How To Edit Documentaries Like James Jani
Summary
TLDRIn diesem Podcast-Interview spricht James Johnny, ein renommierter YouTube-Dokumentarfilmer, über seine kreative Prozesse und Techniken, die er verwendet, um Geschichten mit kineastischer Qualität zu erzählen. Er diskutiert, wie er durch nichtlineare Montage und die Verwendung von Filmmotiven die Erwartungen des Publikums spielt und es auf eine emotionale Reise mitnimmt. Johnny teilt auch Einblicke in seine Zusammenarbeit mit seinem Motion Graphics-Team und wie Musik seine Bearbeitung leitet, um auf YouTube einige der poliertsten Visuals zu erstellen.
Takeaways
- 🎥 James Johnny ist ein bekannter Dokumentarfilmemacher auf YouTube, der durch seine einzigartigen Erzählungstechniken und visuelle Präzision beachtet wird.
- 🍏 Er verwendet nichtlineare Bearbeitungstechniken, um das Gefühl der Unruhe und des Erkundens zu vermitteln, was zu einer emotionalen Reise führt.
- 🎬 Johnny nutzt visuelle Motive, um Erwartungen zu spielen und den Zuschauern den Verbleib im Video zu ermöglichen.
- 🎵 Musik ist ein wichtiger Bestandteil seines kreativen Prozesses und beeinflusst die Art und Weise, wie er die Szenen zusammenstellt.
- 🕵️♂️ Er legt Wert auf die Recherche und die Darstellung von Geschichten, die eine doppelte Botschaft haben und hinter denen mehr steckt als auf den ersten Blick sichtbar.
- 🔍 Johnny verwendet Puzzleteile als visuelles Element, um die Geschichte zu erzählen und die Zuschauer auf den Zusammenhang zwischen den Ereignissen aufmerksam zu machen.
- 📈 Die Verwendung eines Countdowns in seinen Videos dient dazu, die Spannung aufrechtzuerhalten und die Zuschauer auf die bevorstehende Katastrophe hinzuweisen.
- 👨💻 In seinem Video über Sam Bankman-Fried, dem reichsten Mann unter 30, verwendet Johnny die Geschichte, um ein Gefühl der Unruhe und des Misstrauens gegenüber dem Charakter zu erzeugen.
- 📹 Johnny legt Wert auf die Verwendung von echten Geschichten und Interviews, um die menschliche Dimension und die Auswirkungen auf die Betroffenen hervorzuheben.
- 🚀 Seine Videos sind bekannt für ihre hohe Produktionsqualität, die oft mit dem, was man von Fernsehnetzwerken oder großen Streamingplattformen erwarten würde, vergleichbar ist.
Q & A
Wie beschreibt der Sprecher seine Herangehensweise an die Erstellung von Dokumentarfilmen?
-Der Sprecher beschreibt seine Herangehensweise als eine Mischung aus Emotionen, Ermittlung und einem konspirativen Gefühl, das den Zuschauern eine emotionale Reise bietet.
Was ist das Ziel von James' Video, wenn es darum geht, eine Geschichte zu erzählen?
-Das Ziel ist es, eine Geschichte auf eine Weise zu erzählen, die normalerweise jeder erzählen könnte, aber mit einer kinematografischen Qualität, die für Netflix geeignet wäre.
Wie verwendet James Musik in seinen Videos?
-James verwendet Musik, um die Bearbeitung zu leiten und die Stimmung und den Rhythmus seines Videos zu bestimmen. Musik ist ein großer Teil seines kreativen Prozesses.
Was sind 'Bewegungsgrafiken' und wie werden sie in James' Videos verwendet?
-Bewegungsgrafiken sind animierte visuelle Elemente, die in James' Videos verwendet werden, um Informationen zu vermitteln oder die Geschichte zu unterstützen. Sie werden von einem Team von Motion-Graphics-Künstlern erstellt.
Wie wichtig ist die Verwendung von Musik für James' Videobearbeitung?
-Musik ist sehr wichtig für James' Videobearbeitung, da sie die Inspiration und den Rhythmus für seine Videos liefert und dazu beiträgt, die Emotionen und die Dynamik des Films zu definieren.
Was ist der Unterschied zwischen der 'V1'-Version und der endgültigen Fassung eines Videos?
-Die 'V1'-Version ist die erste Schnittfassung mit allen aufgezeichneten Materialien, wohingegen die endgültige Fassung nach dem Bearbeiten, Hinzufügen von Musik, Bewegungsgrafiken und anderen Elementen die fertige Produktion ist.
Wie verwendet James Countdowns in seinen Videos?
-James verwendet Countdowns, um den Zuschauern mitzugeben, dass eine Situation oder ein Ereignis in Kürze stattfinden wird, was Spannung und Erwartungshaltung schafft.
Welche Rolle spielt die persönliche Geschichte des Opfers, Martins, in James' Dokumentarfilm über die FTX-Kollaps?
-Die persönliche Geschichte von Martin, einem Opfer der FTX-Kollaps, dient dazu, die menschliche und emotionale Komponente der Geschichte zu vermitteln und unterstreicht die realen Auswirkungen der Ereignisse auf die Menschen.
Warum ist es für James wichtig, die letzten 30 bis 20% der Details seines Videos zu vervollkommnen?
-Obwohl James anfänglich nach der Perfektion strebt, erkennt er, dass die letzten 30 bis 20% der Details nur von sehr wenigen Menschen bemerkt werden und er lernt, sich mit der Idee zufrieden zu geben, dass ein Video 70% gut ist, um den Schaffensprozess zu erleichtern.
Wie hat sich James' Einstellung zur Upload-Frequenz von Videos geändert?
-James hat gelernt, sich mit der Idee zufrieden zu geben, nicht alle Videos perfekt zu machen, und er hat begonnen, ein Team einzusetzen, um den Druck zu reduzieren und die Produktivität zu erhöhen, anstatt alle Aspekte des Videos selbst zu bearbeiten.
Outlines
🎥 James Johnny's Documentary Filmmaking
James Johnny ist ein YouTube Dokumentarfilmemacher, der für seine einzigartige Art von Storytelling bekannt ist. Er verwendet nichtlineare Bearbeitungstechniken, um das Publikum auf eine emotionale Reise mitzunehmen. In diesem Podcast wird erzählt, wie er mit Filmmotiven spielt, um die Erwartungen des Publikums zu spielen und sie in seinen Videos zu halten. James nutzt auch Musik, um die Bearbeitung zu leiten und leitet sein Motion-Graphics-Team an, um hochpolierte Visuals für seine Dokumentationen zu erstellen.
🧩 Die Retentions-Storytelltechnik
Der Podcast diskutiert eine besondere Storytelltechnik, die durch die Verwendung von Puzzleteilen gekennzeichnet ist. Diese Technik wird verwendet, um das Publikum auf eine Weise zu fesseln, die es auf eine Erkenntnisreise bringt, ähnlich der, die der Filmemacher selbst durchläuft. Die Verwendung eines Countdowns im Video wird als effektive Methode betrachtet, um das Interesse des Publikums aufrechtzuerhalten und es auf den bevorstehenden Zusammenbruch hinzuarbeiten.
🎵 Musik als Inspirationsquelle
James betont die Rolle von Musik in seinen Videos und wie sie dazu beiträgt, die richtigen Emotionen und den richtigen Rhythmus für die Geschichte zu schaffen. Er verwendet Musik, um die Bearbeitung zu steuern und die richtige Stimmung für seine Dokumentationen zu erzeugen. Die Musik wird als ein wesentlicher Bestandteil des kreativen Prozesses beschrieben, der hilft, die Geschichte zu einem Spektakel zu machen.
👤 Das Herz der Geschichte
In diesem Abschnitt wird die Bedeutung der menschlichen Geschichte und der emotionalen Verbindung mit dem Publikum hervorgehoben. James suchte nach einer Geschichte, die die Wirklichkeit der Opfer der FTX-Kollaps zeigte. Durch ein Interview mit einem Opfer, Martin, wird die menschliche Seite der Geschichte hervorgehoben, die zeigt, dass es sich bei dem Ereignis um mehr handelt als nur um die Geschichte eines reichen Mannes. Es wird betont, wie wichtig es ist, diese menschliche Perspektive in seine Dokumentationen einzubinden, um das Publikum mit der Geschichte zu verbinden.
🔄 Die Herausforderungen des Content-Erstellens
James reflektiert über die Herausforderungen, die mit der Produktion von hochwertigen Inhalten einhergehen, insbesondere im Hinblick auf Perfektionismus und die Notwendigkeit, sich selbst zu erlauben, 'schlecht' zu sein. Er diskutiert, wie er lernt, mit dem Druck umzugehen, kontinuierlich hochwertige Videos zu veröffentlichen, und wie er sich anpasst, um diese Herausforderungen zu meistern.
Mindmap
Keywords
💡Dokumentation
💡Narrative
💡Montage
💡Kinetische Motive
💡Kreativer Prozess
💡Investigativ
💡Unruhe
💡Puzzleteile
💡Zeitlupe
💡Storytelling
Highlights
James Johnny's documentary style is compared to a beautiful garden with a dark secret, symbolizing the contrast between surface-level beauty and underlying truth.
His videos are described as having an investigative and almost conspiratorial feel, building an emotional journey for the audience.
James uses nonlinear editing to match the emotional arc of his storytelling, keeping viewers engaged.
Cinematic motifs, such as puzzle pieces, are used to play with audience expectations and maintain interest throughout the video.
The creative process involves guiding the edit with music to dictate the pacing and emotional tone of the video.
James directs his Motion Graphics team to produce polished visuals that contribute to the high production value of his videos.
The documentary on Sam Bankman-Fried explores the rapid downfall from a 32 billion dollar company to bankruptcy.
The storytelling technique involves creating a sense of unease and mystery, drawing parallels to community-driven phenomena like mega churches and cryptocurrencies.
Contrasting moments in the video, such as the switch from overly optimistic music to a darker theme, serve to hook the viewer and build intrigue.
The use of a countdown in the video adds a sense of impending doom, mirroring the pre-apocalypse feeling and keeping viewers engaged until the climax.
James discusses the importance of including real human stories, like that of an FTX victim, to add emotional depth to the documentary.
The process of creating a video involves a detailed storyboard, which includes script, music, and motion graphics directions.
The assembly cut is the first step in editing, where raw footage is organized and mistakes are removed to create a rough structure of the video.
Music selection plays a crucial role in dictating the pacing and emotional impact of the video, with James often using music as a source of inspiration.
The video's narrative is crafted to take the audience on the same journey of discovery as the filmmaker, enhancing relatability and engagement.
James emphasizes the importance of including small, emotionally resonant moments that bring the human element to the story, such as personal interviews.
The challenge of balancing perfectionism with the practical need to publish content is discussed, highlighting the decision to be satisfied with 'good enough'.
The interview concludes with a reflection on the permission to be 'bad' initially, acknowledging that early work may not be perfect but is necessary for growth.
Transcripts
you can't go too far down the list of
YouTube's best documentary filmmakers
without getting to James Johnny that
feeling is really what I love having in
the videos and it should feel like it's
a beautiful garden and there's a bunch
of people eating from this tree that has
amazing apples on it and in comes James
who's sort of watching this all and
going okay on what's what's going on
here and so I would start digging around
the tree to find that the thing that's
fueling this tree are dead
bodies whoa whoa whoa Rel like hold on
everyone like this is what's happening
underneath the surface James's video
Builds on that feeling of unease I've
doubled down on more of like the
investigative almost that feeling of
like a conspiracy sort of video but how
does James tell a story that anyone
could tell but with a cinematic quality
that should be on Netflix in this
episode we break down how James uses
crazy editing techniques like editing in
a nonlinear way to bring his audience on
his emotional Journey as a filmmaker how
James uses cinematic motifs to play with
his audience expectations and keep them
watching and we get an inside look at
James's creative process how he guides
the edit with music and how he directs
his Motion Graphics team to generate
some of the most polished visuals on
YouTube this is the editing podcast and
this interview was recorded with
Riverside the all-in-one video
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subscribe I'm very excited to introduce
you to Sam bankman freed the wealthiest
person under 30 in the world sleeping on
a bean bag in his office you build these
people up to be these really interesting
people but you know that their entire
world their entire Foundation is about
to crumble from a 32 billion doll
company to bankruptcy in a matter of
Just 4 days or so many out there who
believe he's just a pathological liar I
feel like that comes down to just the
stories that you pick like inherently
are just interesting and I think that is
a really good analogy I think for what
I'm trying to do with the videos is to
give you first like a mystery something
that's intriguing that has almost again
that essence of I think a community
around it like with both mega churches
cryptocurrencies even FTX and especially
this this new video that I'm working on
there's this element of like there are a
bunch of people that surround this thing
um that there has a lot of attention
around it but there's a sense of
something isn't quite right uh and I
think I'm just naturally hooked to
stories like that uh which is why I
usually gravitate in that direction when
I pick ideas how do you make us feel
that cuz yeah you can show us hey look
how great Sam bman freed is but I don't
trust him already how did you make us
feel that with the context in mind that
you're watching a video titled the fake
genius there's already a feeling of
unease with that I think in the hook of
that video there was a really important
um sort of contrasting moment that I
wanted to get where you start off the
video with this very exciting music the
wealthiest person under 30 in the
[Music]
world almost too overly optimistic where
you sort of hear me saying there's this
guy everybody loves a story about an
underdog and a genius and then you hear
like s m mfri he's sleeping on bean bags
and he's rich and he wants to give all
of his money away and then you
eventually have the switch which is like
literally me going you know the
equivalent of I'm not like other girls
like this isn't like this isn't one of
those stories he wanted to dedicate his
life to doing good for the
world this is not one of those
stories and then that launches us into
the next segment which is where we sort
of the shifts there's a bit of a darker
theme and we get this Mark cot's tweet
appear which is just literally the words
FTX is a problem after having a whole
segment of how great this guy is and how
amazing he is just having that moment of
someone tweeting FTX as a problem is
like okay like all right what's what's
happening like let me dig into this and
so in the case of the video there was
this common Motif that we used which was
these puzzle pieces kind of coming
together puzzle that had managed to fool
so many but what I found was a story
that left people brok
throughout the video you start to see
how these puzzle pieces happen as we go
to the past or go to the present and
we're starting to see slowly as an
audience you're getting a a picture of
okay so I see like this thing is
important this thing is important I'm
starting to understand how all of this
is going to lead up to this big collapse
moment um and it's almost like when you
when you have those moments you can feel
what it's like to be me in that in the
sort of story of trying to piece
together what is going on taking the
audience through the same Journey that
you essentially took it brings in a very
interesting narrative it's like by
throwing us backwards and forwards in
time in the same way that you are
discovering it yourself in that sense
making us Discover it in that probably
same way every single time a significant
moment happened it was then bookended
with cutting towards the puzzle pieces
but if you tell someone that there is a
box that they can put their money into
and that box will return back tfold what
you gave it how could you not be tempted
from the years of 2020 to 202
the world of cryptocurrencies had become
that box for regular people the puzzle
pieces though it was a really satisfying
I was a retention moment of like I am
now understanding the story so much more
I'm seeing it being built but I think
the really really cheeky part of it all
is at the start of the video you started
with those puzzle pieces and you broke
them away yeah and I was like I was like
wait no I wanted to see what that was
but then you started building it back up
in the retention editing language that
became my dopamine hit you know like oh
this is working I I am now getting uh
the signal of chapters of like getting
that sense of progression there's a very
cheeky retention uh storytelling
technique but it works very well in this
context this interview was recorded with
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off the countdown that then being
another sense of progression another
sense of time of what of something for
us to then look forward to towards that
moment why was the countdown so
important for you in this story yeah the
countdown thing was it was interesting
because that was never in the kind of
like original sort of first draft of the
video it only became a concept after um
in the second draft especially when I
committed to the idea of not telling
this story in a linear way and when I
went and looked at the first draft and
this sort of back and forth it kind of
felt jarring like something just felt
wrong or that it was missing and I think
it was just naturally through the
scripting process like what if I just
add in like a countdown of like 10
months left and immediately it was like
oh my God like that that works perfectly
because it kind of accompanies even the
puzzle pieces element where so not only
are you looking in the past and you're
piecing together this puzzle you're
constantly reminded that this thing is
going to collapse that something is
going to fall and it keeps reminding you
why you're building those puzzle pieces
it's because you know things are about
to end and you want to find out what
what the hell is happening cuz
constantly in the story you're told how
great this person is how amazing the
business is and you're piecing together
the puzzle but then you're always
reminded every single time there's 10 10
months left there's 5 years left in that
retention tactic sort of world like that
again acts as a moment for someone to be
like I'm I'm here because I want to see
how this ends and how this eventually um
yeah how this all sort of collapses I
love it it's it's it's it's a very
really effective way just knowing the
end is coming there's a fantastic
feeling about uh the
pre-apocalypse right yes you know that
the world's about to end and then that
feeling that you can create and then
just that countdown of like this is when
the apocalypse is going to happen s bman
freed is the devil he is the devil in
crypto this guy's literally trying to
ruin crypto permanently and you know
what he says oh that's not what I'm
doing you liar you lie s bman
[Music]
fre
so James the Polish of your videos is
excellent quality this is the things
that we would see on network television
or some of the biggest streaming sites
the thing that I'm definitely curious of
is of course the journey to get to that
point so I'm curious what does the V1
version of this look like the assembly
cut I's say you've recorded everything
you've got it and what I have is
somewhat of a storyboard before we jump
into the edit and the storyboard will
literally be like script is kind of on
the left side on the right hand side
you'll have somewhat of a direction
whether it's motion graphic here b-roll
of this thing here etc etc gives you
some sense of what the edit could look
like once you get into the edit you drop
in your a-roll your face cam Miner
rating footage cut it all up any
mistakes and stuff so that you've just
got the things that you know you're
going to include after that's done you
know that there's going to be bits of
kind of essential b-roll is what I call
it we know that there's going to be a
footage of this thing happening here or
this interview here because it's
literally in the script and it says so
so we start to put in the essential
footage in there what happens next is
where things get a little bit more
interesting it's where you kind of go
into this process of back and forth and
it will be now the moment where you
start to implement some music and music
like I mentioned is a big part in my
videos and what I do so as soon as I
drop a song in that can dictate a lot of
about how the footage is going to roll
and how everything is going to be paced
again we have a sense of and it's
something I'm still trying to get better
at is having a sense of pacing before
you even do that um because that's going
to help you with your music selection
and everything else and now we're like
okay as you like watch through the video
there should be a sense and again you
can use a storyboard as an example we
know that okay we got to get a bunch of
Clips here of people praising Sam
bankman freed but now with the context
of the music in there you can start to
be able to shape the Clips in a way that
it makes sense with the music one of the
greatest quarterbacks in football
history well he's not only an ambassador
for FTX now he's also given equity in
the company and the same goes for the
Brazilian fashion model and Brady's wife
at the time bun the entirety of Major
League at this point as well again in
the story board you'll have a sense of
where Motion Graphics is going to be
which in the timeline uh in Premier Pro
is what I use the timeline is literally
just going to be a black screen that
says insert Motion Graphics of whatever
here once you've got a good sense of we
know the music is right we have a decent
amount of footage um an archive footage
that we we know we're going to use maybe
there's some like polishing that needs
to be done with it but whatever we have
a very good sense of what all of that is
going to be for a lot of them so I I
have a lot of what I call internet
sequences in my videos which is just
anything where it's like clicking on an
article or searching someone's name on
Google um it's a very kind of specific
thing that I have a lot of the time in
my videos I've got a whole creative
brief page that instructs like how to go
about making those internet sequences
from the effects used including like
after effects templates all of this
stuff and I will generally give that to
uh my Motion Graphics editors we had
this detective board thing that appeared
um is what we called it where we showed
kind of the piece of uh the individuals
who are important in the kind of sand
bankman free team or FTX in a circle
those ones require a bit more
storyboarding screen record me really
badly but still somewhat helpful in a
paint uh in an MS paint uh document and
just like drawing what I'm like looking
to have happen uh with the Motion
Graphics once they're done with the
Motion Graphics there might be a little
bit of back and forth but once they've
finally locked it in we just plug it
into the sequence and then yeah mixing
and and mastering kind of happens
afterwards which I'm I'm very terrible
at interestingly enough um conversation
around like AI kind of used mid journey
to help with some concept ideas which I
have found like AI to be helpful when it
comes to like figuring out concepts for
stuff like with the detective board uh
shots of this video I knew I wanted
something that looked a bit neon and and
kind of with this orange and blue theme
run it through mid Journey got some
really cool results fed it back to my
Motion Graphics guy and we kind of
played around with ideas and eventually
you know we got we got what we were we
were happy with in One Moment In the FTX
video we had this uh point in time where
it's we're kind of towards the end of
the story where customers are trying to
withdraw their funds from FTX and
there's this big moment where we talk
about how um imagine being a customer on
FTX when you're hearing all of this bad
news and you you want to withdraw your
money and we initially wanted to do we
we saw it we were like we have a big
Motion Graphics bit here can we just
like can we just record something can we
get like some some actual footage like
of this and we tried we we did like a
day we tried to to you know film
something and it didn't work we did we
didn't manage to find a good way of
doing it so we went back to the drawing
board and was like okay let's just
actually go and have an animation that
is mimicking what it'd be like as a as a
person on their computer so the
animation themselves is like being in a
browser clicking and seeing the article
then clicking to the tweet and seeing CZ
it's very like not it's kind of on the
nose it's very obvious but it was a
moment like okay cool this is fine like
let's move on um and yeah you'll get
moments like that I try and avoid it but
uh that that generally is how sort of
directional Motion Graphics will work
hey hold up let's take a quick music
break
this is nice isn't it music is such a
key source of inspiration for me lots of
times I put music on and I just sit and
I think and I listen I'm like is this
going to work for a scene on my next
project is this going to work in this
YouTube video and doing that research
ahead of time is a big deal and when I
find something that I know I'm going to
want to use in a scene I get pretty stok
bro I it's kind of exciting music bed is
that source of inspiration for me and
recently I have made the switch to music
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like to use Music bed as opposed to
anybody else is that their curation
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heard that they literally only let 1% of
the music submitted to them on their
service if it's not a Bop it's not a cop
if you know what you know what I'm
saying they have any kind of genre any
kind of mood and the producing quality
is absolutely ridiculous like off the
charts it sounds so Pro So Pro that you
might even find artists that you already
like on Spotify and you could use them
in your next video with music bit so
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to the conversation what are some of the
small moments that are really important
for you to pull off in this documentary
when I do the videos there's always an
element of like you want to find what
the heart of the story is like what's
kind of the thing that actually brings
the human emotion into it because Sam
bankman freed is this very like know
Larger than Life type of character um
you know you just hear big headlines
about how much money he's worth and how
much money the FTX collapse caus and all
of this stuff it's very hard to relate
to it maybe on a human and emotional
level so one of the important things
that I really wanted to have was this uh
interview that I had with one of the
victims of the FTX collapse um who had a
really like powerful story which I think
humanized everything that was going on I
was following the situation uh quite
well after all of this and I was
horrifying that it's it's fun to see a
countdown it's fun to see you know oh my
God like this guy is not as what people
seem and all of those elements are
interesting to watch but then I think
the the thing that I constantly wanted
to have uh was this interview running
with uh like Martin who was the the
victim and to have him constantly go
through his experience and have this
moment at the end where I knew I wanted
to end kind of the main video on just
his own comments and his own thoughts on
the whole thing which I felt would have
been the real way to close it out is
yeah you hear the story about s m free
but you're finally reminded at the end
of it that there is someone who you know
is at the heart of it the ones who did
lose money and had real consequences
happened and Martin you know had this
really powerful moment where he's
talking about you know this is like
watching all your Christmas bonuses all
your checks everything you've worked
hard to like seeing it sort of thrown
into the wind it felt like everything I
worked up to this point in my life has
been just like there were different
memories flashing in my head of all the
raises you get at work of all the money
you get Christmas bonuses it would be
all the same if I just took those checks
and burned them and thrown them into the
wind or whatever and then this moment
where I kind of I includ in the
interview where I asked him you know
what what would you say to Sam bankman
freed if if he would you know if you
could talk to him uh and him just saying
you know just try make it right if he
has any Humanity left I think that was a
really big moment to emphasize that it
wasn't just about this bankman freed
character that everyone spoke about that
there were real losses uh at the end of
it all um and that I think was like kind
of the heartbeat of the story which I
think was really important to include
otherwise it becomes this funny roller
coaster story of rich man who you know
is so great and good and turns out he's
not spectacle is fun it can be
entertaining but spectacle doesn't hit
until you can bring in that human
element towards it how are you able to
allow yourself to be in a place where
you don't care how long it is between
uploads or you're making sure that you
are working on the video Until It's
actually done I funly enough I do care
quite bit about the upflow time it's
kind of it's been my um biggest kind of
pet peeve at the moment in terms of not
being able to consistently upload I
think again part of the issue is I still
have those areas of perfectionism which
makes me want to continue to draw things
out slowly as I've started to begin
developing out a team or people to help
me um like with this FTX video we hit um
a point you know weeks before the actual
release where I'm looking at my um my
creative producer and I'm saying to him
you like bro I don't think I don't think
this is ready like there's so much more
that I want to add into this like the
video is bad it's terrible I can't put
this out and he's like look we had a
conversation about it we're like we need
to be happy with 70% of this thing being
good and continue and move on from there
because truthfully that perfectionism
wanted me to pursue the the best
possible video in lie of like the
emotional like stress and and mental
like fatigue and and physical fatigue
that would it take to like get that last
bit completed um and I think it was
helpful having again like want to
actually again fundamentally different
to what it was before prior to burning
out where I brought on a team and
thought I had to come with the answers
this was a moment where I got to sit
down and be like okay here's how I'm
feeling and and we ended up you know
figuring out the solution in there what
we've been coming to realize uh amongst
a lot of these conversations is that
that last 30 to 20% of details barely a
100 people will really notice that
detail yeah and then but then that's
where you then start breaking your mind
on that detail that 99.9% of the
audiences won't care about and as you
gain the audience and you gain the
pressure of like a reputation of being
someone that uploads like high quality
content is you you I started to lose
this principle which is really important
I think to me which is giving yourself
permission to be bad um that was like I
I wouldn't have even uploaded my first
video if I didn't like drill that into
my head because you know when I was
making the first video as I'm recording
in my head the only thought was this is
the worst thing I this is going to be so
bad but it was always like give yourself
permission to be bad it's going to be
okay it was it and bear in mind like I
didn't have much of like I didn't have
any editing experience really prior to
starting this channel the only way I
slowly improved on that and understood a
lot of like what I was doing was again
going this video there were good moments
couple moments where I think I could
have improved let's move on to the next
[Music]
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