The Art of Memory | Carlos Betancourt | TEDxRVA

TEDx Talks
27 Sept 201718:39

Summary

TLDRThe artist discusses how memories, nature, and beauty shape their work, emphasizing the importance of personal experiences in creating art. They explore the role of change and the significance of history, advocating for embracing one's heritage and culture to find a unique artistic voice. The artist shares personal stories, such as creating sandcastles and honoring their grandmother's memory, to illustrate the power of art in preserving beauty and evoking emotions.

Takeaways

  • 🎨 The artist believes that beauty, memory, and nature are integral to their artwork and life, emphasizing the importance of personal experiences in shaping art.
  • 🌟 Memories are unique to each individual and the artist uses them to explore change, taking past experiences and placing them in a new context.
  • 🏞️ Nature and beauty are recurring themes in the artist's work, often used to provoke thought and emotion.
  • 🗣️ The artist stresses the necessity of having a unique voice in art, which comes from one's own experiences rather than imitating others.
  • 🏛️ Museums are mentioned as places that preserve art and beauty from change, contrasting with the transient nature of some aspects of life.
  • 🌈 The artist's heritage, including being born in Puerto Rico to Cuban parents and moving to Miami, greatly influences their work and perspective.
  • 🌊 Miami is described as a place of cultural syncretism and a melting pot that has shaped the artist's worldview and artwork.
  • 🏡 The artist encourages others to embrace their home, heritage, culture, and personal circumstances to find their unique voice.
  • 📸 The importance of photo albums and the memories they contain is highlighted, as they provide a visual narrative of one's life and history.
  • 🎁 Objects and their embedded memories are central to the artist's work, with the belief that art can activate these memories and give them new life.
  • 🌲 The artist finds inspiration in nature as a constant source of renewal and belonging, suggesting that returning to nature can provide endless creativity.

Q & A

  • What are the main themes of the artist's work?

    -The main themes of the artist's work are beauty, memory, and nature. These elements help give meaning to the artist's life and define their artwork.

  • How does the artist use memories in their artwork?

    -The artist uses memories to explore change by taking past experiences and placing them in a new context, provoking change or the absence of it.

  • What is the importance of having a unique voice in art according to the artist?

    -Having a unique voice in art is crucial as it allows an artist to express their own experiences authentically, preventing their work from showing dishonesty.

  • Why does the artist believe that art should be informed by one's own experiences?

    -The artist believes that art should be informed by one's own experiences because it allows for authenticity and a unique voice that resonates with the individual's truth.

  • What role does nature play in the artist's work?

    -Nature plays a significant role in the artist's work as it is a source of inspiration and a place where the artist can always return to for a sense of belonging.

  • How does the artist's cultural background influence their work?

    -The artist's cultural background, including their heritage and upbringing in Miami, influences their work by providing a rich tapestry of experiences and a melting pot of cultures that inform their unique voice.

  • What is the significance of the sandcastles in the artist's artwork?

    -The sandcastles symbolize the artist's childhood memories and the concept of change. As an adult, the artist recreates them symmetrically to represent a loss of innocence.

  • How does the artist view the role of objects in art?

    -The artist views objects as carriers of memory and believes it is their role to activate these memories within their artwork.

  • What does the artist mean when they say that beauty is highly intellectual?

    -The artist suggests that beauty is not just aesthetic but also intellectual, implying that the appreciation and creation of beauty require thought and understanding.

  • Why does the artist collect Christmas ornaments?

    -The artist collects Christmas ornaments to recreate the memory of assembling the Christmas tree with their mother and to honor the beauty and magic associated with those ornaments.

  • What is the artist's perspective on change?

    -The artist acknowledges that change is inevitable but also emphasizes the importance of preserving certain memories and experiences that give meaning to life and make us unique.

Outlines

00:00

🎨 Art, Memory, and Identity

The speaker, a visual artist, discusses how beauty, memory, and nature are integral to their life and artwork. They believe that everyone is a 'memory maker' and that art should be a reflection of personal experiences to maintain authenticity. The artist emphasizes the importance of understanding history and the past to contribute to the ongoing narrative of art, suggesting that the past can provoke change. They also touch on the idea of preserving beauty and how it is intertwined with art, using examples like Picasso's 'Les Demoiselles d'Avignon' to illustrate the point that art is collected to prevent change. The artist's background, being from Puerto Rico and of Cuban descent, and moving to Miami in 1980, has influenced their work, which is a blend of cultures and experiences.

05:03

🌊 Embracing Heritage and Finding One's Voice

The artist talks about finding their voice through embracing their home, heritage, and personal circumstances. They suggest that everyone should look to their own memories, both good and bad, to find their unique voice. The artist shares an experience of creating symmetrical sandcastles as an adult, contrasting with the random structures of their childhood, to illustrate how perspectives can change over time. They also discuss the emotional connection to objects, particularly those that belonged to their grandmother, and how objects carry memories. The use of glitter and blue in their artwork is explained as a way to 'activate' these memories, similar to rituals in Western African cultures. The artist also reflects on consumerism and the emotional attachment to objects.

10:03

🌿 Nature, Change, and the Power of the Past

The speaker emphasizes the importance of nature as a source of inspiration and a place of belonging. They discuss a series called 'back story to hope sound,' which is deeply connected to their love for nature. The artist believes in the power of returning to one's source for inspiration, whether it's nature or personal history. They also mention how certain things, like the formula for Coca-Cola or favorite songs, remain unchanged over time, suggesting that change is not always necessary or beneficial. The artist shares personal stories, such as the tradition of breaking pinatas in their culture and how it inspired their work, reflecting on the enduring nature of memories and experiences.

15:04

🎄 The Enduring Power of Memories and Beauty

In the final paragraph, the artist discusses the importance of memories and beauty, using the example of Christmas ornaments to illustrate how objects can carry emotional significance. They recount how their mother had to sell their Christmas ornaments when they moved from Puerto Rico to Miami, and how the artist later collected thousands of ornaments to recreate the memory and experience of those ornaments. The speaker concludes by advocating for the creation of beautiful memories, as they believe that memories are what make us unique and give meaning to life. They encourage the audience to embrace change when necessary but also to recognize the value of things that remain unchanged.

Mindmap

Keywords

💡Memories

Memories are the mental images or emotions experienced in the past that can be recalled. In the video, memories are central to the artist's identity and work. They are used to explore change by placing past experiences in a new context, thereby provoking thought about the nature of change and continuity. The artist believes in the power of creating beautiful memories, suggesting that they are a fundamental aspect of human uniqueness and art.

💡Nature

Nature refers to the natural, physical world including plants, animals, landscapes, and other features and products of the Earth. The artist sees nature as a source of inspiration for their artwork, often exploring its beauty and using it as a means of connecting with their audience. Nature is also presented as a place of constancy and belonging, offering a sense of permanence amidst change.

💡Beauty

Beauty is a concept that encapsulates a combination of qualities, such as balance, symmetry, color, or shape, that pleases the senses or mind. In the video, beauty is a driving force behind the artist's work and is intertwined with the concept of memory. The artist suggests that beauty is something to be preserved and that it can be found in the memories and experiences that define us.

💡Change

Change refers to the process of becoming different. The artist discusses change as both a personal and artistic process, using their past to provoke or reflect change. Change is also a theme in the broader sense of societal and cultural shifts. The artist suggests that while change is inevitable, not all change is necessarily positive, and sometimes it's valuable to hold onto certain constants.

💡Cultural Collage

A cultural collage refers to a collection or mixture of various cultural elements. The artist describes their mind as a 'cultural collage,' indicating a rich tapestry of diverse influences that inform their work. This concept is used to illustrate the blending of different cultural heritages, such as Cuban, Puerto Rican, and American, which contribute to the artist's unique voice.

💡Syncretism

Syncretism is the merging of different beliefs, ideas, or styles. The artist mentions syncretism in relation to their cultural background and the blending of various cultural elements in Miami. This concept is exemplified in the artist's work, which draws from a variety of sources to create a unique artistic expression.

💡Heritage

Heritage refers to the traditions, beliefs, and history that are passed down through generations. The artist speaks about their heritage as a critical element of their identity and artwork. Embracing one's heritage is presented as a pathway to finding one's unique voice and creating art that is deeply personal and resonant.

💡Objects

Objects, in the context of the video, are physical items that carry emotional or historical significance. The artist discusses objects as carriers of memory and explores how they can be activated or given new meaning through art. Objects are also seen as a link to the past and a way to provoke emotional responses.

💡Consumerism

Consumerism is the preoccupation with acquiring material goods. While the artist admits a love for objects, they also critique consumerism by highlighting the emotional and memory value of objects over their status or monetary value. This concept is used to reflect on the role of material possessions in society and personal life.

💡Preservation

Preservation refers to the action of keeping something in its original or existing state. The artist discusses the desire to preserve memories and experiences through art, as well as the broader cultural practice of preserving objects and art in museums. Preservation is presented as a way of protecting the past from the erosion of time and change.

💡Voice

Voice, in an artistic context, refers to an individual's unique style or perspective. The artist emphasizes the importance of finding one's own voice in creating art. This voice is derived from personal experiences, memories, and cultural background, and it is what gives the artist's work authenticity and depth.

Highlights

The artist emphasizes the importance of beauty, memory, and nature in defining their artwork.

Memories are unique and integral to the artist's work, used to explore change.

Art should reflect personal experiences rather than being derivative.

The artist discusses the significance of having a unique voice in art.

The role of the past and history in informing and provoking change in art.

Museums protect art from change, unlike the transient nature of beauty.

The artist's background and heritage, including being born in Puerto Rico and moving to Miami, influence their work.

Miami's cultural diversity and syncretism shape the artist's perspective.

The artist's studio, 'Perfect Utopia', symbolizes a cultural collage and hopeful jungle.

The importance of embracing one's heritage, culture, and personal circumstances to find a unique voice.

The artist's realization that not all new things are great and not all old things are bad.

The process of creating art involves knowing the past and history.

The artist's childhood obsession with sandcastles inspires their adult work.

Objects carry memories, and the artist's role is to activate these memories.

The use of glitter and blue in artwork to represent the activation of memories.

The artist's love for objects and consumerism in their work.

The importance of nature as a source of inspiration and belonging.

The artist's belief in the power of memory and the beauty of objects.

The artist's experience with photo albums and their significance in their work.

The story of the artist's mother's photo albums and the importance of preserving memories.

The artist's use of pinatas in their work to represent the memory and change.

The artist's collection of Christmas ornaments to recreate a cherished memory.

The artist's belief that beauty is intellectual and embracing it is an act of courage.

The conclusion that change is inevitable, but not all change is necessary or good.

The artist's encouragement to create beautiful memories and embrace the power of memory making.

Transcripts

play00:00

[Applause]

play00:04

I'm a visual artist um I'm here to talk

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a little bit about my artwork beauty

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memory and nature not only helps to give

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meaning to my life but it also defines

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my artwork and you see memories make us

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unique and I strongly believe that we

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all memory makers and giving the

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opportunity to create memories I like to

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create beautiful ones

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you see everything in my in my life more

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or less memories permeate everything

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particularly my artwork I take memories

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and I use them to explore change in

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other words I take the past and my

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experiences and I put them in a new

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context I take the past what doesn't

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change and I use it to provoke change or

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the absence of it sometimes I also like

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to explore nature and beauty in my

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artwork but most importantly I really

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strongly believe that art should be

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informed by one's own experiences not

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necessarily the other way around

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why because an artist needs a unique

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voice and if you don't have that unique

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voice it would show in your work

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whatever you feel this the dishonesty

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art for me like I said it's about

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interpreting one's memories it's about

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showing the truth that's in your heart

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but it's also about being part of the

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future before the future it's here being

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part of change before changes here and

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it's not like like actually some artists

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are wired for this but it's not like you

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wake up every morning I said oh my god

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I'm gonna create something that no one

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has done before change change change

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there's a process to this and it's it's

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important to know the past and it's

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important to know history because with

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some of some artists do

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we add to the history of art to the

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artists that came before us that's why I

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think the past and history is so

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important and talking about the new when

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an artist is fortunate enough to create

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something new we like to protect that

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moment of that object from change

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ironically it's the reason why we

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collect is the reason what we have

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antiques

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take for example Picasso's dummies LD

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Avignon for example last time I visited

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in a museum the piece is still the same

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exactly since the day we finish it in

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1907 you see museums exist to protect

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things from change unlike beauty which

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is something that I also exploit my

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artwork the beautiful demands to be

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preserved it is the reason why art and

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beauty go hand in hand it is also the

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reason why we pay so much sometimes for

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art and for beauty I was born in Puerto

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Rico of Cuban parents I moved to Miami

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in 1980 I'm made of all these things

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these are places where things are so

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many multiple meanings things are loaded

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with syncretism I'm also made of my

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heritage on my own culture Miami in

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particular is a it's a great experiment

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people there have been able to retain

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their culture the melting pot theory

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completely out the window it's a place

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that forces you to beyond the present I

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don't know if it's the light I don't

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know if it's the bodies of water that

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surrounds all of us but I do have a

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friend that said that the best thing

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about Miami is that is so close to the

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United States

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[Laughter]

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the power to her it's a very interesting

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place to say growing growing up up in

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Miami in the 1980s um I had a studio

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there was a beautiful thriving

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underground scene in the 80s where all

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the forces were clashing and I'm

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blending and mixing and they're all

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manifesting in a studio I opened calling

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perfect utopia in Miami Beach and these

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forces there was so much information

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they were disorganized information

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during this period this was the years

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before Google existed and started

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organizing our thoughts or memories for

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that matter and I embraced all these

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things I really embraced my reality my

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mind became like a cultural collage I

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like to say a hopeful jungle loaded with

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oxymorons and actually the name of my

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studio and perfect utopia and embracing

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these things embracing the Caribbean Sea

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embracing all of Florida from Disney

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World to Ponce de Leon and the fronton

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of youth the Taino Indians of Puerto

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Rico when I embrace these things I found

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my voice and not only did I find my

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voice but I also found the new and I

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found what should remain static and if

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some of you are there are trying to find

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your voice or trying to tell your story

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or find your story I humbly suggest that

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embrace first and foremost home your

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heritage your culture your own

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circumstances good and bad especially

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the memories to stay with you those very

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personal things that's very individual

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things that stay with you I strongly

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believe that your unique voice resides

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there and from looking into those things

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perhaps something you can see something

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that can transcend and become Universal

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I also learned through my art work that

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not everything new is great and not

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everything old

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is bad and this first image here I think

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it's a good example of using the past

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and interpreting in a new way here as a

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child I was really obsessed like

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probably many of you with building

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sandcastles with Dixie Cups as an out of

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these are they're serious problems that

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artists have Austin artists as a grown

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up here I decided to build six thousand

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six thousand sand castles actually with

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my parents and some friends to recreate

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that memory but I'm building them here

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notice a child at random but as an adult

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totally symmetrical and structure like

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if I lost my innocence and you see

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sometimes things don't change we just

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present them in a different way we see

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them in the different way this next

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image here the objects on the Left

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belong to my grandmother when my

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grandmother passed away someone that I

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loved and cherished very much we didn't

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know what to do with her objects the

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idea of this posted them wasn't didn't

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even cross my mind

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you see these objects had a lot of

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memory and objects are embedded with

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memory and it is the artists role to

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activate this memory we collect objects

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or we have objects for a different

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reason sometimes it's for status value

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sometimes it's just for pure value

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social status excuse me but my favorite

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is that memory objects are embedded with

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memory and Western African cultures

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actually they take objects into the

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jungle at night and when a comet passes

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they believe the object is activated

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what I did here the glitter represents

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that comet and the blue actually is the

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color that evil can cross we still use

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the blue color in some houses in the

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South in the United States where you sit

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in the front porches in the ceiling to

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protect us from evil

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these also celebrates objects I'd like

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to say that I'm celebrating consumerism

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here I can help it I'm in love with

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objects

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yeah I have to be honest the image to

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the right oh by the way where you live

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look around and you may see some objects

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that you only keep them because the

play08:36

memory that it activates on you they

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speak to you and you speak back to them

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the object to the right I have a symbol

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in my chest and we talked a little bit

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about syncretism we live in great times

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I'm sort of like making up my own

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religion as well very interesting times

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so yeah we have the chance even for that

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so much freedom so it's made about it's

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made of all these things that I'm

play09:00

composed of the Caribbean American

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culture Cuba Puerto Rico Hopi Indians

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and also on top of it

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that was my self-portrait I'm throwing

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my grandmother's ashes as a way of

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honoring her past and worshiping my

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ancestor this next image here

play09:17

again I nature was very important to me

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this is part of a huge series call a

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back story to hope sound I believe that

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nature is one of the greatest sources

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especially for me and for mark I were

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because you can always go back to nature

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and the feeling of belonging is always

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there for me doesn't change and perhaps

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if you have kids around introduced into

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nature very early on because as you grow

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older it's the place where you can

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always go no matter what is there for

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you mentally or physically keep hearing

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the artist once says the primitive will

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always make us new it's like saying the

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pass will always make us new or once you

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find your source the possibilities are

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infinite and by the way when I did the

play10:06

series I put so many premieres in my

play10:09

mouth I got some allergy a man let's try

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grew up like huge there's like 20 of

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these works but going back to the source

play10:20

going back to the source nature or when

play10:23

you find your your source I think it's

play10:24

important because it doesn't matter what

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you do well you feel this if you don't

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have your source the dishonesty will

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show in your work take for example the

play10:34

factory a Pittsburgh New York all these

play10:37

things reflect up Andy Warhol's art work

play10:39

or for example today a an African mask

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that made it to the hands of Picasso and

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literally changed the way most of us

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look at the world and those are great

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things that we must know but those are

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their experiences I have my own

play10:57

experiences as well and they are unique

play11:00

like theirs and you have your own

play11:02

experiences you see change and trends

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will always exist but your voice your

play11:08

reality there's only one and that's for

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me the source I think we're showing here

play11:16

some images some videos of that inspired

play11:19

my work vintage photos of my parents and

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out of my work and some of my work my

play11:26

parents didn't have much in Cuba but

play11:29

they did have photo albums when they

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escape the communist regime they were

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only allowed to take five pieces of

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clothes and a pair of shoes no photo

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albums and the photo albums were very

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important to my mom and so she conceived

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of a way of having someone sent H photo

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at a time in an envelope so she can

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build her photo albums back again it

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took her seven years in Puerto Rico to

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assemble her photo albums in an illegal

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way and I grew up fascinated by photo

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albums then I was a way for me to see a

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path that I couldn't touch and the

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beauty that came from it I'm fascinated

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by the photo albums in our pocket I'm

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obsessed artists get obsessed with

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things thank God minds are pretty

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healthy

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it's a thing so the photo albums in our

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pockets in our smartphones why we have

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them in and if if some of those memories

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that are in your pocket stay with you

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print them

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something physical memorize them make

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them something that perhaps doesn't

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change it worked for me

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sometimes this next talking about things

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that don't change this artwork here I

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grew up with things that don't change

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our floats our cakes altars and

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particularly pinatas Cuban Puerto Rican

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pinatas you don't hit them like Mexican

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with a pole where it's slightly less

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violent actually we get we they have

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strings beautiful colorful strings on

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the bottom and when is someone's

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birthday

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each kid's receives a string and a

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grown-up counts to ten and when they

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come to ten we pull them the bottom

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breaks and all this beautiful thing at

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least I imagine them like that glitter

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confetti toys can becomes beautiful

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experience that stay with you for

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anybody that is so they are parents a

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and I grew up with that pinata year

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after year and no pinata and I used to

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brag about it all the time but looking

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through the photo albums I realized that

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the pinata looked the same all the time

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so I confronted my parents again a very

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serious matter this is what artists had

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to deal with heavily brain surgery who

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confessed that the pinata was always the

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same here to you the pinata was always

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the same and you know here was all along

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thinking that we were middle class that

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we have made it anyway the memory stay

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with you is what I'm saying and the

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pinata the memory stays with you there

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are at the end I was able to learn our

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work based on the memory on the pinata

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I made sure was loaded with confetti and

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things and recreated the moment when it

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exploded into a huge crowd and he had a

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lot of tickets as well inside

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I used actually confetti something that

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contemporary artists she not use but

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that's what we do we rebel against it so

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I say oh no so let's use it so this last

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video

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this last video going back to memories I

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grew up assembling the Christmas tree

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with my mother she pull off she will

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pull out this this box is full of

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Christmas ornaments year after year and

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and it created a beautiful memory this

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objects the boxes were open and they

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were full of magic and beauty when we

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moved from Puerto Rico to Miami this

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time the photo albums made it but not

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the Christmas ornaments my mother had to

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sell them my parents for money

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and again drama traumatized what do I do

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I even have 15 I was trying to be a

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problem-solver I start collecting them

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at the beginning was hard but I started

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collecting them obsessively and I have

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thousands of them enough to probably

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decorate I don't know 5 6 Rockefeller

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Center trees and I'm still collecting

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them it doesn't stop em because I wanted

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to recreate the memory that this object

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had in them embedded in them so I

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created this this artwork with this

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object that provoked change and the

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absence of it and not only that these

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objects are embedded with beauty besides

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memory and I strongly believe that

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beauty is highly intellectual and the

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embracing of beauty is a sign of courage

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you see beauty stays with us Beauty

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hunters and I think objects when they

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fulfill their destiny it is beauty the

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result in conclusion not everything

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changes you see postponed the Raven is

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still the same look what happened with

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the coca-cola formula when someone tried

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to change their original formula

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come on and your favorite song is

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probably still the same water is still

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wet the last time I checked we even try

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to protect CDs from change drive n is

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going to vanish you see the past is

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alive and well in the present and we're

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living in great times that we get to go

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to the past and and change is necessary

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and inevitable I got it I got to

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pronounce that word inevitable Wow

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so yes change is inevitable but

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sometimes like I saw somewhere we you

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know we're moving faster than evolution

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and I think that pop culture technology

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the news they're way too fast

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you think not everything new is great

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and we think we live in a world of

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change we surround ourselves with things

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that don't change memory experiences

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they give meaning to my life they give

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context especially I was talking to

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someone earlier especially as I get

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older they are what make us unique look

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at the photo almost in your pocket in

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your smartphone's we are memory makers

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I'm given the opportunity to create

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memories why not create beautiful ones

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perhaps given the opportunity we can

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create change if change is necessary or

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perhaps interpret something in a

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different way like I did with my little

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sand castles or they will stay with us

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beautifully memorable unchangeable

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forever be a good memory maker because

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memories will stay with you forever and

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when you do it do it with enthusiasm as

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a way of honoring and respecting that

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you are alive thank you

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[Applause]

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you

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Etiquetas Relacionadas
Art InspirationCultural HeritageMemory MakingNature in ArtArtistic VoiceCuban CulturePuerto RicanMiami ArtistBeauty PreservationChange and Art
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