Step up your Filmmaking : The Importance Of B-Roll

Peter McKinnon
4 Feb 201711:39

Summary

TLDRIn this video, Peter McKinnon breaks down the concept of B-roll and its importance in enhancing video production. He explains how B-roll, which is supplemental footage, can be layered over main shots to make videos more engaging and tell a fuller story. Using examples from a VLOG, he demonstrates how combining B-roll of the environment, drone shots, and slow-motion clips can create a cinematic feel. Peter also shares practical tips, like shooting in 120 fps and using simple gear like smartphones, to capture great B-roll for future projects.

Takeaways

  • 🎥 B-roll is supplementary footage used to enhance the main angle of a shot, making videos more engaging.
  • 📹 It can be used to overlay on top of a static shot to add interest, convey a mood, or cover up less interesting parts of a video.
  • 🌲 B-roll can set the tone for a video, like a VLOG, by showing the environment, weather, and the filmmaker's feelings.
  • 🚗 An example given is starting a VLOG with a cinematic intro using B-roll to establish the setting and mood.
  • 📸 It's important to balance B-roll of the subject with shots of the environment to provide context and a complete picture.
  • 📹 Various devices can be used to capture B-roll, including drones and smartphones, which have improved significantly in quality.
  • 💡 Creative elements like smoke grenades can add a dramatic effect to B-roll footage, but should be used appropriately and safely.
  • 📱 High frame rates, like 120 fps, can make B-roll look more cinematic when slowed down, and many modern smartphones can achieve this.
  • 📚 The value of having a backlog of B-roll footage for future projects is emphasized, as it can enhance storytelling and editing flexibility.
  • 🔥 The importance of shooting a lot of B-roll is highlighted, as it can prevent the limitation of having too little material to work with during editing.
  • 🎬 The script concludes with a final video example that integrates all the discussed B-roll elements to create a rich, engaging narrative.

Q & A

  • What is the main topic of Peter McKinnon's video?

    -The main topic of Peter McKinnon's video is B-roll, explaining what it is, its uses, and how it can enhance videos and films.

  • What does B-roll mean in filmmaking?

    -B-roll refers to alternative or supplemental footage that can be used to cut on top of the main angle to make the content more interesting, convey a point, or cover up less engaging parts.

  • How does B-roll help in setting the tone for a VLOG?

    -B-roll helps set the tone for a VLOG by using shots that convey the mood, portray the creator's feelings, and show the environment, weather, and location, which helps immerse viewers.

  • What is an example of a situation where B-roll could be used?

    -An example given is starting a VLOG with a cinematic intro using B-roll shots to show the forest, light conditions, and the creator's location before diving into the main content.

  • What is the importance of shooting B-roll that includes the environment?

    -Shooting B-roll that includes the environment is important to provide context and information about the setting, which helps viewers understand the situation better.

  • What other types of footage can be considered as B-roll?

    -Drone footage, iPhone shots, and any other supplemental footage can be considered as B-roll as long as they serve to enhance the main footage.

  • Why does Peter McKinnon use smoke grenades in his videos?

    -Peter McKinnon uses smoke grenades to create visually appealing and dramatic effects, as they billow colored smoke that looks impressive on camera.

  • What is the significance of shooting B-roll at 120 frames per second according to Peter McKinnon?

    -Shooting B-roll at 120 frames per second allows for slow-motion effects, which Peter McKinnon believes inherently makes footage look more cinematic.

  • What advice does Peter McKinnon give regarding the use of smartphones for shooting B-roll?

    -Peter McKinnon suggests that smartphones, especially those with capabilities like 120 frames per second and image stabilization, should not be underestimated for shooting high-quality B-roll.

  • Why is it beneficial to have a backlog of B-roll footage?

    -Having a backlog of B-roll footage is beneficial because it provides filmmakers with a variety of material to use in future projects, which can enhance storytelling and editing.

  • What is the final advice Peter McKinnon gives to his viewers about B-roll?

    -Peter McKinnon advises viewers to always shoot more B-roll than they think they need, as it's better to have too much than too little, and to apply these concepts to their own projects for a richer viewer experience.

Outlines

00:00

🎥 Introduction to B-roll

Peter McKinnon introduces the concept of B-roll, which is supplementary footage used to enhance the main angle of a shot. He humorously suggests that he should have used B-roll in his own introduction. B-roll is described as a tool to make videos more interesting, convey a point, direct the viewer's attention, or cover up talking for extended periods. McKinnon uses a VLOG example to illustrate the use of B-roll to set the mood and tone for the episode. He contrasts a VLOG without B-roll, which appears boring and lacks substance, with one that includes it, resulting in a more engaging and informative viewing experience.

05:01

🌲 Enhancing VLOGs with B-roll

The script explains how B-roll can be used to enhance VLOGs by starting with a cinematic intro that sets the mood and portrays the creator's feelings and environment. McKinnon points out the importance of not only shooting B-roll of oneself but also of the surrounding environment to provide context. He emphasizes the need to combine different types of B-roll, such as footage of the activity, the environment, and the creator's interaction with the environment, to create a complete narrative. The paragraph also touches on the use of drone footage and how it can add a new perspective to the VLOG, but cautions that it should be combined with other types of B-roll to provide a full picture of the event.

10:36

💥 Creative B-roll Techniques

In this section, McKinnon discusses the use of smoke grenades to create visually striking B-roll. He advises on the responsible use of such effects and shares his personal preference for the dramatic impact they add to his videos. He also talks about the importance of shooting B-roll at higher frame rates, like 120 frames per second, to achieve a cinematic look when slowed down. McKinnon mentions that while not necessary, it can enhance the footage. He encourages the use of smartphones with good image stabilization and accessories like the DJI Osmo to capture high-quality B-roll easily. He stresses the value of consistently capturing B-roll during various activities and keeping an archive for future projects.

📚 Wrapping Up B-roll Tips

McKinnon concludes the video script by summarizing the importance of B-roll in enriching the viewer's experience and aiding filmmakers in telling their stories effectively. He reiterates that details matter and using various layers of B-roll can create a more immersive experience. The script ends with a call to action for viewers to apply the discussed B-roll techniques to their own projects. McKinnon also encourages viewers to like and subscribe and expresses excitement for the next video, signing off with an upbeat tone.

Mindmap

Keywords

💡B-roll

B-roll refers to supplementary footage that is intercut with the main footage to enhance storytelling, provide context, or cover edits. In the video, Peter McKinnon uses B-roll to add visual interest to his VLOGs, setting the mood and providing additional information about the environment or actions not shown in the main angle. For instance, he contrasts a plain talking-head shot with one enriched by B-roll of a forest, illustrating how it can dramatically improve the viewer's experience.

💡Main angle

The main angle is the primary footage or perspective from which a scene is viewed. It is the central visual element that the B-roll complements. In the script, McKinnon mentions that if a frame of his face is the main angle, B-roll can be used to overlay and cut on top of this shot to create a more engaging narrative.

💡VLOG

A VLOG, or video blog, is a form of video content where individuals document their personal experiences or thoughts. The script describes how B-roll is used in VLOGs to set the tone for the episode, such as starting with a cinematic intro that uses B-roll shots to convey the mood and environment of the day.

💡Cinematic

Cinematic refers to the quality of something being similar in style or appearance to a film. In the context of the video, McKinnon talks about using B-roll to create a cinematic intro for his VLOGs, which helps in setting the mood and engaging the viewer right from the start.

💡Drone footage

Drone footage is aerial video or photography captured using a drone. The script mentions using drone footage as a type of B-roll to add a unique perspective and enhance storytelling. McKinnon suggests that including drone footage of the environment along with the action provides a more complete picture of the scene.

💡iPhone

The iPhone is a smartphone that has advanced camera capabilities, including the ability to shoot high frame rate video. McKinnon points out that even smartphones can be used to capture B-roll, such as the iPhone's capability to shoot at 120 or 240 frames per second, which can contribute to a cinematic effect when slowed down.

💡Cinematic effect

A cinematic effect refers to techniques used in filmmaking to create a specific mood or visual style. The video discusses how shooting B-roll at higher frame rates, like 120 frames per second, and then slowing it down can create a more cinematic effect, making the footage look more professional and engaging.

💡Smoke grenades

Smoke grenades are devices that release colored smoke, often used for visual effects in photography and videography. In the script, McKinnon uses smoke grenades to create dramatic B-roll footage, adding a visually striking element to his VLOG that captures attention and enhances the overall production value.

💡DJI Osmo

The DJI Osmo is a handheld gimbal stabilizer used to create smooth and stable video footage. McKinnon mentions using his smartphone with a DJI Osmo to capture high-quality B-roll, emphasizing how this combination can produce professional-looking footage that is stable and cinematic.

💡Backlog

To backlog means to accumulate or store items for future use. In the context of the video, McKinnon advises filmmakers to backlog B-roll footage taken from various trips and events. This practice ensures that they have a rich archive of material to draw from when editing future projects, which can be invaluable for enhancing storytelling.

💡Editing

Editing is the process of selecting and arranging film or video material to create a coherent final product. The script discusses the importance of having enough B-roll during the editing process to ensure that the final video has a good balance of visual elements and narrative content, avoiding the scenario where there is too much main angle footage and not enough B-roll to support it.

Highlights

Peter McKinnon discusses the importance of B-roll in enhancing videos.

B-roll is defined as alternative or supplemental footage.

B-roll can be used to overlay on top of the main angle for more interesting content.

B-roll can cover up uninteresting or excessive talking head footage.

VLOGs often start with a cinematic intro using B-roll to set the mood.

B-roll can show the environment and context of the main footage.

It's important to shoot B-roll that includes both action and environment.

Various devices can be used to capture B-roll, including drones and smartphones.

Drone footage can add a new perspective to B-roll.

Including the operator in B-roll can provide context to the footage.

Creative elements like smoke grenades can make B-roll more visually appealing.

B-roll should be used to complement and complete the narrative.

Shooting B-roll at higher frame rates can create a cinematic slow-motion effect.

Modern smartphones are capable of shooting high-quality B-roll.

Combining a smartphone with a stabilizer can result in professional-looking B-roll.

It's beneficial to have a backlog of B-roll for future projects.

Having an excess of B-roll is better than not having enough.

B-roll helps to create a richer viewing experience by adding details.

The video concludes with a compilation of the discussed B-roll techniques.

Transcripts

play00:01

- What's up, everybody?

play00:02

Peter McKinnon here and today, (clapping) hmmm,

play00:04

we're talkin' about B-roll.

play00:05

What it is, what it ain't.

play00:07

How you can use it to make your footage,

play00:09

your films, and your videos, VLOGs, whatever, way better.

play00:13

And now that I think about it,

play00:14

I should have probably cut some B-roll over that intro.

play00:17

So maybe we should redo that?

play00:18

What's up, guys?

play00:19

Peter McKinnon here and today, we're talkin'

play00:21

about B-roll, what it is, and how you can use

play00:24

it to make your footage and your videos better.

play00:27

(rock and roll background music)

play00:32

What is B-roll?

play00:33

B-roll is alternative, or supplemental footage

play00:36

that you can use to cut on top of your main angle.

play00:39

So if this frame was my main angle,

play00:42

I could use B-roll to overlay and cut

play00:44

on top of this shot, anything I want,

play00:47

to make something more interesting, to tell

play00:49

a point, to bring you in a direction

play00:51

that I wanna bring you into, or simply

play00:53

to just cover up the fact that this is my face rambling

play00:56

for the next 10 minutes.

play00:58

Because let's be honest, I tend to do that.

play01:00

So to start, as an example, I'm gonna use the VLOG.

play01:02

A lot of VLOGs I start with a cinematic sort

play01:05

of intro, using B-roll shots to kind

play01:07

of tell the mood, portray how I'm feeling

play01:10

that day, where I am, what the weather's like,

play01:12

and it kind of sets the tone for the episode.

play01:14

So let's say I'm gonna go do a photo shoot in a forest.

play01:16

We're gonna start the VLOG off in my car,

play01:19

but I'm not gonna use any B-roll.

play01:20

This is what that would look like.

play01:22

Choo!

play01:23

What's goin' on everybody?

play01:24

We are outside a really cool forest right now

play01:26

that has some awesome light.

play01:28

So we're gonna pack up our gear,

play01:29

and we're gonna go inside and shoot,

play01:30

let off some smoke, get some cool B-roll,

play01:33

and yeah, we're gonna go do that right now.

play01:40

Okay, so that was fun.

play01:40

We are freezing.

play01:42

We're gonna get back in the car now

play01:43

and go do something else 'cause it is way too cold outside.

play01:46

The wind is just killi...

play01:48

Okay, pretty boring.

play01:49

Not much substance, not much to look at.

play01:51

It wasn't very much fun to watch.

play01:53

Yeah, just not feelin' it at all.

play01:56

Let's see what that looks like again using B-roll.

play01:58

Choo!

play01:59

What's goin' on everybody?

play02:00

We are outside a really cool forest right now

play02:03

that has some awesome light.

play02:04

So we're gonna pack up our gear

play02:05

and we're gonna go inside and shoot,

play02:07

let off some smoke, get some cool B-roll,

play02:09

and yeah, we're gonna go do that right now.

play02:12

(dramatic offbeat background music)

play02:31

Okay, that looks a lot better.

play02:33

The problem is, I only shot B-roll of us.

play02:36

Me taking pictures, my friend taking pictures.

play02:39

You don't really know where we are,

play02:41

what we're taking pictures of,

play02:42

what we're doing at all.

play02:43

I didn't really give you enough information.

play02:46

So that's when we gotta shoot B-roll

play02:47

with the environment that we're in as well.

play02:49

Cut those two together, it's gonna look like this.

play02:52

(dramatic offbeat background music)

play03:11

(uplifting offbeat background music)

play03:25

So now, we've got something.

play03:27

Now you can see that we're taking pictures of this forest.

play03:30

You can see what we're looking at when you see footage

play03:33

of us looking at something, which just helps

play03:35

fill in the blanks.

play03:36

It helps fill in the gaps and it gives you

play03:38

a more whole experience.

play03:40

How do we take even more B-roll footage?

play03:42

Well, you can use drone footage, you can use your iPhone.

play03:44

Anything goes at all.

play03:46

So let's see what some drone footage would look like.

play03:48

♫ It's like a dance

play03:50

♫ The way that you

play03:52

♫ Shake your head in full denial

play03:55

♫ Love the truth

play03:58

♫ Didn't get a chance

play04:00

♫ To say it loud

play04:01

- It looks pretty good but because this is a VLOG,

play04:03

I wanna shot footage of me using the drone as well

play04:06

because I'm trying to tell a story of my day.

play04:10

I'm trying to tell a story of this photo shoot.

play04:12

So if it's only shots of the footage,

play04:14

if it's only shots from a drone,

play04:16

I'm not really giving you the full picture.

play04:19

So, let's take a look at the drone shots

play04:20

with me operating the drone.

play04:22

♫ It's like a dance the way that you

play04:26

♫ Shake your head in full denial

play04:29

♫ Of the truth

play04:31

♫ Didn't get a chance

play04:33

♫ To say it loud

play04:36

♫ Your secrets catch you pushing down this vow

play04:41

♫ When he was knocking on your door

play04:43

♫ Nobody got in

play04:45

♫ Yeah when you're screaming for a hand

play04:48

♫ Nobody's listening

play04:49

- Now we've got the B-roll of us shooting,

play04:51

we've got the B-roll of our environment,

play04:52

we've got the B-roll of the drone,

play04:54

we got the B-roll of me using the drone.

play04:56

So, how else can we make some cool footage?

play04:58

Well sometimes, you just gotta do cool sh--

play05:01

that looks awesome on camera.

play05:02

So for us, we used some smoke grenades.

play05:04

These thing are awesome.

play05:05

You've probably seen them before.

play05:06

I've used them in many photographs on my Instagram.

play05:09

I'm sure you've seen other Instagramers using them.

play05:11

They are all the rage.

play05:12

If you're gonna use them, don't do it inside

play05:14

or in an area that's gonna get you into trouble.

play05:16

Be smart about it but I'll drop a couple links below

play05:18

on where you can pick them up for yourself.

play05:20

So, what do they do and why do I use them?

play05:21

They do, they just billow smoke,

play05:23

they just billow colored smoke

play05:26

and what's the purpose of them?

play05:27

They look dope, that is it.

play05:30

If you're not into that kinda thing, skip forward.

play05:32

No hard feelings.

play05:33

I'm into that.

play05:34

Pop a flare, billows a bunch of colored smoke,

play05:36

looks badass, yes please, I'll take five.

play05:39

So let's see some footage of this smoke

play05:41

and what that looks like.

play05:42

(offbeat music)

play06:07

So there's not really much context there.

play06:08

This guy's just playing with smoke and it,

play06:11

alright cool, yeah it looks cool but

play06:12

it's completely useless because we didn't show

play06:14

the whole picture.

play06:16

'Cause we gotta smash together these shots of us

play06:18

shooting, the drone, me using the drone, the smoke,

play06:21

the whole mood, the environment,

play06:23

you gotta use these pieces to complete the meal.

play06:27

Right, it's like throwing all this stuff into one big soup

play06:30

to finish off the dish so that everyone

play06:32

can jump in and enjoy it.

play06:34

Really weird analogy and I think it makes sense,

play06:36

but now something to keep in mind is,

play06:38

I shoot my B-roll, a lot of it at 120 frames a second.

play06:41

Now, why do I do this?

play06:42

Because I feel that it inherently makes your footage

play06:45

look more cinematic when it's slowed down.

play06:48

Do you have to do that?

play06:49

Absolutely not.

play06:50

There's still great B-roll and everything to be shot

play06:52

at 24 frames a second or 30 frames a second.

play06:54

I don't really like 30, I feel it looks a little weird.

play06:57

I don't know why, it just makes me feel like ugh,

play06:59

creepy inside.

play07:00

So if you're gonna shoot 24 frames a second,

play07:02

that's perfectly fine.

play07:04

That would definitely give off a whole different vibe.

play07:07

The slow down of the frame just inherently makes it

play07:10

feel and look more cinematic, my opinion.

play07:13

Now, what you're saying, I don't have an expensive,

play07:15

fancy camera that can do 120 frames a second.

play07:17

Well, if you have an iPhone, the seven plus

play07:19

does 120 frames a second.

play07:21

It does 240 frames a second and it shoots in 4K.

play07:24

I know the Pixel phone has a ridiculous

play07:27

image stabilization.

play07:28

I saw a shot from my friend the other day of him

play07:30

literally one handed driving down a driveway

play07:33

holding his phone out and it looks like he

play07:35

flew a drone, it's insane.

play07:37

So, phone's have come a long way.

play07:39

Don't underestimate them.

play07:40

Now when you combo a 4K smartphone

play07:43

with image stabilization and throw it into

play07:45

a DJI Osmo, you basically got yourself

play07:48

a 4K steady cam rig right there

play07:50

that you can bust out at anytime to shoot incredible B-roll.

play07:53

I use mine, I throw it in the backseat,

play07:55

I throw it in the camera bag.

play07:56

Any time that I am somewhere where I'm like,

play07:58

"Woah, this looks so good."

play08:00

I put my phone on it, I run around for like 20 minutes,

play08:03

my wife's sittin' there waiting for me.

play08:04

This is not a sponsored post, I was not paid

play08:07

to say that by DJI, I just think it's a great product.

play08:10

I get the B-roll because here's the thing.

play08:12

Just because you're not shooting a project

play08:15

doesn't mean that you're not going to need that

play08:16

or could use it down the road.

play08:19

It's important and sometimes, it's really, really helpful

play08:22

to actually shoot a ton of B-roll throughout

play08:25

different trips, throughout your day,

play08:27

throughout the months because you can backlog that

play08:30

into an archive and then if you're shooting something

play08:32

or you're running into a problem and you're editing

play08:34

and you can say, "Do I have any,

play08:36

"I have like 20 minutes of B-roll that I shot

play08:40

"when we were going for that walk in that forest

play08:42

"'cause I had the Osmo in the car

play08:43

"or I just stopped at a traffic light

play08:45

"and filmed the clouds for two minutes

play08:47

"'cause they looked insane that day."

play08:49

That's a really good pro tip for something that

play08:51

you guys can do to just make your stuff better

play08:54

and make sure that you have enough material.

play08:56

You can never shoot too much.

play08:58

The worst thing is when you get back

play09:00

and you're starting to edit and you realize,

play09:03

"I've got a 10 minute clip of this guy in his kitchen

play09:05

"talking about B-roll, but I only have

play09:08

"like two minutes of actual B-roll to cut on top."

play09:11

That's the worst scenario to be in.

play09:13

I would rather be like, "I've got a 10 minute clip

play09:16

"of this guy talking and I have like 15 minutes

play09:18

"of awesome B-roll footage

play09:20

"and I'm not even sure what not to use

play09:22

"because I love all of it."

play09:23

That's where we wanna be.

play09:24

That's the sweet spot.

play09:26

So, all in all now, when we take everything that we've shot

play09:30

and we mash it into one final piece,

play09:33

using the footage at the beginning of me saying

play09:35

we're gonna go on a shoot and then,

play09:37

using all of that B-roll to right at the end,

play09:39

you're gonna get a way more whole experience

play09:42

of our experience on this photo shoot.

play09:45

That would look something like this.

play09:47

Choo.

play09:48

What's going on everybody?

play09:49

We are outside a really cool forest right now

play09:51

that has some awesome light.

play09:53

So we're gonna pack up our gear and we're gonna

play09:54

go inside and shoot.

play09:56

Let off some smoke, get some cool B-roll

play09:58

and yeah, we're gonna go do that right now.

play10:00

(upbeat background music)

play10:36

Okay, so that was fun.

play10:37

We are freezing.

play10:38

We're gonna get back in the car now

play10:39

and go do something else.

play10:40

So that's it guys.

play10:41

That is the crash course in B-roll.

play10:43

I hope you enjoyed it.

play10:44

I hope you got something out of it

play10:46

and I hope that you start to use some of these tips

play10:48

and tricks to start applying these concepts

play10:51

to your own films and VLOGs and projects.

play10:53

Remember, it's the details that matter.

play10:56

When we add all the different layers of details,

play10:59

that just gives us a more rich experience

play11:02

as a viewer and as a filmmaker when we're trying to

play11:05

tell our stories across the world.

play11:07

So, that was a nice deep exit.

play11:10

I think I will leave it there.

play11:11

Thanks so much for watching.

play11:13

Hit that like button, subscribe if you aren't already

play11:15

and I will see you in the next video.

play11:19

Woo, I'm already excited for it

play11:20

and I haven't even done it yet.

play11:23

(upbeat techno music)

play11:25

♫ Don't be afraid, wont' let you fall girl

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Etiquetas Relacionadas
B-roll TechniquesVideo ProductionCinematic VlogsCreative EditingFilmmaking TipsPhotography TricksDrone FootageSmoke GrenadesCinematic EffectsMobile Filming
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