nick escribió un libro titulado 'You Don't Want It Bad Enough', donde habla sobre su estrategia de lanzamiento y cómo los artistas pueden hacerse exitosos.

  • ¿Qué consejo general da Nick a los artistas independientes sobre cómo crecer en la industria musical?

    -Nick aconseja a los artistas independientes que dejen de sobrepensar y comiencen a lanzar música con frecuencia, mejorarán con el tiempo y algo终将trabajar.

Outlines

00:00

🎶 Frecuencia de lanzamiento de música en Spotify

Nick, un artista independiente con aproximadamente 4 millones de oyentes mensuales en Spotify, discute su estrategia de lanzamiento de música. Él recomienda lanzar música con frecuencia, a menudo cada dos semanas o incluso semanalmente, lo que ha resultado en un crecimiento continuo en su número de transmisiones diarias. Nick enfatiza la importancia de construir una catálogo de música, ya que cuanto más música se lanza, mayores serán los streams diarios acumulados. Además, aborda preocupaciones comunes como el costo de producción y el temor a saturar a los oyentes, argumentando que el lanzamiento frecuente permite a los oyentes elegir qué música les gusta y no les presiona a seguir el ritmo de los lanzamientos del artista.

05:00

💰 Costo y estrategias de lanzamiento de música

Nick aborda la preocupación de los artistas sobre el costo de producir música y lanzarla con frecuencia. Sugiere que muchos artistas están gastando demasiado dinero en el proceso y que existen maneras más asequibles de hacerlo. Además, critica la dependencia excesiva de las listas de reproducción editoriales para el éxito, ya que solo el 2% de sus streams diarios provienen de estas listas. Nick argumenta que en lugar de enfocarse en las listas, los artistas deberían centrarse en crear contenido y lanzar música con frecuencia para aumentar su base de seguidores y fomentar una conexión más profunda con los oyentes.

10:01

🚀 Utilizando Release Radar para el éxito en Spotify

Nick destaca el valor del Release Radar en Spotify para los artistas, especialmente aquellos con una base de seguidores sólida. Menciona que incluso sin promocionar un lanzamiento, su música puede tener un buen rendimiento gracias a los seguidores que ya están en la plataforma. Nick comparte su experiencia con un lanzamiento de canción de Navidad que obtuvo 116,000 streams en su primer día solo por estar en Release Radar. Él insiste en la importancia de no sobrepensar el proceso y en el hecho de que el éxito en la música no depende solo de las listas de reproducción, sino también de la consistencia en la creación y el lanzamiento de contenido.

Mindmap

Keywords

💡Spotify

Spotify es una plataforma de música en línea que permite a los artistas y usuarios acceder a millones de canciones. En el video, el artista independiente Nick menciona su estrategia de lanzamiento en Spotify, destacando su importancia para el crecimiento de su carrera musical y cómo ha logrado alcanzar aproximadamente 4 millones de oyentes mensuales en la plataforma.

💡Estrategia de lanzamiento

La estrategia de lanzamiento se refiere a los métodos y planes que un artista utiliza para publicar su música y aumentar su alcance. Nick enfatiza la importancia de lanzar música con frecuencia en su estrategia de lanzamiento en Spotify, creyendo que esto ayuda a construir catálogos y aumentar las reproducciones diarias.

💡Artista independiente

Un artista independiente es alguien que produce y lanza su música sin el apoyo de una gran compañía discográfica. Nick se identifica como un artista independiente con 4 millones de oyentes mensuales en Spotify, y el video se centra en sus experiencias y consejos para otros artistas independientes que buscan crecer su carrera musical.

💡Lanzar con frecuencia

Lanzar con frecuencia implica publicar música regularmente en lugar de esperar a lanzar una canción o álbum que tenga un gran impacto. Nick argumenta que es mejor lanzar música de manera constante, ya que esto puede aumentar las probabilidades de que una canción se haga popular y mantener a los oyentes interesados.

💡Catálogo

Un catálogo es la colección total de las canciones o obras publicadas por un artista. Nick menciona que construir un catálogo es fundamental, ya que cuanto más música se tenga disponible, más oportunidades hay de que las canciones se reproduzcan y se incrementen las audiencias.

💡Reproducciones diarias

Las reproducciones diarias se refieren a la cantidad total de veces que se escucha la música de un artista en un día. En el video, Nick conecta el lanzamiento frecuente de música con un aumento en sus reproducciones diarias, lo que demuestra cómo su estrategia ha sido efectiva para su carrera.

💡Release Radar

Release Radar es una función de Spotify que muestra las novedades de los artistas que un usuario sigue. Nick destaca Release Radar como una herramienta valiosa para llegar a sus seguidores, ya que permite que sus nuevos lanzamientos sean descubiertos por sus fans leales sin necesidad de promoción adicional.

💡Playlists editoriales

Las playlists editoriales son listas de reproducción creadas y curadas por los equipos de Spotify, que a menudo incluyen canciones de artistas que están de moda o tienen un gran potencial. Nick sugiere que muchos artistas se centran demasiado en obtener una canción en estas playlists, pero él prefiere enfocarse en construir su audiencia leal en lugar de buscar la aprobación de las playlists editoriales.

💡Contenido viral

El contenido viral se refiere a cualquier tipo de material que se propague rápidamente en Internet, generalmente a través de las redes sociales. Nick comparte una experiencia en la que una de sus canciones comenzó a volverse viral en TikTok, lo que le llevó a lanzar una nueva canción para aprovechar la demanda de su audiencia por más música.

💡Carrera musical

Una carrera musical implica dedicarse profesionalmente a la creación, interpretación y promoción de música. El video de Nick ofrece una visión de cómo ha construido su carrera musical como artista independiente, utilizando estrategias de lanzamiento en línea y fomentando una relación directa con sus oyentes.

Highlights

Spotify release strategy emphasizes frequent music releases for growth.

Independent artist Nick shares his experience with 4 million monthly Spotify listeners.

Frequent releases are suggested to overcome the challenges of affordability and listener fatigue.

Building a music catalog is crucial for increasing daily streams over time.

A realistic approach is to release more music rather than waiting for one song to become a hit.

Frequent releases keep listeners engaged and offer options for those who may not like a particular song.

Growing listener base is best achieved by providing more music options.

Content creation is key for independent artists to stand out without relying on editorial playlists.

Release Radar is a valuable tool for independent artists to reach their followers.

Artists should focus on creating and releasing music consistently rather than overthinking the process.

Creating a lot of content leads to better songwriting and increased excitement for releases.

Affordability in music production is a misconception; there are cost-effective ways to release music.

The waterfall release method is suggested for artists who want to create a project.

Artists should aim to make a living doing what they love rather than striving to be a superstar.

The importance of being constantly in front of people to avoid being forgotten in the digital age.

The artist's book 'You Don't Want It Bad Enough' discusses strategies for success in the music industry.

Transcripts

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check check check check check check

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check

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2024 Spotify release strategy kind of

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windy out man Spotify release

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strategy for those that don't know me my

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name is Nick I am an independent artist

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with give or take 4 million monthly

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listeners on

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Spotify and I just like to chat with you

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guys about strategy and what I think

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works and what I think doesn't work with

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trying to grow your music career so

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Spotify release

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strategy what I'm doing and what I

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really think is best for most people to

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do

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is release frequently the smartest thing

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I think you can do is to release

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frequently and I think most people's

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gripe I guess we can give there's

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probably a few gripes one of them would

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be

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um I can't afford to make

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music that often it it's too

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expensive um another gripe might be I

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don't want to overwhelm The Listener

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with uh two frequent of releases you

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know you don't want to have your

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listener grow tired of your

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music and maybe there's more gripes I'm

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not sure but to The Listener go tired

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one or you don't want overwhelm The

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Listener what I would say is I'm the

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perfect example of it being the opposite

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I've

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released every two weeks sometimes

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weekly for the last four

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years with a couple albums in

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between and my numbers have only gone

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up you know I've only streamed more and

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I think the most important thing that

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people don't realize is

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that I'm in the game of building catalog

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right cuz the more you release the more

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songs you have the more your daily

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streams add up over

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time and I think a lot of people are

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trying to just get one song to go

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bananas when a more realistic approach

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is to just release more

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music and it'll add up it'll add up to a

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one song going bananas if you just

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release more music and the likelihood

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you getting one to go bananas increases

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the more frequent that you

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release so that's where my head has

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always been it's always been to release

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frequently and to keep people

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happy

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like for example if you're releasing

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frequently and someone doesn't like your

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song they just won't listen to it

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they're not going to be like ah man I

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wish my favorite artist stopped

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releasing so

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frequently they just just won't listen

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to that one if it's not for them they

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won't

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listen and if they do like it they'll

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listen a ton they'll throw it on

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repeat

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so I don't know and if if you're an

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artist who doesn't have many

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listeners and you're saying to yourself

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that you don't want to overwhelm The

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Listener with

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releases you know what I mean like if if

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you don't have many listeners I think

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you're still in the phase of like grow

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your listener base and the best way to

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grow your listener

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base is to give people more

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options to find music that they like

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that they resonate with that they enjoy

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listening

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to I I don't think you can overwhelm a

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listener I think people consume and

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digest and move on from content so

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quickly that I think people just will be

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happy if they had another

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option and uh a real world Testament to

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that is obviously my career of releasing

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frequently all the time but another real

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world Testament to that is and I talked

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about it in my book I wrote a book

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titled you don't want it bad enough and

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it's I'll put it in the description if

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you want it but

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I um I talked about it in my book where

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I had a song start to go viral in

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January on with content that I was

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making on Tik Tok January of

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2022 and it started to go

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viral and immediately what I did was

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release a new song because people you

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know people in the comments they'll say

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I love this song release More release

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more and I think most people make the

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mistake of trying to run one song into

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the ground when what people want is more

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they tell you like you have built-in

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feedback in your comment section and all

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you have to do is

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listen I think most people just think

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they know best when the people are

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telling you what they want the listener

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is telling you what they want you just

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got to give it to

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them I think people just overthink this

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thing so much I think if you just create

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a ton get your reps in you'll get better

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over time and it'll become easier to be

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good more

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consistently and you'll miss less like

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you'll have l less bad songs you just be

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making better songs more often which

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will make you more excited and and and

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more energetic to release

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them

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so that's one side of it the other flip

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side to what I was to what the other

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gripe was was that I can't afford

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it and I'm going to change scenery for

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that focus and to the gripe of I can't

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afford it what I think is happening is

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most people are spending entirely too

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much money on releasing music there's a

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ton of more affordable ways and I'll

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talk about that probably in a different

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I'll make a different video on how you

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can uh release music more affordably so

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that you're not spending so much when

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you're trying to

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release

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um all right what else do we got and I

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talked about this before but I think

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people are relying too heavily on

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playlists for example I like I said I

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have around 4 million monthly listeners

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right now

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and I'm still doing about a million

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streams every day and

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2% 2% of the million streams that I do

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every day come from editorial

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playlists I think people are still just

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trying way too hard to get into

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editorial

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playlists they think it's going to

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change their life or change their career

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it's

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like there's a million songs uploaded

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every

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week and every one of those people are

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also trying to get into editorial

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playlist and there's only so many

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playlists there's only so many songs

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that fit in each

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playlist

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so I think that's the wrong game I never

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cared about play like when I go in and I

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pitch a song Sometimes I'll tell a joke

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sometimes I say hey how you doing hope

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you're well and I just go into pitch so

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that I get release radar release radar

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goes out to the people that already

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follow me on Spotify but I'm not trying

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to get if I get a playlist that's

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awesome that's a bonus but it's not my

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goal goal my goal is never to get

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playlist cuz you know who's in

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playlists random casual listeners right

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not fans the people in playlist don't

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care about your next release they don't

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care

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about I don't know

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man they don't care about

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you the best way that you can get people

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to care about you unfortunately is to

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post more content now I know a lot

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of the more artsy artists right a lot of

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artists don't like making content they

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don't want to post content and I get it

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I get it I think anyone wants to make

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content they just want to make

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music and have it perform well but

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unfortunately this is not the reality

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right this not the town we're living in

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especially if you're an independent

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artist with no

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budget right under this

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tire is a groundhog

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hole it'd be wild if it ran out right

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now I mean my strategy is the same it

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hasn't

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changed cuz it hasn't stopped working

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and I feel

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like I feel

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like I don't think it's going to change

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like I

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think that's the game like you work

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really hard you release a lot of music

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you create

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consistently and

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eventually something

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works now if you're an artist that just

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really really wants to do an album you

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love the idea of conceptualizing a

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project I still personally don't think

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that it's the best way to grow as an

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artist right those are great things

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for an already established

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artist but if you are that artist I

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think the best way for you to go about

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it would possibly be waterfall

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releases and what that is is you release

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a

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single and then you release another

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single that's attached to the same

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single so it be like a double single and

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you do it again I don't know how many

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you can do inside one but you can also

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just release a single once a week for 10

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weeks and then put them all onto a

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project there you go but you did it in a

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way that's more beneficial for the

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algorithm yes the

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algorithm um and also like okay release

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radar release radar

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is my best friend currently right I have

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I have like 300

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and 50 or 60 or 70,000 followers

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on

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Spotify so I love release radar I can

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just release a song not tell anyone it's

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there and it'll still perform really

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well for example I released a Christmas

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song last week I submitted the song for

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release on Sunday I pitched the song on

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Tuesday

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night Tuesday night and it came out

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Thursday night at midnight so all of it

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with with within a you know less than a

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week's time and the only reason I

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pitched songs really like I said is to

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get my release

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radar

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and that song on the first day did

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116,000 streams and I didn't tell anyone

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it was there I didn't announce it it

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just did 116,000 streams because of the

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people who follow me on

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Spotify how did I get that many

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followers on Spotify just for making a

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ton of content over the last few years

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um and but what I was talking about with

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the algorithm was I

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think that because I release frequently

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and people expect my releases I'm at the

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top or somewhere near the top of

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people's release radar because I release

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frequently I'm in the release radar and

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they they want they know it's coming and

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they check it

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out so and if they check it out and they

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like it they'll put it in their own

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playlist they'll listen to it again

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they'll save it if they check it out and

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they don't like it they won't it's no

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skin off my back it's no skin off theirs

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so I think your strategy should

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be that you just stop overthinking the

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whole

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process you know don't Bank on

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playlisting you don't need to pitch your

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song three to four weeks in advance five

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six weeks in advance

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because why be you waste all that

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valuable time you waste you waste three

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three four six weeks between releases

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and people are in between releases they

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already forgotten you even make

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music right it takes too long you have

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to be constantly in front of

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people that's how I've always felt

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that's why I share with others and it

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seems to work with them

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too there's there's a lot of artists

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that kind of apply this stuff

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and and the response from my book has

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been

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incredible people who read my book they

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change their strategy and and it stuff

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just starts I don't know it just it's a

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more practical

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approach to making a living making music

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it's a different goal system right it's

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the the goal here is not to

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be you know one of the biggest artists

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in the world the goal here is to just

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make a Liv and doing something we love

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right I mean I don't want to say your

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goal I mean probably some of you guys

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watching this want to be a A-list

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Superstar I get it I've never wanted to

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be that

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um I don't have a desire in that but I

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think a lot of people watching this they

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just want to make a living making music

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right they just want to feed their

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family doing something they

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enjoy and I think the most practical way

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to do that is to just release

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frequently create your

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content and don't stop till something

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works just got to keep

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going all right guys

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2024 it's going to be a big year for a

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lot of you a lot of you guys watching

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and by big big is

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relative big could be going from 10

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listeners to

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100 could be going from a 100 listeners

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to a th that's huge that's a huge jump I

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don't think how many I don't think you

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guys know how many people a 100 people

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really is like you put 100 people in a

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room you like good Lord these 100 people

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really listen to me it just seems less

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cuz cuz the internet right it's

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just there's no real ends to the

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internet there's endless people out

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there anyway if you're new to the

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channel thank you for watching if you

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want these type of videos daily cuz I'm

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not putting a ton of editing I'm just

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kind of sitting down throwing up my

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thoughts but if you want these type of

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videos and if you want them daily I

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might be able to make that happen I just

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give you my thoughts kind of on the

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dayto day and if you have anything else

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you want me to talk about kind of throw

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my thoughts up on comment down below and

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uh I'll try to get to it anyway that's

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all I got much love talk

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soon

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