Dance Terminologies - PATH Fit3_Lesson 4

Joven Dadap

11 Oct 202006:33

Summary

TLDRThe video script provides an in-depth introduction to fundamental dance terms and steps used in traditional Philippine folk dances. It emphasizes the importance of familiarization and mastery of these elements for accurate dance interpretation. The script explains key movements such as brushing, drawing, hopping, stomping, and sliding, while also describing arm positions like crossed arms and lateral positions. Each step is detailed with instructions on proper weight distribution and motion. This educational content serves as a guide for learners to enhance their understanding of dance techniques and improve performance.

Takeaways

🎶 Music, familiarity, and mastery of dance terms and steps are crucial for interpreting dances.
🩰 Dance steps are basic and commonly used in Philippine folk dances, originating from fundamental locomotor skills.
🤝 'Abraseti' is a Spanish-origin term where a girl on the right side holds the right arm of her partner with her left hand.
🤲 Crossed arms involve partners joining hands, either right over left or left over right, while facing each other or standing side by side.
💪 'Arms in lateral position' involves positioning both arms on either side at shoulder, chest, or waist level.
🔄 'High on higher' is a movement where one forearm is placed in front and the other at the back of the waist.
👣 'Brush' involves hitting the floor with the ball or heel of one foot, then lifting it in any direction.
🚶 'Hop' refers to a spring from one foot, landing on the same foot, with the other foot raised in any direction.
🦶 'Stomp' is a strong step where the foot is brought down forcefully and noisily, possibly with a weight transfer.
🔄 'Pivot' refers to turning on a fixed point using the ball, heel, or whole foot.

Q & A

What is the significance of learning various dance steps and terms?
-Familiarization with dance steps and terms is vital for interpreting every dance, especially in Philippine folk dances. These steps are derived from fundamental locomotor skills.
What does the term 'Abrasete' refer to in Philippine folk dances?
-'Abrasete' is a Spanish term used in dances like Rigodon. It refers to the girl standing at the right side, holding her partner’s right arm with her left hand.
What does 'Crossed arms' mean in dance?
-'Crossed arms' is when partners face each other or stand side by side, joining both their left and right hands together, either right over left or left over right.
How are 'Arms in lateral position' performed?
-'Arms in lateral position' refers to both arms being at one side, either sideward right or left. It can be done at shoulder, chest, or waist level.
What is the 'Reverse T' arm position?
-In the 'Reverse T' position, the arms are held outside horizontally with elbows bent at right angles, forearms parallel to the head, and palms facing inward or forward.
What does the term 'Brush' mean in dance?
-'Brush' refers to placing weight on one foot while hitting the floor with the ball or heel of the other foot, lifting it off the floor afterward.
How is 'Hop' executed in dance?
-'Hop' is a spring from one foot landing on the same foot, either in place or in any direction. The other foot may be raised in any direction.
What does 'Stomp' refer to in this context?
-'Stomp' means forcefully bringing the foot down on the floor, either with or without transferring the body’s weight.
What does 'Slide' mean in dance terminology?
-'Slide' involves gliding the foot smoothly along the floor, with the movement possibly finishing with or without transferring the weight.
What is the difference between 'Leap' and 'Jump' in dance?
-'Leap' is a spring from one foot landing on the other foot, while 'Jump' is a spring from one or both feet, landing on both feet.

Outlines

00:00

💃 Basics of Philippine Folk Dance and Dance Terminology

This paragraph emphasizes the importance of understanding and mastering various dance terms and steps to properly interpret Philippine folk dances. The paragraph introduces fundamental dance terms and common steps used in traditional dances, which are derived from basic locomotor skills. Specific terms such as *abrasete* (a Spanish-origin term describing a position where the girl holds the partner’s right arm), *crossed arms*, and *arms in lateral position* are explained in detail, including their positioning and variations. Other terms such as *high on higher*, which describes placing forearms in a decorative manner, are also included.

05:02

🦶 Glossary of Fundamental Dance Movements and Techniques

This paragraph outlines specific dance movements and steps used in Philippine folk dances, providing definitions and usage of various techniques. Key steps include *brush*, which involves striking the floor with the heel or ball of the foot and then lifting it, and *draw*, where one foot is pulled close to the other without necessarily transferring weight. Movements like *hop*, *stomp*, *slide*, and *jump* are discussed, each highlighting different techniques for transferring weight or maintaining balance. Tagalog terms such as *find a jack* (stomping in front and tapping the foot near the other) are also defined. Overall, the paragraph serves as a guide to mastering basic dance movements.

Mindmap

Keywords

💡Dance Steps

Dance steps are the basic movements used in traditional dances, such as Philippine folk dances. They are derived from fundamental locomotor skills, which involve simple, coordinated movements like stepping, hopping, and sliding. Mastery of these steps is essential for accurately interpreting and performing the dances.

💡Abrasete

Abrasete is a Spanish-origin term used in certain Philippine dances like the Rigodon. It describes a specific partner-hold position where the girl stands on the right side and holds the right arm of her partner with her left hand. This position plays a key role in maintaining the correct stance and balance in the dance.

💡Crossed Arms

In this position, partners either face each other or stand side by side, joining both left and right hands in either an over-and-under configuration. This term is used to describe hand positioning in dances and helps establish connection and synchronization between dance partners.

💡Brush

Brush is a movement where the dancer, while keeping weight on one foot, hits the floor with the ball or heel of the other foot, lifting it afterwards in any direction. This movement is common in folk dances, often used to accentuate rhythm and coordination.

💡Hop

Hopping is defined as a springing movement from one foot, landing on the same foot, either in place or in any direction. This step adds a dynamic and light element to the dance, contributing to its fluidity and energy.

💡Stomp

A stomp is a forceful and noisy step where the foot is brought down on the floor with or without a transfer of weight. This movement emphasizes strength and assertiveness, creating a rhythmic accent in the dance.

💡Slide

Sliding involves smoothly gliding the foot along the floor, with the movement finishing with or without a transfer of weight. This is a graceful movement that contributes to the fluidity of dance transitions, allowing the dancer to move elegantly across the stage.

💡Pivot

Pivoting refers to turning the body on a fixed point, either the ball, heel, or whole foot, without changing the location of the pivoting foot. This movement is used in dance to smoothly change direction, enhancing the flow and dynamics of the choreography.

💡Leap

Leaping involves springing from one foot and landing on the other, often in a forward or lateral direction. This movement adds height and expression to the dance, showcasing the dancer's agility and athleticism.

💡Point

Pointing is the act of lightly touching the floor with the toes of one foot while the weight remains on the other foot. This delicate movement adds finesse and detail to the dance, often used to accentuate certain beats or poses within the choreography.

Highlights

Familiarization and mastery of dance terms and steps are essential for interpreting every dance.

Dance steps in Philippine folk dances are derived from fundamental locomotor skills.

Abraseti, a Spanish-origin term, involves the girl on the right side holding her partner's right arm with her left hand.

Crossed arms position involves partners joining hands, either right over left or left over right.

Arms in lateral position: arms are placed sideward at shoulder, chest, or waist level.

Reverse T arms: elbows bent at a right angle, forearms parallel to the head, with palms forward or inward.

Brush: hitting the floor with the ball or heel of one foot and lifting it in any direction.

Draw: pulling one foot along the floor close to the other without necessarily transferring weight.

Hop: a spring from one foot, landing on the same foot with the other foot raised in any direction.

Stomp: bringing down the foot forcibly on the floor with or without transferring weight.

Tap: rubbing the ball or toe of the free foot slightly while flexing the ankle joint without weight transfer.

Slide: gliding one foot smoothly along the floor, with or without weight transfer.

Jump: a spring from one or both feet, landing on both feet in any direction.

Leap: a spring from one foot, landing on the other foot in any direction.

Whirl: turning by executing small steps in place to the right or left.