11 Best Photo Composition Rules for Beginners

Summary

In this video, Josh discusses the importance of composition in photography, emphasizing how it elevates photos regardless of the subject or location. He introduces 11 key composition rules, including perspective, negative space, filling the frame, symmetry, leading lines, and framing, among others. Josh uses his own photography examples to illustrate each rule, offering practical tips on applying them. He concludes by encouraging viewers to experiment and break the 'rules' creatively. It's a useful guide for both beginner and seasoned photographers aiming to enhance their compositional skills.

Takeaways

• 📸 Composition is key: Proper composition elevates any photo, regardless of the subject or location.
• 🖼️ Definition of composition: It refers to what is included and excluded in the frame and how elements are organized.
• 👀 Perspective matters: Experimenting with high and low angles can dramatically alter the impact of your subject.
• 🌿 Negative space: Leaving space around your subject can create a more dramatic, isolated, and interesting effect.
• 🔍 Fill the frame: Zoom in and focus entirely on your subject when the background is too busy or distracting.
• 🔄 Symmetry and reflections: Symmetry creates balance and reflections (in water, glass, etc.) add aesthetic appeal.
• ➡️ Leading lines: Lines like roads, buildings, or paths guide the viewer's eye through the photo, creating structure.
• 🏞️ Framing: Using objects like doors, trees, or windows to frame a subject can draw attention and add depth.
• 📐 Rule of thirds: Aligning elements along horizontal and vertical thirds of the frame makes photos more dynamic.
• 🌗 Contrast and lighting: Playing with shadows and bright spots emphasizes the subject and adds depth to the composition.

Q & A

What is composition in photography, and why is it important?

Composition in photography refers to how elements are arranged within a photo. It is crucial because it helps direct the viewer's attention, enhances the visual appeal, and can elevate a photo, regardless of how interesting the subject or location is.

How does perspective and vantage point impact photo composition?

Perspective and vantage point affect how a subject is framed and perceived. By shooting from different angles, like getting low to the ground or high up, you can create more dynamic and interesting compositions that emphasize different aspects of the subject and the background.

What is the concept of negative space in photography?

Negative space refers to the area around the subject that is intentionally left empty or simple. It gives the subject room to breathe, making the composition feel less crowded and more dramatic, often emphasizing isolation or simplicity.

When should you fill the frame in a photo?

Filling the frame is useful when you want to cut out distracting elements in the background or highlight the subject's details. This technique works well in portrait photography or when the background is too busy to include.

What role does symmetry play in photography composition?

Symmetry creates a balanced, harmonious image that is aesthetically pleasing. It is often found in reflections, architecture, or natural scenes and gives a photo a sense of stability and calmness.

How can leading lines and diagonals be used effectively in a photo?

Leading lines and diagonals guide the viewer’s eye through the photo, directing attention to key elements. Common sources include roads, trails, or architectural features, which can create structure and flow in a composition.

What is framing in photography, and how does it help highlight the subject?

Framing involves using elements like doors, windows, or branches to create a natural boundary around the subject, drawing focus to it. It helps emphasize the subject and adds depth and context to the image.

What is juxtaposition, and how is it used in street photography?

Juxtaposition involves placing contrasting elements together in a photo to create an interesting or thought-provoking image. In street photography, it might pair people with artwork or objects that either complement or contrast with them to tell a visual story.

What is the rule of thirds in photography?

The rule of thirds divides an image into three equal sections both horizontally and vertically. Placing key elements along these lines or at their intersections can create a more balanced and visually appealing composition.

Why is balance important in photography composition?

Balance ensures that no part of the image overpowers the rest, making the composition feel harmonious. It involves distributing visual weight across the photo by placing elements strategically to complement each other.

What is contrast lighting, and how can it be used to improve a photo?

Contrast lighting involves using areas of shadow and light to highlight the subject or create mood. Placing the subject in a well-lit area or along the edge of shadow can add drama and focus to the composition.

Why are photography rules considered guidelines rather than strict rules?

Photography rules are flexible guidelines meant to help improve compositions, but breaking them can lead to creative and unique results. Mastering the rules allows photographers to know when and how to deviate for artistic expression.

Outlines

00:00

📸 Introduction to Composition in Photography

Josh introduces the topic of photo composition, emphasizing its importance in elevating photography, regardless of the subject or location. He explains that composition is not a binary skill but something photographers continually improve on, whether they're beginners or professionals. Josh previews the content of the video, which will include a definition of composition, 11 of his favorite composition rules, tips for applying them, and examples from his own photography.

05:00

🎯 Rule 1: Perspective and Vantage Point

Josh highlights how perspective and vantage point can drastically change the composition of a photo. He demonstrates this by showing how getting low or high alters the impact of the subject and the background. He advises photographers to explore different angles to achieve more dramatic compositions, such as shooting from the ground or high above. He provides tips on utilizing camera features like flip-out LCD screens to shoot from unique angles, showing how different perspectives can add depth and intrigue to a photo.

10:01

🌌 Rule 2: Negative Space

Negative space is discussed as a powerful compositional tool, offering a way to make subjects stand out by zooming out and incorporating empty or simple backgrounds. Josh explains how giving subjects 'room to breathe' can create a sense of isolation or drama, especially when the background is minimalist. He shares examples, such as a shot of a town with the Mediterranean Sea as a large, simple backdrop, and suggests using silhouettes to simplify textures and emphasize shapes in photos.

🔍 Rule 3: Filling the Frame

Josh covers the opposite approach to negative space: filling the frame with the subject. He explains that this is useful when the background is too busy or distracting, and emphasizes the subject by cutting out unnecessary elements. This technique is commonly used in portraiture. He compares both techniques, advising that photographers assess their background to decide whether to zoom in or out based on its simplicity or complexity.

⚖️ Rule 4: Symmetry

Josh explains that symmetry brings balance and simplicity to a photo, making it pleasing to the eye. He shares tips on finding symmetry in nature, architecture, and reflections, especially in water. He notes that achieving symmetry often requires careful positioning, such as centering yourself between reflective points in a landscape or puddles, and humorously warns about the risk of getting splashed while trying to capture these reflections in the street.

➰ Rule 5: Leading Lines and Diagonals

Leading lines guide the viewer’s eye through a photo, helping structure the composition and making it more digestible. Josh discusses classic examples like the S-curve and everyday lines found in both nature and urban environments. He advises photographers to look for these lines and angles, experiment with perspective, and use them to highlight the main subject. He also touches on creating leading lines through action sequence photos and explains how diagonal lines can add dynamic energy to an image.

🖼️ Rule 6: Framing

Framing involves using elements within a scene to create a 'frame within a frame,' drawing attention to the subject. Josh shares examples of using doors, windows, and natural elements like trees and branches to frame subjects. He emphasizes that framing can be creative and deliberate, offering control over composition and making subjects stand out. He shares personal anecdotes about finding perfect framing opportunities while shooting photos in unexpected locations.

⚖️ Rule 7: Juxtaposition

Juxtaposition is about pairing contrasting or complementary elements within a single frame to create visual interest. Josh explains that juxtaposition is especially useful in street photography, where unexpected moments can make for powerful compositions. He provides examples, such as pairing street art with people passing by, or contrasting natural elements like a large tree with a person to highlight differences in scale and context.

📐 Rule 8: Rule of Thirds

Josh briefly introduces the Rule of Thirds, explaining how dividing a photo into horizontal and vertical thirds can make compositions more aesthetically pleasing. He provides a quick example of applying the rule to portraiture, noting that subjects placed along these lines or intersections naturally draw the viewer’s eye. He encourages viewers to watch a separate video he has on the topic for more in-depth information.

🔺 Rule 9: Corners and Triangles

Josh explains how using triangles and lining up leading lines with the corners of the frame can improve photo composition. While he warns against overthinking this rule, he suggests that small adjustments to positioning or cropping can help align elements more perfectly with the corners. He dismisses the complexity of 'golden triangles' and instead recommends focusing on natural alignment of lines and shapes in the frame.

⚖️ Rule 10: Balance

Balance is about distributing visual weight across a photo. Josh discusses how to create balance by placing elements on opposite sides of the frame, using examples from action shots and landscapes. He shows how balancing a dominant subject on one side with a complementary element on the other side helps create harmony in the composition, while also touching on how symmetry and leading lines contribute to balance.

💡 Rule 11: Contrast Lighting

Josh concludes with a rule he loves for street photography: using contrast lighting. By placing subjects in areas of strong contrast between light and shadow, photographers can emphasize their subjects and create dramatic, visually striking compositions. He discusses how 'light baths'—isolated patches of light—can add interest to photos, and encourages experimenting with shadows and light for unique results.

🚫 Bonus Rule: Breaking the Rules

Josh wraps up the video by emphasizing that photography rules are more like guidelines. He encourages viewers to learn the rules thoroughly, as they can enhance creativity, but also advises knowing when to break them. He stresses that developing a personal style often involves ignoring the rules, once a photographer has a strong grasp of them. He closes by urging viewers to experiment and adapt these rules to fit their unique approach to photography.

Keywords

💡Composition

Composition refers to how elements are arranged within a photo to create visual interest and communicate the intended message. It is the foundation of a great photo, and mastering composition can elevate a photo from average to exceptional. In the video, the creator emphasizes how it shapes what is included and excluded in the frame and how professionals constantly work on improving this skill.

💡Perspective and Vantage Point

Perspective and vantage point are about the position or angle from which a photo is taken, which can drastically alter how the subject is perceived. For example, shooting from a low angle can make subjects appear taller and more dramatic, while shooting from a high vantage point can emphasize different elements like the floor as a backdrop. The video encourages experimenting with different angles for creative results.

💡Negative Space

Negative space is the empty or blank area around a subject, which can make the subject feel isolated or highlighted. Instead of filling the frame entirely, negative space is used to create a dramatic effect. In the video, an example shows how zooming out to include a plain sky or sea enhances the subject's emphasis and adds emotional depth to the image.

💡Filling the Frame

Filling the frame is the opposite of negative space, where the subject occupies most of the visual space. This technique is often used to cut out distracting backgrounds or emphasize details, like in a close-up portrait. The video uses a close-up of someone eating a ghost pepper as an example, highlighting how filling the frame draws attention to the key elements in the photo.

💡Symmetry

Symmetry refers to the balance and equal distribution of visual weight in a photo. It often provides a calming and harmonious effect, as seen in landscape reflections or architectural shots. The video discusses how water can be used to achieve symmetry, by capturing reflections that mirror the subject in perfect balance.

💡Leading Lines

Leading lines are lines in a photo that guide the viewer's eye toward the main subject or throughout the frame. These lines can be natural, like trails in nature, or man-made, like roads and buildings. The video demonstrates how leading lines, such as an S-curve, can draw attention to the subject and add structure to the photo, making it easier for the viewer to navigate visually.

💡Framing

Framing refers to using elements within the environment to create a 'frame within a frame' around the subject. This technique focuses attention on the subject, making it stand out. The video showcases examples like shooting through doorways or windows, and even using natural elements like branches to frame the subject creatively.

💡Juxtaposition

Juxtaposition involves placing two contrasting elements side by side to highlight differences or similarities. It creates visual interest and often adds narrative depth to a photo. In the video, an example is given of a person yawning next to street art, creating a humorous and thought-provoking contrast that adds value to the image.

💡Rule of Thirds

The Rule of Thirds is a composition guideline that divides an image into nine equal parts using two horizontal and two vertical lines. The key elements of the photo are placed along these lines or at their intersections, making the photo more balanced and aesthetically pleasing. The video briefly touches on this concept and its potential for enhancing photo composition.

💡Contrast Lighting

Contrast lighting refers to the use of light and shadow to create a striking difference between bright and dark areas in a photo. This technique emphasizes the subject by highlighting it against darker or lighter surroundings, making the image more dynamic. The video illustrates how using light baths (areas of bright light in an otherwise shadowed space) can enhance a photo’s mood and focus.

Highlights

Composition in photography is crucial for improving photos, no matter how beautiful the subject or location.

Composition involves what you include or exclude in the frame and how you manage it, and it's something photographers constantly work on.

Perspective and vantage point are key: changing your angle, such as getting high or low, can drastically change how a subject appears.

Negative space creates emphasis on your subject by allowing space around them, making the image feel more dramatic and isolated.

Filling the frame is the opposite of negative space: by zooming in on the subject, you remove distractions and focus on their details.

Symmetry in photos creates balance and is visually appealing, particularly when using reflections or architecture.

Leading lines and diagonals guide the viewer's eyes through the photo, helping to highlight the subject or main point of focus.

Framing, or creating a frame within a frame using natural or artificial elements, can help draw attention to the subject and add depth to the composition.

Juxtaposition pairs contrasting elements within a frame to create a visually engaging image, commonly used in street photography.

The rule of thirds suggests placing important elements along gridlines that divide the image into thirds, which enhances the aesthetic balance.

Corners and triangles involve aligning lines or shapes in your composition with the corners of the frame to add structure.

Balance in a photo ensures that all elements are harmoniously placed, preventing any one side or part from feeling too heavy.

Contrast lighting, often involving bright areas and deep shadows, adds drama and emphasis to the subject, particularly in street photography.

These photography 'rules' are more like guidelines, meant to be learned and then selectively broken to enhance creativity.

Experimenting with different angles, perspectives, and compositional elements can dramatically change the outcome of your photos.

Transcripts

how's it going guys I'm Josh and today

we are covering composition in

photography

now composition is what's going to take

your photos to the next level no matter

how beautiful your subject matter is or

how it's a gamble your location is

without proper composition you were

blowing it so today we're going to start

with a quick description on what

composition actually is followed by 11

of my all-time favorite photo

composition rules that you should be

aware of as well as tons of my photos to

use as examples plus tips on how you can

actually put these photo composition

rules into action for your photos

starting out what is composition

simply put composition is what your

photo is made up of what you choose to

include and exclude in the frame and how

you manage to do so now composition is

not binary it's not like lungs motion

photography in which you either have it

or you don't it's something people are

constantly working on whether it's your

first day shooting photos or you a

professional photographer there's no

proper way to compose a photo

photography is an art form and submit

you'll be improving at until the data

you die or maybe even after depending on

how philosophical you want to get now

let's get in to my 11 favorite rules

rule number one perspective and vantage

point this is my subject when I shot the

photo I levels standing up now this is a

photo when I got super low note how much

more awesome the subject looks they're

composed against the ceiling which is a

really cool backdrop and here's where

you get an M this is your boring

photographers pose very standard angle

here the two angles you should get

comfortable with immediately angle

number one get super super high and if

you have a flip-out LCD screen on your

camera you can actually position your

camera like so to get it nice and high

in the air and as a result the floor now

becomes your backdrop and the floor has

tons of interesting compositional

elements lines tons of cool stuff and

pose number two get on the floor you're

gonna get some really really awesome

stuff when you're on the floor because

everything looks taller and more

dramatic additionally always look for

places in which you can get high up and

shoot from down below or vice versa

shooting straight up because it just is

a totally different perspective on

photography a few more examples by

placing my camera super low in this

field of wildflowers

it seems like you're in the field with

us in this photo by getting just a

little bit lower and crouching down on

one

I was able to frame my friend James up

against the white sky which makes him

pop so so much more so for the sake of

framing the sky is usually a really

clean backdrop option so when the

background is busy get low and get your

subject super hot you can quote me on

that get your subject high for the sake

of art rule number two negative space

give your subjects some room to breathe

the natural assumption is you want to

fill your frame with just your subject

nice and zoomed in which is good and

sometimes but sometimes you can actually

zoom out a bunch more and have a very

simple backdrop which actually adds a

nice dramatic effect and makes your

subject feel a little bit more isolated

and interesting so for example take this

photo I shot of the town of Cornelia and

chick with Terra Italy and suddenly I

zoom out a little bit and have the

Mediterranean Sea in the top of the

photo which is really just an empty

almost fully white area it makes the

photo look so much more dramatic and

provides actually more emphasis on the

town below now the best time to employed

negative space photos is when you're

taking a photo of a subject and you

realize the area surrounding them is

really simple and plain and I think the

subject actually looked a little bit

more lonely when you have this massive

empty backdrop another awesome way to

simplify a photo and add some negative

space is by doing silhouettes because

suddenly whatever texture you have in

the photo just becomes a shape and rule

number three

filling the frame this is the exact

opposite of negative space this is when

you take your subject and they pretty

self-explanatory just fill up the entire

frame with their face or with the

building or whatever you're shooting

this is my friend John Hale after eating

a ghost pepper and nothing emphasizes

tears like a good old close-up deciding

when to impose either these two rules

really just depends on what your

backdrop is if you have something

interesting and simple then zoom out and

see what you can do with it however if

you have something crazy busy in the

backdrop that you don't want featured in

the photo zooming in is a great way to

cut all that out and provide the focus

where you want it and filling the frame

is a very popular thing when you're

doing portraiture and rule number four

is symmetry which is pretty

self-explanatory the reason why it's so

lovely is because it is balanced it's

simple it's just overall easy on the

eyes now a really popular way to get

good symmetry in a photo is water so if

your shoe

doing a landscape photo just getting a

nice reflection that perfectly balances

your subject and the reflection of your

subjects other things you can do if

you're in a city or a suburb or anywhere

and you see a big puddle of water now

the trick to getting good reflections in

a puddle of water is getting super super

low and really close up and another

little trick is if you're doing this

near a street watch out for coming cars

because I've been splashed so hard show

do these photos in the past you're also

going to find great symmetry in

architecture it's probably going to be a

horizontal inflection and the trick to

this is just being centered between the

reflection points so that it's evenly

balanced on both sides to give it the

nice clean look you're gonna want rule

number five leading lines and diagonals

now lines are a great way to actually

guide your eye throughout the photo and

a welcome post photo is one that's easy

to look at and digestible where you can

easily identify the subject now a

leading line can actually take your eye

and hold your hand guiding you

throughout the photo showing you where

to look it's just a great way to add

structure to a photo now one of the most

classic leading lines is the s-curve and

this is one that just curves like an S

and it's pretty hard to find you have to

keep an eye out for it

but when you can it's this is perfect

way of really guiding your eye

throughout the entire photo but you can

find solid guiding lines just about

anywhere in the city you'll find

telephone poles street wires buildings

columns anything like this in nature

you've got trees you've got trails all

kinds of stuff to take your eye

throughout the photo now two interesting

things you can do with leading lines one

you can actually create the line

yourself by doing action sequence photos

and I have a whole tutorial link to that

over here in which you have the subject

stitch together to be their own line

which is awesome another fun thing you

can do is have a leading line not be the

main element of your photo but actually

just bringing your eye to of the main

element I took this photo of my friend

Rochelle and the line of the building

just leads your eye right up to her

other interesting lines to look out for

our diagonals now this is when a bunch

of lines actually intersect each other

at different angles so take for example

this photo of a painting man

all of these stark interesting angles

now two little tricks to get in good

leading lines photos one you just have

to keep an eye out for interesting lines

whether you're in nature

or in the city they just kind of present

themselves to you and as you get better

at shooting them you'll also get better

at identifying them and ii know that

perspective rule number one on this

video makes all the difference in

finding good leading lines take for

example you're at a sidewalk at ground

level that is just a flat plane from a

rooftop that suddenly becomes a hole

leading line just keep an eye out for

these things at all times and if you see

what might be an interesting line try

walking around different angles to see

how it changes them so you can get that

perfect beautiful line and here's

another example of an s-curve leading up

to a biker who is then placed in a frame

which takes us to topic number six rule

number six is framing and some people

call this frame within a frame because

technically every photo is a photo frame

so any of a frame within it anyway we're

gonna call it framing framing is a great

way to provide emphasis to your subject

because it's a basically just a perfect

outline for them you can use doors

windows and in this example this is a

frame within a frame within a frame or

you can get creative and make your own

frame a really popular one people like

to do in nature is finding a branch with

some leaves on it and shooting through

those leaves you can also shoot through

trees all kinds of options for finding a

good frame now somebody is like leading

lines are something you have to just

kind of find and you have or you don't

framing is awesome because you can

impose it you actually can get creative

in fine frames so for example my friend

wanted to shoot this photo of him

skating a bowl in Puerto Rico and I went

and explored this abandoned Foundation

and actually found this perfect little

sniper hole to shoot my friend through

I'm sorry for the purposely aggressive

language and created this very

deliberate frame around him if you have

a cool subject you can kind of just

explore with them until you find the

perfect frame to put them in and

sometimes frames are more subtle you

might not notice at first but the cross

I purposely framed in between two trees

because I knew that your eye would

probably be drawn to that cross now this

is again where perspective really comes

into play let's try and frame up this AC

remote in between my arm and my head so

if we have the AC remote right here yeah

it's sort of gonna frame now suddenly if

we move it up closer to the camera its

perfectly framed right there at least so

the closer or further away you move with

your subject to the frame the better or

worse the frame becomes so don't be

afraid

to experiment rule number seven is

juxtaposition and juxtaposition is all

about pairing multiple elements together

in a photo that either work together or

contrast each other in one frame and

this is a huge thing in street

photography and I have a whole tutorial

link to that right over here that goes

over this a little bit more but just a

couple quick examples take this photo I

shot in London of a guy yawning now the

guy yawning individually and this cool

piece of street art just kind of

interesting yet suddenly when I waited

an hour for this guy to walk through the

perfect time right in that circle that

juxtaposition suddenly makes it a very

strong photo another example this is the

Empire State Building framed up another

composition element within this dump

setting another example here is a photo

of a tree and use a photo of my friend

Nick and suddenly you actually show you

the full photo and this is Nick next to

a baby tree and it's all about that

contrast the rule number 8 this is

probably the most common compositional

rule in the game that is the rule of

thirds now the rule of thirds is just

the understanding that there are thirds

horizontal and vertical thirds in a

photo and that it's more aesthetically

pleasing to have certain elements of

your photo lined up with those thirds

now I'm not going to get too into this I

actually have a whole video discussing

the rule of thirds linked to that right

over here if you're curious but there's

a lot of potential to be done here and

it's a pretty fascinating topic so

definitely check that video out and

here's a candid photo I took of a bride

on a subway now quick little rule within

a role there's this thing called the

rule of space and it's the idea that if

you have a subject or any moving object

that's looking or moving in one

direction then the extra space and the

photo if you're using the rule of thirds

should be in the direction that they're

looking or moving rule 9 I'm actually

combining a few rules in one we're going

to call this the role of corners and

triangles now triangles are a beautiful

beautiful shape they look really nice to

see in photos

additionally when you have leading lines

in a photo it's really awesome when they

line up with one of the corners in a

photo or better yet actually having it

line up with two corners in your frame

or even better three or all four corners

now this is one of those rules you

shouldn't go out of your way to follow

however if you're taking a photo and you

realize oh there's this line that's

coming into my photo that is kind of

near

the corners then try and reposition to

get it perfectly lined up with one of

the corners and what you can do to do

this is move in a little bit move out a

little bit a little bit the left-right

up-down just sort of play around the

camera until you can find that perfectly

locked corner also rotating the camera a

little bit can really help it's not

going to be easy to be perfectly precise

which is where cropping comes into play

you can then just crop your photo after

your editing in Lightroom or rotating a

little bit just to make sure those

corners perfectly align changing the

crop ratio that can really help you nail

those corners and the perfect spot that

you want them to be now a more

professional compositional term you'll

hear is the golden triangle which looks

like this now personally I think this is

a load of crap actually deliberately

using this I'm sure there are

professionals that too however what I

recommend you do is focus on the rule of

corners that I said and this is gonna

happen naturally I guarantee it

don't overthink it and rule number ten

is balance now balance in general is

kind of the all-encompassing rule that

involves the rule of thirds framing lean

lines all these things keep a photo

balance but I want to talk particularly

about the balancing of elements so if

you have one very strong element over

here having something over here just to

balance it out a little bit so my two

examples one take this kid flipping in

one corner of the frame now I added this

other kid in the opposite corner of the

frame to balance it out another example

in Olympic National Park I had this very

tall tall forest so on the other side I

had this cool rock structure that just

created this nice balance additionally

working with the symmetry of the

reflection plus there's also three nice

corner lines in rule number 11 one of my

all-time favorite rules for street

photography is contrast lighting and

what this is is looking for areas of

interesting shadows or areas of light

baths which is when everything's in

shadows except for one specific area and

then putting your subject either in that

light bath or on the line between the

light bath and the shadows to then have

interesting shadow play essentially in

your photo what's great about having

bright areas and shadow dark areas in a

photo is that it provides way more

emphasis on your subject as well as just

balance in terms of lightness and

darkness and for our last bonus rule

rules are dumb these are not rules these

are guidelines

and there's that classic line about

knowing the rules before you break them

and I really strongly believe in this

for photography now especially when

you're first starting off these rules

are going to help you get way way more

creative and give you a nice leveraging

off point so get to know the rules

try them out and get comfortable with

them and then you can really do your own

thing no one you want to use them and

know when you have to say forget them

anyway that is it I hope you guys found

this super helpful if you did be sure to

subscribe and give this a thumbs up for

more content and just to help me out

also if you have any thoughts on more

important rules things I forgot to add

things that I suck at leave a comment

down below because they're fun to read

also if this video helped you let me

know because that's a huge reason why I

like doing these photo videos also if

you liked my photos all the examples

were mine of course be sure to follow me

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photography website which has links to

all of my photos tutorials as well as

reviews and all my camera setup prints

of my best shots and more photos for you

to check out link to that right over

here anyway thank you guys so much for

watching I'm gonna go eat some pretzels

so I will see you eventually