Tom Thum: The orchestra in my mouth | TED
Summary
TLDRTom Thum, a beatboxer from Brisbane, Australia, delivers a humorous and impressive performance at TEDx, showcasing his vocal talents. He demonstrates beatboxing, imitates instruments like the didgeridoo, sitar, and guzheng, and uses Kaoss Pads to manipulate his voice. Tom's journey through sound takes the audience across continents, culminating in a transformation of the Sydney Opera House into a jazz bar, featuring a virtual double bassist and a tribute to a jazz legend.
Takeaways
- 🎤 Tom Thum is a beatboxer who uses his voice to create a wide variety of sounds.
- 🤑 He earns money by performing beatboxing in unconventional places like bars and street corners.
- 🎭 Tom demonstrated his beatboxing skills by imitating classic songs and sounds during his talk.
- 👏 The audience responded positively to his performance, applauding throughout.
- 🌏 Tom has traveled the world performing his unique talent, which has allowed him to visit many places.
- 🎵 He showcased his ability to mimic different musical instruments and sounds from various cultures.
- 🎧 Tom used Kaoss Pads to enhance his voice with effects and create loops during his performance.
- 🎷 He creatively used technology to add depth to his performance, such as reverb and drum machine effects.
- 🏙️ Tom transformed the Sydney Opera House into a jazz bar through the power of his beatboxing.
- 🎹 He introduced imaginary characters like Mr. Smokey Jefferson and Mr. Peeping Tom to enhance the storytelling of his performance.
Q & A
What does Tom Thum do for a living?
-Tom Thum is a beatboxer, meaning he creates various sounds using only his voice.
What is the significance of Tom Thum's performance at TEDx?
-Tom's performance at TEDx is significant as it showcases his unique talent of beatboxing and his ability to mimic various sounds and instruments.
How does Tom Thum describe the setting for his usual performances?
-Tom Thum typically performs in seedy downtown bars and on street corners, suggesting a more informal and possibly gritty setting.
What classic song does Tom Thum beatbox during his performance?
-Tom Thum beatboxes 'Billie Jean' by Michael Jackson during his performance.
What does Tom Thum say about the microphone he uses during his performance?
-Tom Thum assures the audience that there are no effects on the microphone, implying that all the sounds are produced solely by his voice.
Where is Tom Thum originally from?
-Tom Thum is from Brisbane, Australia.
What does Tom Thum say about the cultural scene in Brisbane?
-Tom Thum humorously notes that while Brisbane is a great city to live in, it is not the cultural hub of the Southern Hemisphere.
What does Tom Thum do with the Kaoss Pads during his performance?
-Tom Thum uses Kaoss Pads to add effects to his voice, mimic the effect of a drum machine, and loop his voice.
How does Tom Thum transform the Sydney Opera House into a jazz bar during his performance?
-Tom Thum uses his beatboxing skills and the Kaoss Pads to create a jazz bar atmosphere within the Sydney Opera House.
Who are Mr. Smokey Jefferson and Mr. Peeping Tom in the context of Tom Thum's performance?
-Mr. Smokey Jefferson and Mr. Peeping Tom are characters or personas created by Tom Thum to add a narrative element to his beatboxing performance.
What does Tom Thum say about the demand for beatboxing in his hometown?
-Tom Thum indicates that there is not much work for beatboxers in Brisbane, suggesting that he has to perform outside of his hometown and Australia to pursue his passion.
Outlines
🎤 Introduction to Beatboxing
Tom Thum introduces himself and humorously admits to using his mouth in strange ways for money, which turns out to be beatboxing. He performs a beatboxing demonstration, including mimicking the sound of a didgeridoo, and reveals that all sounds are produced using only his voice without any effects on the microphone. Tom expresses excitement about representing his community and acknowledges the niche nature of beatboxing, especially in his hometown of Brisbane, Australia.
🌍 World Beatbox Tour
Tom takes the audience on a virtual journey around the world with beatboxing sounds that mimic various cultural instruments and environments, such as an airplane, Indian sitar, Chinese guzheng, and a German party atmosphere. He introduces Kaoss Pads, a technology that enhances his voice with effects like reverb and allows him to mimic drum machines and loop his voice. Tom then transforms the Sydney Opera House into a jazz bar, beatboxing to create a full jazz band experience, and introduces imaginary jazz legends Mr. Smokey Jefferson on double bass and Mr. Peeping Tom as the star performer.
👏 Audience Appreciation
The audience applauds Tom's performance, showing their appreciation for his unique and entertaining beatboxing act.
Mindmap
Keywords
💡Beatboxing
💡Innate Ability
💡Cultural Hub
💡Kaoss Pads
💡Didgeridoo
💡Sitar
💡Guzheng
💡Looping
💡Sydney Opera House
💡Double Bass
💡Jazz
Highlights
Tom Thum introduces himself as a beatboxer who uses his mouth in strange ways for money.
He demonstrates beatboxing in a humorous and engaging way.
Tom Thum performs a beatboxing rendition of 'Billie Jean' by Michael Jackson.
He clarifies that all sounds are made using only his voice, with no effects on the microphone.
Tom expresses excitement for representing his community and the niche market of beatboxing.
He mentions the challenges of making a career out of beatboxing, especially from Brisbane, Australia.
Tom shares his experiences of traveling the world due to his beatboxing passion.
He takes the audience on a journey through continents and sound with beatboxing.
Tom imitates the sound of a didgeridoo, an Australian Aboriginal instrument.
He beatboxes the sound of an airplane, showcasing his versatility.
Tom incorporates the sound of a sitar to represent India.
He mimics the guzheng, a Chinese musical instrument, in his performance.
Tom beatboxes in a style reminiscent of a German party atmosphere.
He introduces Kaoss Pads, a technology that enhances his beatboxing with effects.
Tom demonstrates how to use Kaoss Pads to add reverb to his voice, emulating a trumpet.
He shows off the ability to sample his own sounds and play them back using the Kaoss Pads.
Tom uses looping technology to create complex beatboxing compositions.
He transforms the Sydney Opera House into a smoky downtown jazz bar through beatboxing.
Tom introduces a fictional character, Mr. Smokey Jefferson, adding a narrative to his performance.
He concludes with a grand introduction of himself as Mr. Peeping Tom, the star of the show.
Transcripts
My name is Tom,
and I've come here today to come clean
about what I do for money.
Basically, I use my mouth in strange ways
in exchange for cash.
(Laughter)
I usually do this kind of thing in seedy downtown bars
and on street corners,
so this mightn't be the most appropriate setting,
but I'd like to give you guys a bit of a demonstration
about what I do.
(Beatboxing)
And now, for my next number,
I'd like to return to the classics.
(Applause)
We're going to take it back,
way back,
back into time.
(Beatboxing: "Billie Jean")
♫ Billie Jean is not my lover ♫
♫ She's just a girl who claims that I am the one ♫
♫ But the kid is not my son ♫
(Applause) All right.
Wassup.
Thank you very much, TEDx.
If you guys haven't figured it out already,
my name's Tom Thum, and I'm a beatboxer,
which means all the sounds that you just heard
were made entirely using just my voice,
and the only thing was my voice.
And I can assure you
there are absolutely no effects
on this microphone whatsoever.
And I'm very, very stoked —
(Applause)
You guys are just applauding for everything. It's great.
Look at this, Mom! I made it!
I'm very, very stoked to be here today,
representing my kinfolk
and all those that haven't managed to make a career
out of an innate ability for inhuman noisemaking.
Because it is a bit of a niche market,
and there's not much work going on,
especially where I'm from.
You know, I'm from Brisbane,
which is a great city to live in.
Yeah! All right! Most of Brisbane's here. That's good.
(Laughter)
You know, I'm from Brizzy,
which is a great city to live in,
but let's be honest --
it's not exactly the cultural hub of the Southern Hemisphere.
So I do a lot of my work outside Brisbane
and outside Australia,
and so the pursuit of this crazy passion of mine
has enabled me to see
so many amazing places in the world.
So I'd like to share with you, if I may, my experiences.
So ladies and gentlemen,
I would like to take you on a journey
throughout the continents
and throughout sound itself.
We start our journey in the central deserts.
(Didgeridoo)
(Airplane)
India.
(Beatboxing)
(Sitar)
China.
(Guzheng)
(Beatboxing)
Germany.
(Beatboxing)
Party, party, yeah.
(Laughter)
And before we reach our final destination,
ladies and gentlemen,
I would like to share with you some technology
that I brought all the way from the thriving metropolis of Brisbane.
These things in front of me here are called Kaoss Pads,
and they allow me to do a whole lot of different things
with my voice.
For example, the one on the left here
allows me to add
a little bit of reverb to my sound,
which gives me that --
(Trumpet) --
flavor.
(Laughter)
And the other ones here,
I can use them in unison
to mimic the effect of a drum machine
or something like that.
I can sample in my own sounds and I can play it back
just by hitting the pads here.
(Noises)
TEDx.
(Music)
(Applause)
I got way too much time on my hands.
And last but not least,
the one on my right here allows me to
loop loop loop loop loop loop loop loop
my voice.
So with all that in mind, ladies and gentlemen,
I would like to take you on a journey
to a completely separate part of Earth
as I transform the Sydney Opera House
into a smoky downtown jazz bar.
All right boys, take it away.
(Music)
Ladies and gentlemen, I'd like to introduce you
to a very special friend of mine,
one of the greatest double bassists I know.
Mr. Smokey Jefferson, let's take it for a walk. Come on, baby.
(Music)
All right, ladies and gentlemen,
I'd like to introduce you to the star of the show,
one of the greatest jazz legends of our time.
Music lovers and jazz lovers alike,
please give a warm hand of applause
for the one and only Mr. Peeping Tom. Take it away.
(Music)
(Applause)
Thank you. Thank you very much.
(Applause)
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